Come On [CD-single] [Import]

Product Description
Includes exclusive mixes.

Come On,Jimmy Somerville,Bmg Int'l,Club/Dance,Dance,Dance-Pop,Hi-NRG,Pop,Pop/Rock,Rock

Average customer rating: Good companion for Battlestar Fans Captures the feel of the show Awesome Soundtrack BSG Agree with everyone else

Battlestar Galactica: Season One Daniel McGrew , Ken Stacey , Lillis Ó Laoire , Melanie Henley Heyn , Michael Now , and Raya Yarbrough Manufacturer: La-La Land Records ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Television Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Similar Items: Battlestar Galactica: Season 2 Battlestar Galactica Battlestar Galactica: Season 2.5 (Episodes 10-20) Battlestar Galactica - Season 2.0 (Episodes 1-10) Battlestar Galactica - Season One ASIN: B0009Q0F5U Release Date: 2005-06-21

Tracks:

1. Prologue
2. Main Title (US Version)
3. Helo Chase
4. The Olympic Carrier
5. Helo Rescued
6. A Good Lighter
7. The Thousandth Landing
8. Two Funerals
9. Starbuck Takes On All Eight
10. Forgiven
11. The Card Game
12. Starbuck On The Red Moon
13. Helo In the Warehouse
14. Baltar Speaks With Adama
15. Two Boomers
16. Battlestar Operatica
17. The Dinner Party
18. Battlestar Muzaktica
19. Baltar Panics
20. Boomer Flees
21. Flesh And Bone
22. Battle On The Asteroid
23. Wander My Friends
24. Passacaglia
25. Kobol's Last Gleaming
26. Destiny
27. The Shape Of Things To Come
28. Bloodshed
29. Re-Cap
30. Main Title (UK Version)

Album Description

Presenting the original soundtrack from the first season of Sci Fi Channel's critically acclaimed, top-rated television series starring Edward James Olmos, Mary McDonnell, James Callis, Tricia Helfer and Katee Sackhoff. Composer Bear McCreary's dynamic score ingeniously melds orchestra, vocals and synth into an emotional experience that ranges from full-throttle action to soul-stirring drama. Packed with more than 78 minutes of music, this is a comprehensive collection of the very best musical moments from this amazing sci-fi drama's first season. Features both U.S. and U.K. main title themes and includes exclusive liner notes.

Customer Reviews:

Good companion for Battlestar Fans.......2007-05-07

If you're a Battlestar Galatica Fan, this audio is an excellent companion to your collection. Passacaglia, Forgiven, and The Shape of Things to Come are emotional and addictive orchestral soundtracks. Not every song from the first season is included in this CD. The opening credit songs for the UK and the US versions and the battle songs (The Thousandth Landing, Battle on the Asteroid) are included. Battlestar Muzaktica is quite odd and doesn't fit with the collection of songs.

Captures the feel of the show.......2007-04-11

Has a great selection of songs from the 1st season. I like show/movie CDs that you can picture the scenes and emotion of the actors when you hear the song. The Celtic underlays are great, and the Taiko drumming style is very well used for building intensity in the music. If you really like the series, you should probably really enjoy the music as well!

Awesome Soundtrack.......2007-04-11

If you like the music in a scene that just blends in and makes the scene even more emotional or suspenseful, that is what the scores from season one do on this cd. I initially bought it to for the prologue (cylon music) and the two main titles (U.S. and U.K.) but after listening to the entire cd, I have become completely addicted to it. The titles of the scores usually give you a hint of the scene and the liner notes also tell you the episode that they are from but the soundtrack has definitely made rewatching season one an even more intriguing experience. The scores with words, are written by Bear and are in various languages, but the words, especially the opera piece, are actually so dead one with the scene and in this specific scene hilarious. I love this soundtrack. If you are someone who is addicted to really grasping everything that happens in this show and watch and analyze it beyond face value, this is an added bonus to have in your collection. I highly recommend it!!!

BSG.......2007-04-10

Man I love the Classic and the Present BSG's So Inaturally find the SoundTrack/Score A joy and very relaxing. They tend to sound very similar but they are very diffrent.

Agree with everyone else.......2007-03-28

There have been lots of raving reviews of this album, as well as the equally sensational season 2 soundtrack. I just wanted to add my opinion on one track, "Destiny". An earlier review describes an Arabic string instrument being used, but it is actually a biwa, a traditional Japanese instrument that has such a distinct sound that it's hard to imagine it being used for anything other than traditional gagaku music. I don't know if anyone but McCreary has ever tried to use this instrument for something else, but it hardly matters. The fact that McCreary managed to use it so effectively in a piece that is so different from gagaku music is a perfect testament to his unique genius. I'm really looking forward to following McCreary's career.

Average customer rating: Purchase for a friend Journey Down Memory Lane "TOGETHER(HAVIN" A BALL)FINALLY ON CD!!!!!! Clean Clear Sound Awww... Memories

Come on Get Happy! The Very Best of the Partridge Family The Partridge Family Manufacturer: Arista ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music Pop Rock | Pop | Styles | Music Teen Pop | Pop | Styles | Music General | Oldies | Pop | Styles | Music Bubblegum | Oldies | Pop | Styles | Music Compilations | Pop | Styles | Music | Dance Pop | Easy Listening | General | Oldies | Traditional Vocalists General | Rock | Styles | Music Similar Items: The Partridge Family Album The Partridge Family - The Complete First Season The Partridge Family - The Complete Second Season Up to Date Partridge Family Christmas ASIN: B00092992Y Release Date: 2005-05-03

Tracks:

1. Come On Get Happy
2. I Think I Love You
3. I Woke Up In Love This Morning
4. Baby I Love, Love, I Love You
5. Point Me In The Direction Of Albuquerque
6. I Can Feel Your Heartbeat
7. Echo Valley 2-6809
8. Sunshine
9. Let The Good Times In
10. Stephanie
11. I'll Meet You Halfway
12. Together (Havin' A Ball)
13. Doesn't Somebody Want To Be Wanted
14. Looking Through The Eyes Of Love
15. It's One Of Those Nights (Yes Love)
16. Roller Coaster
17. Together We're Better

