Son

Amazon.com
If Gloria Estefan is Cuba's leading musical export, then Albita is still the country's best-kept secret. Wildly popular with cosmopolitan musical connoisseurs and traditionalists, the fiery, androgynous singer is largely unknown to mainstream America. That's a shame, because Albita has released an array of albums that explore and expand the sounds of traditional Cuban music. On Son, she sticks closely to her roots, expounding on a simple way of life and the eternal joys of living. The simmering rhythms of "Corazon Adentro," one of four self-penned tunes, kick things off gloriously. The party simply never stops as Albita carouses through intoxicating tunes such as "El Manisero," "Comentario de Solar," and the concert favorite "Melon Colorao." The album closes with the lush strains of "El Duende," bringing a thoughtful and romantic end to the soulful street party. --Joey Guerra

Son,Albita,Silva America,Dance,Int'l & World Music,Latin Dance,Latin Music,Latin Pop,Pop,Salsa

Average customer rating: Makes your body move, makes your body happy :) Outstanding guitarists! Firey and Foot-stomping Spanish guitar music great music Excellent CD

Rodrigo y Gabriela (with Bonus DVD) Rodrigo y Gabriela Manufacturer: ATO Records ProductGroup: Music Binding: Audio CD General | Contemporary Folk | Folk | Styles | Music General | International | Styles | Music Mexico | International | Styles | Music Gypsy | Eastern Europe | Europe | International | Styles | Music Flamenco | Latin Music | Styles | Music Tango | Latin Music | Styles | Music Son | Latin Music | Styles | Music General | Rock | Styles | Music General | Rock Guitarists | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Live: Manchester and Dublin Rhythms del Mundo: Cuba Not Too Late Till the Sun Turns Black The Road to Escondido ASIN: B000HKDEE2 Release Date: 2006-10-03

Tracks:

1. Tamacu
2. Diablo Rojo
3. Vikingman
4. Satori
5. Ixtapa
6. Stairway To Heaven
7. Orion
8. Juan Loco
9. PPA

Amazon.com

How did two Mexican-born heavy-metal enthusiasts end up at the top of the Irish charts? The story begins back in their homeland, where Rodrigo Sanchez (lead guitar) and Gabriela Quintero (rhythm and guitar-top hand percussion) met as teenagers. Following years of fruitless struggle, they settled in Dublin, working as street entertainers, eventually wandering as far afield as Denmark and Spain. But over time, their virtuoso duo-guitar instrumentals garnered them a following, which in turn led to indoor engagements where they no longer had to freeze their hands off. And no wonder -- their eruptive mixture of Central and South American folkways, with its propulsive rock rhythms, plus grooves reminiscent of The Gipsy Kings' crowd-pleasing Catalan rumbas, is incredibly infectious. Yes, their frisky yet spot-on covers of "Stairway To Heaven" and "Orion" may goad some listeners into purchasing the album, but believe it or not, the original tunes are even more mesmerizing. "Ixapa," in which the pair are joined by noted Hungarian Roma (Gypsy) fiddler Roby Lakatos, has a wicked, pan-European swing, while the impossibly fleet "Juan Loco" should delight all comers -- once they catch their collective breaths! Produced by John Leckie (Radiohead, The Stone Roses, Muse), the USA release includes a DVD containing interviews, live performances and other extras. --Christina Roden

Album Description

The sleeve photo of a crocodile's eye with a faint image of Rodrigo and Gabriela superimposed, suits the artists' desire for something which didn't shout "Mexican guitarists" or "Couples." "It reminded us of Tamacun, the famous Mexican eccentric who is in Ixtapa where we lived for a while".

Tamacun -"Tamacun's message is to teach kids to respect nature." He handles crocodiles, and tourists come to photograph him.

Diablo Rojo - Inspired by a wild rollercoaster called 'Red Devil' at a theme park in Copenhagen, Denmark. Three rides in a row, each.

Viking Man - Another Danish inspired piece. The Viking Man was a homeless guy who encouraged Rod & Gab to tough it out on the streets, busking in minus zero conditions at Christmastime. John Leckie adds radio static.

Satori - Experiencing self doubt shortly after arriving in Ireland, Rodrigo y Gabriela were at a low ebb. No money, poor English and a deep sense of uncertainty. Only an unshakeable faith in perseverance kept them going. Satori describes the Zen - like moment of enlightenment they felt when they came through the storm.

Ixtapa - "Ixtapa is a very beautiful, very Mexican town." Roby Lakatos' wildly soaring violin solo is a perfect counterpoint to the melodic and percussive guitars.

Stairway to Heaven - "Ixtapa was our very own Stairway to Heaven!" Rod & Gab's take was initially inspired by Stanley Jordan's interpretation of the Led Zep warhorse. Growing from snippets in their live show, their unique version is at once both respectful and innovative.

Orion - This epic reworking of the Metallica song is the second time Rodrigo y Gabriela have covered Messrs Hetfield, Ulrich & Co: "A tribute to the style of music we love, it's what kept us playing the guitar through all those Spinal Tap years"

Juan Loco - The first attempt at recording this album in Mexico in Summer 2005 resulted in three weeks of sunbathing, beer drinking and power cuts. Enter Mr John Leckie, legendary producer of Radiohead, The Stone Roses and Muse, to name but a few; to midwife Rod & Gab's musical vision into what you hear today. 'Juan Loco' ('Mad John') is their Mexican nickname for Mr Leckie.

PPA - "The first P of PPA stands for Pinche, a Mexican term meaning f**king asshole. This is for all the people in the music business who think they know what's going on but actually don't have a clue".

Customer Reviews:

Makes your body move, makes your body happy :).......2007-07-28

Love, love, LOVE this CD. Interesting, consuming beats; happy music - even if you can't dance this music will inspire something. Great on a Sunday morning. Also recommend this group's live performance. Simply lovely.

Outstanding guitarists!.......2007-07-21

I bought the CD for one song, Tamacun, but the whole CD is fantastic. I think Diablo Roja and Orion are actually my favorite tracks. Well worth it!

Firey and Foot-stomping Spanish guitar music.......2007-07-19

If you like Spanish/flamenco guitar music, you will really like this album. Although R & G claim that this is not traditional flamenco music, it has the exact flavor of flamenco. BTW wonderful and wild solos by Rodrigo as he flies up and down the guitar fretboard.

Stairway to Heaven version is beautiful, jazzy and latin.

great music.......2007-07-18

I love the whole CD, and I appreciate how prompt Amazon was on getting it to me in a timely fashion!

Excellent CD.......2007-07-14

The music is very lively, energetic, upbeat, etc. Comes with a video CD that is well worth seeing as well.

