World Power [Extra tracks]

Product Description
SNAP! have become a true ‘hit machine’ and amassed countless awards in the process. After The Power, Anzilotti and Muenzing released further mega-sellers such as Ooops Up, Cult of SNAP! and Mary Had a Little Boy on their label Logic Records, all of which soared to the top places in the European charts. Music for the dancefloor is normally regarded as an ephemeral, transient commodity: here today, gone tomorrow. Something that the Frankfurt-based producer team Matthias Muenzing and Luca Anzilotti, better known as Snap!, have now been disproving for over 13 years.

The debut album World Power (originally released in 1990) counts as one of the most successful dance albums worldwide with well over seven million LPs sold. The mega hit, The Power, has long become one of the most played music tracks in the world and has made musical history.

Tracks:

Waltz #1 - Sam Phillips (cue)
What A Wonderful World - Joey Ramone
Child Psychology - Black Box Recorder
Know Your Onion! - The Shins
I Found Love - The Free Design
Car Song - Elastica
Oh My Love - John Lennon
Getting Married (Sam Phillips cue)
Where You Lead I Will Follow - Carole King & Louise Goffin
Clear Spot - Pernice Brothers
One Line - PJ Harvey
I'm The Man Who Murdered Love - XTC
Maybe Next Week (Sam Phillips cue)
Thirteen - Big Star
Human Behavior - Bjork
I Don't Mind - Slumber Party
Tell Her What She Wants To Know - Sam Phillips
It's Alright, Baby - Komeda
God Only Knows - Claudine Longet
Smile - Grant-Lee Phillips
O'oh - Yoko Ono
Rory And Lane (Sam Phillips cue)
Girl From Mars - Ash
My Little Corner Of The World - Yo La Tengo

Album Description

Full Title - Our Little Corner Of The World - Music From The Gilmore Girls. First soundtrack of music from the hit WB series. The show is packed with musical references and refreshing songs which Gilmore Girls audiences are seeking. Includes newly recorded, original songs, and music by Sam Phillips and Grant-Lee Phillips just for the soundtrack, plus opening theme song 'Where You Lead I Will Follow' by Carole King & Louise Goffin. Other artists include Joey Ramone, John Lennon, Yoko Ono, Yo La Tengo, XTC and more. Rhino. 2002.

Customer Reviews:

For the true Gilmore Fan.......2007-07-16

The Gilmore Girls may have ended, but this CD can bring you back to Stars Hollow anytime you listen to it. This is a must have for the true Gilmore fan!

Music from Gilmore Girls.......2007-06-29

This product came very timely and I am very happy with it as well. Thank you!

Gilmore Girls Sound.......2007-03-11

Being an avid supporter of the show, I enjoy the sound track, a very diverse selection of songs and artists. If you enjoy the music on the show, you'll love the CD.

Gilmore Girls Soundtrack.......2007-01-18

The cd is OK.......not great, but then I didn't seem to remember such loud music in the series.....I think I expected more of the troubadour and Carol King.

Great music.......2007-01-10

If you like the Gilmore Girls shows, then this cd is a must. I bought it for my 14 year old daughter. She was thrilled when she opened the cd on Christmas.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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The Young Person's Guide to the Orchestra (Book & CD)
What to Listen for in Music
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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Theme from Rawhide - Frankie Laine
The Good, The Bad And The Ugly - Ennio Morricone
Theme From The Outlaw Josey Wales - Jerry Fielding
Theme From Pale Rider
Claudia's Theme From 'Unforgiven'
Theme From Dirty Harry - Lalo Schifrin
Big Fran's Baby From 'A Perfect World'
Misty From 'Play Misty For Me' - Erroll Garner
Amanda's Theme From 'Tightrope'
Kate's Theme From 'Absolute Power'
Why Should I Care Instrumental Theme From 'True Crime'
Espacio From 'Space Cowboys'
Doe Eyes (Love Theme From The Bridges Of Madison County) - Lennie Niehaus/Michael Lang
Clint Eastwood, An American Filmmaker Suite, Part 1: Out Of The Shadows
Clint Eastwood, An American Filmmaker Suite, Part 2: An American Landscape
Clint Eastwood, An American Filmmaker Suite, Part 3: This I Remember - Lennie Niehaus/Joshua Redman
Clint Eastwood, An American Filmmaker Suite, Part 4: The Journey Continues...
Clint Eastwood, An American Filmmaker Suite, Part 5: Battle Royale (It's All There) - Lennie Niehaus/Joshua Redman/Ralph Moore
Clint Eastwood, An American Filmmaker Suite, Part 6: Day Dreams - Lennie Niehaus/Joshua Redman
Clint Eastwood, An American Filmmaker Suite, Part 7: The Piano Player
Clint Eastwood, An American Filmmaker Suite, Part 8: Destiny - Lennie Niehaus/Joshua Redman
Clint Eastwood, An American Filmmaker Suite, Part 9: At Peace And Play
Clint Eastwood, An American Filmmaker Suite, Part 10: I Love Jazz - Lennie Niehaus/Joshua Redman

Customer Reviews:

EASTWOOD IS ALSO A GREAT SONGWRITER.......2007-06-11

This is a "semi" career spanning CD (and the only decent one in existence) of the movie themes from some great Eastwood movies. The earlier pieces are from his days in TV and transition to movies. The more mature work with Lennie Niehaus displays Clint's artistry, no not only as an actor, award winning director, but great composer. My only complaint is the disc is missing the off-beat and totally original jazzy "Just A Closer Walk With Thee" from THE GAUNTLET.

