| 1. Have a Good Time |
| 2. Paz |
| 3. Prelude to the Path |
| 4. Righteous Path |
| 5. Lonely Girl |
| 6. Change Is What We Need (Progress) |
| 7. Toda Hora - Nina Miranda, Troubleman [Electronica] |
| 8. Roll On - Eska, Troubleman [Electronica] |
| 9. Time....Out of Mind |
| 10. Without You - Steve Spacek, Troubleman [Electronica] |
| 11. Strikehard |
| 12. Zap - Nina Miranda, Troubleman [Electronica] |
Editorial Reviews
"Brimming with soul, energy and inspiration across multiple atmospheres."
Product Description
The eagerly awaited Troubleman album 'Time Out Of Mind' comes from one of the UK's most respected electronic producers of the last 15 years, Mark Pritchard. We've been itching to share this LP since the stunning singles 'Strikehard' and 'Change Is What We Need (Progress)' set dancefloors on fire across the globe.
The album's a mix of Brazilian Bossa, party breaks, soul and funk, featuring already familiar club hits and guest vocalists from the top drawer, including Nina Miranda (Smoke City and Da Lata), Eska (New Sector Movements) and Steve Spacek.
Mark was formerly in seminal 90s electronic acts Global Communication and the Jedi Knights (with Tom Middleton) and has remixed the likes of Depeche Mode, PJ Harvey, Underworld, Aphex Twin, Lamb, KRS 1, A Tribe Called Quest, the Orb and The Beloved. The Troubleman LP is the work of a man on top of his game with all Mark's influences coming together in a truly remarkable concoction; from his West Country roots with Tom Middleton and Aphex Twin, to collaborations with Brazilian legends Azymuth, to his latest incarnation (as hip-hop superstar) in Harmonic 33. As a testament to its quality, Time Out of Mind came Second in Gilles Peterson's Radio 1 Worldwide Award Poll.
Time Out of Mind [Import]
Time Out of Mind,Troubleman,Far Out UK,Acid Jazz,Dance,Dance Music,Electro-Jazz,Jazz-House,Pop,Samba,World Music
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Time Out of Mind
Bob Dylan Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002C2E Release Date: 1997-09-30 |
Tracks:
- Love Sick
- Dirt Road Blues
- Standing In The Doorway
- Million Miles
- Tryin' To Get To Heaven
- 'Til I Fell In Love With You
- Not Dark Yet
- Cold Irons Bound
- Make You Feel My Love
- Can't Wait
- Highlands
Amazon.com
At the beginning of Time Out of Mind, Bob Dylan finds himself in the same dead-day world as on 1964's "One Too Many Mornings." By now, though, he can't be bothered to romanticize the street and the distant dogs' barking; he can only moan about how sick he is of love, of himself. Saying it seems to give him the strength to go on, and go on he does, over 11 songs that are among his most plainspoken and musically eloquent. The reconstituted bottle-blues that sparked the early '90s acoustic masterpieces Good As I Been to You and World Gone Wrong carries over to Daniel Lanois's carefully dirty production and a groove that tops anything Dylan's done in a studio since, at least, Blood on the Tracks. No matter how lousy he feels, this is the work of a mighty, mighty man. --Rickey WrightCustomer Reviews:
Melancholy masterpiece.......2007-06-17
The bluesy tracks include Love Sick, the almost talking blues Million Miles and Can't Wait, and Till I Fell In Love With You which in its undulating rhythms is midway towards being a ballad. The instrumental mix and arrangements on all of these are raw and gripping and will have great appeal to those who love blues music.
Despite its title, the uptempo Dirt Road Blues is a fast lilting ballad with a catchy tune. The tone changes for the next song, the melancholy and soulful Standing In The Doorway with its stirring organ and absorbing imagery. I suspect this one will eventually take its place as one of the most memorable songs in his oeuvre. Likewise, the beautiful Tryin' To Get To Heaven has elements of autobiography and haunting poetic phrases that stick in the mind.
There is something darkly prophetic about the shimmering Not Dark Yet, a song of ominous foreboding and weary resignation with sublime poetic lyrics, whilst Cold Irons Bound with its driving beat is closer to a rock song. Not surprisingly, Make You Feel My Love is a straightforward and tender love song, and the album concludes with Highlands, a mid tempo rumination with understated jangling guitar.
Working with Lanois previously produced the 1989 masterpiece Oh Mercy and this one is another winning combination. The mood is mostly somber and reflective, perfectly captured by the production which lends added gravitas to the sentiments expressed. Time Out Of Mind is definitely amongst Dylan's top ten works, a truly timeless masterpiece.
A Genuine Masterpiece.......2007-05-08
We can't know for certain that Dylan took the title of this landmark CD from Melville's classic novel, but we do know that, based on his statements, he has read Melville, along with other classics. Dylan's sensitivity towards words is matched in the great classic literature. The phrase, "time out of mind" means, according to Merriam-Webster's Third International Abridged Dictionary, "time immemorial."
This recording is one of Dylan's best, if not his very best. Upon repeated listenings, one hears greater and greater depth, as Dylan, adopting a somber tone, ruminates upon his own mortality and the sadness of life's disappointments.
The songs and production perfectly capture a contemplative Dylan, an Everyman of sorts because he has the genius to give artistic voice to feelings that so many people can relate to. The opposite of pop art and pop junk, the music on this recording reaches great levels of feeling. Comparing the work on Time Out of Mind to typical popular music is like comparing the psalms of King David to Hallmark Greeting Card sentiment.
Time Out of Mind reinforces Dylan's legacy as the minstrel poet of his generation. Highly recommended and destined to be among Dylan's most enduring works. In my humble opinion.
