"Banco de Gaia has created a fantastic body of work, successfully blending world-beat sounds and styles with cutting edge technology"
Product Description
10 Years celebrates career highlights from the pioneer of global electronica, Banco de Gaia. This DJ mixed double CD is divided into "beats" and "chill" packages and features rare tracks and remixes.
"Banco de Gaia has created a fantastic body of work, successfully blending world-beat sounds and styles with cutting edge technology"-LA Weekly
"Consistently releasing albums of wondrous beauty and almost mind boggling creativity"-Making Music Magazine
"Banco is Banco is Banco"-Muzik Magazine
10 Years
10 Years,Banco de Gaia,Six Degrees,Ambient Dub,Ambient Techno,Dance Music,Pop,Techno
Average customer rating:
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The Best of Elvis Costello: The First 10 Years
Elvis Costello Manufacturer: Hip-O Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OHZJJQ Release Date: 2007-05-01 |
Tracks:
- (The Angels Wanna Wear My) Red Shoes
- Alison
- Watching The Detectives
- (I Don't Want To Go To) Chelsea
- Pump It Up
- Radio, Radio
- Accidents Will Happen
- Oliver's Army
- (What's So Funny 'Bout) Peace, Love And Understanding
- I Can't Stand Up For Falling Down
- High Fidelity
- Clubland
- New Lace Sleeves
- Good Year For The Roses
- Beyond Belief
- Man Out Of Time
- Almost Blue
- Every Day I Write The Book
- Shipbuilding
- Brilliant Mistake
- Indoor Fireworks
- I Want You
Album Description
22 Timeless songs compiled by Elvis Costello from his first 11 albums.Customer Reviews:
A Casual Fan Semi-Review..........2007-05-29
"The Only Elvis That Matters" Done Justice.......2007-05-20
But this disc finally gets it right. There was a "The Very Best of Elvis Costello & the Attractions" single-disc issued on Rykodisc in 1994 that came close, but as good as that disc was, this collection makes three substitutions that are actually improvements: "(The Angels Want to Wear My) Red Shoes," "New Lace Sleeves," and "Almost Blue" replace "Watch Your Step," "New Amsterdam," and "Love Field."
Not only are the substitutions slightly better songs in my opinion, they also paint a more complete picture of Elvis Costello as an artist and writer. Especially "Red Shoes" - if you'd only heard the ballad "Alison" and the reggae-influenced "Watching the Detectives" from his debut album, you'd have no idea what to expect from the rest of the CD, but "Red Shoes" really sets the tone for the rest of that disc (and it's just an amazing song). Some people complain that these songs have been repackaged too many times, but I have a hard time arguing with the final result.
The remastering of this collection sounds as good as the Rhino remasters (which managed to be a slight improvement over the already great-sounding Rykodisc versions), and I really don't understand why some people complain about the sound (but I never owned any of the vinyl records, so maybe I am missing something). Still, the sound is the best that I've heard on CD, and in terms of song selection, this is a near-perfect set. For some, this will be all the Elvis Costello they ever need. For others, it will be the beginning of a long journey into the career of one of the best, most insightful and most interesting singer-songwriters in popular music. Either way, it's hard to go wrong with this collection.
Same Old Music in Yet Another New Sleeve.......2007-05-15
It now appears as though the same type of abuse has befallen the recorded works of Elvis Costello. I should know. I was one of those `mentally unbalanced' individuals who felt the need to own every Elvis Costello item released on the marketplace. In the beginning, it was kind of fun. Costello had numerous singles with non-LP b-sides, and plenty of `alternate' versions to keep fans quite busy. I was a part of that vinyl junkie set, a cult of obsessed lunatics who lived to find the rarest single, or an alternate package. After three years and hundreds of dollars spent, I remember feeling betrayed when Columbia issued "Taking Liberties," a collection of Elvis' rare b-sides. In an instant, one five-dollar album made twenty rarities commonplace. Nevertheless, I soldiered on; buying 10" collector's singles, alternate mixes, and all sorts of oddities. Then, the CD era began, and it started to happen all over again. Elvis changed labels (from Columbia to Warner Brothers), and his catalog albums were subjected to not one, not two, but three separate repackagings, each of them containing unique `rarities' that could be obtained nowhere else. A dedicated collector would require four versions of each Elvis Costello album. At this point, I finally surrendered, but I already spent enough to finance a Hawaiian vacation for some record executive and his family of four. Nowadays I simply stand by, amazed as the repackaging craze continues unabated. By my count, the above named collections represent the 10th and 11th re-compilation of Elvis Costello's `hits'. I'm not saying they are bad collections. The booklets contain song lyrics, which is a nice touch, especially for the older material. Naturally, the songs are great and I should know, because I bought each of these tracks at least a half-dozen times already. If you still don't own them, then go ahead and buy them. You will enjoy them. I, however, will stare at my room full of Elvis-related plastic and acknowledge the reason that I never made that trip to Hawaii myself.