Amazon.com

It doesn't happen all the time, but occasionally kitsch burrows itself into the popular consciousness and stays put because it's timelessly, compellingly good. Such is the case with The Very Best of the Partridge Family, which at long last allows pop aficionados who have closeted their dirty-little-secret obsession with the fictitious TV group to come clean. Never mind the ruffles and dove-wing lapels—heartthrob hang-ups aside, David Cassidy can sing (skip "I Think I Love You" and check his soul chops on the raging "Roller Coaster" or his Elvis-like vocal nuances on "Point Me in the Direction of Albuquerque" instead.) And it doesn't hurt that the material he crooned was penned by some of the era's top songwriters. Barry Mann and Cynthia Weill, for example, lent their graceful imagery to "Looking Through the Eyes of Love," and Gerry Goffin was behind "I'll Meet You Halfway." Add to that the band's layered-harmony-nailing background singers and a stash of sensational session players, and it can't be helped: You get happy. -Tammy La Gorce

Customer Reviews:

Purchase for a friend.......2007-06-08

I purchased this and another cd for a gf of mine...she loves them both! Thank you! :)

Journey Down Memory Lane.......2007-04-19

Journey down memory lane. This is one of the best collections from the Partridge Family I have found. My brother and I are oldies nostalgic nuts and have been looking for a collection that included "Let The Good Times In.

There have been more recent collections done but have not included this title song from the pilot episode.

Enjoy a time of simplier days.

"TOGETHER(HAVIN" A BALL)FINALLY ON CD!!!!!!.......2007-04-09

My first 8-track tape was "the Partidge Family Album". I loved the show as a kid. Then I got their next album...and the next...and the next.But my favorite song was never on it...until now. "Together(havin' a ball)" is finally on CD! Groovy!!!

Clean Clear Sound.......2007-03-30

This is a disc that has some cuts from the show(previously unreleased) and if your a fan of The Patridge Family then this disc is for you. Not only is the sound clear and crisp, its chock full of memories too. If your use to these songs on your old vinyl as they were way back in the 70`s then these remasters will knock your socks off.

Awww... Memories.......2007-03-22

Sometimes you just get a tune in your head and ya gotta hear it. That's what prompted me to buy this CD. These feel good songs do just that, they make you feel good. It's light reading for the soul and I think we all need that every now and again.

Average customer rating: good memories for me and fun "new" songs for my children memories TV Theme Songs TV themes Deja Vu

TV Land Presents: Favorite TV Theme Songs Cyndi Grecco , and Jones, Jack Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Movie Soundtracks | Soundtracks | Styles | Music Star Trek | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Rhino Records | Amazon.com Label Stores | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Purists | Warner Brothers Records | Stores | Music Similar Items: TV Guide: 50 All-Time Favorite TV Themes All-Time Top 100 TV Themes Classic TV Game Show Themes One Hundred Greatest TV Themes Toon Tunes: Funny Bone Favorites ASIN: B00006EXIL Release Date: 2002-08-20

Tracks:

1. I Love Lucy Theme - Wilbur Hatch
2. Dragnet - Ray Anthony
3. The Twilight Zone - Rod Open
4. Bonanza - Al Caiola & His Orchestra
5. The Andy Griffith Theme - Earle Hagen
6. The Ballad Of Jed Clampett - Earl Scruggs
7. The Addams Family (Main Theme) - Vic Mizzy
8. Munsters Theme - Jack Marshall
9. The Ballad Of Gilligan's Isle - Morton Stevens
10. Green Acres - Eddie Albert
11. Jeannie - Hugo Montenegro
12. Batman Theme - Neal Hefti
13. (Theme From) The Monkees - The Monkees
14. Star Trek (Main Title & Closing Theme) - The Royal Philharmonic Orchestra
15. Mannix - Lalo Schifrin
16. Hawaii Five-O - Mort Stevens & His Orchestra
17. Theme From The Brady Bunch - The Brady Bunch
18. Come On Get Happy - The Partridge Family
19. Those Were The Days - Carroll O'Connor
20. And Then There's Maude - Donny Hathaway
21. Good Times - Jim Gilstrap
22. Movin' On Up - Oren Waters
23. The Rockford Files - Mike Post
24. Them From S.W.A.T. - Rhythm Heritage
25. Happy Days - Pratt & McClain
26. Making Our Dreams Come True - Cyndi Grecco
27. Chico And The Man - Jose Feliciano
28. Welcome Back - John Sebastian
29. What's Happening!! - Henry Mancini
30. Barney Miller - Jack Elliott
31. Charlie's Angels - Jack Elliott
32. Love Boat Theme - Jack Jones
33. Angela (Theme From 'Taxi') - Bob James
34. It Takes Diff'rent Strokes - Gloria Loring
35. Theme From Dukes Of Hazzard (Good Ol' Boys) - Waylon
36. Theme From Magnum, P.I. - Mike Post
37. The Theme From Hill Street Blues - Mike Post
38. Theme From Dynasty - Bill Conti
39. Theme From 'Greatest American Hero' (Believe It Or Not) - Joey Scarbury
40. Thank You For Being A Friend - Cynthia Fee

Album Description

TV Land brings you 40 of your favorite evening show theme songs. Highlights include 'Happy Days', 'The Greatest American Hero', 'Dukes Of Hazzard (Good Ol' Boys)', 'Laverne & Shirley', 'I Dream Of Jeanie', 'I Love Lucy', 'Welcome Back, Kotter', 'The Love Boat', 'Hawaii Five-O', 'The Golden Girls' and many, many more. 2002. Rhino.

