Right of Way (Includes Bonus DVD)

Editorial Reviews

Product Description
Using his own name, Ferry Corsten recently had a worldwide smash with "Punk" and now his latest single "Rock Your Body, Rock" looks to be even bigger. Both singles are included on this CD. Now for the first time, Ferry has put together an album of all original material to be released under his "Ferry Corsten" name - something his fans have been waiting over 10 years for. Ferry is destined to be the breakthrough dance artist of 2004

This U.S. release includes a bonus DVD that features music videos, interviews, slideshows and more exclusive footage from clubs around the world.

Right of Way (Includes Bonus DVD),Ferry Corsten,Moonshine Music,Dance,Dance Music,Pop,Trance
The Producers (2001 Original Broadway Cast)
Average customer rating: 4.5 out of 5 stars
  • Just what I wanted
  • I Want to be a producer
  • Spring Time for "The Producers"
  • Mel Brooks = Brilliant
  • it won 11 (if im correct) TONY awards for a reason!
The Producers (2001 Original Broadway Cast)
Mel Brooks , Matthew Broderick , Nathan Lane , Roger Bart , Gary Beach , Cady Huffman , Jesse Levy , and Grace Paradise, Jennifer Smith Tony Kadleck
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005AY6I
Release Date: 2001-04-17

Tracks:

  1. Overture
  2. Opening Night
  3. The King of Broadway
  4. We Can Do It
  5. Unhappy
  6. I Wanna Be a Producer
  7. In Old Bavaria
  8. Der Guten Tag Hop-Clop
  9. Keep It Gay
  10. When You Got It, Flaunt It
  11. Along Came Bialy
  12. That Face
  13. Have You Ever Heard the German Band?
  14. It's Bad Luck to Say Good Luck on Op'ning Night
  15. Springtime for hitler
  16. Where Did We Go Right?
  17. Betrayed
  18. 'Til Him
  19. Prisoners Of Love (Leo & Max)
  20. Goodbye!

Amazon.com's Best of 2001

The Producers was the vehicle that first proclaimed Mel Brooks's decidedly singular comic vision as a film director in 1968. At the time, the world may not have been entirely ready for the depth charges of hilarity he unleashed; but more than three decades later, it seemed almost foreordained that the film's retooling as a full-fledged musical--directed and choreographed by Susan Stroman--would become the smash hit of the 2000-2001 Broadway season (even before opening at the St. James Theatre in April). Brooks is, of course, no stranger to the Broadway musical genre or to songwriting, but skeptics might find themselves taken by surprise at just how outrageously well all the threads come together for the new show.

The film's absurd core vignette--the infamous "Springtime for Hitler"--if anything gains a few notches in hilarity when framed by a character-rich musical that comes off as both parody and valentine in its mimicry of Broadway's "golden age." Brooks (with the help of idiomatically expert arrangements by Glen Kelly) has cooked up a variety of numbers constituting a virtual primer of old-fashioned American musical comedy styles (there's even a toying with Cabaret-style decadence), but they're always coated with an extra layer of zaniness. In fact, the whole show becomes a Chinese box of parodies within parodies. But what really gets the whole mix working is a surefire cast headed by Nathan Lane playing Max Bialystock and Matthew Broderick doing a delightfully nebbish turn with delusions of misplaced glory as his sidekick, Leo Bloom.

From his first big number (musically winking at Fiddler on the Roof), Lane hungrily lays claim to the role, undaunted by his formidable predecessor, Zero Mostel. Even on disc, you can visualize his over-the-top mugging as a dethroned "king of Broadway" who was "the first producer ever to do summer stock in the winter." Comedy, as they say, is all about timing, and that's exactly what Lane gets right. His interactions with Bloom, Franz Liebkind (Brad Oscar), and Roger de Bris (Gary Beach) are priceless, even when only in sound. As for the tunes, Brooks crafts a number of truly memorable ones--don't be surprised to find yourself horrified as you hum along with "Der Guten Tag Hop-Clop" and, of course, "Springtime for Hitler." --Thomas May

Customer Reviews:

5 out of 5 stars Just what I wanted.......2006-11-06

I saw the making of the CD on TV. The cast does a great job. I have the CD in my car stereo and listen to it often.

5 out of 5 stars I Want to be a producer.......2006-03-06

This recording is great! I saw the play in november and loved the music. I bought the CD a little later and i am still listing to it. The cast are all great singers and did a great job. The songs are witty and catchy and never get old. You should listin to this.(Warning:See the movie or the play before you listin to this, you might hate it if you've have not.)

5 out of 5 stars Spring Time for "The Producers".......2005-12-13

While I'll abmit that Nazi regemes and Hitler are probably some of the least funny thing in the world...i have to admit that the words to Springtime for Hitler are hilarious, just like the rest of the songs on this cast recording.

While "The Producers" Is not as musically complex or mature as other "Best Musical" scores of recent years (Spamalot, Avenue Q, Hairspray,) It is funnier than all of those put together. Nathan lane And Matthew Broderick Are perfectly cast in their roles and Caddy Hoffman is great, and when Ulla belt, she Belts!
the rest of the cast is amazing.

As for the song I can't think of one that I don't like, They are all great!

I would hope that the fact that the show makes light of Hitler doesn't turn you off, because you would be missing somthing great.

5 out of 5 stars Mel Brooks = Brilliant.......2005-12-12

My theatre group went to New York two years ago, adn we did a marathon 4 shows in 3 days. Each show got progressively better, finally culminating in seeing Nathan Lane and Matthew Broderick's final performance of "The Producers." I have been a fan of Brooks' since I saw "Robin Hood: Men in Tights" 5 years ago. Naturally, I was beyond excited to see the show he made of his most brilliant film.

I was not disappointed. It was funny, racy, and downright fabulous. I bought the soundtrack at intermission and have been listening to it ever since. I highly recommend it to anyone who loves musicals. Lane and Broderick play off each other perfectly, Cady Huffman has one of the best belting voices I've heard in ages, and the songs are actually FUNNY.

Aside from raving about one of my favorite shows, I would like to address the comments made about the show downplaying Hitler and being racist towards Germans. In no way does this show downplay Hitler's terrible deeds. Bialystock and Bloom make several comments about how disgusted they are about the play- the fact that it is so insulting to our sensibilities is the reason why it was chosen in the first place. I am Jewish and have studied the Holocaust and WWII for years. I was not offended in the least, nor did I feel the Brooks was promoting or trivializing Hitler's war crimes. Brooks himself is Jewish for god's sake.

Second, I see nothing in the show that is racist towards Germans. Yes there is a Nazi in it who is German. How is that racist? The Nazis went all over the world after WWII- it is possible that several ended up in New York City. And no one will argue that some Nazi's were German. You might as well say that the show is discriminatory towards Swedes, or gay directors, or producers, or the countless number of things made fun of in the show.

