Resurrection [CD-single]

1. Resurection [Radio Edit]

2. Resurection [Original Mix]

3. Resurection [Tyas and Lawrence Remix]

4. Resurection [Tyas and Lawrence Dub]

Resurrection,PPK,Tommy Boy,5"CD Singles,Dance Music,Pop

Average customer rating: 100th review (i think) This album is aight. Common's more polished sophomore album delivers............... AMAZING!!! Good hip hop album

Resurrection Common Manufacturer: Relativity ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music General | Jazz | Styles | Music General | Soul | R&B | Styles | Music General | Rap & Hip-Hop | Styles | Music Experimental Rap | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music General | Rap & Hip-Hop | Indie Music | Stores | Music Experimental | Rap & Hip-Hop | Indie Music | Stores | Music R&B | Styles | Blowout Music | Stores | Music Dance & DJ | Styles | Blowout Music | Stores | Music Jazz | Styles | Blowout Music | Stores | Music Rap & Hip-Hop | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Like Water For Chocolate Reflection Eternal/Train of Thought Black Star Electric Circus Illadelph Halflife ASIN: B000003BXN Release Date: 1994-10-25

Tracks:

1. Resurrection
2. I Used To Love H.E.R.
3. Watermelon
4. Book Of Life
5. In My Own World (Check The Method)
6. Another Wasted Nite With...
7. Nuthin' To Do
8. Communism
9. WMOE
10. Thisisme
11. Orange Pineapple Juice
12. Chapter 13 (Rich Man Vs. Poor Man)
13. Maintaining
14. Sum Sh*t I Wrote
15. Pop's Rap

Amazon.com

A couple of years after asking Can I Borrow a Dollar? and before he lost the "sense" in his moniker, the Chicago MC now known as Common dropped this impressive sophomore set, marking him as one of the most versatile MCs to emerge in the 1990s. Shirking the often derivative flows of his debut, Resurrection finds the Windy City rhymer ably assisted by the voluptuous jazzy excursions of producers No I.D. & Ynot. He revels in ear-tickling wordplay, slinging countless witty punchlines and similes on "Orange Pineapple Juice" and "Communism"--songs that require several listens to unravel. Far from relentless chest-thumping bravado, Common's lyrics have substance, exploring inner faults and fears on "Book of Life" and touching poignancy on his classic metaphorical ode to hip-hop culture, "I Used to Love H.E.R.," a track that is perhaps more relevant today than when it was released. The beginnings of Common's ongoing struggle between his boyish effusiveness and moral responsibility, which figures greatly in his subsequent releases, is captured on this essential release. --Del F. Cowie

Customer Reviews:

100th review (i think).......2007-07-13

this cd, as of late july 2007 has 4 1/2 stars

i disagree

this is a 5 star cd

and where is this Ynot guy on Chapter 13 (rich man vs. Poorman) his verse is so nice

This album is aight........2007-06-24

Yup, it's just alright to me. I know that many rate this album as one of the greatest, but I didn't hear that when I listened to it. When I heard this album back in the say when it first came out, I didn't like it at all. I figured that since my tastes have changed since then, I'd give it another shot. So, I got it from the local library and while I like it better now then I did then, I still can't really feel this album too much. My first Common album (the first one that I bought) was "One Day..." Now, that was a very good album, one of the best to date IMO. Since then, I've purchased every album that Common has come out with and have not been disappointed. It appears to me that he went through a serious change between "Resurrection" and One Day..." I guess that he went through a process of maturing and began writing better lyrics, which is why I like "One Day..." a whole lot better than "Resurrection" His style of rhyming and the lyrics here I just did not like. I loved the jazz infused beats and his pop's rap at the end, but I just didn't really care too much for the songs. I still like the album some, but not as much as his other albums.

Common's more polished sophomore album delivers......................2007-01-27

I slept on this dude big time. Just checking out in 07.