Customer Reviews:

good memories for me and fun "new" songs for my children.......2007-06-27

We had ordered this for "The Dukes of Hazzard" theme song for our 4yr old and our whole family has fallen in love with the cd. It makes me want to share some of the old fun and simple shows with my children. I forgot about some of those shows. It brings back good memories for my husband and me and the songs are new and exciting for our children. It's a nice change from children's cd's, but our children still think it's fun. The sound quality is good and the songs included on the cd are a great mix. I would definately recommend this one.

memories.......2007-02-22

This cd is excellent it has a lot of very good music and true to the original sound, Am getting a lot of enjoyment,highly recomended

TV Theme Songs.......2007-01-13

This is a great CD for people who watch a lot of TV -especially TV LAND and reruns of old shows when shows had actual theme songs. I took the CD to work and everyone loved trying to figure out what show the songs were from.

TV themes.......2006-07-05

Not all what I expected, not all of the tunes are the original recordings you remember as the TV themes.

Deja Vu.......2006-02-17

Listening to these familiar themes as performed by the original artists certainly brings back wonderful memories! I was particularly pleased, not only with the quality of the pieces, but with the actual performances themselves, just as we remembered them!

Average customer rating: Wow. Love this CD Could it get any better? Moulin rouge tried to fill up the GAP ahahahahaha

Moulin Rouge 2 Manufacturer: Interscope Records ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music Pop Rock | Pop | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Pop | Styles | Blowout Music | Stores | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Moulin Rouge Moulin Rouge! (Two-Disc Collector's Edition) Chicago William Shakespeare's Romeo + Juliet: Music From The Motion Picture, Volume 2 (1996 Version) William Shakespeare's Romeo + Juliet: Music From The Motion Picture (1996 Version) [Enhanced CD] ASIN: B00005YW4Z Release Date: 2002-02-26

Tracks:

1. Your Song
2. Sparkling Diamonds [Original Film Version]
3. One Day I'll Fly Away
4. The Pitch (Spectacular Spectacular) [Original Film Version]
5. Come What May [Original Film Version]
6. Like a Virgin [Original Film Version]
7. Meet Me in the Red Room [Original Film Version]
8. Your Song
9. The Show Must Go On [Original Film Version]
10. Ascension/Nature Boy (From the Death and...)
11. Bolero (Closing Credits) [Original Film Version]

Amazon.com

There are but two kinds of people in the world: Those captivated by Baz Luhrmann's heady, postmodernist musical romp Moulin Rouge--and everybody else. Oddly, the film's initial soundtrack release may have been the project's most traditional element, marketing a slate of pop-star contributions that gave listeners a sometimes-skewed perspective on its true musical charms. This follow-up corrects much of that oversight, offering original film versions of "Sparkling Diamonds" (the lavish, Nicole Kidman-performed medley of "Diamonds Are a Girl's Best Friend" and "Material Girl"), Jim Broadbent's and Richard Roxburgh's loopy take on "Like a Virgin," as well as the lively Offenbach "Can Can" parody "The Pitch (Spectacular Spectacular)." It also pays homage to the efforts of composer Craig Armstrong, whose quietly compelling underscore often binds the film's other far-flung musical influences together, be they stately orchestral readings of Elton John's "Your Song," a dramatic arrangement for Kidman and Ewan MacGregor's original film duet of "Come What May," or his dark, melodramatic take on Queen's "The Show Must Go On." The first Moulin Rouge soundtrack collection flaunted the film's bold, cross-genre ambitions; this one chronicles its nakedly emotional heart and soul. --Jerry McCulley

Album Details

Volume Two Includes the Memorable Renditions of 'like a Virgin' and 'your Song' and 'the Pitch (Spectacular Spectacular).' It also features a Mix of the Nicole Kidman Song 'one Day I'll Fly Away.'

Customer Reviews:

Wow........2007-01-15

I must say...I was very glad when they released Part Two of the Moulin Rouge soundtrack. Don't get me wrong...the first part was great and all, but it was nothing spectacular. I was specifically looking for certain songs from the movie, and I was completely disappointed when they were on there. The release of a second soundtrack was, in my opinion, an absolute necessecity.

The highlights of the album are:

-Your Song (Instrumental)
-Sparkling Diamonds (original film version)
-Come What May (original film version)
-The Show Must Go On (original film version)

In my opinion, "The Show Must Go On" is the best song on this album...it was just so perfect for the ending of the movie, and I fell in love with the song. I was so disappointed that it wasn't on the first soundtrack. This song is part of what makes the second soundtrack so amazing...the song is fierce!!

If you love the movie and are a fan of the first soundtrack, then definitely, get this one. Many of the songs are versions taken straight from the movie - I recommend this with 4.5 stars...you will NOT be disappointed!

Love this CD.......2006-07-04

I love everything about this movie. The music is amazing and the instrumental songs on this CD are perfect. The first CD seemed to be more for a bunch of teenyboppers that wanted to hear the worst song on the whole CD (Lady Marmalade). If only they could combine the good songs from the first CD into this one.

I gave this 5 stars even though it's about a 4.5 because they split the soundtrack over two seperate cds.

Could it get any better?.......2006-03-02

So i thought that the first instalment in these soundtracks was great (and it was) but the purchase of this sequel is a must if you want the full effect. With the original film versions of these songs, sung by the stars of the movie, you get the real feel that was the magnifisence of Moulin Rouge! Ewan McGregor is still by far the star, with his talent spilling over the dramatic lovesong 'Come What May' and 'Your Song', but Nicole's brilliant performance as Satine definatly takes front and center in 'One Day I'll Fly Away' and the film version of 'Sparkling Diamonds'...I have noticed that many complain about how the first soundtrack did not include the film version of this song...well you need this CD then...you will not be dissapointed. Other highlights include 'Like a Virgin' which is downright histarical, and the dark cover of 'the show must go on' which highlights the tragidy behind this tightly woven tale. THis is one must have soundtrack for your ever growing collection. A perfect companion to soundtrack number 1!

Moulin rouge tried to fill up the GAP.......2006-02-12

This contains many great tracks missing from the original soundtrack, including Like A Virgin, Spectacular Spectacular and The Show Must Go On. I thought the inclusion of two instrumental versions of Your Song might be a bit redundant, but upon listening to them I really enjoyed them and they are quite different from one another. OK, it's not the best soundtrack that could have been put out. But it's pretty darn close. One thing that many DEDICATED fans of the movie (including myself) said is that the original movie soundtrack lacked the actual original movie score. There are 10+ songs in "Moulin Rouge" and many didn't make the final cut.