Average customer rating: Beast Ballin' Very Impressive

LIL WAYNE DA DROUGHT 3 (MIXTAPE) 2 CD SET Manufacturer: Song List ProductGroup: Music Binding: Audio CD Similar Items: Lil Wayne: The Greatest Rapper Alive Pt.2 LIL WAYNE / THE EMPIRE - THE DROUGHT IS OVER PT.2 (CARTER 3 SESSIONS MIXTAPE!) Lil Wayne & Juelz Santana: Mick Boogie Presents Blow Dedication, Vol. 2 Carter Files ASIN: B000PV12JC

Product Description

New mixtape from Lil Wayne Da Drought 3. What you have been waiting for one of the biggest mixtape releases for 2007. 2 disc set.

Customer Reviews:

Beast.......2007-07-24

LIL WAYNE HAS EVOLVED FROM A RAPPER INTO A BEAST!!
HIS LYRICAL SKILLS ARE UNBELIEVABLE...HE CAN MAKE SENSE OUT OF NON SENSE!!
I WISH I HAD ANOTHER SET OF HANDS SO I COULD GIVE THIS MIXTAPE 4 THUMBS UP!!

Ballin'.......2007-06-13

Wayne truely is the best rapper alive he can take anyones beats and make them his own..... Like he once said "i can say don't rhyme and it rhyme" he's right..... this cd is dope and i would suggest it to anyone who likes Lil Wayne

Very Impressive.......2007-05-24

Lil Wayne Is in my opinion, the king of mixtapes right now. He is avereging about 1 mixtape every three months. This Mixtape is Awesome. Alot of his other mixtapes have people from his record label, and you only get to hear Weezy on one of the verses. However, on this mixtape he does it mainly by himself. This is more like a full cd or two. Great punchlines, I had to rewind a couple of times because I was dumb founded. Definitely worth the buy. Cant wait for his next mixtape!

Average customer rating: Nice cuban music Cubano Revisited Ry Cooder With All Star Cuban Band Buena Vista Social Club Classic Absolutely fantastic!

Buena Vista Social Club Ry Cooder , Ibrahim Ferrar , Ruben Gonzalez , Compay Segundo , and Omara Portuondo Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Cuba | Caribbean & Cuba | International | Styles | Music General | Caribbean & Cuba | International | Styles | Music General | International | Styles | Music General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Son | Latin Music | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Buena Vista Social Club Presents Ibrahim Ferrer Buena Vista Social Club Introducing...Rubén González Buena Vista Social Club Presents Omara Portuondo A Toda Cuba Le Gusta ASIN: B000005J56 Release Date: 1997-09-16

Tracks:

1. Chan Chan
2. De Camino A La Vereda
3. El Cuarto De Tula
4. Pueblo Nuevo
5. Dos Gardenias
6. Y Tu Que Has Hecho
7. Veinte Anos
8. El Carretero
9. Candela
10. Amor De Loca Juventud
11. Orgullecida
12. Murmullo
13. Buena Vista Social Club
14. La Bayamesa

Amazon.com essential recording

Ry Cooder's name has helped bring attention to this session, but it's the veteran Cuban son musicians who make this album really special. Reminiscent of Ellington in its scope and sense of hushed romanticism, Buena Vista Social Club is that rare meld of quietude and intensity; while the players sound laid-back, they're putting forth very alive music, a reminder that aging doesn't mean taking to bed. Barbarito Torres's laoud solo on "El Cuarto de Tula" is both more blinding and more tasteful than any guitar showcase on any recent rock album; a quote from "Stormy Weather" and some very distinct parallels to Hawaiian styles remind us of why it's called "world music." --Rickey Wright

Customer Reviews:

Nice cuban music.......2007-03-15

I have had this album a number of years, and my enthusiasm is not quite as great as many of the viewers here, because although it is generally pleasant listening, I don't think there are really any outstanding tracks or personal favorites on here.

I should add that I speak Spanish fairly well and therefore understand the lyrics, and am generally an enthusiast of Hispanic culture and music. The story of this worthy project and how this was recorded are interesting and I suspect some reviewers are moved more by sentiment than just on the merits of the music, some of which seems very middle-of-the-road to me, albeit pleasant enough for casual listening.

Cubano Revisited.......2007-02-12

Ry Cooder did a good thing reassembling these wonderfully talented and forgotten stars of another period. Great album, wish it was a double, triple, a collection. I would buy it. Can't replace these icons of another era and their sound will be gone with them.

Ry Cooder With All Star Cuban Band.......2007-02-02

All done in Spainish, this excellent CD has a book included with translations and facts about the players. The music here oozes with atmosphere, taking you to the heart of Cuba. First rate musicianship and great songs all the way through. Ry leaves the vocals to various others, but his guitar work is unmistakably present. A good veiw indeed!

Buena Vista Social Club Classic.......2007-01-16

For those of you who are fans of the Buena Vista Social Club already, this is the masterpiece. A culmination of talented musicians, soul, love, and sultry afternoons with a cool drink getting ready to kick on into the night!

For those of you who have never listened to this style of music, don't just listen to it once as you could compare it to the first 3 olives you have ever eaten.

The first one shocks your taste with a layered complexity that is both sharp and mellow, leaving you with a look on your face that says "what just happened?".

The second takes you back to the memory of your first taste, and enjoying re-living the sensation, you start looking for more.

The third confirms your interests and instils an infatuation with something unique, powerful, and good for the heart and soul, that will be played over and over again.

Absolutely fantastic!.......2007-01-11

Michael Fletcher reviewed this CD spot-on. And I concur with the review that it is magical--it is indeed that. I can listen to it over and over at work or at home! It seems to suit almost any mood and simply nourishes the soul. I highly recommend for anyone who enjoys good music--you don't even need to be a fan of Cuban music. I certainly am not well versed in Latin music, but am a definite fan of this album!

Average customer rating: Here's what the fuss was all about! Beverly Sills - The Best Beverly Sills' highs are breathtaking! THE 2005 OPERA CD OF THE YEAR EMI Does It Again: Beverly Sills - A Tribute

The Very Best of Beverly Sills Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Sills, Beverly | ( S ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music New York Philharmonic Orchestra | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Donizetti, Gaetano | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Massenet, Jules | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Rossini, Gioacchino | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Vocal Works by Verdi | Verdi, Giuseppe | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music Lehar, Franz | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Similar Items: The Great Recordings Beverly Sills: Made in America Art of Beverly Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation) Verdi: La Traviata / Sills, Gedda, Panerai; Ceccato ASIN: B0006VYELE Release Date: 2005-04-26

Tracks:

1. Una Voce Poco Fa - Sherrill Milnes
2. Dunque Io Son - Sherrill Milnes
3. Contro Un Cor - Sherrill Milnes
4. Ah, Qual Colpo Inaspetatto! - Sherrill Milnes
5. E Il Sol Dell'anima... Addio! Speranza Ed Anima - Ambrosian Opera Chorus
6. Gualtier Malde... Caro Nome - Ambrosian Opera Chorus
7. Tutte Le Feste Al Tempio... Compiuto Pur Quanto... Si, Vendetta - Ambrosian Opera Chorus
8. V'ho Ingannato... Lassu In Cielo - Ambrosian Opera Chorus
9. Quel Guardo Il Cavaliere... So Anch'io La Virtu Magica - Ambrosian Opera Chorus
10. Pronta Io Son... Vado, Corro - Ambrosian Opera Chorus
11. Via, Caro Sposino - Ambrosian Opera Chorus
12. Tornami A Dir Che M'ami - Ambrosian Opera Chorus
13. La Morale In Tutto Questo - Ambrosian Opera Chorus