The disc does contain his wonderful A PERFECT WORLD and THE UNFORGIVEN. Why Eastwood never won an Oscar for some of his original scores is a mystery to me. He is more celebrated as a director than as an actor only because he won more awards in that category and his acting style was known for it's low-keyed and reactionary style. But the Clint Eastwood the musician cannot be dismissed and here is that more than proves his versatility. A known jazz lover, for fans of that genre, give a listen to WHY SHOULD I CARE from "True Crime", another great Eastwood composition.

The remainder of the disc is a salute to Eastwood and his work with a heavy emphasis on the jazz.

First rate. I've been a fan since his directoral debut in PLAY MISTY FOR ME. Little did I realize what a great composer he would turn out to be.

A must for any fans as there are no single soundtacks available from his movies featuring his work.

Play Misty For Me.......2005-12-20

Nearly an hour and 20 minutes of "Music For the Movies of Clint Eastwood". What fan wouldn't be happy with this CD? 23 Tracks, and a great compilation. From the early TV days, the "Theme from Rawhide"(this was about the time I fell in love with Clint, I think I was about 8)performed by Frankie Lane, and Spaghetti Western, the "The, Good, The Bad, and The Ugly"(does anyone REALLY know the words to this one, and does it really matter?)to the romantic Doe Eyes"(the love theme from "Bridges of Madison County", the music will have you reliving the great moments from great films that just say Clint!

The first half of the album features both Clint's own works and the fabulous talented composers he has worked with. Ennio Moricone's oh so recognizable style("The Good, The Bad and the Ugly"), the moving music of Lennie Niehaus("Pale Rider"), the haunting sounds from Lalo Schfrin("Dirty Harry Theme", where you will relive Clint doing the, "Do you feel lucky punk?" speech), and some other wonderful musicians including the great Civil War and Western sounding "Theme from Outlaw Josey Wales", by Jerry Fielding, and Erroll Garner's"Play Misty For Me", a gorgeous piano rendition. Some of Clint's own works, included are "Claudia's Theme" from "Unforgiven" "Kate's Theme" from "Absolute Power", "Big Fran's Baby" from "A Perfect World", and of course the mesmerizing and above mentioned "Doe Eyes".

Second half is a 10 part instrumental suite, "Clint Eastwood, An American Filmmaker Suite". This is music composed and conducted by Lennie Niehaus for the PBS "American Masters" documentary " Eastwood: Out of the Shadows" The music tells Clint's story musically, and it flows beautifully and emotionally.It has a little of everyting, including some great jazzy numbers. The orchestration and the musicians capture the journey wonderfully. For list of all 23 track titles, see buying info. You can also listen to samples from there.

The quality of the CD is excellent. A pamphlet with some production notes, and the tracks is included. There are some great pix of Clint as well. It doesn't have ALL his films included. Hopefully the music form "Kelly's Heroes"("Burning Bridges) and "The Beguiled"(more from Lalo Schifrin) will make the sequel album!

Take it in your car and listen to it when you are stuck in traffic, and it will take you somewhere else for a while.Just say "Play Misty For Me" and hit track 8. Highly recommended for the Eastwood fan. And for those that can't get enough, I would also recommend the soundtrack to "Bridges of Madison County". One of the most romantic albums I ever heard.

"Head 'Em Up, Move 'Em On....Keep Them Doggies Rollin...Rawhide!"

Enjoy....Laurie

"Go ahead, make your day!".......2004-06-21

There's really not too much to say about this, except that any big fan of "Clint Eastwood", or at least the majority of these movies should like this. What I enjoy most are the tracks from his westerns, as they all set a nice mood, but the rest are very good as well. I can't help but think this would have been twice as good had it contained dialogue from each of these films too. Overall a great collection for the fan. After all, if there's one thing "Clint" knows about as much as his acting, it's his music.

Average customer rating:

FIGHTING THE WORLD INDEED
Beginning of the decline
The first time I heard a band and liked them instantly...
The best album of Manowar
I admit it...I love this album

Fighting the World
Manowar
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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Kings of Metal
The Triumph of Steel
Sign of the Hammer
Battle Hymns
Into Glory Ride

ASIN: B000002JLJ
Release Date: 1990-10-25

Tracks:

Fighting The World
Blow Your Speakers
Carry On
Violence And Bloodshed
Defender
Drums Of Doom
Holy War
Master Of Revenge
Black Wind, Fire And Steel

Customer Reviews:

FIGHTING THE WORLD INDEED.......2007-05-13

Excellent album and as far as I can tell, one of Manowar's best. Every track gets the blood pumping with fury. The stand outs are Fighting The World, Holy War and Black Wind, Fire And Steel. Defender is a nice track with Orson Welles lending his booming voice to the triumph and the glory. If you love true metal, and you don't own this album, than get it now!

Beginning of the decline.......2006-12-13

It is sad to see that almost every reviewer rates this album either 5 or 1 stars, both of which are totally undeserved. Let's try to put "Fighting the World" in the perspective of Manowar's entire career and give it a rating that is not blinded by emotions or nostalgia.

Basically, this was supposed to be Manowar's great breakthrough album, as the boys were carried by a major record company for the first time. All the macho theatrics about "true metal" aside, this was also clearly the most commercially sounding album by Manowar up to that point. It succeeded in reaching a larger audience but failed to make a really big impact in the US market. And so began the decline of Manowar as power metal's number one act, and in fact the decline of power metal as a serious genre (see also the later albums of Helloween, Virgin Steele), before bands like Blind Guardian, Hammerfall and Therion somewhat restored its reputation.