B+ Tom Ryan
how many times can you jump out of the cupboard.......2007-05-12
+1/2 -- The best early Costello single CD yet.......2007-05-09
After so many Costello reissues and compilations, this collection is mostly a retail shelving refresher and a beacon for Hip-O's album reissue and digital programs; all 22 of these tracks have been available on CD before. And as with other single-disc Costello anthologies such as Sony's 1990 19-track "Best of Elvis Costello and the Attractions" and Ryko's 1994 22-track "Very Best of Elvis Costello and the Attractions," there's simply too much worthy material in Costello's initial eleven albums (not to mention assorted singles and B-sides) to fully essay in 80 minutes.
What you get here is a well drawn sketch that provides the neophyte a sense of Costello's incredible torrent of early creativity, the sustain of his first few years, a few missteps in the mid-80s, and a stronger-than-ever comeback with 1986's "King of America" and "Blood & Chocolate" LPs." Though fans of the albums will mentally flinch at the inter-album segues (and thus the missing classics), condensing Costello's career arc does demonstrate how his punk-era angst and blistering song-writing aged and then reasserted itself in a more mature, but no less powerful form a decade later. Reducing 10 years to a single CD also creates a bit of genre whiplash as Costello applied himself to rock, punk, pop, soul, R&B blues, and jazz.
As on Ryko's 1994 collection, Costello aided in the track selection. No surprise then that there are 19 tracks in common with Ryko's earlier release. The three substitutions add the essential "(The Angels Wanna Wear My) Red Shoes," "Almost Blue," and "New Lace Sleeves" in place of the expendable "Watch Your Step," "New Amsterdam," and "Love Field," making this the best single-disc Costello anthology on the market. Costello fans are better off making their own anthologies from the original albums, but those just coming to his work decades after the fact will find this an excellent primer. 4-1/2 stars, if allowed fractional ratings. [©2007 redtunictroll at hotmail dot com]
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The Autumn Effect
10 Years Manufacturer: Republic ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000A2H65U Release Date: 2005-08-16 |
Tracks:
- Waking Up
- Fault Line
- The Recipe
- Cast It Out
- Wasteland
- Seasons To Cycles
- Half Life
- Through The Iris
- Empires
- Prey
- Insecsts
- Paralyzing Kings
- The Autumn Effect
Customer Reviews:
sounds original to me...........2007-07-25
Let's give 10 Years credit for a decent album with some very catchy licks and melodies, and for releasing it when the market was lacking in inspirational stuff. A solid release from an excellent band.
they sound like tool..but none the less a great record.......2007-05-30
Finally a Tool/APC sound-alike that does 'em justice.......2007-04-12
More then a tool clone.......2007-04-09
Pleasant, darkly ambient.......2007-03-23
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The First 10 Years
Joan Baez Manufacturer: Vanguard Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000EF4 Release Date: 1990-10-25 |
Tracks:
- Ghetto
- If I Were a Carpenter
- Love Is Just a Four-Letter Word
- There But For Fortune
- John Riley
- You Ain't Goin' Nowhere
- Mary Hamilton
- Manha De Carnaval
- If I Knew
- With God on Our Side
- Don't Think Twice, It's All Right
- Geordie
- Te Ador
- No Expectations
- Sweet Sir Galahad
- Turquoise
- Farewell Angelina
- A Hard Rain's A-Gonna Fall
Amazon.com essential recording
She had the public persona of a saint, and a face and voice that captured all the idealism, innocence, and optimism of the '60s folk revival. She wasn't the movement's greatest talent, but her work helped shape all women balladeers who followed. Baez's best youthful work is here, including a host of Dylan songs: "Don't Think Twice," "Gates of Eden," "Farewell Angelina," and "Love Is Just a Four-Letter Word," one of the best songs Dylan wrote but never recorded. Her version of Phil Ochs's "There but for Fortune" is her finest vocal interpretation, a political song that never ceases to move. --Roy Francis KastenCustomer Reviews:
Essential.......2007-03-02
I had the vinyl version of this album a hundred years ago and somehow lost track of it as is the case with many by-gone valuables. So with vague fondness, I went looking for a CD containing a song called "Sweet Sir Gallahad" because I remembered how it captivated me.