5 out of 5 stars it won 11 (if im correct) TONY awards for a reason!.......2005-12-08

This is by far the funniest thing I have ever seen. I got the chance to see it on broadway with Lane (unfortunatly not Broderick) and most of the original cast. For some reason, certain people seem to think this play is racist. First off, the whole thing is pure 100% SATIRE. I'm 15 and I can realize that. Also, are you aware that Mel Brooks is jewish? Yeah, so lighten up. I realize what Hitler did, and it will never be forgotten. But my God, get a sense of humor. In case you never saw the play, the Bavarian guy breaks his leg (making "It's bad luck to say good luck on opening night funny) and is replaced by the gay director for the song "Springtime for Hitler". ITS HILARIOUS! BROOKS MADE HITLER A GAY GUY! And why do you think he did that? Geeze... just lighten up!

So about the CD...awesome. I love these songs, and I am very much looking forward to seeing the movie version of the musical coming out in late December! GO SEE IT!
Varese Sarabande 25th Anniversary Celebration
Average customer rating: 4.5 out of 5 stars
  • A good value
  • The Sound Track Since Bernard Hermann
  • Good mix of film music
  • A mixed collection of movie music
  • Uplifts your soul, takes your mind into the heavens
Varese Sarabande 25th Anniversary Celebration

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

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ASIN: B00008WI90
Release Date: 2003-04-22

Tracks:

  1. The Man from Snowy River (Bruce Rowland)
  2. The Winds of War (Bob Cobert)
  3. Blue Velvet (Angelo Badalamenti)
  4. Witness (Maurice Jarre)
  5. Raising Arizona (Carter Burwell)
  6. Pee Wees Big Adventure (Danny Elfman)
  7. Halloween (John Carpenter)
  8. A Nightmare On Elm Street (Charles Bernstein)
  9. The Fly (Howard Shore)
  10. RoboCop (Basil Poledouris)
  11. The Empire Strikes Back (John Williams)
  12. The Right Stuff (Bill Conti)
  13. The Final Conflict (Jerry Goldsmith)
  14. The Abyss (Alan Silvestri)
  15. Brainstorm (James Horner)
  16. Peggy Sue Got Married (John Barry)
  17. My Left Foot (Elmer Bernstein)
  18. The Dead (Alex North)
  19. Stanley & Iris (John Williams)
  20. The Milagro Beanfield War (Dave Grusin)
  21. Driving Miss Daisy (Hans Zimmer)

Tracks:

  1. Steel Magnolias (Georges Delerue)
  2. Unforgiven (Lennie Niehaus and Clint Eastwood)
  3. Raggedy Man (Jerry Goldsmith)
  4. The Grifters (Elmer Bernstein)
  5. Green Card (Hans Zimmer)
  6. City Slickers (Marc Shaiman)
  7. Father Of The Bride (Alan Silvestri)
  8. While You Were Sleeping (Randy Edelman)
  9. Babe (Nigel Westlake)
  10. The Adventures Of The Great Mouse Detective (Henry Mancini)
  11. The Adventures of Robin Hood (Erich Wolfgang Korngold)
  12. The Young Indiana Jones Chronicles (Laurence Rosenthal)
  13. The Secret Garden (Zbigniew Preisner)
  14. A Little Princess (Patrick Doyle)
  15. Rudy (Jerry Goldsmith)
  16. Iron Will (Joel McNeely)
  17. Memphis Belle (George Fenton)
  18. Eye Of The Needle (Mikl)
  19. Total Recall (Jerry Goldsmith)
  20. Back To The Future Part III (Alan Silvestri)

Tracks:

  1. To Die For (Danny Elfman)
  2. The Player (Thomas Newman)
  3. Black Robe (Georges Delerue)
  4. Medicine Man (Jerry Goldsmith)
  5. 2001 (Alex North)
  6. Star Wars: Shadows Of The Empire (Joel McNeely)
  7. The Crow (Graeme Revell)
  8. Blade (Mark Isham)
  9. The Omen (Jerry Goldsmith)
  10. Vertigo (Bernard Herrmann)
  11. Scream (Marco Beltrami)
  12. The Sixth Sense (James Newton Howard)
  13. Xena: Warrior Princess (Joseph LoDuca)
  14. Air Force One (Jerry Goldsmith)
  15. Starship Troopers (Basil Poledouris)
  16. The Matrix (Don Davis)
  17. The Iron Giant (Michael Kamen)
  18. Youve Got Mail (George Fenton)
  19. A Little Romance (Georges Delerue)
  20. Pleasantville (Randy Newman)

Tracks:

  1. Sunset Boulevard (Franz Waxman)
  2. L.A. Confidential (Jerry Goldsmith)
  3. Rounders (Christopher Young)
  4. The Score (Howard Shore)
  5. The Replacements (John Debney)
  6. Gone In 60 Seconds (Trevor Rabin)
  7. The Bourne Identity (John Powell)
  8. Rush Hour 2 (Lalo Schifrin)
  9. XXX (Randy Edelman)
  10. Die Hard (Michael Kamen)
  11. The Last of the Mohicans (Trevor Jones)
  12. Moby Dick (Christopher Gordon)
  13. The Mists Of Avalon (Lee Holdridge)
  14. Cleopatra (Alex North)
  15. Life As A House (Mark Isham)
  16. Emma (Rachel Portman)
  17. In The Bedroom (Thomas Newman)
  18. Cast Away (Alan Silvestri)
  19. One True Thing (Cliff Eidelman)
  20. Unfaithful (Jan A.P. Kaczmarek)
  21. Far From Heaven (Elmer Bernstein)
  22. Ice Age (David Newman)
  23. Shrek (Harry Gregson-Williams and John Powell)

Customer Reviews:

5 out of 5 stars A good value.......2007-05-17

I wasn't expecting to have 4 discs for this price, and the music is a quality selection of film music, giving a good scope of the genre, and a very listenable transfer.

4 out of 5 stars The Sound Track Since Bernard Hermann.......2006-07-25

This collection is bound to capture your heart and evoke a tin ear on successive tracks. I found much to like and some duds - easy to skip over.
Very good value.

4 out of 5 stars Good mix of film music.......2006-07-02

Good mix of films!
I'm a big fan of this soundtrack music and will be looking for more CD's like this.

4 out of 5 stars A mixed collection of movie music.......2006-02-23

For the price, this CD is a great bargain. The musical selections, as you might expect, are mixed in quality ranging from extraordinary to so so, the balance being worthwhile and interesting. Sonically the CD is excellent.

