Don't Be Afraid Of Love

Amazon.com
As another slab of exceedingly danceable, electro-laden funk, the Lo Fidelity Allstars' Don't Be Afraid of Love makes for addictive listening, whether you've already learned How to Operate with a Blown Mind or not. The moody opening track, "What You Want," certainly gets the party started, but it does little to set the tone for the rest of the album. Clashing guitars give way to Lisa Millet's emotive vocal on the Balearic "Lo-Fi's in Ibiza" and from there on in, it's hooky samples, pure Vocoder soul, and familiar, frenetic acoustics all the way. On the heels of their On the Floor at the Boutique compilation, this release will leave you feeling anything but low. --Ruby Tuesday

Tracks:

Jesus Christ Superstar: Overture - Andrew Lloyd Webber
Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
Jesus Christ Superstar: Superstar - Murray Head
Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
Evita: Another Suitcase In Another Hall - Barbara Dickson
Evita: Don't Cry For Me Argentina - Julie Covington
Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
Cats: The Jellicle Ball - Andrew Lloyd Weber
Cats: Memory - Elaine Paige
Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
Cats: Mr Mistoffelees - Paul Nicholas
Song And Dance: Take That Look Off Your Face - Marti Webb
Song And Dance: Tell Me On A Sunday - Marti Webb
Song And Dance: Unexpected Song - Sarah Brightman
Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
Song And Dance: Introduction - Andrew Lloyd Webber
Song And Dance: Variations 1 -4 - Andrew Lloyd Webber

Tracks:

Starlight Express: Starlight Express - El Debarge
Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
Starlight Express: Light At The End Of The Tunnel - The Company
Requiem: Hosanna - Placido Domingo
Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
The Phantom Of The Opera: The Music Of The Night - Michael Crawford
The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
The Phantom Of The Opera: Masquerade - The Company
The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
Aspects Of Love: Love Changes Everything - Michael Ball
Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
Aspects Of Love: Anything But Lonely - Sarah Brightman
Aspects Of Love: Chanson D'Enfance - Sarah Brightman

Tracks:

Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
By Jeeves: Half A Moment - Sarah Brightman
Sunset Boulevard: With One Look - Glenn Close
Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
Sunset Boulevard: Sunser Boulevard - Alan Campbell
Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
Whistle Down The Wind: Cold - Everly Brothers
Whistle Down The Wind: No Matter What - Children/Adult Chorus
Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
The Beautiful Game: Overture - Andrew Lloyd Webber
The Beautiful Game: The Beautiful Game - The Company
The Beautiful Game: Our Kind Of Love - Hannah Waddingham
The Beautiful Game: Dont Like You - Josie Walker/David Shannon
The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir

Tracks:

Oh What A Circus - David Essex
Memory - Betty Buckley
The Phantom Of The Opera - Sarah Brightman/Steve Harley
All I Ask Of You - Sarah Brightman/Cliff Richard
Love Changes Everything - Michael Ball
Any Dream Will Do - Donny Osmond
Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
As If We Never Said Goodbye - Barbra Streisand
The Perfect Year - Dina Carroll
With One Look - Petula Clark
You Must Love Me - Madonna
The Heart Is Slow To Learn - Kiri Te Kanawa
A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
Whistle Down The Wind - Tina Arena
No Matter What - Boyzone
The Vaults Of Heaven - Tom Jones
Try Not To Be Afraid - Boy George
Pie Jesu - Charlotte Church

Tracks:

Make Believe Love - Wes Sands
Down Thru' Summer - Ross Hannaman
I'll Give All My Love To Southend - Ross Hannaman
Believe Me I Will - Sacha Distel
Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
Try It And See - Rita Pavone
Come Back Richard Your Country Needs You - Time Rice And The Webber Group
Goodbye Seattle - Paul Raven
John 19:41 - The Andrew Lloyd Webber Orchestra
What A Line To Go Out On - Yvonne Elliman
Disillusion Me - Gary Band
The Ballad Of Robert And Peter - Tim Rice
Christmas Dream - Maynard Williams
It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
Magdalena - Tony Christie
Buenos Aires - The Roja Rockers
Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
I Could Have Given You More - Petula Clark
I've Been In Love Too Long - Marti Webb
Benedicite - The Stephen Hill Singers

Album Description

Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance

Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love

Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game

CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church

Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers

Customer Reviews:

I waited for this for five years.......2006-06-30

Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
It was worth the wait.

The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.

I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.

There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."

But the selections on CDs 1-3 don't make sense.

First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.

Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?

On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?

The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).

There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.

With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?

Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.

In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.

Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10

Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.

ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21

Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.

Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.

Here are my basic impressions and comments regarding the material on the discs:

* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.

* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.

* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.

* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.

* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.

Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.

SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19

"Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.

A Must Have for Sir Andrew fans.......2002-05-21

This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!