Let's now turn to the music. There are some great melodies on this album, but these are often spoiled by an "MTV-friendly" sound and a very simplistic approach (which became the main characteristics of Manowar from this album onwards). The opening singalong-chant of Carry On already foreshadows the kind of ridicule that would culminate in later Manowar "hits" such as "Hail and Kill" and "The Sons of Odin".

If only they had recorded the title track, "Carry On", and "Holy War" in a less commercial fashion, and combined them with one or two more songs of the calibre of "Black Wind, Fire and Steel" (the only truly classic song on the album), instead of making idiotic attempts at hit-writing like "Blow Your Speakers". Then they would have had an album equally good as those that Manowar will be rightly remembered for ("Hail to England" and "Battle Hymns"). Alas, this was not to be, and so my advice regarding this album is to download "Black Wind, Fire and Steel" on your mp3 player, and to stay away from the album as a whole.

The first time I heard a band and liked them instantly..........2006-04-19

This was the first albumn I heard from ManOWar, with Black Wind Fire and Steel astonishing me with such technical excellence. The whole ManOWar experience turned out to be great, creating an atmosphere with the music, just as they intended for the listener.I just had to have it. It felt amazing to have it on CD at the time too (and was the best produced CD I had at the time too). Whilst Suicidal Tendencies have to be the best for thrash, ManOWar come a close second. The vocal are incredible, the pace charging you like a battery, and it makes no excuses for what it is, 'it does what is says on the tin'.
Oh, and make sure you get 'Sign of the Hammer', be a shame to miss out on Guyana and Thor.

The best album of Manowar.......2006-02-24

Fighting the world, Defender. It's the kind of old and good heavy metal we deserve. Guitar riffs that are very agressive and kill our brains while listening....from a brazilian fan since 1984.

I admit it...I love this album.......2006-01-22

Ok, I realize many will think I'm trapped in my angry adolescence for owning, let alone liking this CD. But if any inch of you enjoys good old-fashioned hard rock then this CD is for you. These guys on the surface seem over the top...but they can play, sing/scream, and write some really good hard rock. There is no glam metal with these guys... no "baby, baby love me" crap; no Manowar takes an almost operatic and sometimes militant approach to their music. It is heavy with a capital H and bigger than life. Defender with narration by Orson Wells is great anthem. Blow Your Speakers is great fun. Production on this CD is ahead of its time- it sounds great for an '80s recording. It is also great music for lifting and working out.

Average customer rating:

Absolutely the BEST !
Great for bringing a child into this world
CD like new
The Sweetest Music
This is my new all-time-favorite CD!

Consider the Lilies
Anonymous , Mack Wilberg , American Anonymous , Janice Kapp Perry , Malcolm Archer , Stephen Harrison Paulus , John Longhurst , Carl J. Jr. Nygard , Crawford Gates , Roger Hoffman , Clay Christiansen , Richard L. Elliott , and Mormon Tabernacle Choir
Manufacturer: Mormon Tabernacle
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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Peace Like a River
Love Is Spoken Here
America's Choir
Choose Something Like a Star
Spirit of America

ASIN: B00008VGLL
Release Date: 2003-05-06

Tracks:

For the Beauty of the Earth
O Holy Jesus
Morning Has Broken
As the Bridegroom to His Chosen
I Sing the Mighty Power of God
He Shall Freed His Flock
My Shepherd Will Supply My Need
Lord Bless You and Keep You
I'm Trying to Be Like Jesus
Rejoice the Lord Is King!
Jesu, The Very Thought Is Sweet
Pilgrim's Hymn
I Believe in Christ
God So Loved the World
This Is the Christ
For I Am Called Thy Name
Consider the Lillies

Customer Reviews:

Absolutely the BEST !.......2006-05-31

Our church choir sang a few of these songs which I loved, so I decided to order it. It is a very sweet, gentle, inspiring collection of music. Many times when you get a CD, you are fortunate to find 2-4 on there that you really like enough to play regularly. But on this one, every song is wonderful. This music is so spiritually uplifting and peaceful that you will want to play it regularly. Some if may bring some tears it is so beautiful. John Rutter has a way with this type of music. You will probably want to be giving some of these cd's away to those you love.

Great for bringing a child into this world.......2005-12-22

I had this CD on while in labor with my last child. We had a wonderful homebirth and what better then to have the spirit in our home with this music as we welcomed a brand new baby. It helped me relax and helped the birth be peaceful, calm, and spiritual.

CD like new.......2005-10-02

This CD was advertised as "like new" and it was -- in fact, it was still in the plastic wrapper. I couldn't have found a better deal or quicker service. Everything was great!

The Sweetest Music.......2004-06-07

I love this CD. My family and I listened to it over and over and over again, during the last few weeks of my mother's life. It has been a comfort to me in time of sorrow. Now it brings tears every time I listen to it. This music is like loving arms around me. It touches my soul. I've given so many away, I should have bought a case of them.

This is my new all-time-favorite CD!.......2004-04-22

I bought this CD because I had heard "My Shepherd Will Supply My Need" once and loved it. But it's just one of the many beautiful songs on this CD. I'm at a loss to describe what joy this music brings to me each time I listen to it. I carry it from house to car and back again so I can enjoy it wherever I am. I've given away several "Consider the Lilies" CD's to friends and relatives, something I've never done before. Anyone who is facing a serious challenge in life will be uplifted and comforted by this ethereal music.