Tracks:

1. Vilia - Beverly Sills
2. Ah! Je Suis Seule... Dis-Moi Que Je Suis Belle - Beverly Sills
3. Cielo! Che Diverro?... Si, ferite... Dal Soggiorno... Ah! Che Spiegar - Beverly Sills
4. Libiamo Ne' Lieti Calici - John Alldis Choir
5. Un Di Felice, Eterea - John Alldis Choir
6. E Strano... Ah, Fors'e Lui... Follie! Follie!... Sempre Libera - John Alldis Choir
7. Pura Siccome Un Angelo... Ah! Dite Alla Giovine - John Alldis Choir
8. Che Fai? - John Alldis Choir
9. Addio Del Passato - John Alldis Choir
10. Parigi, O Cara - John Alldis Choir

Amazon.com

Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, is bright, pure, infinitely variable in color, inflection and intensity. Her intonation is impeccable even in huge leaps, and her breath is endless. The coloratura roulades are like strings of perfect, luminous pearls, clearly articulated in seamless legato. But this stunning technique (whose only flaw is a sometimes wide, wobbly vibrato) is never used for show; every note has life and expression, serving the music and the dramatic situation. Indeed, her characters are flesh-and-blood human beings, whose thoughts, emotions and interactions, from inwardness to ecstasy, from lamentation to overflowing joy, she projects with riveting concentration. Rosina in Rossini's The Barber of Seville is a charming, mischievous minx who succumbs to delighted tenderness; Pamira's great scene from his Siege of Corinth shows clearly why her Metropolitan Opera debut in that role was a sensation. In Verdi's Rigoletto, Gilda's hopeful innocence turns into hopeless despair: she dies, palpably, on a floating, celestial pianissimo. In his La traviata, Violetta's initial cool, hesitant restraint gradually melts as she opens herself (and her voice) to Alfredo's ardor and the bliss of love. The vocal balance in their final duet is uncanny; its tremulous tenderness in the shadow of death breaks the heart, as does her duet with Germont. Massenet's Thais is sensuous; Donizetti's Don Pasquale and Lehár's The Merry Widow provide comic relief. --Edith Eisler

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

Here's what the fuss was all about!.......2007-07-17

It would have been even better if they had included at least one Cleopatra aria and something from Baby Doe, but it doesn't really matter, because this collection will allow younger listeners especially to hear what the fuss was all about! There are moments listening to Sills, especially from Traviata or Manon, that are so beautifully sung and so genuine that they are heartbreaking. I feel so fortunate to have heard her Queen of the Night, Manon, Violetta, and Baby Doe. She was so generous as a performer and as a humanitarian, and she really brought opera into the American mainstream.

Beverly Sills - The Best.......2007-04-01

What a voice. No coloratura can compare, and she makes it seem so easy.

Beverly Sills' highs are breathtaking!.......2006-09-18

Adio del Passato is incredible! Beverly's high, floating coloratura is no less than ethereal which takes you to another world. Her voice has given me so much joy that it is hard to say one recording is better than another because I love her Mozart album equally with her Bellini/Donizetti. It is so wonderful to have these recordings captured on CD! Enjoy!

THE 2005 OPERA CD OF THE YEAR.......2006-08-19

THIS CD WAS THE BEST OPERA CD ISSUED LAST YEAR, AND HAS CAUGHT THE WORLD'S EAR IN NO TIME. I WAS BUSY WRITING IN SÃO PAULO, BRAZIL, WHILE THE STATEOWNED FM RADIOSTATION, DEDICATED TO CULTURE, WAS SOFTLY PLAYING OPERA ARIAS IN THE BACKGROUND. SUDDENLY I HEARD THE MOST FANTASTIC RENDERING OF "SEMPRE LIBERA" FROM "LA TRAVIATA". I GOT UP, SAT BY THE RADIO AND WAITED TO KNOW WHO WAS SINGING... THEN GOT BACK TO THE COMPUTER TO ORDER THIS CD FROM AMAZON! INCREDIBLE: ONLY 17 BUCKS FOR THIS, WHILE QUITE A BIT OF TRASH IS SOLD FOR 30.40 AND MORE...
A LADY FRIEND ONCE TOLD ME SHE COULD NOT LISTEN TO THE DUET IN "MADAMA BUTTERFLY" WITH MIRELLA FRENI AND LUCIANO PAVAROTTI (RECORDED IN 1974, BY VON KARAJAN) WITHOUT CRYING. WELL, YOU CANNOT LISTEN TO SILLS IN "LA TRAVIATA" DRY-EYED, NO MATTER WHO THE TENOR IS. SHE PROJECTS THE SAME DRAMATIC FEELING OF "LA DIVINA" CALLAS WITHOUT THOSE SHRIEKED HIGHNOTES; SHE OFFERS THE SAME COLORATURA VOCAL GYMNASTICS AS "LA STUPENDA" SUTHERLAND BUT WITH WARMTH... WHEN BEVERLY SANG, AS IN EVERYTHING ELSE SHE DID, SHE ALWAYS GAVE HER UTMOST. SHE WAS "LA GENEROSA" TO BE SURE.
DON'T JUST SIT THERE READING WHAT OTHERS THINK.
ORDER THIS CD NOW AND MARVEL AT HOW THIS GREAT AMERICAN LADY, IN SO MANY OTHER WAYS, ALSO COULD SING!