I put the CD on... and it was as though I'd always had it, had never gone a week without listening and knowing every word. Have you gotten reacquainted with a dear friend and noticed the value of your friendship melts years and miles away in an instant? Have you ever met a new friend and known instinctively that person would always be a dear friend? Look forward to savoring this CD as one of those dear friends.
Maybe you've picked up that Joan Baez has a hauntingly beautiful voice. It's true. The POWER and PURITY with which she delivers the stories on this CD are deliciously intoxicating. She could be singing Mary had a little lamb and it would be wonderful, but Joan Baez does not sing anything but deeply moving ballads...They are "meaty:" they kind of stick with you. And they grow on you. And after a while you just know they aren't going away anytime soon... so they are yours.
This is the greatness of Joan Baez. You think that listening to this rich, beautiful voice - music on its own - is the gift... and when the CD is over, the next day comes and goes, you realize that not only is the song stuck in your head, but all the richness that Joan Baez put into the song is stuck there too. Most of these songs are timeless, as if they had written themselves... so many are stories collected from here and there and cherished because they have strong messages, passionate plots. Joan Baez found the stories that became her songs. She found them, she loved them, she sang them, she shared them, gave them to us - and now they are ours.
This could be the reason there are so many high ratings... One does't take lightly the value of pricelss gifts and we diehard fans think this CD qualifies.
Bottom Line: (knowing what I know) I would buy this CD if it cost twice as much and came in a paper bag... and now you know what I know... so go ahead and pay whatever it costs... and you may find it a bargain.
Great music but very poor packaging.......2007-02-20
69 minutes
It Doesn't Get Any Better.......2006-08-24
Email Boland7214@aol.co
Love is Just a Four-Letter Word.......2006-04-09
Here are some of the highlights of the CD:
Love is Just a Four Letter Word: An excellent song which suprisingly Bob Dylan never recorded. Although the lyrics are not fully formed that type of poetry fits well with the song about the falseness of love.
There but for Fortune: Joan Baez really captures the melancholy mood of the song. She sings it with lots of passion.
John Riley: Joan Baez does a great job of interpreting English Ballads.
Don't think Twice It's Allright: Although I prefer Bob Dylan's version of the song Joan Baez sings the song plainly and honestly.
Sweet Sir Galahad: A sweet, pretty, yet sad song which shows that Joan Baez is a talented poet as well as singer.
With God on Our Side: This song is supposed to be the one that inspired Joan to become a protest singer. The lyrics are so powerful that Joan Baez's voice is not the main centerpiece.
Farewell Angelina: An amusing somewhat surreal waltz written by Dylan shortly before his rock period.
A well recommended CD.......2006-03-18
Still going strong after 35 years; her First ten years were definitely her best.
All the essential songs from Baez's early years are included in this album. It is an excellent overview of her best recordings and her best songs. For any casual fan (like me), this album would probably be all what you will ever need; however if you are a novice in Joan Baez's Music, This album would be your best choice and excellent introduction to her music and songs. Recommended.
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10 Years
Armin van Buuren Manufacturer: Ultra Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000JMKJFK Release Date: 2006-12-05 |
Tracks:
- Hymne
- Sail
- Communication Part 3
- Yet Another Day (feat. Ray Wilson)
- Clear Blue Moon
- Love You More (feat. Racoon)
- Sound of Goodbye (Dark Matter Remix)
- 4 Elements
- Burned With Desire (feat. Justine Suissa)
- Blue Fear
- Eternity (feat. DJ Tiesto)
Tracks:
- Who's Watching (Tonedepth Remix)
- Saturday Night (vs. Herman Blood)
- Sunspot (feat. Airwave)
- Zocalo (feat. Gabriel and Dresden)
- Wall of Sound (Airbase Presents Parc Mix feat. Justine Suissa)
- Touch Me
- 4 Elements
- Simple Things (feat. Justine Suissa)
- Shivers (Alex M.O.R.P.H. Red Light Club)
- Intruder (feat. M.I.K.E.)