Baz did the smart thing, taking the audiences favorite music, a few gems from the first soundtrack such as "Come What May" and "Sparkling Diamonds" as well as a few new songs, like "Like a Virgin", "The Show Must Go On" and "The Pitch (Spectacular Spectacular)" and releasing the Original Film versions, allowing for the amazing vocal performances of the actors, including the fabulous Jim Broadbent, to be shine through. Also, released is background music "Meet Me in the Red Room", played during Christian's arrival in the elephant, marking the only non-actor/orchestral piece within the context of the CD.

One thing that this soundtrack included that I didn't expect was several orchestral pieces that were mostly used as background music throughout the film. "Your Song - Instrumental" (#1) has personally become a favorite and is constantly being repeated in the CD player. Also included is the ending credits music "Bolero" and the final piece ... known as "Ascension/Nature Boy". Also included is a remix of "One Day I'll Fly Away", and like all MR remixes, is a little tough to listen to at first but after repeat listening, it becomes music to your ears.

To all you MR diehards out there: this is a must. Not like I could stop you anyways. To others who haven't been introduced to the spectacular (spectacular) world of Moulin Rouge, this is a great introductory piece, especially side-by-side with the first soundtrack.

ahahahahaha.......2006-02-01

Everything the other customers are saying is true: more music from the film, thankyouverymuch, not irritating pop conceits like the first. However, I would not have reviewed this album unless I found it absolutely necesary to point out that, in the climactic moments of track 5 "Come What May," Ewan MacGregor's voice is for some reason missing and replaced by a bizarre, operatic man's voice. It truly had me crying with laughter the first few times I heard it, and I wanted to share this wondrous discovery with the world.

Average customer rating: Monsoon Wedding Soundtrack is Terrific Loved it! Just as fabulous as the movie! Love It, Love It, Love It Culture-Happy-Dance-Reflect-Appreciate-Savor-Relax-Laugh

Monsoon Wedding (Score) Manufacturer: Milan Records ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Monsoon Wedding Bend It Like Beckham The Best of Bollywood Bride & Prejudice Bhangra Beatz ASIN: B00005UKLV Release Date: 2002-03-05

Tracks:

1. Feels Like Rain
2. Aaj Mera Jee Kardaa (Today My Heart Desires)
3. Baraat
4. Aaj Mausam Bada Beimann Hai (Today The Weather Plays Tricks On Me)
5. Your Good Name
6. delhi.com
7. Fuse Box
8. Mehndi/Madhorama Pencha
9. Banished
10. Good Indian Girls
11. Fabric/Aaja Savariya (Come To Me, My Beloved)
12. Allah Hoo
13. Hold Me, I'm Falling
14. Love And Marigolds
15. Chunari Chunari
16. Aaja Nachle (Come On Dance!)
17. Aaj Mera Jee Kardaa (Zimpala Remix)
18. Fuse Box (Alexkid's Dub Remix)
19. Fuse Box (Julio Black Remix)

Amazon.com

Monsoon Wedding is Mychael Danna's second collaboration with film director Mira Nair, (Kama Sutra was the first), and he has again compiled a winning soundtrack. Danna explores a wide range of emotions, from solemn to celebratory, through different generations of Indian culture. The contemplative "Good Indian Girls" and "Hold Me, I'm Falling" feature Danna's trademark piano ambience over traditional Indian instrumentation, and the vivacious "Baraat" sounds like a Punjabi variation on Dixieland, while "Delhi.com" ventures into dreamy ethno-techno territory. Sukhwinder Singh's "Today My Heart Desires" serves up lively bhangra rock, and Laxmikant Pyarelal's "Today the Weather Plays Tricks on Me" (performed by Mohammed Rafi) swoons with strings and male vocals. In all, the soundtrack's pleasing variety of Eastern music mirrors the film's old and new worlds living within a singular culture. --Bryan Reesman

Customer Reviews:

Monsoon Wedding Soundtrack is Terrific.......2007-05-18

I really enjoyed the movie and was pleased to find the soundtrack. Great cd if you're a fan of Bollywood!

Loved it!.......2007-03-24

I just saw the movie MONSOON WEDDING and I absolutely loved it! Of course, I just HAD to have the soundtrack, so I bought the Cd recently and loved it too! WOW!

The Cd will leave you in a happy mood... Wonderful up-beat songs, many are so danceable and hipnotic. I've been playing this Cd all week ...I just wish it were longer because I would love to have more Cds like this in my Cd collection.

Just as fabulous as the movie!.......2007-01-31

This is an excellent soundtrack from an excellent movie. The music is fantastic - makes you want get up and move your feet! It's got such a happy, wistful, exotic flavor throughout the CD. I think this will probably be one that I wear out from listening to it so much!

Love It, Love It, Love It.......2007-01-21

I just love this CD. I'm preferential to the work of Mychael Danna and this is another awesome work of his. There is everything from old Indian love ballads to the popular Bollywood music of today, with some very beautiful instrumentals in between.

I'd recommend seeing the movie too. As well, I'd check out Danna's music for another Mira Nair movie, "Kama Sutra: A Tale of Love."

Culture-Happy-Dance-Reflect-Appreciate-Savor-Relax-Laugh.......2006-11-06

Above I listed some words that first came to mind when I thought about this cd.
It is very Culture rich and soaked in Indian flavor. It's colorful and makes you happy with a laugh or two; as it seeks to portray the traditional music typical of a Punjabi wedding in Delhi, India.
You want to dance with most songs and sit quietly to reflect with others. I listed appreciate because we often don't sit back to appreciate the richness that other cultures provide. My 2 year old appreciates this music in her broken wanna be Hindi mimic.
She dances as does my 6 year old to this music. It's really a great CD but I would recommend seeing the movie first.