EMI Does It Again: Beverly Sills - A Tribute.......2005-07-22

EMI's "Very Best Of" series are perfect introductions to operatic singers of the 20th century. Once you hear these artist tribute albums (much like The Singers series) you will get hooked on the singer and seek out their full-length studio recordings. Beverly Sills was the first truly famous American opera star. One may argue that she was not, that she was merely a continued tradition of American divas such as Mary Garden and Lily Pons and which still continues today with Renee Fleming, Elizabeth Futral and Susan Graham. Beverly was raised in New York City, which is still her home, and which is the home of the New York City Opera and the Met, opera houses which rocketed her to fame. Her first success (not featured in this recording...UH WHY ?) was Cleopatra of Handel's Julius Caesar, a performance she sang opposite the illustrious baritone Norman Treigle. Those performances were legendary because coincidentally at the same time the Met was opening its new theatre and season with what became a disastrous Samuel Barber's Antony and Cleopatra starring Leontyne Price in an overblown, big-budget, epic fiasco. The great roles that followed the 1965 Cleopatra were Manon, Queen Elizabeth I in Roberto Deveraux, Maria Stuarda and Anna Bolena in the Donizetti Tudor Queen operas, Pamira in The Siege of Corinth (which were Sill's La Scala and belated Met debut. None of the Queens are featured in this recording, though its supposedly the Very Best Of. An aria from Rossini's Siege of Corinth is featured here however. What we are treated to however are fine lyric roles- Beverly Sills shone brightly and acted convincingly as Gilda in Rigoletto (the final scene is featured here) as Violetta in La Traviata, Thais, The Merry Widow (the beautiful Vilja is featured here)and the ingenue role of Norina in Don Pasquale is also showcased here. To each of these roles, Beverly Sills delivered an authenticity and dramatic interpretation, not ot mention beautiful, sweet tone. I love her pianissimos, her high notes, her chest register. It was the voice of Beverly Sills who first hooked me into opera. For a recording that should showcase her best work, Manon is not featured nor any of her prized French heroines- Marie in The Daughter of the Regiment and the heroines in Tales of Hoffman. Also not in here is the role that was her first success- the Broadway opera Ballad of Baby Doe. Even as such, the arias here are gorgeous. The Barber of Seville is in here and as Rosina she is playful and charming. Sills was a modern singer, with a voice that was beautiful but willing to sacrifice beauty for the sake of dramatic content. When Sills was once asked what she thought of the supposed rivalry with Joan Sutherland (which was never real and only gossip from partisan fans) Beverly said something to this effect -Joan and I are apples and oranges in our take on opera, we are Picasso and Monet. She would do anything for the effect of beauty and tone, I'd sacrifice beauty for the sake of dramatic text. Even as such, I see no ugliness to any of the roles here. All of them are beautiful to hear, full of rich floating celestial tones. It would have been nice to hear the roles that did call for Sills to step up the tense drama - Norma, will her recording ever be reissued by EMI ? Also, few people know that Beverly Sills sung role most would consider dangerous for her voice (though she sang them long before her career even took off)- Aida and Carmen!!

Average customer rating: Like fine wine Ibrahim sweet for your ears. True Cuban Music... The Cuban Nat King Cole Soulful

Mi Sueño Ibrahim Ferrer Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Cuba | Caribbean & Cuba | International | Styles | Music General | Caribbean & Cuba | International | Styles | Music General | International | Styles | Music General | Latin Music | Styles | Music Bolero | Latin Music | Styles | Music Son | Latin Music | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music Similar Items: Buena Vista Social Club Presents Omara Portuondo Buena Vista Social Club Presents Ibrahim Ferrer Cuba Buena Vista Social Club Presents: Manuel Guajiro Mirabal Momento ASIN: B000NVHWLG Release Date: 2007-04-24

Tracks:

1. Dos Almas
2. Si Te Contara
3. Melodia del Rio
4. Cada Noche un Amor
5. Deuda
6. Uno
7. Convergencia
8. Quiereme Mucho
9. Perfidia
10. Copla Guajira
11. Quizas, Quizas
12. Alma Libre

Amazon.com

When Grammy-winning Buena Vista Social club lead vocalist Ibrahim Ferrer died in August 2005 at the age of 78, he was within a few weeks of accomplishing a lifelong ambition: to record an album of suave, sexy, elegant Cuban boleros. The first acknowledged tune of the genre, "Tristezas," was composed in Santiago by Pepe Sánchez during the late 1800s. The form was descended from a Spanish waltz-like dance of the same name, which in turn evolved from the French contradanse and, even earlier on, from English rural styles. Strangely, Ferrer had repeatedly been told that his voice was not sufficiently "manly" for these leisurely, achingly romantic ballads. But judging by the present tracks--and despite the inevitable depredations of age, which only give his interpretations an added, rueful vulnerability--this is demonstrably untrue. The singer's reedy tenor, in some cases rescued from high-quality demos with instrumentals recorded posthumously, touches places in a listener's soul that no power-popster with an umpteen-octave range and mud-slides of melisma could remotely approach. Ferrer is joined by BVSC band-mates Rubén González (piano) and Omara Portuondo (vocals) on one tune each and is accompanied by the soulfully rinky-tink piano of Roberto Fonseca, Orlando "Cachaíto" López's sinuous, resonant acoustic bass and Manuel Galbán's sensitive guitar, with Ramses Rodrigues and Emilio del Monte manning trap drums and percussion. Overall, Mi Sueño ("My Dream") has a late-night feeling, as though captured amid an after-hours jam in a smoky, malt-scented Havana nightclub, long after sleeves have been pushed up and chairs piled on the tables. --Christina Roden

Album Description

Mi Sueno is essential listening. Ferrer brings warmth, ease, humor and poignancy to his vocals, where romance is looked back on fondly and still longed for passionately. Featuring "Uno" and "Perfidia," Mi Sueno is a dream everyone can share.

Customer Reviews:

Like fine wine.......2007-07-24

Ibrahim Ferrer shows yet again the finesse and maturity of a well seasoned vocalist who over the years has become better and better. With the Buena Vista sound backing him up he lets loose song after song with the incredible range and confidence only a master can produce. A wonderful posthumos album with his take on several classics. A spellbinding duet with Omar and impeccable rythm that grows on you the more you listen to it. Its wonderful to compare to his more youthful works and see that what he gave up in fiestiness he more than makes up for in sheer class and charisma. A must buy.

Ibrahim sweet for your ears........2007-07-21

We don't hear this kind of music anymore.Ibrahim sings from his soul.Classic boleros with an outstanding band behind him.Don't miss it!

True Cuban Music... .......2007-07-03

Just amazing, I play it over and over! For me it serves as a bridge that brings to reality a cuba that was experienced by a generation that is slowly passing like the Maestro Ibrahim Ferrer. I grew up with this style/era of music in thanks to my grandparents.It allows me to be a part of them and bring to them a little piece of the Cuba they left behind.

The Cuban Nat King Cole.......2007-05-31

Mi Sueno is the kind of CD that you can put on and play over and over again for hours. Ibrahim sings each song with such conviction you feel every note and you know he has been in love and was deeply in love when he sang these songs. Rest in peace Ibrahim! You were indeed God's gift to us while you were on this earth.

Soulful.......2007-04-26

I have quite a few of Ibrahim Ferrer's recorded music and found his boleros (slower songs) quite pleasing and emotional. I would pick the boleros he sang out of all the Buena Vista recordings and put them on my MP3 player because I liked the soulful emotion he envoked when he sang. It's hard to describe in words, sometimes an artist interpretation of a song really touches the soul, Ibrahim was one of these unique artists. I was very pleased to see that there is finally a release of just slow songs, about love and relationships, even if you don't understand the Spanish language, I think you will hear his Cuban soul and warmth penetrate your senses. I must say that in his earlier recordings ( from the original Buena Vista recordings) the tone and clarity of his voice was prime. In this CD, one can hear the aging of his voice a bit, but don't let that deter you from adding this CD to your collection, for such a soulfoul voice only comes about once in a decade or two, and Ibrahim's expressive qualities were as eminently apparent in his earlier years as they were in his late years. This is a good selection of songs, some were very popular, such as "Perfidia," and "Quizas, Quizas, Quizas," others less recognizable, but all suitable for both listening and slow dancing.