Amazon.com
All "best of" records have potential pitfalls, and 10 Years is no exception. Pulling together a decade's worth of work from any artist, with tracks reshuffled and removed from the rhythm of the album--or club set--they were initially intended for can render every song an island and create a disjointed experience. Armin Van Buuren has a bigger problem than most because his specialty, both as a producer and a DJ, is trance. And to trance, what came before and what comes after--the rolling, up-and-down coaster ride that inspires warehouses full of people to writhe and rumble--is everything. Van Buuren has released some scorchers, and most of them find their way here, from early hits like "Communication" and "Blue Fear" (an update of the blistering version which appeared on Sasha and John Digweed's iconic Northern Exposure: West Coast release) to more recent club anthems like "Exhale." But when you put them all together, the result is hyper-giddy, up-up-and-away, all peak and no valley. It's more than a little wearying, and makes getting through the entire 2-disc set somewhat of a chore. On the other hand, Van Buuren's dance-floor instincts have led him to intelligently jumble up the play order (no straight chronologies here), and so he manages to at least partially keep the flow intact. But really, this collection would be best experienced in pieces, maybe as strategic additions to your own mix. Van Buuren's rave-a-thons make it exceedingly easy to play DJ for a day. --Matthew CookeAlbum Description
Van Buuren is undoubtedly one of the leading trance DJs in the world. Holding firm at #2 in the prestigious public-voted DJ Mag Top 100, he's successfully made the transition from talented young upstart to tastemaker in the echelons of trance. His unique style of progressive trance has fittingly earned him this title and his discography of hits makes up his latest album. "10 Years" contains all of Armin's biggest tracks from the last decade, including radio smashes "Burned With Desire", "Shivers", "Hymne", and "Yet Another Day". An essential addition to any trance fan's collection.Customer Reviews:
very good CD.......2007-07-24
wish there was a "7 stars" option :) .......2007-06-29
A well deserved no:2 position in the DJList and we're waiting for the day that he'll be number one..:)
Looking at this compilation, it's so hard to pick one or two favorites, but if you're a first timer for AVB's music, it is a great introduction to his music and a chance meet the classic hits like Communication part3, Yet another day and Love U More...
But if you truly want to understand his style and DJing, "a state of trance compilations and radio series" are also strongly recommended..
Very Nice........2007-06-14
"Simple Things" is one of my favorite tracks.
Great Stuff.......2007-05-07
Armin is back, and cheezier than ever.......2007-02-17
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10 Years of Buddha Bar
ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000ICMGEI Release Date: 2006-10-24 |
Customer Reviews:
Buddha Bar Specilist.......2007-04-08
A good starting point if u want a feel for the Whole series
So Go out and get it
u wont be disappointed
Buddha Bar 10 Years.......2006-11-14
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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10 Years of Hits -- Newly Recorded
Vern Gosdin Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000026WI Release Date: 1990-07-25 |
Tracks:
- If You're Gonna Do Me Wrong (Do It Right))
- Slow Burnin' Memory
- This Ain't My First Rodeo
- Today My World Slipped Away
- Way Down Deep
- Is It Raining At Your House
- Friday Night Feelin'
- Til The End
- I Can Tell By The Way You Dance
- Time Stood Still
- Was It Just The Wine
Customer Reviews:
Love the voice. This CD? Not so much. .......2007-06-05
love this cd.......2006-05-20
10 Years of Hits - Newly Recorded .......2006-03-19
Great country.......2005-09-24
New Recordings.......2005-08-03
Jump ahead to 1987, Vern Gosdin resurfaces on Epic Records, and has a whole new string of hits, and garners loads of attention from critics and award shows. Fans take notice again, only they just can't seem to acquire his earlier hits such as "I Can Tell By The Way You Dance." Well Vern and Epic try their best and do what they can. So Vern heads back to the studio and re-records his greatest hits, doing his best to make them sound like they did on the original recordings. Oh how welcome it was....back in 1989.
Now jump ahead to 2005, all of those Vern Gosdin recordings from the 1980's are now available in their original, and far superior form. This collection, while terrific in 1989, is now completely rendered obsolete.
As with many remakes, they don't hold up to the originals. Vern sounds like he's just plain tired of singing "I Can Tell By the Way You Dance."
The only reason to have this cd, and I must say it's a good reason is for "This Ain't My First Rodeo," which is an original song, and deserved to be a hit.