Average customer rating:

THIS ALBUM IS BETTER THAN ANYTHING.
Those "weird dreams" you've been having are telling you to buy this classic
Great Album!!
Blind Guardian embraces the power metal sound
Here's some awesome power metal!

Tales from the Twilight World
Blind Guardian
Manufacturer: Century Media
ProductGroup: Music
Binding: Audio CD

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Imaginations From the Other Side
Somewhere Far Beyond
Follow the Blind
Batallions of Fear
Nightfall in Middle-Earth

ASIN: B00000IP3V
Release Date: 1999-05-11

Tracks:

Traveler In Time
Welcome To Dying
Weird Dreams
Lord Of The Rings
Goodbye My Friend
Lost In The Twilight Hall
Tommyknockers
Altair 4
The Last Candle
Run For The Night (Live)

Album Description

Reissue of the German dark metal quartet's third album, originally released on Virgin Records in 1990. Kai Hansen of Helloween, Gamma Ray & Iron Saviour) guests on vocals, lead guitar & backing vocals. Also features the original cover art & all 10 of the cuts that first appeared on the recording. 1999 release.

Customer Reviews:

THIS ALBUM IS BETTER THAN ANYTHING........2007-06-15

this is the first great Blind Guardian album, and despite its differences to their latest, _Twist in the Myth_, there is a "unity in differences" that has set the rails upon which this band has ridden. Here, where the band at first sounds immature, within a deflated creative dimension of its musical ideas. Yet there is a sublime craftsmanship beneath the surface that distinguishes them from the rabble of power metal. Below its ostensibly unpolished exterior, _Tales from the Twilight World_ exhudes not only intelligence, style, and proficiency, but the higher artistic virtues of character, and the happy rashness of imagination. They have everything going for them. Not to mention that Hansi's voice is still the awesome presence it always is. Hansi's screaming power metal voice is better than anything. The songs are brilliant. "Traveller in Time" and "Welcome to Dying" make two killer opening cuts. "Lord of the Rings", while elevated to sheer magic on the later acoustic/orchestral version (see _Forgotten Tales_), is a charming ballad with the embryo of their future medieval-esque, textural constructions. "Goodbye My Friend" is among their very best, with super-heavy, blazing and grinding guitars and one of hansi's most unforgettable vocal performances. "Lost in the Twilight Hall" is killer and Kai Hansen's guest vocals are hilarious. "Tommyknockers" is actually pretty sweet also but you can't help but chuckle at the chorus. Then best of all is "The Last Candle" -- incredible intro, incredible guitars and vocals, and one of the most perfect demonstrations of Blind Guardian's mastery of songcraft, emotional inflection, and sheer kcikazzery. as always (except on NIME), their closing songs top everything. BLIND GUARDIAN IS THE BEST BAND EVA

Those "weird dreams" you've been having are telling you to buy this classic.......2007-06-07

If you've never really heard much from Blind Guardian (like me before I bought "Tales from the Twilight World"), but you think you know exactly what kind of music that they make just by your research and related bands' music, then your thinking is most likely completely wrong. Blind Guardian is a band that you really have to hear firsthand to grasp what they're all about. If you think that all they compose is power metal (BG's most connected genre), then you're only partially correct. And if you think that they are all speed metal or thrash, then again, only part of that reasoning is true. The band, in fact, combines elements of thrash, lightning FAST thrash... you know, the kind with scorching solos, double-bass drumming, and the like, power metal (mystical lyrics, anthem chorus, soaring vocals), epic metal, and everything in between. Their distinctiveness, their uniqueness lies not in what type of music they play, but the way that they combine different varieties of metal to merge as one.

Their singer, Hansi Kursch, is a big part of that diversity. He's got that thrash vocal presence (menacing & ominous verbal presentation, high-pitched screams, etc.), but can also share his lyrics in a sometimes tranquil or soothing manner. However, while his forte might be that thrash or a "power metal" type voice, his talent can easily spread to several different genres. What I'm trying to say is that he's completely unique, varied, and has loads of genuine personality (which means he doesn't rip-off any other singer); the man is truly a remarkable singer. The guitarists also have tons of variety. They can distribute thrash-like riffs and blazing solos (such as on "Welcome to Dying"), but they have melodic tendencies too, which can be seen on "Lord Of The Rings". The drummer has to be insane or have A.D.D or something, because his job is to keep up with those blistering guitar pieces, doing blast beats, double-bass techniques, plenty of tom-rolls, and he never skips a beat. In short, the musicianship is phenomenal, very diverse and unique, that WILL amaze you and leave you awestruck.

The songs on "Tales" are well-ranged and diverse as well. The album was very well-produced (or very well-remastered), but it still retains that raw feel (evocative of mid-eighties thrash). "Weird Dreams", for example, is a short instrumental full of sweet riffs, various time-changes, and classic solos. "Traveler in Time", "Welcome to Dying", "Lost in the Twilight Hall", and "Goodbye My Friend" are certified rockers that have no short supply of bittersweet metal. All four contain anthem-like chorus', insane guitar work, and incredible drumming. One of my personal favorites, "Lord of the Rings", is a shorter, three-minute piece that is very emotional and powerful. The vocals are so heartfelt and very talented, and the acoustic guitars weave among themselves ever so intricately. The lyrics are also special, and if you're a LOTR fan, you should be able to relate. "Altair 4" and "Tommyknockers" are the weakest off the album, but still add a lot to the C.D. "Altair 4" is short, but it's pretty diverse. The intro is unusual, but when it gets going, there's some well-done vocals and great guitar slices. "Tommyknockers" is another rocker that isn't bad at all, but it's not the best. While the lyrics may seem over-done, the song's actually about a Stephen King book, which is sweet. The closing song "The Last Candle" is thrash metal personified, complete with double-bass setting the tempo and crunchy riffage. That chorus is just so catchy and Hansi really hits those high notes perfectly. Quite an amazing closure to this '90's classic!