5 out of 5 stars Uplifts your soul, takes your mind into the heavens.......2006-01-06

I have been listening to great scores for many years and this collection is truly inspirational in so far as the choice of different scores takes you on a journey of listening pleasure matched by only a few collections.The price is incredibly reasonable for hours of listening pleasure. Don't pass this one up
Assassins (2004 Broadway Revival Cast)
Average customer rating: 4 out of 5 stars
  • Unworthy of This Show
  • Great.
  • Deserves a place in your Sondheim Discography
  • Dashed high hopes
  • Letdown from the original
Assassins (2004 Broadway Revival Cast)
Stephen Sondheim , Neil Patrick Harris , Marc Kudisch , Michael Cerveris , Denis O'Hare , and James Barbour
Manufacturer: P.S. Classics
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
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ASIN: B0002B161Y
Release Date: 2004-08-03

Tracks:

  1. Everybody's Got The Right
  2. Ballad Of Booth
  3. Ladies And Gentlemen, A Toast!
  4. How I Saved Roosevelt
  5. What Does A Man Do...?
  6. Gun Song
  7. Ballad Of Czolgosz
  8. Unworthy Of Your Love
  9. I Am A Terrifying And Imposing Figure...!
  10. Ballad Of Guiteau
  11. Have It Your Way
  12. Another National Anthem
  13. Take A Look Lee
  14. Something Just Broke
  15. Everybody's Got The Right

Amazon.com

"Everybody's got a right/To their dream." So begins Stephen Sondheim's 1991 show Assassins--and in this case, said dreams involve killing an American president. The characters form a veritable rogues' gallery, including John Hinckley, Lee Harvey Oswald and John Wilkes Booth of course, but also half-forgotten luminaries such as Leon Czolgosz (who killed McKinley) and "Squeaky" Fromme (who aimed for Gerald Ford with an unloaded gun). While Sondheim's lyrics are trenchant as ever, his music, which ranges from Sousa pomp to clever little waltzes, is technically brilliant but also oddly uninvolving. (Many fans prefer the recording of the 1991 Off-Broadway version, though "Something Just Broke," which was added to the 1992 London production, makes its recorded debut here.) Still, there are several high points. In "Unworthy of Your Love," for instance, Hinckley and Fromme wax poetic about their unrequited love for Jodie Foster and Charles Manson, respectively, in a Burt Bacharach-style ballad that's deliberately (I hope!) sappy. And of course as with most Sondheim shows, the cast of this revival--Michael Cerveris, Mario Cantone, Becky Ann Baker, Marc Kudisch, Denis O'Hare--is very good. --Elisabeth Vincentelli

Customer Reviews:

1 out of 5 stars Unworthy of This Show.......2007-03-01

Assassins is a masterpiece of American theatre. Through a revue of skits and songs, it examines ideas we don't want to face, and shows us the flip side of the American Dream. The score rates as one of Sondheim's best, and the overall effect, when the show is performed well, is incredibly powerful. For years, people have wanted to mount a production on Broadway.

Given this result, they needn't have bothered.

I am still amazed at how much this production got wrong. The principal cast is nothing short of dreadful: the acting is almost laughably overwrought; the pacing keeps getting disrupted by pauses held too long and lines spoken too slowly; some singers are frequently behind the tempo (notably Michael Ceveris as Booth), while others are painful to listen to (like Jeffrey Kuhn as Zangara and Mario Cantone as Sam Byck); the new orchestrations allow for more musicians in the pit, but are much less effective than the earlier arrangements.

To top it all off, this production includes "Something Just Broke", a song sung by the Ensemble as various "average" Americans of different time periods recalling where they were when the president was shot. The song was introduced in the London production, presumably for people who didn't understand the show to have something to latch on to, but it was mercifully kept out of the published vocal score and libretto. It's not a bad song in and of itself, but musically it does not fit in with the rest of the score, and dramatically it doesn't fit in with the rest of the script. Worse, it is placed right between the Kennedy assassination -- the climax of the show -- and the finale, thus skewing all the dramatic momentum and depriving the show of an effective resolution.

The result of all this is that the comic moments aren't funny, the powerful moments fail to move, and the wonderful music is left ho-hum.

I realize that the extraordinary cast of the original production of Assassins presents a dauntingly high standard for everyone else to compare to, but the college productions I've seen were better than this.

5 out of 5 stars Great. .......2006-11-08

What an amazingly talented cast! Neil Patrick Harris, Marc Kudisch, Alex Gemignani (The new Valjean in the revival of Les Miserables) and of course, the former demon barber of Fleet Street, Michael Cerveris (in the role that won him a Tony)...Just to hear these giants of musical theatre perform together as an ensemble alone is worth the price of this recording. This recording is so wonderfully done, and I can't recommend this enough.

'Unworthy of your Love' and 'The Ballad of Booth' are heartbreakingly beautiful, strange that I say that considering the subject matter, but it's true, those two songs alone will stay with you for days on end. The Ballad of Booth has poetic and tragic lyrics like 'Damn my soul, if you must, let my body turn to dust, let it mingle with the ashes of my country...What I did, I did well, and I did it for my country. Let them cry 'Dirty Traitor!', they will understand later...'. and the hauntingly gorgeous melody that goes with those lyrics is just so well, romantic! But then you have the tongue-in-cheek, slightly macabre numbers like 'The Gun Song' and 'Everybody's Got The Right' with lyrics like, 'Everybody's got the right to be happy. Life's not as bad as it seems! Everybody deserves a little sunshine...' and 'All you have to do is, move your little finger...and you can change the world!'

What a rollarcoaster of emotion! I mean, seriously, who else but Sondheim could pull that off and make it the brilliant masterpiece that it clearly is?

One of my biggest regrets is not seeing this during it's brief run in 2004. :(

5 out of 5 stars Deserves a place in your Sondheim Discography.......2006-07-28

Like other reviewers I was fortunate enough to see Roundabout's revival production but perhaps unfortunate that my total enjoyment of that production may bias my critical listening. I can't help but recall the proprietor (Marc Kudish) caressing a pistol into the hand of each assassin when listening to the opening Everybody's Got The Right.

However, while fans of Sondheim and musical theater will argue over every nuance, I find that both this and the original are excellent in their own way. Yes, the voices in the first recording are more refined, yet this recording seems to better capture the character's mannerisms in the vocal stylization, whether the twitchy madness of Guiteau (Dennis O'Hare) or the depressed howl of Sam Byck (Mario Cantone).

This is a worthwhile recording and one that provides me with a reprise of the excellent staging and acting of this quirky play.

2 out of 5 stars Dashed high hopes.......2006-07-14

Assassins is a fascinating and surprising show. You can't imagine a more unlikely topic for a musical and yet, when you hear and/or see the show, you can't help to be impressed by the entire production. Maybe if I'd never heard the original cast recording, I would have given this a higher rating, but, to be frank, this recording suffers in comparison to the original recording in nearly every way.