A masterpiece by everyone involved........2007-03-29
Actually for all involved. Daniel Lanois helped to bring a Bob Dylan statement a new meaning while completely tapping into the essence of the music's core and past.
Something which Bob has taken great tongue-in-cheek pride in doing his entire career.
A wonderful, stirring, moving and legitimate work of art on all levels. A watermark.
This one didn't thrill me at all, at all..........2007-03-13
Walking, walking with you in my head.......2007-02-20
This kind of Dylan I'm so sick of it
Could you ever be true?
I think of you
And I wonder
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The Collection: Oh, Mercy/Time Out of Mind/Love and Theft
Bob Dylan Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AAIXT0 Release Date: 2005-08-30 |
Tracks:
- Political World
- Where Teardrops Fall
- Everything Is Broken
- Ring Them Bells
- Man in the Long Black Coat
- Most of the Time
- What Good Am I?
- Disease of Conceit
- What Was It You Wanted
- Shooting Star
Tracks:
- Love Sick
- Dirt Road Blues
- Standing in the Doorway
- Million Miles
- Tryin' to Get to Heaven
- 'Til I Fell in Love with You
- Not Dark Yet
- Cold Irons Bound
- Make You Feel My Love
- Can't Wait
- Highlands
Tracks:
- Tweedle Dee & Tweedle Dum
- Mississippi
- Summer Days
- Bye and Bye
- Lonesome Day Blues
- Floater (Too Much to Ask)
- High Water (For Charley Patton)
- Moonlight
- Honest With Me
- Po' Boy
- Cry a While
- Sugar Baby
Customer Reviews:
Excellent Combo for an Aging Ageless Wonder.......2006-09-02
Anyway, Oh, Mercy is really excellent. Each song entices your involvement and interest. I am glad to finally catch up with it.
Time Out of Mind is a genius work. From my cassette version of 10 years ago, I knew it was an older guy singing about aging, the perspective from the mature end of relationships,and sounding like a person who had seen and experienced much. Personally, I think it is his best overall work since Blood on the Tracks.
Love and Theft is another story. The first two CD's would easily get 5 stars, but this one seems too simple minded. It is not lighthearted sounding with purity (as I think of Nashville Skyline) but rather just somewhat superficial. I have played it a number of times, and I keep hoping that I missed something-because when it came out, the critics were saying how wonderful and special it was, but I think it is just ok. It is way above something like Selfportrait or Dylan, but it would not make the upper echelon of Bob Dylan albums.
Overall, the package of the 3 is a great deal, and well worth the price.
The Collection: Oh, Mercy/Time Out of Mind/Love and Theft.......2006-08-31
The New Dylan..........2006-01-05
This is a coupling of albums that really makes sense. If you're a Dylan fan from days of yore, this would be a good way to bring yourself up to speed. None of these albums ever really qualified as a comeback in the literal sense; Dylan wrote plenty of good songs in the 80's, he just scattered them across a few too many albums. I guess 1997's _Time Out of Mind_ comes closest; it had been been six years since his last all-new record (the unfortunate post-Wilbury hangover known as _Under the Red Sky_, thankfully omitted from this set). But even then, he'd been burning it up onstage for two years prior, and had made two offbeat but charming albums of accoustic folk/blues interpretations. Really what sets the three records here apart is that they forced even the sometimes inattentive general public to sit up and take notice. That tells you something about how good they are.
The one thing that would have improved this set would be if they'd found a way to include the three essential non-album tracks that came out during this time period ("Series of Dreams", a spare part from _Oh Mercy_, "Dignity", from _Greatest Hits Vol. 3_, and "Things Have Changed" from the _Wonder Boys_ soundtrack).
The remastered version of _Oh Mercy_, included here, is a nice sonic upgrade from the old version.
Three Stellar Records in One Collection.......2005-10-30
Oh Mercy - Eerie Haunting Sound You Can't Get Out of Your Mind
Many people thought this album was a comeback for Dylan, many others, myself included, never thought he went away. However, I must admit Daniel Lanois' production sort of brings one back to the Dylan of old, you know, before he signed on the girl backup singers. Their is an artistic sound to this record reminiscent of a smoothed out Blonde on Blonde sound. So I can see how one would think they were getting the Dylan of the Sixties back again.
I've heard it said that this record has not stood the test of time as say, Highway 61 has, but I'd have to disagree. I play this record often, actually more than Highway 61, so I guess by my lights, the record still has pretty strong legs. The imagery in "Man With a Long Black Coat" is as powerful as anything Dylan has done. "Shooting Star" is every bit as good a song as "She Belongs to Me" for example and "Political World" is just as meaningful now as when Ronald Reagan was President, some, myself included, would say more so. And who hasn't suffered from the "Disease of Conceit" a song that could be about us all.
It is hard, out of such a body of work to pick out an album you like best, actually impossible, but for me this one is right up there near the top.
Time Out of Mind - Eerie, Haunting, Dark and Searing
When TOOM (Time Out Of Mind) came out it had been seven years since Dylan had done an album of original songs. Was TOOM worth the wait? I'd say so. For me this record harkens all the way back to "Blood on the Tracks" with Dylan delivering searing songs full of hurt, heartbreak and emotion. This album is bittersweat and dark. This album is great. This album stands near the top of a superb body of work.
And yet again, when this record came out it was hearlded as a comeback for Dylan. I swear this man has had more comebacks than Carter's got pills. Mr. Dylan never left. He has always been here, always making music, just sometimes some of his records don't etch their way into your soul the way others do. Some of his records are merely outstanding, some others, like this one, blaze like a firey comet streaking across the desert sky, burning their way into your conscious.
I suppose every five years or so Dylan has to put out a record like this just to remind us all what a real poet is all about.