I strongly urge all of you to get into this band. I've heard that Hansi's voice is an acquired taste, but I can't picture any fan of fast-paced metal tunes, that contain soaring vocals full of passion and power, hating this band. If you like 80's thrash, epic power metal, or all-around medieval-esque themes, then you'll be in heaven with these guys, believe me. Also, I haven't heard much of BG's other stuff, but to my knowledge "Tales from the Twilight World" seems like a great starting point, because it's their third studio album, therefore they've "been around the block" so to speak, but it's also classic enough to be enjoyed by purists. Just think of Metallica's "Master of Puppets" or Slayer's "Reign in Blood", (no it's not as good, but like those two, it's BG's 3rd studio album). In conclusion, "Tales from the Twilight World" flat-out rules, and if you like power metal, thrash, and innovative metal genius', then really you must buy this album!

p.s. Also check out Demons & Wizards. Hansi from this band teams up with Iced Earth's Jon Shaffer and together they make unbelievable music.

Great Album!!.......2007-01-09

These is one of the Blind Guardian's master pieces. I also recommend the Imaginations From The Other Side and Nightfall In Middle Earth albums.

Blind Guardian embraces the power metal sound.......2006-07-26

While 1990's Tales from the Twilight World is perhaps not as impressive as later Blind Guardian releases, it is noteworthy in that it is the first album where the band totally embraces a power metal sound. Blind Guardians previous albums (Battalions of Fear and Follow the Blind) may have embraced the fantasy themes that are power metal standards, but the music itself was firmly in the thrash/speed metal style.

Tales from the Twilight World is still undeniably fast, but it is a power metal album from start to finish. The lyrical content is still very much in the sci-fi/fantasy realm. The overall songwriting has improved to become more melodic and incorporate more intricate song structures (and some amazing guitar solos). Basically, the Blind Guardian sound we're all familiar with was born here. Songs like Welcome to Dying and Lord of the Rings are fantastic power metal tracks, and are still considered among the band's best material.

Gamma Ray's Kai Hansen makes another guest appearance on this album, further establishing Blind Guardian's credentials as a major German power metal band.

Overall, the album is not as memorable as Imaginations from the Other Side or Nightfall in Middle Earth (then again, what is?), but it is an important milestone in Blind Guardian's career, and is worth checking out if you're a Blind Guardian fan.

Here's some awesome power metal!.......2006-06-24

Along with Kreator, Blind Guardian are my favorite German band ever! They're one of the most underrated metal bands of all time and they should get more attention. Vocalist/bassist Hansi Kursh is an amazing singer and sounds a lot like the great Bruce Dickinson! The guitars are the real strong point of this band with epic solos and great duel play with Marcus Siepen and Andre Olbrich. The production quality isn't great but is quickly overlooked by the amount of talent this German group has! If you want an awesome album that isn't played like hell on MTV, then take a look at this one!

Average customer rating:

another stinker!
Manowar warriors of the world
A great CD with a lot of variety
Regreso con Gloria.

Warriors of the World
Manowar
Manufacturer: Magic Circle Music
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Into Glory Ride
Fighting the World
Kings of Metal
The Triumph of Steel
Sign of the Hammer

ASIN: B00099BRUO
Release Date: 2005-05-02

Tracks:

Call To Arms
The Fight For freedom
Nessun Dorma
Valhalla
Swords In The Wind
An American Trilogy
The March
Warriors Of The World United
Hand Of Doom
House Of Death
Fight Until We Die

Album Description

The most current album by the "Kings Of Metal" was first released in 2002 and features the classic hits Warriors Of The World, Fight For Freedom, Call To Arms and other highlights from the most successful period in the band's career. Warriors Of The World is a wild and uncompromising trip through sounds and dimensions of Metal, a breathtaking audio-experience which will not only fascinate Manowar fans but also aficionados of larger than life epic music. Achieving gold status in Germany, Warriors of the World also charted and sold well in several European countries and the ensuing 2 year tour included the televised historic performance at the Ringfest in Cologne in front of 27 000 fans!

As a special bonus, the digi pack Silver Edition features a 16-pages booklet with new and rare photos, interviews with the band members (and others) plus lyrics and liner notes. In addition to this, the album has been digitally remastered using the original studio mastertapes.

Customer Reviews:

another stinker!.......2006-11-16

this along with louder than hell are manowars worst albums. If you want good manowar by into the glory ride, or any of their 80's albums.

Manowar warriors of the world.......2006-10-18

Heavy,beautiful and diverse,sounds like no one but manowar,a mark of true greatness,ultra fast- mid paced -heavy ballads-great vocals -great musicianship,cant say enough,this has put them over the top in europe home of true metal people,if you fit in that category,buy and enjoy.

A great CD with a lot of variety.......2006-08-05

This was my first experience with Manowar, and I am impressed. Their lyrics are somewhat untraditional with heavy references to Nordic mythology and history. However, most of the tracks have a driving, exciting feel that really pump you up as you listen.