While the diction on this recording is often impressive...especially Neil Patrick Harris's...too often it is accomplished at the price of tempo. Too many times the musical director has made the choice to slow down portions of the songs to the point of sluggishness. Absolutely NONE of the performances is superior to the original. That doesn't mean that any of the newer performances are horrible, it's just that they don't measure up. The one who comes the closest is Neil Patrick Harris whom I find naturally charming and vulnerable in anything he does.

The best addition to this recording is Mario Cantone's rant as Sam Byck. Unfortunately, I can't recommend getting this recording based solely on that. The biggest mis-step is the omission of the full, final, Kennedy scene. Hearing it on the original recording for the first time is an absolutely thrilling and chilling experience. Not having it all here is a MAJOR disappointment.

Buy the original recording first and check this one out from the library.

3 out of 5 stars Letdown from the original.......2006-04-10

I have been a huge fan of Assassins since it first came out back in '91. While I've never had the pleasure of seeing the play in person, I've read it several times and listened to the original cast recording so often one can hardly believe it. So when I saw "Broadway Cast Recording" I was thrilled. Then I listened to it. I went from thrilled to appalled.

John Weideman, who wrote the music, seems to prefer the Broadway cast recording--at least he says so in its liner notes. I'm not sure why. While some of the songs are still excellent (like the Hinckley-Fromme duet "Unworthy of Your Love"), many of them are just plain painful to listen to. Most of the time the singing vaccilates between being totally flat of affect (most notably Moore in "The Gun Song") to hyperbolic melodrama. Booth mumbles to the point of near-unintelligibility in several songs; Zangara sounds eerily like the mob boss from 'Johnny Dangerously' that keeps calling everyone "farging bastages"; Moore sings nearly the whole time as if she'd OD'd on sedatives; and Guiteau sounds so stereotypically gay that GLAAD should be suing the producer.

It almost seems as if the cast are not sure what do do with their characters. The cast of the Original Cast Recording hit the characters perfectly--an outstanding mix of suffering, despair, anger and hostility. The Broadway cast can't seem to, in the language of the musical, "connect" to the characters. For me this is a huge failing, as the "charcaters" here are real individuals; if the performers can't connect to them, how can we be expected to?

There are also some content differences between this recording and the original. Several brief additions are made from elsewhere in the musical, and the new song "Something Just Broke" written for the Broadway revival is included on the recording. However, about half of the last act (which is included on the original) is cut out. Sadly, the material cut out is far more moving, unsettling and significant than the material added. Also, "Something Just Broke", while a fine song (and performed better than most of the rest of the material), unfortunately breaks up the natural link between the Kennedy assassination's triumphalist ending and the closing version of "Everybody's Got the Right".

I gave this three stars because I love Assassins. It is a brilliant and unnerving drama. But the Original Cast Recording is immensely superior to the Broadway Cast Recording in its ability to reveal this to the audience. I'm glad it was revived, and I'm glad it won three Tony awards--now it can get the recognition it deserves; but for me, I'll stick to the original version I fell in love with years ago. If only the Broadway recording has found a way to be "worthy of your love"...
Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)
Average customer rating: 5 out of 5 stars
  • Irresistible
  • "Some Enchanted Evening" with Kunzel and the Cincinnati Pops
  • Excellent!
  • Great Arrangments
Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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  5. Classics of the Silver Screen

ASIN: B000003CXQ
Release Date: 1992-01-28

Tracks:

  1. Oklahoma!
  2. Carousel
  3. State Fair
  4. South Pacific
  5. The King And I
  6. Cinderella Waltz
  7. Flower Drum Song
  8. The Sound Of Music

Customer Reviews:

5 out of 5 stars Irresistible.......2005-07-29

From beginning to end this CD is pure delight. A great recording has great music, a great performance, and great sound; this one scores on all three counts.

Rodgers and Hammerstein's musicals dominated Broadway in the 1940s and 1950s, and American musical theater has produced no more consistently eloquent and durable voice than Richard Rodgers. From his fertile genius flowed a surprising number of memorable songs, many of which have passed into and become an accepted and beloved part of modern American culture.

This well-filled CD (77:36) features symphonic arrangements (all but two by Robert Russell Bennett) of the music from Oklahoma (1943), Carousel (1945), State Fair (1945), South Pacific (1949), The King and I (1951), Flower Drum Song (1958), and The Sound of Music (1959). All the great tunes are here in suites from each musical that average 10-12 minutes in length. The arrangements are expert: rich, varied, and colorful. The performances are polished, idiomatic, and irresistible; Kunzel and this orchestra are thorough masters of this kind of material. And Telarc's sound (recorded 1991) is state-of-the-art (engineer Michael Bishop deserves to take a bow).

In short, there's nothing here to cloud your listening pleasure (the only quibble I can imagine is that some of your favorites may not last long enough), so it's hard for me to envision anyone with ears and a taste for music who wouldn't enjoy this CD. Warmly recommended. Finally, if you like this one as much as I do, you might want to know that the same team has produced a companion volume, the Lerner & Lowe Songbook for Orchestra.

5 out of 5 stars "Some Enchanted Evening" with Kunzel and the Cincinnati Pops.......2003-12-26

Erich Kunzel's Rodgers and Hammerstein anthology with the Cincinatti Pops Orchestra is one of the best and most ravishing instrumental Rodgers and Hammerstein albums of all time. With sumptuous arrangements and warm, natural Telarc recording, this glorious 77-minute CD presents sweeping, melodic arrangements of over 60 Rodgers and Hammerstein selections, spanning eight scores, and Kunzel allows the Pops to play with a characterful and polished understanding of the Rodgers and Hammerstein idiom. The disc is enough to cheer you up on a dull day and make you smile, and it might even want to make you feel like a convert to Rodgers and Hammerstein musicals.

This CD has all the scores arranged chronologically. The OKLAHOMA! suite that opens this disc promises a feast for the senses, Kunzel ably evokes the territory's "bright, golden haze" in the way he conducts the various excerpts, until you feel the atmosphere of the country charm of the show, and the love-affair between Curly and Laurey. Then, in CAROUSEL, he ably evokes the pathos of this tragic R&H masterwork, especially in the truncated Waltz, but he leads a wonderfully melodic "June is Bustin' Out All Over" and a devotional "You'll Never Walk Alone." Although this suite does not include Billy's pivotal Soliloquy, it includes "If I Loved You" as an expression of his love for Julie, and within minutes you could be soaked in the ups and downs of the show's mood.