Love and Theft - Kind of a Playful, Jazzy, Crooning and Rocking Bob Dylan
Still again, after a long hiatus of no albums with original tunes, many people hailed "Time Out of Mind" as still another comeback for Dylan with this record, delivered four years later in 2001, building upon said comeback. Only this time he isn't as eerie, haunting and dark as he was on "Time". In fact at times it seems Mr. Dylan has turned downright playful with his music. We have Dylan kind of crooning on some of the songs in this set of very good rock and roll songs, many of which have kind of a jazzy inflection to them.
In my opinion Dylan's gravely voice works well with this set and the songs blend into each other making a whole that is much better than the sum of its parts. I play this record quite a bit, but then I play most of his good records quite a bit. Some have said, my Gal Sara, for instance that perhaps I play Mr. Dylan's music a bit too much. Thank goodness I've got an iPod, so that when I'm up alone at night working on the computer or trying to hammer out words on paper with pen or pencil, I can listen to this record as loud as I want. My hearing may be going though, but so what, it's worth it.
Jack Priest, Writer from the Darkside
He's Older Now, but as Good, Maybe Better than Ever.......2005-10-30
"Oh Mercy" is easily one of my favorite Dylan albums, and if it's not in the top five, it's certainly in the top ten. A lot of people, who had written off Mr. D's relevance, were taken aback when this record came out. There was a lot of, "Dylan's back." or "I knew he had it in him." kind of comments going around after folks gave this record a listen too. Folks in the biz, those in the know, started calling "Oh Mercy" Dylan's comeback record. But then there were those who had been faithful fans, listening and appreciating his music all along. For them, Dylan had never really gone anywhere to come back from. That said, this record does harkens back to those Dylan albums of yesteryear, with those story songs that are so wonderful. This is most certainly a five star album and one you absolutely must own.
"Time Out of Mind" is considered a comeback album by many. These people think that just because Bob Dylan put out a couple Christian Records, or A couple records with a gang of Gospel singers, or a couple records of old blues and public domain songs, that he'd lost it, forgotten how to do rock and roll, forgotten how to write. So when these so called comeback albums come out, they raise their hands, look to the heavens and shout out "Praise the Lord, Dylan's back." How silly, Mr. D's always been around and God willing will still be giving us these comeback records every three years or so thirty years from now. That said, "Time Out of Mind," has a dark feel to it. It pulls you in with a combination of Dylan's mournful voice and mournful lyrics. It's different than anything he's done before.
I've heard it said that Bob Dylan said of "Love & Theft" that it's like "a greatest hits without the hits." Well, when you listen to this masterpiece, that's exactly the kind of feel you get for this album. It's like each of the songs is an old friend, like we've heard them all before. How did Dylan do that? Maybe it's because he recorded "Love and Theft" with his touring band and they were all so used to playing with each other. It shows. In a way this album reminds me of "Blood on the Tracks" the album that I consider Mr. Ds best. Every song on "The Tracks" belongs there, an integral part of the whole. Sure every song stands alone, but together they make a masterpiece. That's the way it is with "Love and Theft." I don't know if this is the best album Mr. D has ever done, cuz I still listen "The Tracks," all the time, but if it's not the best, it's certainly number two. And who knows, after listening to it for another year or so, I may reevaluate that, but for now all I have to say is this CD is so good it'll make you cry.
Reviewed by Stephanie Sane
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Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)
Stephen Sondheim , Betty Buckley , Paul Gemignani , Patti LuPone , Liza Minnelli , and Bernadette Peters Manufacturer: RCA Victor Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003FDW Release Date: 1993-02-23 |
Tracks:
- Symphonic Sondheim: Sweeney Todd--orchestra, Jerry Hadley ("Johanna"), Eugene Perry,Herbert Perry ("Pretty Women")
- Evening Introduction--Bill Irwin
- Loveland/Getting Married Today--Ensemble, Jeanne Lehman, Mark Jacoby, Madeline Kahn
- Waiting for the Girls Upstairs--George Lee Andrews, Michael Jeter, James Naughton/Love, I Hear--Michael Jeter/Live Alone and Like It--James Naughton
- Someone Is Waiting--Richard Muenz/Symphonic Sondheim: Barcelona--orchestra
- Being Alive--Patti LuPone
- Good Thing Going--The Tonics
- Losing My Mind/You Could Drive a Person Crazy--Dorothy Loudon
- Our Time--Boys Choir of Harlem/Children Will Listen--Betty Buckley
- Anyone Can Whistle--Billy Stritch
- Water Under the Bridge--Liza Minnellli, Billy Stritch
- Back in Business--Liza Minnellli, Billy Stritch, Ensemble
Tracks:
- Symphonic Sondheim: Comedy Tonight--Bill Irwin, orchestra
- Sooner or Later--Karen Ziemba
- Pretty Lady--Mark Jacoby, Eugene Perry, Herbert Perry
- Green Finch and Linnet Bird--Harolyn Blackwell
- The Ballad of Booth--Patrick Cassidy, Victor Garber
- Broadway Baby--Daisy Eagan
- I Never Do Anything Twice--BETTY
- With So Little to Be Sure Of--Jerry Hadley, Carolann Page
- Not a Day Goes By--Bernadette Peters
- Remember?--Ron Baker, Peter Blanchet, Carol Meyer, Bronwyn Thomas, Blythe Walker (Quintet)/A Weekend in the Country--Kevin Anderson, George Lee Andrews, Mark Jacoby, Beverly Lambert, Maureen Moore, Susan Terry, Quintet
- Send in the Clowns--Glenn Close
- Old Friends--Liza Minnelli
- Sunday--Bernadette Peters, Broadway Chorus
Customer Reviews:
Great CD.......2006-08-06
Simply the Best.......2005-06-29
In a compilation of songs like this you're always going to have tracks that you prefer over others, but the majority of the renditions in this CD are great. This is simply one of the best collections of Sondheim out there. You get interpretations that span from "classical" (Green Finch), to bordering on insane (Anything Twice). This is to demonstrate how versatile this composer really is.