Average customer rating: An essential for any CD collection Absolute Top-Tier Album MCC & Country music stars cannot reproduce music like this. 5 Stars Plus CD enjoy the music

Come On Come On Mary Chapin Carpenter Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Contemporary Country | Country | Styles | Music General | Country | Styles | Music Outlaw & Progressive Country | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music General | Contemporary Folk | Folk | Styles | Music Singer-Songwriters | Contemporary Folk | Folk | Styles | Music Singer-Songwriters | Pop | Styles | Music CDs $7 - $10 | Country General | Country | Today's Deals in Music | Formats | Music All Bargain Titles | Country General | Country | Today's Deals in Music | Formats | Music CDs $7 - $10 | Contemporary Folk | Folk | Today's Deals in Music | Formats | Music All Bargain Titles | Contemporary Folk | Folk | Today's Deals in Music | Formats | Music CDs $7 - $10 | Singer-Songwriters | Pop | Today's Deals in Music | Formats | Music All Bargain Titles | Singer-Songwriters | Pop | Today's Deals in Music | Formats | Music Country Folk | Country | Indie Music | Stores | Music 4-for-3 Country | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Stones in the Road Between Here And Gone Shooting Straight in the Dark Time* Sex* Love* Essential Mary Chapin Carpenter ASIN: B000002879 Release Date: 1992-06-30

Tracks:

1. The Hard Way
2. He Thinks He'll Keep Her
3. Rhythm Of The Blues
4. I Feel Lucky
5. The Bug
6. Not Too Much To Ask
7. Passionate Kisses
8. Only A Dream
9. I Am A Town
10. Walking Through Fire
11. I Take My Chances
12. Come On Come On

Amazon.com essential recording

Skeptics might say that Carpenter's smash version of Lucinda Williams's "Passionate Kisses" pales beside the tougher original, or that Mary Chapin is but a folkie in poor-fitting country clothes. They're not exactly wrong, but her million-selling third album finds its charm in a spare Americana sound and smart, imaginative material. Carpenter bridges country and folk audiences, much as Emmylou Harris has done, and as few others have managed. And she's a better singer than generally recognized. Originals such as "I Am a Town" and the title cut are genuinely evocative, and "Walking Through Fire" and "I Take My Chances" have an emotional edge that is as raw as it has been rare on country radio in the '90s. --Roy Francis Kasten

Customer Reviews:

An essential for any CD collection.......2007-04-23

Like probably many people, I've been a fan of Chapin since this album was released in 1992... truly it was her breakthrough album. And with good reason, too: not only was it an incredible country-crossover when country music was the "latest rage", but it's also an unbelievably good album.

After so many years of being a fan - I own all of her albums - I finally had the chance to see her in concert at the Warner Theatre in Torrington, CT. The show consisted of her and only three other musicians (including longtime cohorts John Jennings and John Carroll). No drummer accompanied them. She and the band were seated throughout the show as evidence of "how old and creaky" they've become (her words, not mine). They simply played, and the music was soulful, deep and magical.

It inspired me to finally praise "Come On Come On", which is still to this day my favorite album of hers. Yes, she's done other amazing work both before (the wistful folk and bubbly country of "State of the Heart", 1989) and after (the insightful and post-9/11-weary "Between Here and Gone, 2004)... but I still like this album best. Simply put, there isn't a bad song on it. I can't imagine anyone not being riled up by the entirely-justified feminist rant of "He Thinks He'll Keep Her", or not be moved by the sad, sullen beauty of "I Am a Town".

Simply put: If I was allowed on 10 CDs to accompany me to a desert island, this would be one of them. If you don't own it, you should... it's a classic.

Absolute Top-Tier Album.......2006-12-09

I never tire of this album.

People have called MCC a folk artist. I guess that is true in the purest sense of the word. MCC writes songs and the people sing them.

Lonely technicians whistle along with "I Feel Lucky" at production facilities in the middle of the night.

A six year old girl is spontaneously singing "Passionate Kisses" right now, a capella, while playing with her dolls. She does not even realize she is singing, but the notes are sung perfectly in full voice.

"Passionate Kisses" still plays on the radio anywhere that Country Music matters. Country Music programmers in Southern cities and towns retain a few archetypal standards that are not subject to the whims of time, and it is one.

Somewhere, a man or woman is finding solace in "The Hard Way."

Somewhere, someone is making a lifelong vow. And this album is playing in the background while that vow is made... probably "Not Too Much To Ask" or "I Take My Chances." The vow will be kept.

"He Thinks He'll Keep Her" is based on the young MCC's indignance about a paternalistic Geritol ad back in the 70s. That's pretty damn special. She wrote it herself and it absolutely rocks. I'm not always enthusiastic about feminist angst but that's cool.

Buy two copies and tell your neighbors. Mary Chapin Carpenter is a giant.

MCC & Country music stars cannot reproduce music like this........2006-11-18

Yes, I bought the CD a long time ago (10 years).

But, I was shuffling thru. my songs in the ipod, I relaized what an amazing CD this was. I will say that I was just starting to listen to country at that time. And that "Come on Come on" is one of the earliest intros. to country. Now, I can say that I have heard plenty of of new country, and not many artist matched the quality of selected songs in terms of music, vocals, writing. This CD has proven to be a good benchmark. IMO if you can pick a CD that you have listened to a while ago, and are still able to listen to, then that is great CD.

My favorite songs on CD:

Not too much to ask - Duet with Joe Diffie.
Passoinate Kisses, He thinks he'll keep her, I feel lucky, The bug, The hard way.

5 Stars Plus CD.......2006-08-26

This is one of my favorite Mary Chapin Carpenter CDs. It deserves to be 5 Stars Plus. He Thinks He'll Keep Her is about a woman and a man being married through the years and one day their love for each other is gone. I Feel Lucky is a song about Her winning the lottery and she tells how she feels lucky about it. My favorite line in the song is hey Dwight hey Lyle boys you don't have to fight doggone I feel lucky tonight. The Bug is about the way life is. You never know if you are the bug or the windshield. My favorite song on this CD is Passionate Kisses. She wants everything a woman should have and passionate kisses also. Not Too Much Too Ask is a wonderful duet with Joe Diffie. I Take My Chances and The Hard Way are also good songs on this CD. She had 7 singles on this CD. The whole CD is very good and if you are a MCC fan then this should be in your collection.

enjoy the music.......2006-03-22

I am glad to bought this CD. It is one of my favorites and glad I have found it.