After a brief STATE FAIR suite, with sweeping renditions of "It Might As Well Be Spring" and "It's a Grand Night for Singing", we are brought into the disc's showstopping highlights. These highlights are the excerpts from SOUTH PACIFIC, THE KING AND I, and THE SOUND OF MUSIC. But yet Kunzel conducts the rest of the disc until the various suites amount to a series of showstoppers. These three suites present wonderfully-arranged versions of their many familiar classic songs, with well-played solos. The SOUTH PACIFIC suite presents the songs in chronological order, yet preserves the atmosphere of the show at the same time. Kunzel ably brings out the romance in "Some Enchanted Evening" and "Younger than Springtime," and contrasts it with the exotic and dreamlike "Bali Hai'i" and the comic "There is Nothing like a Dame" and "I'm Gonna Wash That Man Right Outa My Hair". Although the suite ends quietly with a reprise of "Dites-Moi" rather than the reprise of "Some Enchanted Evening," within minutes we are swept into the KING AND I suite. Kunzel ably brings out the Oriental pathos in this score, and he captures the warmth of Anna's rapport with the King's Siamese children in "Getting to Know You", and with the King himself in "Shall We Dance." There is also romance in the love ballads "I Have Dreamed" and "We Kiss in a Shadow." Similarly, in the selection from THE SOUND OF MUSIC, Kunzel conducts this until the orchestra soaks itself in the atmosphere of this Austrian R&H score. This SOUND OF MUSIC suite has more of a feel of the score compared to the bonus track on Sony's reissued version of the Broadway recording. You can almost feel as if you are following the progress of the Trapp family and how it lifts its spirits with the joy of music. Kunzel gives us a soaring version of the title song, and spirited versions of "Do-Re-Mi" and "My Favourite Things." He balances it with the open-air quality of "Edelweiss" and "The Lonely Goatherd." Although this suite could have included "Something Good," the love ballad written for the film, the three recollections of the songs that were cut from the movie only last for a while. And, the towering version of "Climb Every Mountain" crowns this portion of the disc, and this sumptuously-produced recording. But, I should also mention the infectuous FLOWER DRUM SONG medley, where Kunzel turns this underrated score into a work of art, until it convinces you to buy the cast recording. And, don't forget about the brief CINDERELLA WALTZ, too, when Kunzel conducts it magically, until you feel like you are in the company of Cinderella and the Prince. He is able to show how this R&H score marked a comeback for R&H after the failiures of Me and Juliet, and Pipe Dream.

Overall, this glorious Rodgers and Hammerstein recording is guarunteed to make you want to pucker your lips out for a whistle or sing along (to paraphrase another revew for Kunzel's Disney Spectacular disc) - even if this recording is music only, and as long as you know the words to the songs (and you might know a large handful of them already.) There is always a certain magic in this fine CD that makes you feel like you're sitting in the theatre watching these musicals, until it makes you feel like it is truly, to borrow two R&H song titles, "Some Enchanted Evening" and "Something Wonderful" to be in Kunzel's company for this R&H offering. It would certainly be one recording that could make you feel willing to buy the complete cast recordings of the shows. And I guaruntee that it will make you feel willing to pull out your existing copies of the cast recordings to listen to them again. I also guaruntee that it will be a cornerstone in any Rodgers and Hammerstein collection, just as it is in mine. Recommended heartily to any Rodgers and Hammerstein enthusiast and to fans of Erich Kunzel's work. And, you can play it while reading the Richard Rodgers biography, Musical Stages, until Rodgers himself would count this as his favourite disc in the afterlife.

By the way, most of the arrangements for the suites on this CD were done by the veteran R&H orchestrator Robert Russell Bennett, and it surely adds to the appeal of this recording. This itself is enough to amount to the icing on the cake, since Kunzel conducts them well on here, and since this recording still allows the suites to have the original theatrical atmosphere. And, although this recording is like the Mauceri collection of the Rodgers & Hammerstein overtures in compiling orchestral suites of Rodgers & Hammerstein, I think that I like the Kunzel recording even more because Kunzel has more magic in his conducting of these suites.

5 out of 5 stars Excellent!.......2003-04-08

This is one of the best Erich Kunzel/Cincinnati Pops collections we own! A must for Rodgers and Hammerstein fans, too.

5 out of 5 stars Great Arrangments.......2001-09-02

This is a first rate album with great arrangments and orchestrations. If you're a Rodgers and Hammerstein fan, you can't afford to miss this specatacular album
Do I Hear A Waltz? (1965 Original Broadway Cast)
Average customer rating: 4.5 out of 5 stars
  • You always will hear a waltz from Richard Rodgers
  • Much better than it's reputation.
  • An unappreciated score by a fine cast
  • "Someone Woke Up....."
  • You MUST hear a 'Waltz'!
Do I Hear A Waltz? (1965 Original Broadway Cast)
Richard Rodgers , Jane Manning , Sergio Franchi , and Stephen Sondheim
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. No Strings (1962 Original Broadway Cast)
  2. Allegro (1947 Original Broadway Cast)
  3. Pipe Dream (1955 Original Broadway Cast)
  4. I Do! I Do! (1966 Original Broadway Cast)
  5. Anyone Can Whistle (1964 Original Broadway Cast)

ASIN: B0000027WA
Release Date: 1992-11-24

Tracks:

  1. Act I: Someone Woke Up - Elizabeth Allen/Sergio Franchi/Carol Bruce/Madeleine Sherwood/Julienne Marie/Stuart Damon...
  2. Act I: This Week, Americans - Carol Bruce
  3. Act I: What Do We Do? We Fly! - Madeleine Sherwood/Jack Manning/Elizabeth Allen/Julienne Marie/Stuart Damon
  4. Act I: Someone Like You - Sergio Franchi
  5. Act I: Bargaining - Sergio Franchi/Elizabeth Allen
  6. Act I: Here We Are Again - Carol Bruce/Madeleine Sherwood/Jack Manning/Elizabeth Allen/Julienne Marie/Stuart Damon
  7. Act I: Thinking - Sergio Franchi/Elizabeth Allen
  8. Act I: No Understand - Stuart Damon/Fleury D' Antonakis/Carol Bruce
  9. Act I: Take The Moment - Sergio Franchi
  10. Act II: Moon In My Window - Julienne Marie/Carol Bruce/Elizabeth Allen
  11. Act II: We're Gonna Be All Right - Stuart Damon/Julienne Marie
  12. Act II: Do I Hear A Waltz? - Elizabeth Allen/Sergio Franchi/Carol Bruce/Madeleine Sherwood/Julienne Marie/Stuart Damon...
  13. Act II: Stay - Sergio Franchi
  14. Act II: Perfectly Lovely Couple - Stuart Damon/Madeleine Sherwood/Julienne Marie/Carol Bruce/Jack Manning/Elizabeth Allen...
  15. Act II: Thank You So Much - Elizabeth Allen/Sergio Franchi

Customer Reviews:

3 out of 5 stars You always will hear a waltz from Richard Rodgers.......2007-01-13

An example of Rodgers trying to fit in a new contributor of lyrics, but the match wasn't there, yet even so, his melodic mastery shone through.