In my opinion, some of the best renditions are "Not a Day Goes By," "Anyone Can Whistle", "Girls Upstairs Medley," "Losing My Mind/Drive a Person Crazy," and "Weekend inthe Country." Makes me wish I had been there to witness it first hand.
If you love Sondheim and enjoy hearing Broadway performers, get this CD. A great recording.
Inconsistent, but mostly excellent.......2004-03-21
"Celebration" is not strong enough a word.......2003-04-30
I have been a major Sondheim fan for quite some time, and I finally obtained a copy of this album. I was blown away by the excellent cast and phenomenal selection of music. It is obvious how much work went into this production, considering that this is the live recording of a one time show, and it's flawless. The songs cover all of his shows with the exception of "Passion," which was released 3 years after this show. Also, the shows for which he wrote only lyrics are ommited, like West Side Story, Gypsy, etc. Thus, you can find material from A Funny Thing Happened on the Way to the Forum, Anyone can Whistle, Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd: The Demon Barber of Fleet Street, Merrily we Roll Along, Sunday in the Park with George, Into the Woods, and Assassins.
There are two striking things about this CD (besides the music and performers themselves). First of all, some of the songs are completely stylistically reworked. The most obvious are "Good Thing Going" and "I Never do Anything Twice." Both are traditionally very ballady with a piano accompaniment, but here they have been redone as jazzy tunes. The result is excellent. Such reworkings demonstrate that Sondheim writes music for virtually any style, and in these cases, across several styles. It's a great example of his variety. The other interesting thing is how many songs have overlapping melodies of songs from different shows. Case in point, "Our Time" and "No one is Alone" are sung seperately by the Harlem Boys Choir and Betty Buckley (the original Grizabella in Webber's atrocious "CATS," although Buckley was excellent) respectively, and then combined. Putting these two songs together offer different meanings to each, and the music is only enhanced. Another example, the trio of "Waiting for the Girls Upstairs," "Love, I Hear," and "Live Alone and Like It" are sung in that order, and then the latter two are combined. Again, the meanings of the songs change, this time in an almost narrative style, and offering different takes on love in the same montage. Lastly (at least for this review, there are more), Dorothy Laudon's (the original Ms. Hannigan in Annie) combination of "Losing my Mind" and "You Could Drive a Person Crazy" is brilliant. Those who are familiar with these songs will wonder how exactly they fit, but trust me, they do. She swtiches back and forth between melodies to create a number that starts poignant and beautiful, and soon moves to become uproariously funny. Both the song reworkings and overlapping melodies of unrelated songs are all for the better.
I recommend this recording to anyone wanting to get better acquainted with some of Sondheim's best work, or those already familiar who want to hear a tour de force of phenomenal music. It has been said that Sondheim is a masterful lyricist (which he is), but lacks real talent for music. This CD is the final proof that such critics are wrong. His music may take a few listenings to get into, contrary to Webber or Wildhorn, but unlike those two, he doesn't cater to the audience. He challenges them to think outside of traditional musical theater in a glorious repertoise of shows that reach for a smarter, more sophisticated form.
A maginificent evening, a magnificent album.......2001-12-16
This wonderful double CD shows off the best and brightest of the musical theatre composer and it is, as one person put it, "an embarassment of riches." With songs from his finest works done in amazing arrangements (listen to that harmony in "We Had a Good Thing Going"!) combined with fabulous performers this is a Sondheim lovers delight.
My favorite song is, without a doubt, Dorothy Louden and her wonderful medley of "Losing My Mind" into "You Could Drive a Person Crazy" followed very closely by the recently departed Madeline Kahn singing "Getting Married Today."
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Four Songs
Alexi Murdoch Manufacturer: Mind Blue Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00015EKKU Release Date: 2003-03-10 |
Tracks:
- It's Only Fear
- Orange Sky
- Blue Mind
- Song For You
Album Description
The all time NO. 1 selling record on CDBaby. This limited edition EP is the first available music from fast emerging, young British singer-songwriter Alexi Murdoch.Customer Reviews:
Simply Amazing.......2006-06-13
Simply Wonderful.......2006-06-08
I enjoyed it.......2006-04-27
Orange Sky is by far the best song out of the four.
An Amazing Debut EP.......2005-08-06
By the way BEN HARPER RULES!!!
One song wonder..........2005-05-30
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Time Out of Mind
Troubleman Manufacturer: Far Out UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001OGUC2 Release Date: 2004-06-21 |
Tracks:
- Have a Good Time
- Paz
- Prelude to the Path
- Righteous Path
- Lonely Girl
- Change Is What We Need (Progress)
- Toda Hora - Nina Miranda, Troubleman
- Roll On - Eska, Troubleman
- Time....Out of Mind
- Without You - Steve Spacek, Troubleman
- Strikehard
- Zap - Nina Miranda, Troubleman
Album Description
The eagerly awaited Troubleman album 'Time Out Of Mind' comes from one of the UK's most respected electronic producers of the last 15 years, Mark Pritchard. We've been itching to share this LP since the stunning singles 'Strikehard' and 'Change Is What We Need (Progress)' set dancefloors on fire across the globe.The album's a mix of Brazilian Bossa, party breaks, soul and funk, featuring already familiar club hits and guest vocalists from the top drawer, including Nina Miranda (Smoke City and Da Lata), Eska (New Sector Movements) and Steve Spacek.