My favorite track on this CD is "Call to Arms". It's a rallying song that would be great either playing games (where I first heard it), or say, starting a sporting event. "Warriors of the World" also has this feel of getting everyone all riled up for something exciting to happen.

However there are also some calmer tracks on the CD, some of which are instrumental. One song, "Nessun Dorma" is done entirely in Italian with an operatic feel, and is a tribute to the mother of one of the band members. Needless to say, it is not metal at all.

If you were unfamiliar with the group, a first listen of this CD would probably make you think that not all these songs were performed by the same band. This CD is a showcase of the many talents of this group, because they can make both awesome and beautiful music at will.

Not only are they talented musicians, but contrary to a lot of metal groups, they can also sing as well as scream.

I would encourage a first time listener to preview "Call to Arms". If you don't feel awesome after hearing it, this CD may not be for you.

Regreso con Gloria........2006-06-30

Este es finalmente el esperado Ultimo Album de Manowar. De entrada, quiero decir que me parece muy dificil que algun album posterior supere lo que considero el mejor album de la banda: Louder Than Hell, pese a ello este es un album muy interesante. Es cierto que tiene varias interpretaciones de otros artistas, y temas instrumentales, pero esto no va en detrimento de la musica, ademas creo que son muy buenas ejecuciones realmente. Call To Arms es el tema inicial, y realmente a uno le llena de alegria de haber comprado el disco al escucharlo, es como decir: "Dejense de mariconadas, llego el verdadero metal Guerrero!!". Vienen algunos temas melodicos y algo de Paz con Nessum Dorma, Valhalla no entiendo porque es incluido como tema, parece mas bien una intro. despues un tema con mucha pasion como lo es "Swords in the Winds", Y con "The March", me pregunte si no habia vuelto de su mismisima Tumba Richard Wagner!, Me remite en mi memoria a Pasajes de las cabalgatas de las walkirias, del citado compositor clasico del siglo XIX. Monstruoso tema, con esa musica, uno queda convencido, que "hoy es un buen dia para morir".
El tema del nombre del album, es muy Manowar, con lo cual me gusta mucho. Los otros tres temas finales no me merecen mayor comentario, y le bajan una estrella a mi calificacion. Creo que estan poco inspirados, un tanto reiterativos. me imagino que intentan seguir la linea de Outlaw y The Power, pero en esots dos temas del album anterior, hay poder y alta velocidad, con melodia.
Conclusion, el album es una experiencia innovadora y refrescante, recomendado si queres disfrutar de musica heavy con pausa.

Peace & Power: Best of Joanne Shenandoah

Average customer rating:

A great blessed voice
New to Joanne Shenandoah
She takes your breath away!
Mesmerizing...
Peace and Power

Peace & Power: Best of Joanne Shenandoah
Joanne Shenandoah
Manufacturer: Silver Wave
ProductGroup: Music
Binding: Audio CD

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Eagle Cries
Orenda: Native American Songs Of Life
Peacemaker's Journey
Matriarch
Skywoman

ASIN: B00006LLPZ
Release Date: 2002-10-29

Tracks:

Mother Of Nations
Prophecy Song
When Eyes Meet
Kaluhyanu:Wes
I Am Your Friend
Kahalu'nyuhe
Aiionwatha Forgives
Dance Of The North
Katsitsi:Yos
The Four Legged Ones
Deer Dance
Path Of Beauty
Kahawi'tha
Peace And Power

Amazon.com

Sung in her native Iroquois tongue, Joanne Shenandoah's music is like a lullaby with a touch of pain and longing lingering beneath the surface. Sometimes called the Native American Enya, Shenandoah actually has a deeper, more powerful voice than the Irish thrush. Her songs are like Native haiku, short fragments that build in their own poetic arc, sharing an innate musicality not unlike Irish Gaelic. Although Shenandoah has several recordings in a more conventional folk-singer vein, Peace & Power draws from her four most evocative, atmospheric albums: Matriarch, Orenda, Peacemaker's Journey and Lifeblood. Both pianist Peter Kater, who produced Lifeblood, and Tom Wasinger, producer of the other three, successfully frame Shenandoah's simple songs in detailed arrangements. Wasinger, in particular, creates an ethereal chamber music ensemble, with guitars, Middle Eastern zithers, Armenian duduks, citterns, and African kalimbas. The CD comes with an extensive autobiographical booklet detailing Shenandoah's life journey and her pride in her Native heritage, though there's not much information about the music itself. And it would be interesting, in this retrospective context, to hear how she has taken her tradition and extended it into new musical terrain. But at least the aural evidence is on the CD. --John Diliberto

Customer Reviews:

A great blessed voice.......2007-01-26

This is the first CD that I buy of Joanne Shenandoah. It was I great surprise not just for the quality of the production but for the unique sweet voice Joanne has to sing this king of songs. To those who are looking for new experience into this kind of music it is high recommended.

New to Joanne Shenandoah.......2006-03-19

I am new to Joanne Shanandoah. So I wanted to get a good "example" of her music. By reading other reviews on Amazon I decided to buy this specific CD. I loved it. The songs are very powerful and her voice is divine. I wanted to start my collection of Joanne with music on her native tongue. And that is one of the reasons I purchased this CD. Now I want to buy a CD where she sings in English.

She takes your breath away!.......2005-05-03

I was lucky enough to see Joanne Shenandoah at the Indian Summerfest in Milwaukee, WI last year. She took my breath away. My friend bought this CD and we just took a trip up to the North Woods this weekend and listened to it. WOW! It is so beautiful! Each and every song is a beautiful melody to your ears and soul. I loved listening to it so much I'm buying my own copy (along with a couple of other CD's by Joanne) from Amazon today.