Average customer rating: Farrar bares his influences. Appalling Good album, but buy it on ITunes A Beautiful Progression for Jay Farrar Strong diverse outing for Jay & Co.

The Search Son Volt Manufacturer: Transmit Sound/Legacy ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Alt-Country & Americana | Country | Styles | Music General | Rock | Styles | Music Country Rock | Rock | Styles | Music Pop Rock | Pop | Styles | Music Alt-Country & Americana | Country | Indie Music | Stores | Music Similar Items: Sky Blue Sky West Easy Tiger Death Songs for the Living Live at Massey Hall (CD/DVD) ASIN: B000MNOXXA Release Date: 2007-03-06

Tracks:

1. Slow Hearse
2. The Picture
3. Action
4. Underground Dream
5. Circadian Rhythm
6. Beacon Soul
7. The Search
8. Adrenaline And Heresy
9. Satellite
10. Automatic Society
11. Methamphetamine
12. L Train
13. Highways And Cigarettes
14. Phosphate Skin

Amazon.com

Five albums into Son Volt's career--and a pair into the band's rebirth following leader Jay Farrar's several solo ventures--it's time to bury the encumbering "alt-country" moniker that has dogged Farrar since his days in the genre-setting Uncle Tupelo. While the inexhaustible songwriter relied on guitars to drive 2005's rock-heavy Okemah and the Melody of Riot, Son Volt amends its familiar arrangements on The Search, balancing the instrumentation with piano, organ, and dabbles in a horn section. "Feels like drivin' 'round in a slow hearse," Farrar pleads over repetitive piano and East Indian guitar loops in "Slow Hearse." It's a pensive opener that suggests something is askew, but the horns that kick off "The Picture" literally scream it from the Stax vaults. Farrar dives in and out of genres, tingling the ivories to add subtle alterations to both the gorgeous "Underground Dream" and Imagine-like "Adrenaline and Heresy," turning his band into Gang of Four for the 134-second rocker "Satellite" and singing alongside Shannon McNally on the soulful "Highways and Cigarettes." While it may be impossible for this Son Volt to ever reach the pinnacle of their 1995 debut, no one can accuse Jay Farrar of going through the motions. --Scott Holter

Customer Reviews:

Farrar bares his influences........2007-07-10

After listening to the first 5 songs I was hailing this as his masterwork.When I listened to the whole album I was convinced it was the best complete album I have heard in 20 years.It stayed in my cd player 3 days.The only reason I took it out was to loan it to a friend.It seems to me Jay let some of his influences peek out.The 1st song sounds like a Beatles song.The second song sounds like a Van Morrison tune.The third song sounds like a Led Zeppelin song.The fourth and my favorite has lush backgrounds that remind me of those great Moody Blues songs with mellotron layering.Every song is a treat on this one.Buy it.

Appalling.......2007-06-27

Dull, trite (especially the hard-hitting commentary on the depredations of Chimpy McBushhitlerburton and his Cheneyboy puppetmasters) and did I say dull, and distinguished by an utter absence of melody, inventiveness, or anything that makes music fun to listen to?

It's been ntoed that there's a Farrar camp and a Tweedy camp. I never cared much for Tweedy - but you gotta admit, the guy does try to push the envelope and consistently sets what we capitalists call "stretch targets." Not so Jay, who since the brilliance of Trace seems resolved to produce the same lame album over and over again. That his fans find some deep aesthetic purpose therein speaks less of their delusion than how great a record Trace was: certainly someone who threw this thinderbolt can make lightening strike at least once more time. But it's not to be, and will never. Proof? Quick, hum something from Straightaways or Wide String Tremolo. Or Sebastopol. That's right, you can't, can you? Nor would you want to, if you could. Or nor could you, if you wanted: there's nothing hummable.

Alas, it ain't to be. Jay had one good record in him, that was Trace, and we shall never see its like again. I am starting to believe that his "brilliance" in Tupelo was the result of good old capitalism competitoin with Tweedy, who modest though his talent may be, does make excellent use of it. Jay, unmoored from his old Belleville pal, reveals himself as a lazy, pompus slacker, the sort of boring nut you see journaling in independent coffee houses with a copy of some Said or Chomsky trash under his elbow. The brilliance of Trace, in retrospect, is starting to strike me as dervived less from a spark of the divine within Farrar than the principle that if a monkey sits at a typewriter long enough, he'll produce Shakespeare. By some weird change of evolution and chance, it happened early for Farrar.

Two stars because no mmatter how wretched Jay is, at least he's not Ryan Adams.

Good album, but buy it on ITunes.......2007-06-18

The I Tunes version has bonus tracks bundled into the album price. Two of those bonus tracks - Bicycle Hotel and Carnival Blues - are as good as anything Jay has ever written.

Jay's Gob Iron album, released a few months earlier, is slightly better than The Search.

A Beautiful Progression for Jay Farrar.......2007-05-25

I always suspected that Jay Farrar had a masterpiece in him, but the ever-diminishing payoff I experienced with most Son Volt releases left me feeling less and less certain of my conviction. After listening to "The Search" for two solid weeks, I'm fairly convinced that this is the miracle I've been hoping for. As is usual for a Son Volt record, I required multiple listens before the songs began to sink in, but like a cautious friend, the underlying logic of "The Search" slowly started to reveal itself. This album is deeper than most, so it justifies a lot of playtime, and the more I listened, the more I realized that this is a disk you can keep in your player for a few weeks without growing tired of it, or restless.
As a lyricist, Farrar was never one to reveal himself recklessly, but I notice a few shifts in his methods here that aid in conveying his expressive side. First, the lyrics are more poetic than usual, which does not necessarily mean that they are opaque. Depending on the song, Farrar's words veer from the oblique to the direct and literal. For example, on "Action," he sings, "Break up the old drug pound story, Tortured soul wears an ego sleeve. Heavy hearts and heavy hitters, Bards disease finds the killing floor." These words might not ever mean anything literal to me, but they conjure up rich imagery, while the melody deepens their impact. Elsewhere, on "Adrenaline and Heresy," Farrar sings "She said I still love you, I don't know if I want to spend the rest of my time with you," which is as direct a statement as can be made about a failing relationship. Farrar sings these words with a striking sense of resignation that resounds long after the song ends. "Highways and Cigarettes" is also full of literal imagery ("Best to clear the mind with a Mexicali radio station. Keep an eye out for the border patrol, checking for drugs and so called aliens." He's still very self-serious, but the wordy phraseology and energized interplay of the new band adds an element of fun that had been lacking on previous Son Volt projects.
These words might not resound on the page, but "The Search" benefits immensely from Farrar's melodic sense, which appears to have grown suddenly, and significantly. He is no longer limited by the ideas on his palette, and all sorts of textures help the listener to retain interest. A horn section spices up the high-energy romp of `The Picture," while tasteful keyboards add flavor throughout. Interestingly, there also seems to be an abundance of backward-looped guitars to add a spooky, otherworldly feel to songs such as "Slow Hearse" and "Phosphate Skin." It may take some patience to realize it for yourself, but "The Search" is a beautifully constructed work and I'm finally able to say with some certainty that Jay Farrar and Son Volt have created a minor masterpiece. A Tom Ryan

Strong diverse outing for Jay & Co........2007-05-01

I wasn't exactly sure what to expect with this album, with the pre-release reports that Son Volt was moving in a new direction, adding new instrumentation. Would it be some weird new experimental, unlistenable thing?