Mark was formerly in seminal 90s electronic acts Global Communication and the Jedi Knights (with Tom Middleton) and has remixed the likes of Depeche Mode, PJ Harvey, Underworld, Aphex Twin, Lamb, KRS 1, A Tribe Called Quest, the Orb and The Beloved. The Troubleman LP is the work of a man on top of his game with all Mark's influences coming together in a truly remarkable concoction; from his West Country roots with Tom Middleton and Aphex Twin, to collaborations with Brazilian legends Azymuth, to his latest incarnation (as hip-hop superstar) in Harmonic 33. As a testament to its quality, Time Out of Mind came Second in Gilles Peterson's Radio 1 Worldwide Award Poll.
Album Details
Far Out Are Proud to Present the Project from Acclaimed UK Producer Mark Pritchard (Formerly of Global Communication). Mark is One of the Most Respected UK Electronic Producers of the Last 15 Years and 'time Out of Mind' is his Debut Solo Album and his Most Accomplished Work to Date. Renown Throughout the Electronic World this Album Will Appeal to Fans of his Earlier Work as Well as Those People Into the Likes of Groove Armada and Zero 7. The Album is a Mix of Brazilian Bossa, Party Breaks, Soul and Fun, and features Vocalists Nina Miranda (Smoke City and Da Lata), Steve Spacek (Spacek, !k7 Records) and Eska (New Sector Movements).Customer Reviews:
Very solid, versatile album........2007-05-07
Who knew cool could be this beautiful?.......2004-11-26
Deja-Vu.......2004-08-22
The music is rather good, blending smooth vocals with electronics, guitar, keyboards, etc. When you look through the track listing you wonder if it is more of a social cd aimed at todays times. But the music - great electronic touches, some nice music, great producing and a smooth, easy, very chilled vibe to this. Underground sounding, which is perfect if you include Nina Miranda's sweet vocals. Stand out cuts to me were "Paz", with a very interesting palindrome of the track to close the cd. And then "The Righteous Path" has a cool sound, dark and lounge theme. Also, "Lonely Girl" is a great song that comes a bit off of the path of the CD. It reminds me of a soundtrack theme to be honest - an Italian soundtrack theme, "Easy Tempo" ish. There are other songs here that are also quite good, like "Roll On" featuring Eska and "Without You" featuring Steve Spacek. Perhaps the only song I didn't follow as much as the others were the album's title track, as it just didn't seem as timeless as the others.
All in all, this is a terrific cd with a very cool vibe. Be warned, this is not an energetic cd, or something that's made in the mold of inspiring you to run 10 laps or have a power workout. It's almost something for a rainy, cloudy day or for a lazy mood in London, which is what this CD reminds me of. And if you have this and enjoy it, you will DEFINITELY want to pick up Arkestra One's cd from 2 yrs. ago. Just like this, it features Nina Miranda on vocals on select tracks, and has an eerily similar vibe. It's a perfect companion piece to this. Also check out some other stuff by Eighteenth Street Lounge (Thievery Corporation), who released Arkestra One's cd in the USA.
Finally, a solo album from the Global Communication camp!.......2004-06-24
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Hey Mr. Producer!: The Musical World of Cameron MacKintosh
Martin Koch Manufacturer: Polygram ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000023ZUQ Release Date: 1998-08-25 |
Tracks:
- We Said We Wouldn't Look Back [Salad Days] - Martin Koch
- Cats Overture [From Cats] - Martin Koch
- Food Glorious Food [From Oliver!] - Workhouse Children
- Wouldn't It Be Loverly [From My Fair Lady] - Gillian Lynne, Liz Robertson, Company
- Quit Professor Higgins [From My Fair Lady] - Company
- Rain in Spain [From My Fair Lady] - Jonathan Pryce, Liz Robertson,
- Get Me to the Church on Time [From My Fair Lady] - Peter Bayliss, , Company
- I've Grown Accustomed to Her Face [From My Fair Lady] - Jonathan Pryce, Liz Robertson
- Introduction (Show Medeley) - Julie Andrews
- One Two Three [The Fix] - John Barrowman
- Little Shop of Horrors - Wendy Mae Brown, Dawn Hope, Femi Taylor
- Somewhere That's Green [Little Shop of Horrors] - Ellen Greene
- Suddenly Seymour [Little Shop of Horrors] - Ellen Greene, Teddy Kempner
- Day by Day [Godspell] - Company
- I Get a Kick Out of You [From Anything Goes] - Laurie Holloway, Marian Montgomery,
- Variations [Song and Dance] - Julian Lloyd Webber, , Company
- Unexpected Song [Song and Dance] - Bernadette Peters
- Nicer in Nice [The Boyfriend] - Jasna Ivir, Company
- I Love a Lassie [Lauder] - Scottish Power Pipe Band
- Five Guys Named Moe/Is You Is or Is You Ain't My Baby? [Five Guys ...] - Trent Armand Kendall, , , ,
- Pick a Pocket or Two - Russ Abbot, , ,
- As Long as He Needs Me [From Oliver!] - Sonia Swaby
- Introduction - Julie Andrews
- I'm Martin Guerre - David Campbell
- How Many Tears? [Martin Guerre] - Maria Friedman
- Heat Is on in Saigon [From Miss Saigon] - David Campbell, , Lea Salonga, Company
- Wedding [From Miss Saigon]
- Last Night of the World [From Miss Saigon] - David Campbell, Lea Salonga
- This Is the Hour [From Miss Saigon] - Company
- American Dream [From Miss Saigon] - Jonathan Pryce, Company
Tracks:
- Phantom of the Opera [From The Phantom of the Opera] - Lisa Vroman, Colm Wilkinson