Average customer rating: This album rocks! great cd......to be used as a bagel plate Cheerful Pop Girl Power. At the very top of her game! This could be a greatest hits CD

Come on Over Shania Twain Manufacturer: Mercury Nashville ProductGroup: Music Binding: Audio CD General | Contemporary Country | Country | Styles | Music General | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music Canada | North America | International | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music $9.99 and Under | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Country | Styles | Blowout Music | Stores | Music International | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $9.99 and Under | Prices | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: The Woman in Me Up! Shania Twain - Greatest Hits Faith Breathe ASIN: B000001EW3 Release Date: 1997-11-04

Tracks:

1. Man! I Feel Like A Woman!
2. I'm Holdin' On To Love (To Save My Life)
3. Love Gets Me Every Time
4. Don't Be Stupid (You Know I Love You)
5. From This Moment On
6. Come On Over
7. When
8. Whatever You Do! Don't!
9. If You Wanna Touch Her, Ask!
10. You're Still The One
11. Honey, I'm Home
12. That Don't Impress Me Much
13. Black Eyes, Blue Tears
14. I Won't Leave You Lonely
15. Rock This Country!
16. You've Got A Way

Amazon.com

The come-from-nowhere success of Shania Twain's previous album, The Woman in Me, proved that the world was ready for a combination of traditional instruments, girl-power themes, and dance-pop dynamics. Whether Twain is a modern-day Dolly Parton or a country music Spice Girl is a matter of perspective. But with her third album, she accentuates the sing-along choruses and simple dance rhythms while downplaying the country elements. As a pop move, it works wonderfully for her, earning Twain a valued spot on MTV, VH-1, and pop radio. The emphasis is on fun rather than depth, of course. But no one can accuse her of being stingy: she and her Svengali-like producer/husband, slick-rock king Robert "Mutt" Lange (Def Leppard, Bryan Adams, AC/DC), load down the album with 16 songs, all of them quite radio-friendly. --Michael McCall

Customer Reviews:

This album rocks!.......2007-04-29

It totally does--with a country twang. I've had it for a long time and I still listen to it all the time. And all the songs are at least 3 stars, see?

1. Man! I Feel Like A Woman! *****
2. I'm Holdin' On To Love (To Save My Life) ****
3. Love Gets Me Every Time ****
4. Don't Be Stupid (You Know I Love You) *****
5. From This Moment On ***** (Beautiful)
6. Come On Over ****
7. When ****
8. Whatever You Do! Don't! ***** (I love this one!)
9. If You Wanna Touch Her, Ask! ****
10. You're Still The One *****
11. Honey, I'm Home ***
12. That Don't Impress Me Much *****
13. Black Eyes, Blue Tears ***
14. I Won't Leave You Lonely ***
15. Rock This Country! ****
16. You've Got A Way ***

great cd......to be used as a bagel plate.......2007-01-25

Ever notice how all country music girls are attractive? That's because the industry that writes all their songs for them need a pretty face so they can sell their records in higher quantities. If you think these artists write all their own songs then you must be naive enough to believe that Jessica Simpson is popular because of her music talent and not her looks. Why do you think country music lyrics are all the same? 'All my exes were at the family reunion', 'Her teeth were stained but her heart was pure', I mean come on, they're all written by the same industry. Real musicians aren't usually attractive, because they're too busy writing their own music to care.

Cheerful Pop Girl Power........2007-01-13

This is both a good & different album than any other Country based music I've heard. Probably because it really isn't Country? After several listenings, I came to the conclusion that this was 70% Pop, 20% Country, & 10% Disco. I'll leave that debate to those more familiar with those genre's. This was a very lively, even optimistic group of songs. Shania's voice was better with the faster songs. These are the ones I thought were done the best. "When," the only cynical tune on a cheerful album. It is a "yea right," tune that felt like it did not belong. Perhaps, thats why it stuck out? "From This Moment," certainly a smooth love ballad if there ever was one. Shania sang this from the heart, & it came through exquisitely. "Man I Feel Like A Woman," a feel good girl song with drums, electric guitar, & some mild fiddles. "Love Gets Me Everytime," more of a traditional love song with single girl meeting a guy & falling in love, with a fast tempo. "Come On Over," strong Accordion with one friend comforting another. "Your Still The One," probably her biggest hit? A smoothly done slow tempo tune about a couple who proved the naysayers wrong by staying together.

At the very top of her game!.......2006-10-21

Shania Twain is an excellent performer and this album represents in my opinion some of her best work. I think her personality comes across strongly on this album and the songs are great.

I must admit I don't like what Shania Twain's later music evolved into nearly as much as this older stuff. I think in this album she was more driven by her own inner creativity and less by mass marketing concerns.

The ballads here are heartfelt and the faster songs convey an enthusiasm for life and youthful exuberance. While Shania is certainly sexy with a lot of charisma, she is also an incredible performer and worthy of her reputation. I can still remember the first time I heard her on THE WOMAN IN ME. I still love this album as well.

If you are going to own one or two Shania Twain albums and not get any others, I recommend that this is one of the two to buy. If you don't like the earlier country sound, try her newer stuff. However, I think this older material is more representative of where her heart truly lies and for me it comes across lound and clear through the speakers.