After listening for myself, I'd have to to call the new direction more of an enhancement than a departure. The traditional elements of a Son Volt record are still here -- great songs and melodies, sorrowful pedal-steel guitar, some inscrutable social commentary lyrics, and a solid dose of Americana.

But this record is somehow more than other SV albums. It has diverse sounds that we haven't heard on SV songs before, like horns and piano, that blend very nicely with their sound. There are rocking tracks, slow burn tracks, and moody introspective tracks. Every song on this record is strong, which is a lot more than I can say for "Okemah". This is an excellent record from start to finish.

Average customer rating: RIP, BEVERLY SILLS 1929-2007 Brava Sills! Sills fits my bill The Great American Soprano My Favorite Woman

The Great Recordings Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Sills, Beverly | ( S ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music New York Philharmonic Orchestra | ( N ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Mozart, Wolfgang Amadeus | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Rossini, Gioacchino | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: The Very Best of Beverly Sills Art of Beverly Verdi: La Traviata / Sills, Gedda, Panerai; Ceccato Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation) Beverly Sills: Made in America ASIN: B0001Y4JG6 Release Date: 2004-05-11

Tracks:

1. Son Vergin Vezzosa - Paul Plishka
2. Eccomi... Oh! Quante Volte
3. Mira, O Norma
4. Santo Di Patria... Allor Che I Forti Corrono... Da Te Questo
5. Contro Un Cor Che Accende Amore - Nicolai Gedda
6. Che M'apporti? - Ambrosian Opera Chorus
7. Quel Sangue Versato Al Cielo S'innalza - Ambrosian Opera Chorus
8. Vorrei Spiegarvi, Oh Dio, K.418
9. Amor, Op.68 No.5

Tracks:

1. Martern Aller Arten
2. E Strano! E Strano!
3. Ah, Fors'e Lui
4. Follie! Follie!
5. Sempre Libera
6. Ces Murs Silencieux - Pardonnez-moi, Dieu De Toute Puissance - Ambrosian Opera Chorus
7. Toi! Vous! - Oui! Je Fus Cruelle Et Coupable! - Ambrosian Opera Chorus
8. N'est-ce Plus Ma Main? - Ambrosian Opera Chorus
9. Robert, Toi Que J'aime
10. Tu Ne Chanteras Plus?
11. Chere Enfant Que J'appele
12. Meine, Lippen, Die Kusen So Heiss
13. Wien, Wien, Nur Du Allein
14. Always Through The Changing

Customer Reviews:

RIP, BEVERLY SILLS 1929-2007.......2007-07-03

The great American diva's passing was announced today.

This wonderful CD set is a perfect compilation of her art as can be found anywhere. Her finest roles and performances are captured here, most of them derived from the Westminster/Audio Treasury recordings from her prime. Listening to them again demonstrates to me why she was so special, and such an inspiration to music lovers everywhere.

Brava Sills!.......2007-02-02

A very nice compilation of Sillsiana. The different cuts on this CD provide a nice illustration of her work. Let me briefly describe my response to a sampling of the works on this CD:

Bellini, I Puritani, "Son vergin vezzosa." Wonderful. Sutherland owns this--but so does Beverly Sills. Contemporary sopranos such as Netrebko and Gruberova have also sung this on their respective CDs, and while their product is nice, it simply does not compare. Sills is remarkably agile with her voice; the trills are well done; she cleanly hits high notes; the overall effect can only be described as wonderful.

Bellini, Norma, "Mira, o Norma". This is smoothly sung and very melodic. The technique that she exhibits does not overwhelm the music.

Rosini, Il Barbiere di Siviglia, "Contro un cor che accende amore." Again, her agile voice is well deployed. The florid singing is well done.

Donizetti, Roberto Devereaux, "Che m'apporti." Her clean, light voice matches well with this aria. Smoothly sung. Her "Quel sangue versato al cielo s'innalza," which follows, is well done. High notes cleanly hit, a smooth line.

Verdi, La Traviata, "E strano. . . .Sempre libera." Again, what agility! In "Sempre libera," she reveals a rich voice and, again, wonderful agility. This is an animated version of one of Verdi's showcase pieces.

Lehar, Giudetta. "Meine Lippen." A lot of fun! This is smoothly sung.

In the final analysis, this is a nice potpourri of Beverly Sills' repertoire. Those not familiar with her work will find this a nice entree to her oeuvre; those familiar with her will find this a good compilation.

Sills fits my bill.......2006-03-13

This recording is another in an all too small CD collection of Sills recordings. I eagerly await more.

The Great American Soprano.......2005-10-01

This is a great collecition featuring arias from the Classical and Romantic periods. Fabulous!!!!!

My Favorite Woman.......2005-08-05

I would have to say that when I first heard Beverly Sills sing, I was entranced. I couldn't take my eyes off of her and I became angry at any rustling around me, because I was afraid I would miss one note. It was so addictive....that is what she is....addictive! A c.d. will never properly capture her style. She is an amazing leader in opera, taking it into a new frontier and I believe this c.d. showcases that.

Average customer rating: Suprising Speak Spanish or Not, This CD is Great Smooth and Sexie Learn Spanish and groove at the same time: Latin Lounge Putumayo

Putumayo Presents: Latin Lounge Various Artists Manufacturer: Putumayo World Music ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music House | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music General | International | Styles | Music Mexico | International | Styles | Music Dub | Reggae | International | Styles | Music Samba | Latin Music | International | Styles | Music Flamenco | Latin Music | Styles | Music General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Salsa | Latin Music | Styles | Music Tango | Latin Music | Styles | Music Lounge | Easy Listening | Pop | Styles | Music General | New Age | Styles | Music Dance & DJ | Putumayo World Music Store | Amazon.com Label Stores | Stores | Music International | Putumayo World Music Store | Amazon.com Label Stores | Stores | Music Latin Music | Putumayo World Music Store | Amazon.com Label Stores | Stores | Music Similar Items: Putumayo Presents: Acoustic Brazil Putumayo Presents: Brazilian Lounge Putumayo Presents: Afro-Latin Party Putumayo Presents: Nuevo Latino Putumayo Presents: Baila - A Latin Dance Party ASIN: B000A8AWVO Release Date: 2005-09-06

Tracks:

1. Reflejo De Luna - Alacran
2. Sueno Mama - Roberto Poveda
3. Siempre Me Quedara - Bebe
4. Dame Tu Querer - Sidestepper
5. Mariposa (En Havana) - Si Se
6. Caminhos De Cuba - Luiz De Aquino
7. Don't Leave Me Now - Amparanoia
8. Folia - Wagner Pa
9. Carmela - Charanga Cakewalk
10. Esta Noche - Federico Aubele
11. In Love With You - Deepak Chopra
12. Sentimientos - Andres Linetzky

Product Description

Tango, cumbia and son meet electronica in this contemporary collection of chill-out grooves. Alacran Reflejo de Luna Roberto Poveda Sueño Mamá Bebe Siempre Me Quedará Sidestepper Dame Tu Querer Si*Sé Mariposa (en Havana) Luiz de Aquino Caminhos de Cuba Amparanoia Don't Leave Me Now Wagner Pá & Brazuca Matraca Folía Charanga Cakewalk Carmela Federico Aubele Esta Noche Deepak Chopra featuring Adriana Castelazo In Love With You Andrés Linetzky & Ernesto Romeo Sentimientos

Customer Reviews:

Suprising.......2007-06-15

After purchasing many compilations I began to fear that I would never again hear a cd as good as my first (Siddharta Vol. 1) but this cd woke me up. Some songs are better than others. "Siempre Me Quedará" for example is one of the best songs I've heard in months and all are consistantly good except for one song called "Carmela" which sounds like something my grandparents would dance to.
When I realised that Putumayo made many discs with many different themes without sticking to 1 theme I assumed it would be commercial and weak, but the disc outdoes most buddha bar or hotel costes compilations!
A great Listen, I highly recommend it.

Speak Spanish or Not, This CD is Great.......2007-04-10

I am a Spanish student and am nearly fluent. It's fun to listen to this CD and know what they're saying, but even if you can't speak a word of Spanish, this CD will retain a special place on your shelf (or a permanent place in your CD player). The music varies from tangoes to salsas to mambos. I especially enjoy listening to this CD in my car because... it's just plain fun to listen to.

Smooth and Sexie.......2007-03-13

All the cuts offer a tasty bite of Latin flavor. Latin Jazz and Euro fusion. Great listening music or as a back drop to accent a dinner party. The music is captivating, enchanting, and just a pleasure to listen. This is the kind of music that goes great with a sunset, wine, and a friend.

Learn Spanish and groove at the same time: Latin Lounge.......2007-01-04

I just bought this CD at the airport in San Jose, Costa Rica. It was playing over the loudspeaker in the gift shop and I was hooked. Happy to help the local economy but I could have saved some $ if I had bought it on amazon. This is an amazing CD. Not only is the music great, but you can also improve your Spanish by listening to the lyrics. If you like groovy Latin music, buy this now.

Putumayo.......2006-12-15

PUTUMAYO is awesome music, a real eye opener. Similar in many ways to the BUDDHA BAR approach but different flavour.

Anyone who enjoys this cd may want to try MANU CHAO (proxima estacion ... ESPERANZA) for another trully great Latin American music.

This is definitely one of the easiest CD's to pop in, along with Nuevo Latino .... anytime anywhere ... just makes you enjoy the moment so much more.

Average customer rating: Hello Mother Hello Father Allan Sherman in glorious STEREO! Allen Sherman was a Genius! Muddah Faddah Kindly Disregard Dis Lettah! Love this CD!!!!

My Son, The Greatest: The Best Of Allan Sherman Allan Sherman Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music General | Miscellaneous | Styles | Music General | Comedy | Miscellaneous | Styles | Music Country Comedy | Comedy | Miscellaneous | Styles | Music Classic Comedy | Comedy | Miscellaneous | Styles | Music Novelty Music | Comedic Music | Comedy | Miscellaneous | Styles | Music General | Comedic Music | Comedy | Miscellaneous | Styles | Music Rhino Records | Amazon.com Label Stores | Stores | Music $7.99 and Under | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $7.99 and Under | Prices | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: That Was the Year That Was Sibling Revelry: The Best of the Smothers Brothers Songs & More Songs By Tom Lehrer Peter & The Commissar Something Like This... The Bob Newhart Anthology ASIN: B00000348Q Release Date: 1990-10-25

Tracks:

1. Hello Muddah, Hello Fadduh!
2. Crazy Downtown
3. A Waste of Money
4. Harvey And Shelia
5. Good Advice
6. Sarah Jackman
7. You Went The Wrong Way, Old King Louie
8. One Hippopotami
9. Shake Hands With Your Uncle Max
10. You're Getting To Be A Rabbit With Me
11. Shticks Of One And Half A Dozen Of The Other
12. Al 'N Yetta
13. The Rebel
14. Pop Hates The Beatles
15. The Twelve Gifts Of Christmas
16. Chim Chim Cheree
17. Lotsa Luck
18. The Streets Of Miami
19. Hail To Thee, Fat Person

Amazon.com

This collection gathers 19 of Sherman's humorous story-songs. The comic uses original lyrics and pre-existing tunes to poke fun at television shows and consumer items, to send-up the kids and generally riff on early and mid-'60s American pop culture. On tracks like "Pop Hates the Beatles" and "Crazy Downtown," his subject is the generation gap. "Al 'n Yetta" portrays a TV-dependent couple while "Lotsa Luck" describes the complicated hassles of dealing with faulty TVs and new-fangled tape recorders. Sherman assumed his audience had a little knowledge of history, too. On "Good Advice" and "You Went the Wrong Way, Old King Louie," he sings about inventors and French history, respectively. It's hard to imagine contemporary comedians working the historical beat. "One Hippopatami" is a delightfully goofy festival of wordplay that requires only a love of language and a tolerance for schmaltz. --Fred Cisterna

Customer Reviews:

Hello Mother Hello Father.......2007-05-14

If you remember Hello Mother Hello Father Here I am at camp Greanada. The Alum only gets better.
Lenny

Allan Sherman in glorious STEREO!.......2007-02-18

Describing his singing voice, Allan Sherman accurately compared himself to an average guy warbling badly in the bathtub. Yet, as Steve Allen writes in the liner notes for "MY SON THE GREATEST," Allan's odd pipes were perfect for the strange parodies, puns and wordplays that were his stock-in-trade.

This reviewer owned six of Sherman's WARNER BROTHERS LPs way back then, and over 40 years later can still sing most of his lyrics (just ask me- I dare you!). Allan Sherman had that sort of effect on you - loving to laugh at his silly songs made folks want to commit them to memory. But, the one thing that wasn't available in the early 60's (as any avid fan will tell you), were STEREO mixes. For some reason, WARNER must have pressed ten times as many monaural copies, so we had to make do with those.

This RHINO records "Best of" has corrected that situation in marvelous fashion. Our favorite Allan Sherman tracks have never sounded so "fine" (a loaded word, when describing Allan's music!). Highlights here are the exuberant "Good Advice," the schlamozzel's theme song "Lotsa Luck," and "Schticks Of One And Half A Dozen Of The Other," which has more bad puns packed into it than any recording in history.