If you ever get a chance to see this beautiful woman sing in person-GO AND SEE HER! She shares her tradition and family on stage along with her lovely music.

Mesmerizing..........2005-01-29

Buy it -- you need it! This is music flows through the mind in powerfully smooth waves, evocative of the same quiet power I found in Timecode's 'Indigo.' In America, where achieving perverted levels of noise is a sacred goal, artists like Shenandoah take us away and set us in the chasmal spaces of peace.

Peace and Power.......2003-01-04

After listening to this newest CD I now realize why I love Joanne's music. From the first time I heard her music and how it compelled me to talk the storeowner into selling me the demonstration CD, the only one he had, convincing him that I had to have it now. Then I went to search out and find all of her existing music to add to my collection. It is not hard to understand why she has won so many accolades and awards. This newest album is a weaving of her past magic into a new medicine bundle of music. Listening to the healing that comes forth only makes me yearn for what comes next.

Average customer rating:

A Blueprint of Dance Music

World Power
Snap!
Manufacturer: SPV Recordings
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

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Pump Up the Jam: The Album
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Vol. IV: The Classic Singles 1988-1993
Snap! Attack: The Best of Snap, Remixes & All
The Power of Snap!: Original Hits & Remixes

ASIN: B00013YWFU
Release Date: 2004-01-19

Tracks:

The Power
Ooops Up
Cult Of Snap
Believe The Hype
Im Gonna Get You (To Whom It May Concern)
Witness The Strength
Mary Had A Little Boy
Blaslas
Only Human
The Power (Jungle Fever Mix)

Album Description

SNAP! have become a true `hit machine' and amassed countless awards in the process. After The Power, Anzilotti and Muenzing released further mega-sellers such as Ooops Up, Cult of SNAP! and Mary Had a Little Boy on their label Logic Records, all of which soared to the top places in the European charts. Music for the dancefloor is normally regarded as an ephemeral, transient commodity: here today, gone tomorrow. Something that the Frankfurt-based producer team Matthias Muenzing and Luca Anzilotti, better known as Snap!, have now been disproving for over 13 years.

Album Description

2004 reissue of the male/female dance duo's 1993 album features 10 tracks including Snap's biggest hit, 'The Power' (Original Mix & Jungle Fever Mix), as well as 'Oops Up' (a remake/take off of the Gap Band's nonsensical funk riff 'Oops Upside Your Head'). SPV.

Customer Reviews:

A Blueprint of Dance Music.......2005-04-25

Snap brought a new sound on the dancefloors at the end of the 80's. "The Power" introduced Turbo B. as a rapper and a frontman of this project, the music was made by Anzilotti & Muenzing - the producers that signed their work as Benito Benites and John "Virgo" Garrett III and mostly stood in the background, out of the public's attention, producing in their studio. "The Power" was build around the tiny drum-loop taken from Mantronix's "King Of The Beats" and then Turbo B and Penny Ford's vocals were added. Turbo B with his ferocious style and powerful voice established himself as a dominant force in Snap's albums and live acts. "The Power" track had everything to become a dancefloor hit: a funky beat, Turbo B's raps, Penny Ford's strong voice and a great melody. Their next single "Ooops Up" is also a very interesting track formed on a vocal hook "Say Ooops Upside Your Head" taken from the funky-disco classic by The GAP Band, but what really got me into it is the beat - hard kick drums and the hi-hats taken from Eric B. & Rakim's "Paid In Full" - as well as Turbo B's story based on the mistakes. "Cult Of Snap" has 4-to-the-floor beat and dominating brass adding the oriental touch while "Mary Has A Little Boy" is a more subtle piano-(Hip)-house track. "Believe The Hype" refers to "Don't Believe The Hype" by Public Enemy and has a dark bassline which fits perfectly to the chunky beat and cowbells similar to the ones in "The Power". "I'm Gonna Get You (To Whom It May Concern)" is a nice pop-ballad, while "Witness The Strength" and "Blase Blase" step into the Old Skool Rap arena, the latter even containing famous James Brown "Funky President" break, then very much used in the Rap music, combined with 808 sound. "Only Human" means Only Human BeatBox, Turbo B's making beats and the "Planet Rock"/"Trans Europe Express" melody eventually breaks in - this is the stuff that Turbo B become known by in the 80's, he was doing beatbox performances for the Fat Boys. "The Power (Jungle Fever Mix)" is a nice eerie remix, where Turbo B's busting the additional verse that's not included in the original.
The style Snap presented on this album, a style that is very similar to C+C Music Factory, was very much accepted by the artists like BG The Prince Of Rap and Black Man's Wagon - it was Euro-Dance but based on hip-hop beats (breakbeats), had longer rap verses and strong female vocals in hooks, and powerful melodies. The style became massive in early 90's with Hip-House and Piano-House until around 1992 when it all became Euro-Dance, with influences from Trance and Techno/rave music.