This could be a greatest hits CD.......2006-08-08

This CD by Shania Twain could be a greatest hits CD. There is a lot of hits on this CD. There are 11 songs on this CD that were singles on country music radio. Man! I Feel Like A Woman is a fun song that is up-beat and a good dance tune. I'm Holdin' On To Love To Save My Life is another up-beat song on this CD that you could dance to. The first single Love Gets me Every Time is about how love gets her by surprise and she has gone and done it again (Fell In Love). Don't Be Stupid is a good song with sounds of fiddles when the song starts out. The video is very good also. It reminds me of The River Dancers. From This Moment On with Bryan White is a very good job of vocal collaberation. They both do a very good job on this song together. You're Still The One is about her love for her husband and the video is very sexy and romantic. Honey, I'm Home is my favorite song on this CD. The woman has a bad day and she comes home and has her husband treat her like a queen. She asks him to pour her a cold one and fix her something to eat and fix her a treat. The end of the song she ask him to massage her and it makes her feel better. That Don't Impress Me Much is a song about men who love to show off and no matter who they are and what they do it doesn't impress her at all. You've Got A Way is the last song and it is very romantic about a man and a woman and how he makes her feel good about herself. All the songs on this CD are very good and I enjoy every one of them. This is one CD that Shania Twain will never out do with any other CD.

Average customer rating: Who Has Been Hiding RL Burnside? An acquired taste, but try it Shuck Dub? Only in it for money? true alchemy

Come On In R. L. Burnside Manufacturer: Fat Possum ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Delta Blues | Blues | Styles | Music General | Blues | Styles | Music Traditional Blues | Blues | Styles | Music Electric Blues Guitar | Blues | Styles | Music Modern Blues | Blues | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Wish I Was in Heaven Sitting Down A Bothered Mind Burnside on Burnside You Better Run: The Essential Junior Kimbrough First Recordings ASIN: B000008UMZ Release Date: 1998-08-25

Tracks:

1. Been Mistreated
2. Come On In (Live)
3. Let My Baby Ride
4. Don't Stop Honey
5. It's Bad You Know
6. Just Like A Woman
7. Come On In (Part 2)
8. Rollin' Tumblin' (Remix)
9. Please Don't Stay
10. Shuck Dub
11. Come On In (Part 3)
12. Heat

Amazon.com

Now, here's what you call a break from tradition. After bridging the gap between punk and blues on his collaboration with the Jon Spencer Blues Explosion, A Ass Pocket of Whiskey, Mississippi bluesman R.L. Burnside ventures into the world of beats and grooves with Come On In, a series of remix projects with producer Tom Rothrock (Beck, Foo Fighters). The cynics among you may smell opportunism, but Rothrock is sensitive and respectful enough to Burnside's originals to do them proper justice. Even the 4/4 high hat and filtered sound effects of "Rollin' Tumblin'" sound appropriate to the music at hand. Though these treatments--largely instrumental--erase the most of the presence of Burnside's searing vocals, Burnside and Rothrock's adventurousness will win over most to their progressive-thinkin' boogie chillun'. --Justin Hampton

Customer Reviews:

Who Has Been Hiding RL Burnside?.......2007-02-26

Thank you Sirius Radeo and Amazon for bringing us RL Burside. Too bad the local "music (??)" Channels and stores still haven't got a clue in what great music really is.
Its easy to see why "It's Bad You Know" is the most requested song on Sirius Blues.

An acquired taste, but try it.......2006-03-14

This album is kind of like wasabi: it takes some getting used to but if you do, you have a friend for life. You're in for a big surprise if you're expecting traditional blues from this old bluesman. This is techno remix blues, which obviously won't please some, but he pulls it off. Best-known and probably the best tune is "It's Bad You Know", played on WXRT in Chicago, who turned me on to the album. Most of the cuts are musical loops, not all of which work, but overall pretty solid and recommended for anyone wanting something different. Die-hard blues purists need not apply.

Shuck Dub?.......2006-01-07

Dear Mr. Yates: Are you one of those turtle-neck wearing folks with plenty of money and a nose in the air? Are you one of those that believe that the Blues must adhere to some unforgiving rules that you made up? Get off yo' high horse and put down that pipe! The Blues have always been a "blasphemy", a walk downtown, a soulful melody, a harsh reality.... etc... The Blues NEVER did adhere to any rules of musical education. The Blues is the Blues because of a feeling, an attitude. This album has all of that attitude, irreverent as it is. Take off that turtle-neck sweater and listen to these grooves. Blues grooves. The only other artist to take the Blues to this level this decade has been G. Love. No, it's not your daddy's Blues.... but it is Blues.... fun Blues.... New Orleans Blues... Blues the way it was supposed to be: Fun, Exciting, Soulful and NOT standard! Blues with a capital "B".

Only in it for money?.......2005-10-21

I'm laughing my fricken a** off. I read the review by Mr. "Thomas W. Yates" who states below "shame on fat possum....they used to be about documenting a pure, dying art form. now fat possum is all about "updating" the blues to "increase the audience"...fat possum only cares about the $$."

Give me a break! Don't you think Mr. Burnside deserves to make some money for his talent? Don't you think Fat Possom deserves to make some good money too? I sure as heck do. Sounds like your one of those people who wants to "Keep the Man Down". Keep him poor and humble is that it? Give me a break....

Don't you think this may make some younger people find an interest in "The Blues"?

Personally I think its pretty selfish when I see other reviews like that. I think its great that the blues is branching out and reaching out to a larger audience and in the process becoming more mainstream. I think its great that these artists who have been making pennies all their lives are finally making some real money for all their work and talent.

Heck 20 years ago I was wondering if the blues was going to die out but people like Mr. Burnside, Buddy Guy, Eric Clapton and others have created a renewed interest in "The Blues".

--Keep It Up!

true alchemy.......2005-10-17

To appreciate this incredible album one must understand that Mr. Burnside was raised in the country and matured in the city; which rationalizes the true alchemy of this electrifying rural/uban mix. The amazing power and energy of this album will stand as R.L.'s burning memorial. So-called blues purists may take issue, but blues music is not "pure" - it is the soul expression of the performer's life experiences... good, bad, pleasurable or painful and everything in between - like this album.