Average customer rating:
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Casey Kasem: America's Top 10 Through Years - The 70's
Various Artists Manufacturer: Top Sail Productions ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005B53W Release Date: 2001-04-24 |
Tracks:
- American Woman - The Guess Who
- Rich Girl - Daryl Hall & John Oates
- You're So Vain - Carly Simon
- Maggie May - Rod Stewart
- Feels Like The First Time - Foreigner
- Show Me The Way - Peter Frampton
- That's The Way (I Like It) - KC & The Sunshine Band
- Tell Me Something Good - Rufus
- Dream Weaver - Gary Wright
- Don't Stop - Fleetwood Mac
- Why Can't We Be Friends? - War
- My Eyes Adored You - Frankie Valli
- Joy To The World - Three Dog Night
- She's A Lady - Tom Jones
- Diamond Girl - Seals & Crofts
- Cat's In The Cradle - Harry Chapin
- What A Fool Believes - The Doobie Brothers
- A Horse With No Name - America
- Without You - Nilsson
- Could It Be I'm Falling In Love - The Spinners
Customer Reviews:
the 70s.......2005-09-01
Average customer rating:
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10 Years of Hits
Ronan Keating Manufacturer: Umvd Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00064AFQ4 Release Date: 2004-10-25 |
Tracks:
- When You Say Nothing at All
- Life Is a Roller Coaster
- Way You Make Me Feel - Bryan Adams, Ronan Keating
- Lovin' Each Day
- If Tomorrow Never Comes
- I Love It When We Do
- We've Got Tonight - Ronan Keating, Lulu
- Long Goodbye
- Lost for Words
- She Believes (In Me)
- Last Thing on My Mind - Ronan Keating, LeAnn Rimes
- Father and Son - Ronan Keating,
- Words
- To Be Loved
- I Hope You Dance
- Somebody Else
Customer Reviews:
Suprisingly Pleased.......2007-06-08
Ronan Keating compact disc.......2007-01-10
Great Collection.......2006-07-16
Ronan Does His Best - But Results are Rather Bland.......2006-06-07
Classic hits album from Boyzone singer!.......2006-01-21
Average customer rating:
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For the Record: The First 10 Years
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000261J Release Date: 1990-10-25 |
Tracks:
- You Never Even Called Me By My Name
- Please Come To Boston
- Jody Like A Melody
- Longhaired Redneck
- If That Ain't Country
- Willie, Waylon And Me
- Take This Job And Shove It
- Just To Prove My Love For You
- Jack Daniels, If You Please
- Would You Lay With Me (In A Field Of Stone)
- Divers Do It Deeper
- X's And O's (Kisses And Hugs)
- This Bottle (In My Hand)
- Git A Little Dirt On
- Stand By Your Man
- Tennessee Whiskey
- Now I Lay Me Down To Cheat
- What Made You Change Your Mind
- The Ride
- Mona Lisa Lost Her Smile
Customer Reviews:
In my mama's eyes...........2007-03-21
David in Tune.......2007-01-14
A Country Legend.......2006-03-10
The songs range from THE anthemic country sing along ("You Never Even Called Me By My Name"), to beautiful balladry ("Would You Lay With Me (In a Field of Stone)"), to honkey-tonk stompers ("Long Haired Redneck"); and if you have any respect for country music at all, I defy you to listen to "The Ride" and not get goose bumps.
There are a few covers, and a couple of songs written by Coe but made famous by other performers (Tanya Tucker on the aforementioned "...Field of Stone" and Johnny Paycheck with "Take This Job and Shove It") But it only takes a few listens to feel that Coe really makes these his own.
All and all an excellent set of songs by a rather under appreciated artist. Recommended for anyone who likes Outlaw Country, Southern Rock, or anything inbetween.
If this album is not country..........2005-11-15
The Quintessential Outlaw.......2004-09-15
This is a best-of collection, mostly the radio hits, with a few interesting extras, "Jody Like A Melody" being one. That was a B-side which he still does live (as he says in the notes).
Look for his 70's vintage albums, when he truly was a rocking outlaw, and the rare "Penitentiary Blues." This is a blues album, and it is very neat stuff.
While the consultants and Madison Avenue types have hijacked country music in favor of GQ models and cheerleaders who couldn't cut it as pop singers, there are still outlaws that do it the right way...Coe is one of the few left, along with Willie Nelson, Kris Kristofferson and a few more.
While he may look like Kid Rock's dad nowadays, the man does what he wants, how he wants and IF he wants. DAC rules!
Album Review:
- 12 Inch Collection V.2 [Import]
- 1st of the Day [Import]
- 3 Speaker High
- Africanism III
- Baleárica [Import]
- Bargrooves: Terrazza [Enhanced]
- Beloved Pt.2 [CD-single] [Limited Edition] [Import]
- Beyond the Infinite
- Big Beach Boutique II [Explicit Lyrics]
- Blue Suenos
Album Review
Something More [CD-single] [Import]
Richard Strauss: Ein Heldenleben; Suite from "Der Rosenkavalier"
That's What I Like About the West