Average customer rating:

I wanted to love this cd
Don't knock it till it's knocked you
Lo-Fi....doesn't have a comeback...
Allstars - Lead Singer = Stereo MCs + Fatboy Slim
If this isnt my favorite CD of all time, its in the top 5

Don't Be Afraid Of Love
Lo Fidelity Allstars
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

Electronica | Dance & DJ | Styles | Music

Big Beat | Dance & DJ | Styles | Music

Trip-Hop | Dance & DJ | Styles | Music

General | Dance Pop | Dance & DJ | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music
Similar Items:

How to Operate with a Blown Mind
On the Floor at the Boutique
Abstract Funk Theory
Back On A Mission
On the Floor at the Boutique

ASIN: B00005OUJ1
Release Date: 2002-03-05

Tracks:

What You Want
Deep Ellum... Hold On
Lo Fi's In Ibiza
Somebody Needs You
Don't Be Afraid Of Love
Feel What I Feel
On The Pier (feat. Bootsy Collins)
Just Enough
Cattleprod
Tied To The Mast
Sleeping Faster
Dark Is Easy

Amazon.com

As another slab of exceedingly danceable, electro-laden funk, the Lo Fidelity Allstars' Don't Be Afraid of Love makes for addictive listening, whether you've already learned How to Operate with a Blown Mind or not. The moody opening track, "What You Want," certainly gets the party started, but it does little to set the tone for the rest of the album. Clashing guitars give way to Lisa Millet's emotive vocal on the Balearic "Lo-Fi's in Ibiza" and from there on in, it's hooky samples, pure Vocoder soul, and familiar, frenetic acoustics all the way. On the heels of their On the Floor at the Boutique compilation, this release will leave you feeling anything but low. --Ruby Tuesday

Customer Reviews:

I wanted to love this cd.......2004-05-14

What happened to the Allstars since "How to Operate With a Blown Mind"? What happened to the overwhelming fast, intense, dark, futuristic sound of this band? Why have they gone soft? I miss the lyrics most of all, they were a huge part of this groups sound. I mostly listen to electronic, mostly breaks and drum + bass, and just hate the mellow soft stuff, too boring. I wouldn't say that this new cd is bad though. I am just disappointed, and compared with How to Operate I think this cd is definetely lacking.

Don't knock it till it's knocked you.......2004-01-31

So wrekked train is gone. Their 'morbid' poetry is gone. Their mindless rough beatings of musicality in general is gone. What Lo fi replace it with, however, is something so diverse one can only respect them. Critiquing this album would be simple and worthless - but so would be critiquing the first album. Honestly - what made the Allstars allstars? Their difinitive style... and it's still here, folks. Quality artists will always be quality artists. The Allstars will always rock out to anything they can get their greedy little fingers spinning. The hardcore hip-hop edge is gone from this CD but it is replaced with an eclectic blend of dance, R & B and funky grooving action that will leave you in a stupor. Wipe that drool off your chin, junior, Lo Fi's still got it.

Lo-Fi....doesn't have a comeback..........2003-09-14

I bought this CD when i was just into really pure techno stuff...
and fatboy slim...anyways...
i walked into my local sam goody and saw these guys on a rack, and i had seen the name from the Skint records site, and listened to their loop on there, and i was all...hey, those guys could be pretty good!
so i bought the cd, and was all "HEY! what is this? it has LYRICS!" the only song i really dug was 'dark is easy' cos it had plenty of turntable scratching.
anyways, i put it away for a few weeks (or months) don't remember...
and then i stuck it back into my cd player and was astounded by the sound. (heh, funny!)
it was put in the #2 slot in my cd case, ('cos i ALWAYS had my cds with me no matter where i was. even in my BASEMENT!) but after fatboy slim. geez he has neat music.

the beats are always great and lo-fi, the vocals always vocoded, and all the songs feel complete.

so in conclusion...if you're into JUST techno, you probably shouldn't get this cd, but if you're into ALL genres...doesn't matter. but if you're into lyrical techno, BUY THIS!!! RIGHT NOW!

Allstars - Lead Singer = Stereo MCs + Fatboy Slim.......2003-07-01

It's true. Having lost the most unique aspect of their cadre, the lead singer & lyricist (Wrekked Train), the Allstars now sound like a combination of Fatboy Slim and the Stereo MCs. These are not bad influences by any means, and their comeback is respectable but not impressive. I personally enjoyed the dark yet subtle sci-if/fantasy motif of the lyrics on How to Operate With a Blown Mind, and don't ask me why, but I love snotty British vocals when done well. Also, the drum/beat work isn't as pronounced on this album. Sure it's more danceable, but that's merely because it's more 'generic' than before.

Not a bad purchase though, especially if you like the above mentioned artists.