- Music of the Night [From Phantom of the Opera] - Colm Wilkinson
- Broadway Baby [Follies] - Maria Friedman, Julia McKenzie
- Oh, What a Beautiful Morning [From Oklahoma!] - Hugh Jackman
- Carousel Waltz/Ballet [From Carousel] - Dana Stackpole, Company
- Porch Scene [From Carousel] - Hal Fowler, Barbara King, Joanna Riding, Dana Stackpole
- You'll Never Walk Alone [From Carousel] - Joanna Riding, Company
- Introduction - Ned Sherrin
- Side by Side [Company] - David Kernan, Millicent Martin, Julia McKenzie, Ned Sherrin, Stephen Sondheim
- You Could Drive a Person Crazy [Company] - Maria Friedman, Ruthie Henshall, Millicent Martin, Lea Salonga
- Send in the Clowns (A Little Night Music) - Judi Dench
- Losing My Mind [Follies] - Michael Ball
- Being Alive [Company] - Bernadette Peters
- You've Gotta Have a Gimmick [From Gypsy] - Michael Ball, Judi Dench, Maria Friedman, Ruthie Henshall, David Kernan, , Dean Martin, Julia McKenzie, Bernadette Peters
- Introduction - Stephen Sondheim
- Duelling Pianos - Andrew Lloyd Webber, Stephen Sondheim,
- Poisoning Pigeons in the Park [Tom Foolery] - Tom Lehrer
- Jellicle Songs [From Cats] - Brian Blessed, , Paul Nicholas, Company
- Memory [From Cats] - Elaine Paige
- At the End of the Day [From Les Miserables] - Company
- Stars [From Les Miserables] - Philip Quast
- Do You Hear the People Sing? [From Les Miserables] - Hal Fowler, Company
- On My Own [From Les Miserables] - Lea Salonga
- Bring Him Home [From Les Miserables] - Colm Wilkinson
- One Day More [From Les Miserables] - Michael Ball, Hal Fowler, Ruthie Henshall, Tammi Jacobs, Teddy Kempner, Philip Quast, Lea Salonga, Colm Wilkinson, Za
- We Said We Wouldn't Look Back [From Les Miserables] - Cameron Mackintosh
Album Description
Subtitled the Musical Word of Cameron Mackintosh. Import only 56-track collection. A live recording at the Lyceum Theatre in London, in the presence of her majesty the Queen and HRH the Duke of Edinburgh. In aid of the Royal National Institute for the Blind and the combined theatrical charities. Universal.
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Good Day No Rain
Bill Deasy Manufacturer: Bound To Be Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008X1CO Release Date: 2003-03-25 |
Tracks:
- I Want to Know
- Blue Sky Grey
- In My Head
- Prisoner
- I'll Rescue You
- Somewhere in Me
- I'll Be Here
- Who We Are
- It's All Right There
- The Gift of Seeing Through
Album Description
Bill Deasy's new album Good Day No Rain is a testament to his unique songwriting and vocal abilities. The album starts with the lilting and ironic "I Want to Know" and drives us all the way through an emotional landscape that closes with the beautiful and powerful "The Gift of Seeing Through." From the opening to the close, the album is a musical and lyrical journey that gazes at relationships through shifting perspectives and angles. The album is a culmination of work done over the last year, which began with producer Gregg Wattenberg (Five For Fighting, Dishwalla.)Customer Reviews:
Best CD purcase you can make.......2005-10-17
Best Music!.......2005-02-12
Some of the best music you will ever experience.......2004-01-06
Not enough words.......2003-10-10
Great, Great CD! Listen, and you'll be hooked too!!.......2003-05-19
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Star Trek - The Next Generation: Music From The Original Television Soundtrack, Volumes One, Two And Three
Manufacturer: Gnp Crescendo ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001OZT Release Date: 1993-04-19 |
Tracks:
- Star Trek: The Next Generation-Main Title - Dennis McCarthy
- Stardate - Dennis McCarthy
- Troi Senses - Dennis McCarthy
- Picard's Plan/First Chase - Dennis McCarthy
- Detaching/Separation - Dennis McCarthy
- Shaken/Court Time/There Goes Da Judge - Dennis McCarthy
- USS Hood/On Manual - Dennis McCarthy
- End Credit - Dennis McCarthy
- Personal Log/Admiral/Old Lovers - Dennis McCarthy
- Caverns - Dennis McCarthy
- Splashing/The Woods/Memories - Dennis McCarthy
- Scanned/Big Guns/Unknown - Dennis McCarthy
- Revealed/Reaching Out - Dennis McCarthy
- Departure - Dennis McCarthy
- Main Title-Version #2 (Alternate M.T.) - Dennis McCarthy
Tracks:
- Star Trek: The Next Generation Main Title - Ron Jones
- New Providence - Ron Jones
- Hansen's Message - Ron Jones
- Borg Engaged - Ron Jones
- First Attack - Ron Jones
- Borg Take Picard - Ron Jones
- Death Is Irrevelant - Ron Jones
- Away Team Ready - Ron Jones
- On The Borg Ship - Ron Jones
- Nodes - Ron Jones
- Captain Borg - Ron Jones
- Energy Weapon Fails - Ron Jones
- Humanity Taken - Ron Jones
- Contact Lost - Ron Jones
- Cemetery Of Dead Ships - Ron Jones
- Intervention - Ron Jones
- The Link - Ron Jones
- Sleep Command - Ron Jones
- Destruct Mode/Picard Is Back - Ron Jones
- Picard's Nightmare - Ron Jones
- Star Trek: The Next Generation-End Credit - Ron Jones
Tracks:
- Star Trek: The Next Generation-Main Title - Dennis McCarthy
- Yesterday's Enterprise: Duality/Enterprise C - Dennis McCarthy
- Yesterday's Enterprise: Averted/Richard/Gulnan/Back To Battle/Cmdr. Garrett - Dennis McCarthy
- Yesterday's Enterprise: First Kiss/Not To Be/Empty Death/Reporting For Duty - Dennis McCarthy
- Yesterday's Enterprise: Klingons/Skin Of Teeth - Dennis McCarthy