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) What to Listen for in Music Study of Orchestration, Third Edition ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Absolutely peerless once-in-a-lifetime greatness We love this album Simply great Porgy and Bess

Porgy & Bess Ella Fitzgerald , and Louis Armstrong Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music Classic Vocalists | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Similar Items: Porgy and Bess Gershwin: Porgy & Bess [With Members of the Original Cast] Porgy & Bess: High Performance Ella & Louis Again (Dig) George Gershwin - Porgy & Bess / Trevor Nunn · Sir Simon Rattle · W. White · C. Haymon · Glyndebourne Opera ASIN: B0000046Z5 Release Date: 1990-10-25

Tracks:

1. Overture
2. Summertime
3. I Wants To Stay Here
4. My Man's Gone Now
5. I Got Plenty O'Nuttin'
6. Buzzard Song
7. Bess, You Is My Woman Now
8. It Ain't Necessarily So
9. What You Want Wild Bess?
10. A Woman Is A Sometime Thing
11. Oh, Doctor Jesus
12. Medley: Here Come De Honey Man/Crab Man/Oh, Deh's So Fresh And Fine (Strawberry Woman)
13. There's A Boat Dat's Leavin' Soon For New York
14. Bess, Oh Where's My Bess
15. Oh Lawd, I'm On My Way

Amazon.com

Getting the two most personable voices in jazz to sing an hour's worth of George Gershwin's opera Porgy & Bess (Ella doing all the female parts, Satchmo all the male) was a good idea, but not quite as great as it sounded. Armstrong savors the down-and-dirty Charlestonisms that inspired the cadences of the music and lyrics, and they fit his happy rasp like an old shoe; Fitzgerald, conversely, sounds almost prissy every time she has to sing the word "ain't," though her melodic genius gets Gershwin's bold, supple tunes over. The arrangements are full-throttle Broadway, with a few leaps into Dixieland (including some fine Armstrong trumpet solos), but the disc works best when the vocalists break character and let their jazz side out. --Douglas Wolk

Customer Reviews:

Absolutely peerless.......2006-11-17

"Porgy and Bess" has just opened (with some controversy) in London's West End, though as a musical and not as an opera as it was originally conceived. Reviews have been promising and I aim to go down and see it soon. I decided to listen to this CD to put myself in the mood. I hadn't listened to it for years and I'd completely forgotten how good it actually is. Ella's voice blends with Louis' perfectly and Russell Garcia's orchestration gives them a dreamy landscape to perform against. I have one or two other CDs by Louis and Ella but this one is by far my favourite. The CD opens with "Overture" and its orchestral performance of classics like "Summertime", "I Wants To Stay Here", "I Got Plenty O' Nuttin'" and "It Ain't Neccessarily So" set the tone nicely, leaving one ever so keen for the vocal versions. Louis Armstong has a very rough tone to his voice but the emotion he packs with it is moving, most especially on the mournful "Bess, Oh Where's My Bess?" And we get all this and Louis' wonderful trumpet playing too?

Gershwin and Gershwin must be among the top composers of the last century and this opera showcases their talents more than anything I've heard. Ella and Louis are peerless as a vocal duo and though I doubt the West End performance will capture the magic in the same way they did, I still remain very keen to go see it. Is it opera or is it a jazz performance? I don't really know. I just know that I love it. And strongly recommend it.

once-in-a-lifetime greatness.......2006-10-06

Two thousand five hundred musicians have recorded "Summertime" --- it's a classic. (I bet most Americans can name Janis Joplin and no other singer.) As for "Porgy and Bess," the folk opera from which "Summertime" springs, it's such a classic that it's hard to believe anyone ever had a harsh word to say about it.

But after its premiere in 1935, no less than Duke Ellington said, "It has grand music and a swell play, but the two didn't go together. It does not use the Negro musical idiom --- the times are here to debunk Gershwin's lampblack Negroisms."

A quarter of a century later, the producers of the film version had trouble assembling a cast. Harry Belafonte rejected their offer to play Porgy. Sidney Poitier took the part --- and wished he hadn't. Poitier later wrote that the movie insulted black people; when he chose clips of his best performances for his tribute at the American Film Institute, he picked nothing from "Porgy and Bess."

And in 1985, when Grace Bumbry was a sensation as Bess in a Metropolitan Opera production, she slammed the opera: "I thought it beneath me, I felt I had worked far too hard, that we had come far too far to have to retrogress to 1935."

All that may be. All I know is that I have, in a long life, rarely been confronted with more genius than in the Fitzgerald/Armstrong recording of "Porgy & Bess." Set aside the achievement of George and Ira Gershwin in transforming DuBose Heyward's novel into a folk opera. Let's just focus on Armstrong and Fitzgerald, who were at the peak of their popularity when this record was made in 1957.

"Summertime" --- the first song --- sets the tone. A baleful horn figure, then violins. And then Armstrong's trumpet: slow, steady, dignified. But wait --- here comes a slurred note. And a cool little improvisation. Just enough of each. Very tasty.

Fitzgerald sings a verse. She is cool and formal. A lady. Not to be taken lightly. Now it's Armstrong's turn. Tender, but let's not kid ourselves --- this is not singing as others define it. This is melodic speech: rough, gutteral. And thus he is ideally cast: His Porgy may have his charms, but he'll have to stretch to keep Bess.

And so it goes throughout the CD. Trumpet mastery --- Armstrong has dazzling control. His tone is bright, but never shrill; there's a warmth in his playing no one else could produce. And Fitzgerald is just a study in inevitability; to hear her is to wonder how anyone could sing these songs any other way.

"I Got Plenty O' Nuttin'." "Bess, You Is My Woman Now." "A Woman Is a Sometime Thing." "There's a Boat Dat's Leavin' Soon for New York." "Bess, Oh Where's My Bess?" "Oh Lawd, I'm on My Way."

All brilliantly conceived, orchestrated and recorded.

The greatest trumpet player in this history of jazz.

The father of scat singing.

The queen of the jazz vocal.

There are no-brainers, and then there is this Ella Fitzgerald-Louis Armstrong collaboration --- music that imprints on your soul.

We love this album.......2006-08-22

We hope they will someday bring this beautiful story back to the stage

Simply great.......2006-03-04

The fusion between the great two voices and the orchestra is just brilliant. Very good brass and violins that accompany Fitzeralds and Armstrongs magic voices leaves you with your mouth open.

A must have for everyone!

Porgy and Bess.......2005-10-14

Could not find this anyway locally. It is a great recording

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