If this isnt my favorite CD of all time, its in the top 5.......2003-04-12

Wow. ok. where to start? With the last CD? ok... this album sounds almost nothing like "How to Operate..." well.. thats sort of a lie. the killer bass and guitars are the same mostly, but the rambling vocals, dark poetry, and drunk beats are gone. Not that the first album wasnt great, it was. But like another reviewer said, it was a personal experience (except for Battleflag and 1 or 2 others).

This album is nothing of a personal experience. This is music to be enjoyed by all very VERY loudly. The first track took some getting used to, as did track 8.. the rest were first-time-listening HITS.
This album goes from funky, to bouncy, to clap-along, to chill, to sing-a-long, to giggle, to GET-...UP-AND-DANCE, and back again. and does every single one of them with grace and style.
if youre willing to give music you havent already heard on the radio a chance, this album is for you.
As for the tune "Cattleprod".. well.. as the fatboy track goes "if this dont make your booty move, your booty must be dead".
thats my favorite track, but that same catchline goes to tracks 2,3,4,6,9,10. the rest are a bit chilled. they RULE.. but theyre chilled.

Tracks:

I Could Be Happy With You [From the Boy Friend]
You-Don't-Want-To-Play-With-Me-Blues [From the Boy Friend]
Thank You Ladies
Medusa [From Slings and Arrows]
Gaiety Gloom [From See You Later]
1930's Girl [From See You Later]
Behind the Times [From the Buccaneer]
Boy Friend Medley: The Boy Friend/Fancy Forgetting/A Room in ...
Only a Passing Phase [From Valmouth]
I Will Miss You [From Valmouth]
Blondes for Danger [From Divorce Me Darling]
Don't Say Goodbye to Berlin [From Goodbye to Berlin]
It Might Have Been Worse [From Goodbye to Berlin]
Marriage [From "His Monkey Wife"]
Take Me Home to Cleves [From Oh Henry!]
Don't Be Afraid of the Dark [From See You Later]
Love Song [From Call It Love] - Richard Owens
Love Song in Rag [From Call It Love] - Richard Owens,
I Know, Know, Know [From Call It Love] - Richard Owens,
Hate Each Other Cha-Cha-Cha [From Call It Love] -
Call It Love [From Call It Love] - Richard Owens, Company
Divorce Me Darling! [From Divorce Me Darling!]
Whatever Happened to Love? [From Divorce Me Darling!]
Together Again [From Divorce Me Darling!]
Outdoor Girl [From Pieces of Eight]

Average customer rating:

Better than most all the ordinary FF soundtracks
I love this CD.
For those who wanna get their FF orchestra groove on...
The Fantasy Continues...
One of the Best (non OST) Final Fantasy works

20020220: Music From Final Fantasy
Nobuo Uematsu , and Shiro Hamaguchi
Manufacturer: Japanese Import
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Final Fantasy: Symphonic Suite
Final Fantasy IX: Piano Collections
Final Fantasy VII - Advent Children (Two-Disc Special Edition)
Final Fantasy VIII: Piano Collections
Final Fantasy VII Piano Collections

ASIN: B000063VTH
Release Date: 2003-07-08

Tracks:

Tuning
Liberi Fatali (FF VIII)
(FF IV)
MC-1
Final Fantasy I-III
MC-2
(FF VII)
Don't Be Afraid (FF VIII)
(FF VI)
MC-3
(FF V)
Vamo' Alla Flamenco (FF IX)
MC-1
(FF X)
(FF X)
MC-2
Love Grows (FF VIII)
(FF X)
MC-3
Melodies Of Life (FF IX)
MC-4
(FF VII)
MC-5
The Man With The Machine Gun (FF VIII)
Final Fantasy

Album Description

Music From Final Fantasy recorded live at Tokyo's International Forum on February 20, 2002. The show was the first 'Final Fantasy' full orchestra concert (the Tokyo Philharmonic Symphony Orchestra). Guest performers include Emiko Shiratori and Rikki who performed the theme songs. The CD includes enhanced material with a comment from Nobuo Uematsu and backstage footage.

Album Details

Music from 'final Fantasy' at the Tokyo International Forum.