Average customer rating:

One of the GREASTEST bands ever!!!!!!!!
Brilliant Music in a Dead World
????
The genesis of a metal band
Friggin amazing

Dead Heart, in a Dead World
Nevermore
Manufacturer: Century Media
ProductGroup: Music
Binding: Audio CD

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Progressive Metal | Progressive | Rock | Styles | Music

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Dreaming Neon Black
This Godless Endeavor
Enemies of Reality
Nevermore
Into the Mirror Black

ASIN: B00004YLH6
Release Date: 2000-10-17

Tracks:

Narcosynthesis
We Disintegrate
Inside Four Walls
Evolution 169
The River Dragon Has Come
The Heart Collector
Engines Of Hate
The Sound Of Silence
Insignificant
Believe In Nothing
Dead Heart In A Dead World

Album Description

2000 & fourth album from this Seattle metal band born from the ashes of Sanctuary. Standard jewel case.

Customer Reviews:

One of the GREASTEST bands ever!!!!!!!!.......2006-07-02

If you don't like this band then go slap yourself. All the members of this band are great. Alot of bands that people now listen to sound all the same, this is one of the bands that sticks out. People go out and buy all of Nevermore's cds.

Brilliant Music in a Dead World.......2006-04-23

When I was first getting into metal, this was one of my first 'real metal' CDs I ever bought (i.e. not poppy nu-metal like Korn, Skinlab and ilk.) As such, my review might be a bit biased in favor of Nevermore, but nonetheless, this album rules. I'd argue that either this (or maybe Dreaming Neon Black) is Nevermore's musical apex thus far. And since Nevermore is one of my favorite bands, that this is one of the best metal CDs ever made. And it is with good reason that I say this.

With so many bands vying for attention, there's a lot of unoriginality in music. It's rare for bands to draw from so many influences that their music defies logical classification. Yet Nevermore does just that (Iced Earth is also one of the few to do so.) They brilliantly combine the best of progressive metal, power metal, traditional metal, gothic metal as well as other subgenres. Dead Heart in a Dead World (a.k.a. DHDW) is not only the result of Nevermore 's unique style, but their varied songs as well.

This is the best feature of DHDW. Each song has its own combination of levity, seriousness, darkness, mellowness, heaviness, etc. For instance, the songs 'Evolution 169,' 'Inside Four Walls,' and 'Sound of Silence' all have some degree of levity in their lyrics (if only because one has lyrics from a Simon and Garfunkle song), yet 'Inside Four Walls' also has a degree of political seriousness about it that neither of the other two has.

Likewise, 'Dead Heart in a Dead World,' 'The Heart Collector,' and 'Believe in Nothing' all have a degree of darkness in them, yet 'Dead Heart in a Dead World' has a musical heaviness in it that neither of the other two (which are more ballad-esque) have.

It is hard to overstate the uniqueness of each song. Some songs will make you smile, some will make you think, and others will make you despair. And there is never any point where one has to skip tracks because every song is excellent. All of this while Nevermore performs interestingly original music that, while not always the most technical in metal, is so beautiful that it doesn't even matter.

Unfortunately, Nevermore's followup albums aren't as good because they lack the emotional variance that DHDW has. They are increasingly misanthropic, and while there are traces of that on this album, it is not overdone as it is on the followups. That's not to say they are bad because they're still very good, but it lacks the depth that DHDW and Dreaming Neon Black have.

If you have any appreciation of metal music, you will buy this CD. Then you'll buy Dreaming Neon Black.

????.......2006-03-13

alright.I was expecting a little bit better, i guess i am gonna stop buying CD's and start buying just songs:)

The genesis of a metal band.......2006-02-24

This is Nevermore's turn towards concept albums...they established themselves with the first two albums and worked out the small issues that all bands start with and it comes together in this, the beginning of their signature sound. The whole album has a strong push from start to finish. I personally find their album Dreaming Neon Black to be their best to date, lyrically, musically and general feel. They flex some lyrical muscle and show off with the musical pyrotechnics in this album though. I believe in liking a band through and through, and no collection would be complete with only a few of their albums. Seeing them live at Gigantour was also a real treat. They are ever the critics of their own music which means they care about what they put out. The sound tech was pretty bad until someone kicked him halfway through the set...and they admitted it. Few bands will do that, admit that something went wrong. But they pushed through and kicked some serious ass. All in all, get anything with their name on it. The lyrics are deep, the sound is unique (especially for something coming from Seattle) and they seem to be a humble group of musicians.

Friggin amazing.......2005-11-16

God I love Nevermore. They are one of the best bands that formed in the 90's. After having plenty of strong material under its belt before, Nevermore enter the new millennium with their best album yet. Here, you've got soaring vocals from Warrel Dane, great bass from Jim Sheppard, and awesome drumming from Van Williams. Towering over everything, however, is the guitar work of the one and only Jeff Loomis. How good is this album? Read on for the tracks.

1. Narcosynthesis - Very good song. I love the opening riff. "How did it come to this? Narcosynthesis!" 5/5

2. We Disintegrate 5/5

3. Inside Four Walls - The lyrics on this song are exellent. Warrel shows how great his lyrics are. "Inside four walls/Inside four walls my friend/They took away your freedom/and the pigs still preach their lies!"

4. Evolution 169 5/5

5. The River Dragon Has Come - THE bets song on the album! Don't let the clean intro fool you, this is possibly the heaviest song on the album, featuring an amazing 7-string riff. 6/5

6. The Heart Collector 5/5

7. Engines Of Hate - One of the heaviets songs on the album. 5/5

8. The Sound Of Silence - The S&G cover. Better than the original! 6/5

9. Insignificant - The better of the two ballads! 5/5

10. Believe In Nothing - Possibly Nevermore's most well-known song. 5/5

11. Dead Heart In A Dead World - Great closer to this album. 5/5

So, if you're a metalhead, you'll love this.

Album Review:

Album Review

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Album Review

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