5 out of 5 stars Much better than it's reputation........2006-11-02

Despite being considered a flop by it's creative team, this is the one of Sondheim's "lyrics only" musicals I return to most often. It's melancholy charm is underlined by Rodgers' highly hummable tunes combined with Sondheim's reluctant lyrics. They are partly bitter and partly forced "happy". I love it.

4 out of 5 stars An unappreciated score by a fine cast.......2004-02-04

Even though the show was not a success and the authors have all taken their turns at trashing it, this recording makes a strong case for DO I HEAR A WALTZ.

It's another fine record production by Goddard Lieberson. Rodgers (who was from all reports drinking and quite nasty to his collaborators) came up with many of his trademark melodies and the title song won deserved popularity outside of the show. Sondheim for his part creates some crackling good lyrics ("Someone Woke Up"; "What Do We Do We Fly!") but its an odd score... you hear the romantic older style love songs from Rodgers with fairly basic (dare we say dull) lyrics then some wonderful lyrics set to atypical Rodgers tunes. Then suddenly it all comes together in the final few numbers: The Title Song, "Perfectly Lovely Couple" and "Thank You So Much." Maybe it's a show that Encores will revive someday. In the meantime we can appreciate this original cast album and thank Sony for releasing it on Cd with good notes and a synopsis in the booklet!

4 out of 5 stars "Someone Woke Up.....".......2003-10-04

So begins the delightful DO I HEAR A WALTZ?, one of Richard Rodgers' most accomplished post-Hammerstein scores. Not since his days with Lorenz Hart had Rodgers written such an energetic, youthful and joyful score. Stephen Sondheim's lyrics are witty and wonderful. DO I HEAR A WALTZ? received a lukewarm response from critics and audiences, lasting only 220 performances at the 46th Street Theatre.

Based on Arthur Laurents' play THE TIME OF THE CUCKOO (which turned into the film SUMMERTIME starring Katharine Hepburn), the story concerns a teacher, Leona Samish (played by Elizabeth Allen), who's holiday in Venice is dominated by her romance with the handsome Renato di Rossi (played by Sergio Franchi). There are also a host of colorful supporting characters including the ebullient hotelier Signora Fioria (Carol Bruce - SARATOGA).

The score is delicious with the opening number perfectly setting up the scene ("Someone Woke Up"), to Fioria's big number "This Week Americans", and the 11 o'clock number "Stay". There's also the Title Song, sung for all its worth by the delicious belt of Elizabeth Allen.

For all the problems that plagued the musical during its inception, nothing shows on the sparkling cast album, where it sounds like the biggest hit of the season. For Broadway fans, this CD is a must-own.

5 out of 5 stars You MUST hear a 'Waltz'!.......2003-06-16

Please,give this a chance. Forget what you've read and just sit and listen. Read the libretto, available at lots of libraries, or read "Time of the Cuckoo" which Arthur Laurents based "Waltz" on. The combo of Rodgers and Sondheim is always sneered at--maybe, like me, you will see that Rodgers romanticism and Sondheim's sort of optimistic realism are actually the perfect mismatch for the endearingly troubled characters in the play.

Mr.Producer, forget all the basicstage gossip and let the score sell the show for you. Audiences, demand your favorite companies mount a production!
Right of Way (Includes Bonus DVD)
Average customer rating: 4.5 out of 5 stars
  • Ferry Rocks! My favorite DJ !!!
  • barely listenable...
  • Back in time... and back again
  • Wow
  • Border Community Loves Us
Right of Way (Includes Bonus DVD)
Ferry Corsten
Manufacturer: Moonshine Music
ProductGroup: Music
Binding: Audio CD

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ASIN: B000188594
Release Date: 2004-02-24

Tracks:

  1. sublime
  2. whatever!
  3. rock your body, rock
  4. right of way
  5. kyoto
  6. holding on (ferry corsten & shelly harland)
  7. sweet sorrow
  8. hearts connected
  9. punk
  10. it's time
  11. show your style feat. birgit
  12. star traveller (ferry corsten)
  13. skindeep (ferry corsten & shelly harland)
  14. in my dreams

Album Description

Using his own name, Ferry Corsten recently had a worldwide smash with "Punk" and now his latest single "Rock Your Body, Rock" looks to be even bigger. Both singles are included on this CD. Now for the first time, Ferry has put together an album of all original material to be released under his "Ferry Corsten" name - something his fans have been waiting over 10 years for. Ferry is destined to be the breakthrough dance artist of 2004

This U.S. release includes a bonus DVD that features music videos, interviews, slideshows and more exclusive footage from clubs around the world.

Customer Reviews:

5 out of 5 stars Ferry Rocks! My favorite DJ !!!.......2007-05-11

Since 2005 I have been listening to Ferry Corsten's music and i must say that this is one of his best CD's out there it is the style of music ive been looking for in a DJ. Alot of his earlier music was softer trance but, this one has alot of funky progressive beats the kind I crave! Ferry Corten is my favorite DJ and I hope he keeps the fans and crowds rocking for years to come. If you want a CD that will keep you moving and feeling funky purchase this CD you won't be dissapointed! Way to go Ferry - I love ya!

2 out of 5 stars barely listenable..........2006-05-18

This album is a half- a**ed rip-off. I've certainly heard most of these tracks before, and the ones I haven't heard.... it's because I wouldn't buy the albums they're on! This is overly-polished studio hackery at its worst! Not only that, I keep feeling like I should do the New Kids on the Block sailor dance every time I hear that Rock Your Body track. Plus the DVD sucks.

5 out of 5 stars Back in time... and back again.......2006-01-31

Many people always look with disdain upon people who create dance music. As if dance music automatically flows out of a computer or sequencer. That creating dance music takes an effort and a high level of creativity (as well as computer programming skills), is often forgotten. Corsten's album is a product of a highly creative spirit and a great 'feel' for the right sounds and moods. It is nothing like his remix albums, but has a striking originality to it.

On this album, Ferry Corsten shows that he is not only a great DJ, but also has genuine music producer skills. The album is a blend of Eighties-style disco, and present-day trance. Often vocoders are used, and all of the songs are very melodic without becoming boring.

Even if you're not into trance music, but you like melodic, electronic music, you will probably like this album.

5 out of 5 stars Wow.......2005-07-16

Okay the ONLY reason I even looked up his name was because of a remix he did for Ayumi Hamasaki that I LOVE (Ayumi hamasaki - WHATEVER -(Ferry 'System F' Corsten Vocal Edit Mix]), and hearing this cd of his own work is even greater. I seriously plan to but this album soon, but I have all of Ayumi's to buy first. Check out Ayumi Hamasaki if you love remixes, she has over 65 albums, remix albums, and cd singles.