Customer Reviews:

Better than most all the ordinary FF soundtracks.......2007-01-24

First of all, people seem to be overly critical of the choir. They say that it sounds out of tune or whatever, but this is only because they were recorded live. In Advent: One-Winged Angel, the same choir sounds totally incredible. The choir itself isn't bad, it's the recording environment that was not so hot.
That said, I can say that this is a very impressive two CD set, even though several of the songs I don't recognize. The music is professionally composed and arranged, and just goes to show that Final Fantasy music is proffesional level. The only cons are the lesser sound quality of being recorded live and the MC tracks, which can get to be a bit long. The way they keep talking makes me really want to know what they're saying. My favorite pieces are:
1. One-Winged Angel: I do admit that the FFVII Reunion Tracks arrangement is better, but only because of the recording environment. This arrangement has a lot of cool new elements and an awesome sound. The only problems I see with this arrangement is the absent-minded microphone placement and a bit of background shuffling that is heard at one part. The shuffling is very quiet and you get used to it, but I'm just picky about these things. As for the microphone placement; whoever put one right next to the #%@$in' snare drum deproved the quality of the piece a bit much. The snare drum during the chorus is louder than any of the other parts, and the choir is already being a bit overpowered by the orchestra. This makes for a choral section that isn't heard well enough. Despite all these slight cons, however, this arrangement of the classic piece remains superb and awesome-sounding.
2. Liberi Fatali: Same choir rant as before. This arrangement doesn't sound quite as good as the original, but it's not really that different, it's still an incredible piece.
3. Melodies of Life: This arrangement is better, I think, than the original except for the singing. She sounded a lot more confident in the original. But aside from that, this song is a great classic.
4. Suteki Da Ne: The original was quite a bit better, both in sound quality and in the singing. Rikki was nervous during the performance, it is shown by her incessant breath-taking in the middle of phrases and low confidence in her voice. However, the instrumentation does sound nicely different in some spots, and Rikki's singing is still beautiful.
This album is a must-have for any FF freak, and is better than most all the ordinary FF soundtracks. Don't miss it.

I love this CD........2004-02-23

Firstly, Mr. Gibbs -- why would anybody buy this if they haven't played Final Fantasy games?

Secondly, this is an amazing CD. With the exception of One-Winged Angel, every track on this CD is (in my opinion) the best orchestral version of these songs ever done. And this is coming from somebody who owns Celtic Moon, Grand Finale, Fithos Lusec, and a smattering of Orchestral Game Concert CDs.

Do yourself a favor and buy this CD. It really is excellent.

For those who wanna get their FF orchestra groove on..........2004-02-20

Final Fantasy 20020220 is worth buying. It is a great CD to listen to if you want to hear orchestrated versions performed live, mistakes and all. That said, let me point out everything that is wrong with the performances, and why I did not give 20020220 a 5/5. As partial as I am to Final Fantasy music, I must criticize the singing in this performance. In both tracks that featured a choir (Liberi Fatali and One Winged Angel) it seemed like everyone was trying to outsing each other, the tenors in particular would sing awfully loud, while everyone else was drowned out. The soloists RIKKI and Emiko Shiratori did a fabulous job, in my opinon. Others said that they sounded nervous, I do not agree. The actual performance by the orchestra was brilliant. I especially liked Liberi Fatali, One Winged Angel, and Vamo' Alla Flamenco. I wish I could speak Japanese, because 8 of the 25 tracks on the 2 disc set are nothing but the concert MCs talking about stuff. All in all I would like to restate that FF20020220 is worth buying, but maybe you should play some of the FF games to hear these songs before you listen to the orchestra version, all the more to appreciate this masterpiece.

The Fantasy Continues..........2003-06-10

Nobuo Uematsu truly holds true to the Final Fantasy music legacy he himself set down beginning with the Final Fantasy Symphonic Suite CDs. Although I do have a few complaints, my overall take on this album is extremely positive. I'd say my favourite renditions on this CD are "Vamo' Alla Flamenco", lush, rich arrangement for orchestra (which truly is the greatest symphonic rendering I've seen from almost any game composer [thanks to Shiro Hamaguchi]) and the brass-graced Final Fantasy VI's "Terra" / "Tina" (which almost lives up to the Grand Finale version). Basically, every single song on these two CDs were mind-blowing with the exceptions of the two most crucial ones, "Liberi Fatali" and "One-Winged Angel". Okay, fine... I've got to give credit where credit is due, Liberi Fatali isn't THAT bad. It falters near the end though, but the primary complaint isn't the symphonic elements (or even the annoying snare [?] drum... *grrr*), but rather the supposed choir they assigned. Not very harmonic or in-tune, but I still give it 4-stars.
To sum it all up, all very nice arrangements with those little differences which make it all the more enjoyable. Cons? The choir voices and the MC segments (I don't speak Japanese, so my apologies if you do and find them entertaining).

One of the Best (non OST) Final Fantasy works.......2003-02-19

There hasn't been a live CD since the ill-fated "Symphonic Suite" many years ago and now there is this - quite simply put a live version of some of the best Final Fantasy songs. The Tokyo Philharmonic is on every beat and adds alittle more to the Final Fantasy melodies. The MC's get annoying and their Japanese is very hard to understand. The choice of songs was superb yet there is no "live feel" as most of the songs are played just as you would have heard them on another Final Fantasy CD. All in all, this is one of the best and one can easily see by some of its few flaws to its real beauty - the epitome of Nobuo Uematsu's Final Fantasy work.