Oh no-- stand back! I feel a song coming on---
"On top of old Smokey, all covered with hair;
Of course I'm referrin'.... to Smokey da Bear..." (oy!)

TOTAL RUNNING TIME -- 66:23

Allen Sherman was a Genius!.......2007-02-17

I have been a fan of Allan Sherman almost my entire life. What a funny, funny guy! It is wonderful to have this CD with most of his very best work on it readily available to enjoy. I suppose some of the humor would not appeal to some very young listeners - sadly it is linked to a period of time that they will never relate to in our rapidly changing world. But for the most part, it is timeless, FUNNY, and delightfully silly stuff.

Muddah Faddah Kindly Disregard Dis Lettah!.......2007-01-31

Listening to Dr. Demento shows or singing songs around the campfire may have acquainted you with one or more of these gems. They are all Allan Sherman originals, and he delivers them in his own unequivecal way. My main reason for purchasing this CD was, as a Beatles memento-fiend, to grab the cut, "Pop Hates the Beatles", which, as you can imagine, tells of the agony of the American father anticipating the British invasion (Parents of America,/It's time to do it again, folks./When they come back, here's how we'll begin,/We'll throw 'em in Boston harbor./But please, before we toss 'em all in,/Let's take 'em to a barber). But
in doing so, I've added a number of childhood favorites to my collection, especially the perennial, "Hello Muddah, Hello Faddah", the chronicle of a youngster fearful of camp who decides camp isn't so bad by the time the letter is done. This was our family anthem as we set out camping each summer, one that is sure to serve the same function for other families. The songs all are based on well-known, often classical melodies, with Mr. Sherman's lyrics. The humor ranges from silly to hilarious. Some, like the Beatles' number, are dated; some, like "Hello Muddah", are timeless.

Love this CD!!!!.......2007-01-25

I love this CD! It's in my car and I even put in on my ipod!! Allan Sherman was a genius!!

Average customer rating: Excellent Introduction to Spanish Classical Guitar Music The guitar is an orchestra in miniature! GUITAR MAJESTY Sweet, sweet music, an essential addition to your collection A True Classic

Spanish Guitar Music Manufacturer: Sony ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Albeniz, Mateo Pérez de | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Granados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tarrega | Tarrega, Francisco | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Turina | Turina, Joaquin | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Villa-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Essential Guitar: 33 Guitar Masterpieces 300 Years of Guitar Masterpieces Baroque Guitar Masters of Flamenco Guitar Classic Williams: Romance of the Guitar ASIN: B00005YJ4Q Release Date: 2002-01-29

Tracks:

1. Albeniz: Asturias
2. Albeniz: Tango
3. Sanz: Canarios
4. Rodrigo: Fandango
5. Torroba: Nocturno
6. Segreras - El Colibri
7. Albeniz: Sonata in D
8. De Falla: The Corregidor's Dance
9. De Falla: Fisherman's Song
10. De Falla: The Miller's Dance
11. Torroba: Madronos
12. La Nit de Nadal
13. El Noy de la Mare
14. Granados: Ma Maja de Goya
15. Abeniz: Cordoba
16. Tarrega: Recuerdos de la Alhambra
17. Granados: Spanish Dance No. 5
18. El Testamen de Amelia
19. Villa-Lobos: Prelude No. 4 in E Minor
20. Albeniz: Sevilla
21. De Falla: Homanaje
22. Mudarra: Fantasia
23. Turina: Fandanguillo

Customer Reviews:

Excellent Introduction to Spanish Classical Guitar Music.......2005-09-18

As a sampler, this CD is an excellent introduction both to Spanish classical guitar music and to guitarist John Williams.
The music ranges from Renaissance composers (Sanz, Mudarra) and harmonized folk melodies to standard 20th Century works (Rodrigo, Torroba etc).

John Williams is excellent throughout. The CD is also cheap, and can be used either just for enjoyment, or further to explore other recordings by Williams, the classical guitar repertoire, or other classical guitarists.

As a marketing ploy, it is very effective.

For the collector or classical guitar enthusiast, the chief disadvantages of the CD are duplication of other recordings, and that the way at least some of the works on this CD are listed isn't helpful in telling the listener the set(s) to which these pieces belong and how to find them (e.g. "from ______, Op # "). The font listing the titles and track numbers is small and somewhat hard to read.

However, this CD should attract many listeners and enthusiasts both to the classical guitar, the repertoire, and guitarist John Williams - and I'm all for that.

Over 70 minutes playing time.

Recommended.

The guitar is an orchestra in miniature!.......2005-02-05

This admirable concept belongs to Hector Berlioz and it must not be a surprise the best guitarrists in the story have in common this trademark.

John Williams has always known the delicate equilibrium between the expresiveness and the glamouer. His impresive technique however is not exposed as his prima edonna. He goes directly to the soul of the composer, melts in his spirit and let the music sharp the qith eloquent conviction the composer's demanded atmosphere.

From Granados to Albeniz, from Rodrigo to Agustin Barrios - El indio Mangore -, from Moreno Torroba to Ponce , you will find the warmth, the passion and the Midas touch of this golden guitarrist.

GUITAR MAJESTY.......2004-12-21

John Williams is a true Guitar virtuoso. His repetoire is very extensive and I use his music in my office while I work at my daily office duties. This album is a must for all guitar enthusiasts old or young.

Sweet, sweet music, an essential addition to your collection.......2004-12-07

I originally bought this album three years ago, looking for a good introduction to Spanish guitar music. And this one fits that need perfectly. I still listen to and enjoy it today. I play this for guests at happy hour or dinner for a relaxed atmosphere. At Amazon's current price, this is a great value.

A True Classic.......2004-01-26

This album/cd is extraordinary. All the songs are gorgeous and exciting to listen to. John Williams' interpretation and technique are perfect. After 22 years of listening to it, I still enjoy and appreciate it more every time. I love giving it as a gift.

Album Review:

1. Soul Classics [Import]
2. Substance [Import]
3. Tales from the Sitting Room
4. Taller in More Ways [Import]
5. The Best of Climie Fisher [Import]
6. The Best of Crown Heights Affair: Dreaming a Dream
7. The Children of Jah 1977-1979
8. The Remixes
9. The Young & the Guest List
10. This Island Remixes

Album Review

album review

Album Review

He Used to Be An Animal

Piazzolla by Piazzolla

Safe in the Harbor

Music: It Might As Well Be Swing

Orleans Live, Vol. 1 [Live]

Merry Axemas, Vol. 2: More Guitars For Christmas

Peace Be Still [Live]

Purcell - King Arthur / Les Arts Florissants · Christie [Highlights]

Pretty Close to the Truth

Make Way

Out of Time [CD-single] [Enhanced] [Import]

Lucio 2003 [Import]

Shake It Baby [CD-single] [Import]

Prokofiev: Peter & the Wolf, Cinderella (excerpts from Ballet) / Neeme Jarvi

The Secret of Elena's Tomb