5 out of 5 stars Border Community Loves Us.......2005-01-12

Ferry Corsten is a hard working DJ. For this he deserves nothing less but 5 stars. However this tiny review is targeting his sound. If you love this music, then you are ready to go further up the ladder. Check out Luke Chable, Nick Warren, James Holden, even maybe Sander Kleinenberg, however I do not see anyone just switching from Corsten to Kleinenberg, that will require some musical aging and concentration.
I cannot describe to you how much you might be missing if you are one of those people who think that there is nothing above DJ Corsten. Anyone who can appreciate a good night with Digweed, a set by Howells, some profound Tenaglia mixing, Kleinenbergs' unstoppable struggle for deeper pleasures. Yes!!! If you need a sweet techno fix, check out Sven Vath, Richie Hawtin, Jeff Mills, AGORIA, Da:Wachman < Take your time in looking for good music, it is right infront of you if you are just willing to listen!
Ain't Misbehavin' (1995 London Cast)
Average customer rating: Not rated
    Ain't Misbehavin' (1995 London Cast)
    Fats Waller , and Ray Shell
    Manufacturer: First Night Records
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
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    1. The Very Best of Fats Waller

    ASIN: B000026YP8
    Release Date: 2003-06-17

    Tracks:

    1. Ain't Misbehavin'
    2. Honeysuckle Rose - Ray Shell
    3. Squeeze Me - Company
    4. Handful of Keys - Company
    5. I've Got a Feeling I'm Falling - Company
    6. How Ya, Baby? - Company
    7. Jitterbug Waltz
    8. Ladies Who Sing With the Band/Yacht Club Swing - Dawn Hope, , Ray Shell
    9. Cash for Your Trash - Ray Shell
    10. Off-Time
    11. Joint Is Jumpin'
    12. Spreadin' the Rhythm Around/Loungin' at the Waldorf - Debbie Bishop, , , Dawn Hope, , Ray Shell, Company
    13. Viper's Drag - Company
    14. Mean to Me
    15. Your Feet's Too Big - Ray Shell
    16. Keepin' Out of Mischief Now - Dawn Hope
    17. Find Out What They Like - Debbie Bishop, Ray Shell
    18. Fat and Greasy - Ray Shell
    19. Black and Blue
    20. Finale: I'm Gonna Sit Right Down and Write Myself a Letter/Two ... - Debbie Bishop, , , Dawn Hope, , , Ray Shell, Company
    Over the Rainbow
    Average customer rating: 5 out of 5 stars
    • One of America's great songwriters
    Over the Rainbow

    Manufacturer: Pearl
    ProductGroup: Music
    Binding: Audio CD

    General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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    1. Get Happy: The Harold Arlen Centennial Celebration
    2. Harold Arlen Centennial Celebration
    3. Harold Arlen Sings Sweet and Hot
    4. Ella Fitzgerald Sings the Harold Arlen Songbook
    5. Somewhere Over the Rainbow: Harold Arlen

    ASIN: B000000WMG
    Release Date: 1997-11-18

    Tracks:

    1. (You Got Me In Between) The Devil And The Deep Blue Sea
    2. I've Got The World On A String
    3. I Gotta Right To Sing The Blues
    4. Public Melody No. 1
    5. When The Sun Comes Out
    6. Hittin' The Bottle
    7. Let's Fall In Love
    8. Let's Put Our Heads Together
    9. Now I Know
    10. As Long As I Live
    11. Rasin' The Rent
    12. Blues In The Night
    13. Down With Love
    14. Over The Rainbow
    15. It's Only A Paper Moon
    16. Bud's Won't Bud
    17. One For My Baby (And One More For The Road)
    18. Stormy Weather
    19. Kickin' The Gong Around
    20. Two Blind Loves
    21. That Old Black Magic
    22. Ac-Cent-Tchu-Ate The Positive
    23. Ill Wind
    24. Get Happy

    Customer Reviews:

    5 out of 5 stars One of America's great songwriters.......2001-03-09

    Amid the Cole Porters, Irving Berlins and George Gershwins of the world, Harold Arlen tends to be forgotten. And yet, when the greatest song of the 20th century was recently voted on by a distinguished panel of critics, whose song came out on top? Mr. Arlen's (Over the Rainbow). Here is a superb cross section of Harold Arlen songs by a cast ranging from Judy Garland to Bing Crosby to Ethel Waters, spanning decades and spanning a wide range of styles, from jazz to ballads, poignant to funny. Although the sound is not ideal, as many of the recordings date from the 30's and Pearl's objective in remastering has always been to achieve the fullest musical sound rather than to reduce surface noise, this is a minor complaint given the rich and mind-opening selection of great music found here.
    South Pacific (1996 Studio Cast) (First Complete Recording)
    Average customer rating: 5 out of 5 stars
    • Great complete recording
    • Complete but not Perfect
    • Complete Score Recording
    • Complete Score Recording
    • Bali Hai WILL Call You!
    South Pacific (1996 Studio Cast) (First Complete Recording)
    Richard Rodgers , and Oscar Hammerstein II
    Manufacturer: Jay Records
    ProductGroup: Music
    Binding: Audio CD

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    1. South Pacific (Royal National Theatre Production - 2001 London Cast)
    2. South Pacific (Original 1949 Broadway Cast)
    3. South Pacific (Collector's Edition)
    4. South Pacific in Concert from Carnegie Hall
    5. The King and I (1964 Lincoln Center Cast)

    ASIN: B000005BGW
    Release Date: 1997-03-11

    Tracks:

    1. Overture - NSO/John Owen Edwards
    2. Dites-Moi - John Matthew Lao/Samantha Raven
    3. A Cockeyed Optimist - Paige O'Hara
    4. Twin Soliloquies - Paige O'Hara/Justino Diaz
    5. Some Enchanted Evening - Justino Diaz
    6. Finaletto - Justino Diaz/Paige O'Hara/Andre Mutis/Samantha Raven/John Matthew Lao
    7. Bloody Mary - Men
    8. There Is Nothin' Like A Dame - Men/Pat Suzuki
    9. Mary And Lootellan - Pat Suzuki/Sean McDermott
    10. Bali Ha'i - Pat Suzuki
    11. Cable Hears Bali Ha'i - Brian Greene/Sean McDermott
    12. Company Street - NSO/John Owen Edwards
    13. I'm Gonna Wash That Man Right Outa My Hair - Paige O'Hara/Girls
    14. Some Enchanted Evening (Reprise) - Paige O'Hara/Justino Diaz
    15. A Wonderful Guy - Paige O'Hara/Girls
    16. Bali Ha'i - Girls
    17. Younger Than Springtime - Sean McDermott/Girls
    18. A Wonderful Guy - Justino Diaz/Paige O'Hara
    19. This Is How It Feels - Justino Diaz/Paige O'Hara
    20. Finale Act One - Paige O'Hara/Justino Diaz/John Matthew Lao/Samantha Raven