- Unification I & II: In Case You Forgot - Dennis McCarthy
- Unification I & II: Sarek - Dennis McCarthy
- Unification I & II: Sarek Drifts Away - Dennis McCarthy
- Unification I & II: Another Captain/Food Fight - Dennis McCarthy
- Unification I & II: Victims Of Holography - Dennis McCarthy
- Unification I & II: Sacrificed/Mind Meld - Dennis McCarthy
- Hollow Pursuits: Barclay Mitty - Dennis McCarthy
- Hollow Pursuits: Tissue Samples/Sad Sack/Staff Confab/Hololust - Dennis McCarthy
- Hollow Pursuits: Lady Gates/Swordplay - Dennis McCarthy
- Hollow Pursuits: Madame Trol/Blissful/Out Of Control/Warp Nine - Dennis McCarthy
- Hollow Pursuits: Warposity - Dennis McCarthy
- Hollow Pursuits: Plan 9 - Dennis McCarthy
- Star Trek: The Next Generation-End Credit - Dennis McCarthy
Customer Reviews:
GREAT COLLECTION.......2004-03-29
If you want a good price for good CDs, buy this...........2000-06-18
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Time Out of Mind
Jr. Grover Washington Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000026UA Release Date: 1989-09-20 |
Tracks:
- Jamaica
- Gramercy Park
- Sacred Kind Of Love
- Brand New Age
- Fly Away
- Don't Take Your Love From Me
- Time Out Of Mind
- Split Second (Act II, The Bar Scene)
- Nice-N-Easy
- Unspoken Love
- Protect The Dream
Customer Reviews:
Gifted & Great!!!!.......2006-05-18
Grover Washington Jr. also had an ear for talent. Check out the great soul diva Phyllis Hyman on "Sacred Kind Of Love". Grover's sax and Phyllis' voice blend beautifully. This is a timeless song.
"Unspoken Love" has smoldering moments intermingled with tender interludes. It's a gorgeous sax solo full of soul and depth. "Protect The Dream" will take you away as you get caught up inside this song.
As always, a pleasure to listen to again and again. Thank you, Grover, for the ear candy.
So good that it was stolen!.......2001-12-29
Simply Grover.........2000-03-30
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The Collection: Oh, Mercy/Time Out of Mind/Love and Theft
Bob Dylan Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002IQEY6 Release Date: 2004-07-13 |
Tracks:
- Love Sick
- Dirt Road Blues
- Standing in the Doorway
- Million Miles
- Tryin' to Get to Heaven
- 'Til I Fell in Love With You
- Not Dark Yet
- Cold Irons Bound
- Make You Feel My Love
- Can't Wait
- Highlands
Tracks:
- Tweedle Dee & Tweedle Dum
- Mississippi
- Summer Days
- Bye and Bye
- Lonesome Day Blues
- Floater (Too Much to Ask)
- High Water (For Charley Patton)
- Moonlight
- Honest With Me
- Po' Boy
- Cry a While
- Sugar Baby
Tracks:
- Political World
- Where Teardrops Fall
- Everything Is Broken
- Ring Them Bells
- Man in the Long Black Coat
- Most of the Time
- What Good Am I?
- Disease of Conceit
- What Was It You Wanted
- Shooting Star
Customer Reviews:
Oh Mercy, This is a Mighty Fine Collection.......2006-04-03
Many dylan fans believe "Blood on the Tracks" to be Dylan's most personal album, his most painful. But, in my opinion, "Time Out of Mind" tops that. I don't know what he was going through in his personal life when he wrote these songs, but it must have been bad. At least that's the way it seems to me. Darkly personal from a man who is hurting, that's the sense I get from this record, from "Love Sick" all the way through to "Highlands," which I consider to be just about one of the best story songs every written or performed by anyone, bar none. Dylan sings like he's taken a down turn since "Oh Mercy," the last record produced by Daniel Lanois. In between there were a couple albums of standards, blues and ballads, plus the Bootleg Series and Unplugged show, also Red Sky, which was pretty good, but not nearly the record this is. It's almost like Dylan went straight from "Oh Mercy" to "Time Out of Mind" and the transition is seemless. This is a beautiful record, darkly done, but beautiful nevertheless.
My friends have talked about how Dylan sings somewhat like a honky tonker on "Love and Theft", but he also comes across as a crooner as well, especially on "Bye and Bye" and also on "Moonlight." He's a Jazz singing, upbeating performer too, just listen to "Summer Days" and "Lonesome Day Blues." He's a honky tonking gambler on "Poor Boy," a dirge singer, delivering lyrics stark and true on "Sugar Baby." Like always, Bob Dylan is so many things, on this album, just about his best record ever. I loved "Highway 61." Wept over "Blood on the Tracks." Rocked with "Infidels." But this, this is all those and more. I think maybe this is Bob Dylan's best.
Some of Bob Dylan's Best Work.......2006-04-03
Sometimes one has to wonder if Bob Dylan has a frog caught in his throat. The big kind you find in the tropics, those frogs that croak all night long, singing their songs of sadness and despair. Their dark songs, songs about a place you don't want to go, but can't help going. That's what you'll find on "Time Out of Mind." You can almost feel Dylan's pain as he croaks out the word to "It's Not Dark Yet." This is almost as revealing about Dylan's personal trials and travails as "Blood on the Tracks," a deeply personal look at the man through his music. That is one thing about Bob Dylan, he puts it all out there for you to either accept or reject, but like it or not, his music is real and this record is one of his best.