    Tracks:

    1. Entr'Acte - NSO/John Owen Edwards
    2. Opening Act Two - NSO/John Owen Edwards
    3. Entrane Of Liat - NSO/John Owen Edwards
    4. Happy Talk - Pat Suzuki
    5. Incidental/Younger Than Springtime (Reprise) - Pat Suzuki/Sean McDermott
    6. Honey Bun - Paige O'Hara/Company
    7. You've Got To Be Carefully Taught - Sean McDermott/Justino Diaz
    8. This Nearly Was Mine - Justino Diaz
    9. After Emile's Solo - Justino Diaz/Sean McDermott
    10. Communications Established - NSO/John Owen Edwards/Ron Raines/Justino Diaz
    11. Communications Discontinued - Paige O'Hara/Girls/Pat Suzuki
    12. Operation Alligator - NSO/John Owen Edwards
    13. Honey Bun - Company
    14. Finale Ultimo - Paige O'Hara/John Matthew Lao/Samantha Raven/Justino Diaz
    15. Exit Music - NSO/John Owen Edwards

    Amazon.com

    The only major Rodgers and Hammerstein show not to have had a major Broadway revival, South Pacific receives its first complete recording, capturing 107 minutes of classic songs as well as reprises and underscored dialogue. Given the thankless task of succeeding Mary Martin of the original Broadway cast is the wonderful Paige O'Hara (Disney's Beauty and the Beast, John McGlinn's Show Boat), full of sass and spunk as Nellie Forbush. Although this Emile De Becque, Justino Diaz, isn't actually a Frenchman (but hey, neither was Ezio Pinza), his accent is only a faint distraction from his rich voice. Filling out the cast are tenor Sean McDermott as Lt. Joe Cable and Pat Suzuki (Flower Drum Song) as Bloody Mary. It's a very good recording, and an easy choice for anyone who wants the complete score. The only drawback is that, unlike other JAY Masterworks Editions, this one doesn't include extra songs, such as "My Girl Back Home," a song cut from the original production but restored for the 1958 film. --David Horiuchi

    Customer Reviews:

    5 out of 5 stars Great complete recording.......2004-07-19

    In reply to M.Clegg's contention with regards to the status of the stars of this great complete recording, I would like to point out that all the main leads, Justino Diaz (New York City Opera Production), Paige O'Hara (Australian production), Sean McDermott (The Pace Production - USA) and Pat Suzuki (Long Beach Light Opera Production) have all played their respective roles on stage in various productions. This is clearly listed in the booklet of the recording. On the contary, I find their interpretation to be vivid and compelling. A great recording.

    4 out of 5 stars Complete but not Perfect.......2004-07-16

    As with the complete recordings of Guys and Dolls and The Pajama Game, this double CD brings together the full score including uncut dance-breaks and incidental music. The orchastrations are fantastic but, like the others in this series, the cast suffer due to the 'studio' nature of the recording. There is little of the vibrancy and excitment of a Broadway Cast Recording because the cast are only singing the roles and have probably never seen the script at all. This means that many of the performances, while technically good, are characterless.
    Paige O'Hara, excellent as the voice of Disney's Belle, plays the part a little too twee - yes, I know Nellie is a hick but she goes too far in that direction. Justino Diaz, as Emile, has a good voice that does not cover the lack of a personality. The rest of the cast are equally too note-perfect.
    The people who will find this recording the most useful will be people, like myself, who are performers. When performing in a production of South Pacific this CD was very useful, more for the not-available-anywhere-else material than anything else. The dance music and the incidental stuff is useful to rehearse with.
    On the whole, a worthy CD for the completist but if you want a more character-driven recording, search out one from an actual stage performance.

    5 out of 5 stars Complete Score Recording.......2000-04-11

    We are performing South Pacific at my high school and this CD was really helpful in choreographing the dance numbers because it has the music in between the singing, in other words, the complete score.

    5 out of 5 stars Complete Score Recording.......2000-04-11

    We are performing South Pacific at my high school and this CD was really helpful in choreographing the dance numbers because it has the music in between the singing, in other words, the complete score.

    5 out of 5 stars Bali Hai WILL Call You!.......2000-03-18

    Ah...the memories. I remember this musical with fondness because it was the first musical that I had the honor of playing in the pit band for. Out of all of the South Pacific soundtracks, I love this one the most because it includes every song in the score (I checked)!
    Raisin (1973 Original Broadway Cast)
    Average customer rating: 3.5 out of 5 stars
    • Good performances but an unnecessary musical
    • Raisin is almost operatic
    • Underrated throbbing score!
    Raisin (1973 Original Broadway Cast)
    Judd Woldin , and Robert Brittan
    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
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    ASIN: B00000252B
    Release Date: 1992-11-24

    Tracks:

    1. Prologue
    2. Man Say
    3. Whose Little Angry Man
    4. Runnin' To Meet The Man
    5. A Whole Lotta Sunlight
    6. Booze
    7. Alaiyo
    8. Sweet Time
    9. You Done Right
    10. He Come Down This Morning
    11. It's A Deal
    12. Sidewalk Tree
    13. It's A Deal-Coda
    14. Not Anymore
    15. It's A Deal (Reprise)
    16. Measure The Valleys
    17. Finale

    Customer Reviews:

    3 out of 5 stars Good performances but an unnecessary musical.......2004-04-26

    Winner of the 1974 Tony Award for Best Musical (an admittedly slow season for new musicals) this show is fine example of the trend of taking successful plays and turning them into musicals. The result in this case is acceptable but nothing special has been added by musicalizing the play. That said, at least this show doesn't cheapen the source material. The performances are all fine especially Virginia Capers as Mama and Joe Morton as Walter Lee. As always, Sony has done a splendid remastering job, restoring a song that had been left off the original Lp due to timing restraints ("Booze"... although the synopsis, reprinted from the LP jacket, makes no mention of the tune.) The booklet has some interesting notes about the creation of the show. It also reprints the show's logo which makes it look like one of those inane 1960s musical comedies instead of a serious musical play. I prefer the original play (and the movie) which remain powerful enough wthout songs.

    4 out of 5 stars Raisin is almost operatic.......2003-05-24

    Listening to this CD we once again get to know Lorraine Hansberry... but from a different perspective. To render "Raisin in the Sun" to a musical play did her justice. This recording is superb. The liner notes do not help understand the musical plotting and I wish they did.

    4 out of 5 stars Underrated throbbing score!.......2000-11-21

    I own the original LP of this show and played it until it is now close to wearing out. An absolutely incredible cast brings the Raisin in the Sun story to vivid musical life. Harold Wheeler did the orchestrations and the score moves and pulses with feeling and life.

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