Unlike the very dark, Grammy winning "Time Out of Mind" Dylan's last album of original material, "Love and Theft" is a record full of fun songs that takes you back to the Fifties, maybe the Forties even. Listen to "Summer Days." If that doesn't make you want to get up and swing, you've got lead in your feet. This whole record has sort of a honky tonk feel to it. It's just simply fabulous. Dylan is older, but he's better. He still has that frog in his throat we've all come to know and love. He's sporting a Boston Blackie Mustache, has a twinkle in his eye and kind of looks like that guy you've seen playing the piano in so many saloons in so many black and white westerns and he just plain sounds like a song and dance man and gosh, I love this record. I guess I already said that.
Three Very Personal Records.......2006-04-03
It seems like Dylan's voice has changed when you listen to "Time Out of Mind, but that's not unusual. His voice changes a lot from record to record, but it's always recognizably, thoroughly Dylan. The album is a bit dark and you can especially see that in the excellent "Love Sick" and "Not Dark Yet," but you can see some optimism, some hope in the song too. There is sort of a bluesy feel to this record that carries over to "Love and Theft," you know, kind of a sadness in these songs that are oh so honest they make your heart ache. This is both a very depressing and very inspiring record and only Bob Dylan could get away with something like that. Highly recommended, very highly recommended.
"Moonlight" is my favorite song on "Love and Theft record that is full of my favorite Bob Dylan songs. Just imagine a honky tonking riverboat gambler with a guitar and a touch of irony in his voice and you have the master who comes up with such words, like "Doctor, lawyer indian chief, it takes a thief to catch a thief, and who does the bell toll for, love, it tolls for you and me." Old words mingled with new words which captures the essence of this album, old style infused with a touch of today. Still, I imagine someone fifty or sixty years ago, hearing this record for the first time, from the whimsical" Tweedle Dee" to the dirgle like "Sugar Baby" that is so reminiscent of "Dark Eyes" the song that closes "Empire Burlesque, would recognize Bob Dylan as a contemporary. "Love is pleasing, love is teasing, love's not an evil thing." What great lyrics there are on this record you'll never be able to get out of your mind. "It takes a thief to catch a thief," and Bob Dylan must be a thief, because he sure caught me.
Dylan Just Keeps Getting Better.......2006-04-03
Riddles and Enigmas Abound in "Time Out of Mind." Eight years since "Oh Mercy," and once again Bob Dylan calls on Daniel Lanois to produce a record. This one wins a Grammy and shows the world Bob Dylan is still a force to be reckoned with. This is an eerie, kind of psychedelic and very dark record. Dylan's voice even sounds dark, as dark and bare as the lyrics. Songs of no hope and a lot of hope, dreary, dank, dark, but seemingly always with a ray of hope shining through. "It's not dark yet, but it's getting there." Yeah, it's getting there. Riddles and enigmas abound in this record that won a Grammy and if you give it a listen, you'll find Bob Dylan's riddles both easy and impossible to decipher, but such is the nature of the man.
"Love and Theft" was Worth the Wait. I guess Bob Dylan is approaching half a century in the music making business, forty years or so when this record came out. That's a long time from that first album of just him and his guitar singing those protest songs. A long time from protest ballads, rock songs, gospel songs, uplifting and dark songs to this, a rollicking, frolicking record of songs that will make you laugh and dance and cry for joy. Maybe it took forty years to get to here, but it was worth it. The music on this record is tight and good, but then Dylan had been playing with this band during a zillion and one concerts on his Never Ending Tour, so it's not surprising. The songs are just plain fun and harken back to an age much more innocent. This is a wonderful record. I've played my CD hundreds of times, have the record on my iPod. It puts a smile on my face and that is just about as grand a compliment one can give a piece of music.
Expanding on the packaging..........2005-08-23
But on the packaging: as Magnus Eisengrim said it is a book styled box made of cardboard and molded plastic. Upon opening the three CDs are placed in trays and in the fourth space fits the booklets for the three albums. All are the standard CDs, Oh Mercy is the reissued version the label leads me to believe, but not the SACD. I owned Time Out Of Mind and "Love And Theft"'s standard issues, so I can very securely say that all is missing from them in this package is the back insert of the CD case, both have transparent trays that you can see through for a picture underneath and it is to be assumed the Oh Mercy package had the same thing. As I said this set doesn't have these, but most people probably won't care a lot seeing as all there are is a couple pictures and the track list and general fans probably won't feel incomplete without them.
So this set is probably more for collectability than the jewel case edition, but most who will be buying this edition will be collectors. But what really matters anyway is the music, so any way you'll have these albums. If you've got an SACD player, don't buy this though, because, as I said, these aren't SACDs and Oh Mercy and "Love and Theft" are both available on SACD. Let's hope Time Out Of Mind will become available on it, because that is an album that deserves a 5.1 mix.
By the way, at Best Buy I saw sets of this style of Willie Nelson, and some other people I don't recall right now, and I guess as Magnus said, Black Sabbath.
Album Review:
- Trax Classix: Farley Jackmaster Funk [Explicit Lyrics]
- Turntables on the Hudson, Vol. 4
- Unexpected Lovers [Import]
- Ur-Klang Search
- Urchin
- Very Best of E-Rotic [Import]
- VH1 Presents: Live & More Encore! [Live]
- Visions [Import]
- Where the Fun Starts Early in the Day
- White Martini
Album Review
Music: Classic Slide Guitar Blues
Ultimate 16: The Very Best of Classic Rock
The Best of Promise Keepers, Vol. 3
The Legends Collection: The Willie Nelson Collection