Key Joints:
Chapter 13 (Rich Man Vs. Poor Man) (Very Good)
I Used To Love H.E.R. (Classic)
Resurrection
Communism
In My Own World (Check The Method)
Pop's Rap

AMAZING!!!.......2006-11-16

In the vein of the great MCs of this thing we call Hip-Hop, Common arises from the fray with his sophmore opus, which, is a masterpiece. Period. This album truly showed the dexterity he shares with the greats of the game all while sprinkling consciousness on our heads and in our ears. Kudos to the chef!

Good hip hop album.......2006-09-28

The best album ever from Common !! not bling of course, but really blue note album , jazzy and instrumental !!!

Average customer rating: Awesome Great CD Wonderful CD very happy Beautiful music

Resurrection Nicol Sponberg , and Nicol Smith Manufacturer: Curb Records ProductGroup: Music Binding: Audio CD General | Christian & Gospel | Styles | Music Christian Contemporary Music | Christian & Gospel | Styles | Music Praise & Worship | Christian & Gospel | Styles | Music Similar Items: Nicol Smith Rose Of Bethlehem Be Still My Soul Press On Greatest Hymns ASIN: B0002IQFKO Release Date: 2004-08-10

Tracks:

1. Jacob's Well
2. Not Your Again
3. Resurrection
4. Anything And Everything
5. Safe
6. Crazy In Love
7. All That I Believe In
8. The Spirit In Me
9. A Better Place
10. Hallelujah

Customer Reviews:

Awesome.......2007-07-11

This cd is awesome. I play in over and over. Great worship on the way to work.

Great CD.......2007-05-13

Not a weak song on the CD! The title track, Hallelujah and Safe are all favorites.

Wonderful CD.......2007-05-13

This CD should be a MUST HAVE for all Christians. It's AMAZING!

very happy.......2007-02-12

When i ordered this cd, I did not realize it was a relgious CD...I fell in love with a song that I thought was written about a love she had...not knowing most of it was for God....it kinda gave me new insite....

Beautiful music.......2007-01-10

I love this CD. Her music is very moving. It's also just a little bit different from mainstream Christian music--which I like.

Average customer rating: Groundbreaking but partly outdated Outstanding Mahler Compilation Bernstein or Tennstedt: read on.... Comparing the two Bernstein Mahler cycles Mahler complete symphonies.

Mahler: The Complete Symphonies Dame Janet Baker , Jennie Tourel , Lili Chookasian , Martha Lipton , Israel Philharmonic Orchestra , New York Philharmonic , Hans Vollenweider , Adele Addison , Dame Gwyneth Jones , Erna Spoorenberg , Lee Venora , Lucine Amara , Reri Grist , John Mitchinson , and Richard Tucker Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music New York Philharmonic Orchestra | ( N ) | Featured Performers, A-Z | Classical | Styles | Music Classical | Box Sets | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Similar Items: Mendelssohn: 5 Symphonies; 7 Overtures Schubert: 8 Symphonies Bruckner: The Complete Symphonies Johannes Brahms: The Symphonies Dvorák: The Symphonies ASIN: B0000589BP Release Date: 2001-01-30

Tracks:

1. Sym No.1 in D 'Titan': Movt I: Langsam. Schleppend. Wie Ein Naturlaut - New York Phil/Leonard Bernstein
2. Sym No.1 in D 'Titan': Movt I: Immer Sehr Gemachlich - New York Phil/Leonard Bernstein
3. Sym No.1 in D 'Titan': Movt I: Sehr Gemachlich - New York Phil/Leonard Bernstein
4. Sym No.1 in D 'Titan': Movt I: Vorwats Dragend - New York Phil/Leonard Bernstein
5. Sym No.1 in D 'Titan': Movt II: Kraftig Bewegt - New York Phil/Leonard Bernstein
6. Sym No.1 in D 'Titan': Movt II: Trio. Recht Gemachlich - New York Phil/Leonard Bernstein
7. Sym No.1 in D 'Titan': Movt II: Tempo Primo - New York Phil/Leonard Bernstein
8. Sym No.1 in D 'Titan': Movt III: Feierlich Und Gemessen, Ohne Zu Schleppen - New York Phil/Leonard Bernstein
9. Sym No.1 in D 'Titan': Movt III: A Tempo. Ziemlich Langsam - New York Phil/Leonard Bernstein
10. Sym No.1 in D 'Titan': Movt III: Sehr Einfach Und Schlicht Wie Eine Volksweise - New York Phil/Leonard Bernstein
11. Sym No.1 in D 'Titan': Movt III: Weider Etwas Bewegter, Wie Im Anfang - New York Phil/Leonard Bernstein
12. Sym No.1 in D 'Titan': Movt IV: Sturmisch Bewegt - New York Phil/Leonard Bernstein
13. Sym No.1 in D 'Titan': Movt IV: Sehr Gesangvoll - New York Phil/Leonard Bernstein
14. Sym No.1 in D 'Titan': Movt IV: Wieder Wie Zu Angang. Sturmisch Bewegt - New York Phil/Leonard Bernstein
15. Sym No.1 in D 'Titan': Movt IV: Sehr Langsam - New York Phil/Leonard Bernstein
16. Sym No.1 in D 'Titan': Movt IV: Wieder Vorwarts Drangend - New York Phil/Leonard Bernstein
17. Sym No.10, 'Adagio': Andante - New York Phil/Leonard Bernstein
18. Sym No.10, 'Adagio': Andante Come Prima - New York Phil/Leonard Bernstein
19. Sym No.10, 'Adagio': A Tempo (Fliessend) - New York Phil/Leonard Bernstein
20. Sym No.10, 'Adagio': Measure 104 - New York Phil/Leonard Bernstein
21. Sym No.10, 'Adagio': Measure 194 - New York Phil/Leonard Bernstein
22. Sym No.10, 'Adagio': A Tempo - New York Phil/Leonard Bernstein

Tracks:

1. Sym No.2 in c 'Resurrection': Movt I: Allegro Maestoso - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
2. Sym No.2 in c 'Resurrection': Movt I: Sehr Massig Und Zuruckhaltend - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
3. Sym No.2 in c 'Resurrection': Movt I: Schnell - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
4. Sym No.2 in c 'Resurrection': Movt I: Tempo I - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
5. Sym No.2 in c 'Resurrection': Movt I: Tempo Sostenuto - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
6. Sym No.2 in c 'Resurrection': Movt II: Andante Moderato - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
7. Sym No.2 in c 'Resurrection': Movt II: Energisch Bewegt - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
8. Sym No.2 in c 'Resurrection': Movt II: Wieder In's Tempo Zuruckgehen. Tempo I - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
9. Sym No.2 in c 'Resurrection': Movt III: In Ruhig Fliessender Bewegung - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
10. Sym No.2 in c 'Resurrection': Movt III: Vorwarts - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
11. Sym No.2 in c 'Resurrection': Movt III: Zum Tempo I. Zuruckkehren - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan

Tracks:

1. Sym No.2 in c 'Resurrection': Movt IV: ' Urlicht' - Sehr Feierlich, Aber Schlicht - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
2. Sym No.2 in c 'Resurrection': Movt IV: Etwas Bewegter - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
3. Sym No.2 in c 'Resurrection': Movt V: Im Tempo Des Scherzos. Wild Herausfahrend - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
4. Sym No.2 in c 'Resurrection': Movt V: Langsam - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
5. Sym No.2 in c 'Resurrection': Movt V: Im Anfang Sehr Zuruckgehalten - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
6. Sym No.2 in c 'Resurrection': Movt V: Maestoso - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
7. Sym No.2 in c 'Resurrection': Movt V: Wieder Zuruckhaltend - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
8. Sym No.2 in c 'Resurrection': Movt V: Sehr Langsam Und Gedehnt - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
9. Sym No.2 in c 'Resurrection': Movt V: Langsam. Misterioso - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
10. Sym No.2 in c 'Resurrection': Movt V: Etwas Bewegter 'O Glaube' - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
11. Sym No.2 in c 'Resurrection': Movt V: Mit Aufschwung, Aber Nicht Eilen 'O Schmerz!' - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
12. Sym No.2 in c 'Resurrection': Movt V: Piu Mosso 'Sterben' - Lee Venora/Jennie Tourel/The Collegiate Chor/Abraham Kaplan
13. Sym No.5 in c#: IV. Adagietto. Sehr Langsam - New York PO/Leonard Bernstein
14. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Veni, Creator Spiritus! - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
15. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Imple Superna Gratia - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
16. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Infirma Nostri Corporis - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
17. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Tempo I. (Allegro, Etwas Hastig) - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
18. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Infirma Nostri Corporis - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
19. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Accende Lumen Sensibus - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
20. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Qui Paraclitus Deceris - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...
21. Sym No.8 in E flat 'Sym Of A Thousand', Part One: Gloria Patri Domino - Adele Addison/Lucine Amara/Lili Chookasian/Jennie Tourel/Richard Tucker/Ezio Flagello...

Tracks:

1. Sym No.3 in d, Part One: Movt I: Kraftig. Entschieden - John Ware
2. Sym No.3 in d, Part One: Movt I: Langsam. Schwer - John Ware
3. Sym No.3 in d, Part One: Movt I: Tempo I - John Ware
4. Sym No.3 in d, Part One: Movt I: A Tempo - John Ware
5. Sym No.3 in d, Part One: Movt I: Immer Dasselbe Tempo (Marsch). Nicht Eilen - John Ware
6. Sym No.3 in d, Part One: Movt I: Im Alten Marschtempo (Allegro Moderato) - John Ware
7. Sym No.3 in d, Part One: Movt I: Tempo I - John Ware
8. Sym No.3 in d, Part Two: Movt II: Tempo Di Menuetto. Sehr Massig - John Ware
9. Sym No.3 in d, Part Two: Movt II: A Tempo - John Ware
10. Sym No.3 in d, Part Two: Movt II: Ganz Plotzlich Gemachlich. Tempo Di Menuetto - John Ware
11. Sym No.3 in d, Part Two: Movt III: Comodo. Scherzando. Ohne Hast - John Ware
12. Sym No.3 in d, Part Two: Movt III: Wieder Sehr Gemachlilch, Wie Zu Anfang - John Ware
13. Sym No.3 in d, Part Two: Movt III: Etwas Zuruckhaltend - Sehr Gemachlich - John Ware
14. Sym No.3 in d, Part Two: Movt III: Tempo I. Mit Geheimnisvolles Hast! - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
15. Sym No.3 in d, Part Two: Movt III: Wieder Sehr Gemachlich, Beinahe Langsam - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
16. Sym No.3 in d, Part Two: Movt IV: Sehr Langsam. Misterioso. Durchaus Ppp - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
17. Sym No.3 in d, Part Two: Movt IV: Piu Mosso Subito - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
18. Sym No.3 in d, Part Two: Movt V: Lustig Im Tempo Und Keck Im Ausdruck - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...

Tracks:

1. Sym No.3 in d, Part Two: Movt VI: Langsam. Ruhevoll. Empfunden - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
2. Sym No.3 in d, Part Two: Movt VI: Nicht Mehr So Breit - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
3. Sym No.3 in d, Part Two: Movt VI: Tempo I. Ruhevoll! - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
4. Sym No.3 in d, Part Two: Movt VI: A Tempo (Etwas Bewegter) - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
5. Sym No.3 in d, Part Two: Movt VI: Tempo I - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
6. Sym No.3 in d, Part Two: Movt VI: Langsam. Tempo I - Martha Lipton/Women's Chor Of The Schola Cantorum/Hugh Ross...
7. Three Ruckert Songs: Ich Atmet Einen Linden Duft - Jennie Tourel
8. Three Ruckert Songs: Ich Bin Der Welt Abhanden Gekommen - Jennie Tourel
9. Three Ruckert Songs: Um Mitternacht - Jennie Tourel
10. Des Knaben Wunderhorn: Das Irdische Leben - Jennie Tourel
11. Kindertotenlieder: Nun Will Die Sonn' So Hell Aufgeh'n! - Jennie Tourel
12. Kindertotenlieder: Nun Seh' Ich Wohl, Warum So Dunkle Flammen - Jennie Tourel
13. Kindertotenlieder: Wenn Dein Mutterlein - Jennie Tourel
14. Kindertotenlieder: Oft Denk' Ich, Sie Sind Nur Ausgegangen - Jennie Tourel
15. Kindertotenlieder: In Diesem Wetter! - Jennie Tourel

Tracks:

1. Sym No.4 in G: Movt I: Bedachtig. Nicht Eilen - Reri Grist
2. Sym No.4 in G: Movt I: Tempo I - Reri Grist
3. Sym No.4 in G: Movt I: Wieder Wie Zu Anfang. Sehr Gemachlich, Behaglich - Reri Grist
4. Sym No.4 in G: Movt I: Wieder Plotzlich Langsam Und Bedachtig - Reri Grist
5. Sym No.4 in G: Movt II: In Gemachlicher Bewegung. Ohne Hast - Reri Grist
6. Sym No.4 in G: Movt II: Nicht Eilen - Reri Grist
7. Sym No.4 in G: Movt III: Ruhevoll - Reri Grist
8. Sym No.4 in G: Movt III: Viel Langsamer - Reri Grist
9. Sym No.4 in G: Movt III: Anmutig Bewegt - Reri Grist
10. Sym No.4 in G: Movt III: Andante - Reri Grist
11. Sym No.4 in G: Movt III: Vorwarts. Poco Piu Mosso - Reri Grist
12. Sym No.4 in G: Movt IV: Sehr Behaglich - Reri Grist
13. Sym No.4 in G: Movt IV: Wieder Lebhaft - Reri Grist
14. Sym No.4 in G: Movt IV: Tempo I. Sehr Zart Und Geheimnisvoll Bis Zum Schluss - Reri Grist

Tracks:

1. Sym No.5 in c#: Part I: I. Trauermarsch. In Gemessenem Schritt. Streng. Wie Ein Kondukt - New York Phil/Leonard Bernstein
2. Sym No.5 in c#: Part I: II. Sturmisch Bewegt. Mit Grosster Vehemenz - New York Phil/Leonard Bernstein
3. Sym No.5 in c#: Part II: III. Scherzo. Kraftig, Nicht Zu Schnell - James Chambers
4. Sym No.5 in c#: Part III: IV. Adagietto. Sehr Langsam - New York Phil/Leonard Bernstein
5. Sym No.5 in c#: Part III: V. Rondo-Finale. Allegro - New York Phil/Leonard Bernstein

Tracks:

1. Sym No.6 in a 'Tragic': I. Allegro Energico, Ma Non Troppo (Heftig, Aber Markig) - New York Phil/Leonard Bernstein
2. Sym No.6 in a 'Tragic': II. Scherzo. Wuchtig - New York Phil/Leonard Bernstein
3. Sym No.6 in a 'Tragic': III. Andante Moderato - New York Phil/Leonard Bernstein
4. Sym No.6 in a 'Tragic': IV. Finale. Allegro Moderato - Allegro Energico - New York Phil/Leonard Bernstein

Tracks:

1. Sym No.7 in e: Movt I: Langsam (Adagio) - Raymond Sabinsky
2. Sym No.7 in e: Movt I: Nicht Schleppen - Raymond Sabinsky
3. Sym No.7 in e: Movt I: Allegro Risoluto, Ma Non Troppo - Raymond Sabinsky
4. Sym No.7 in e: Movt I: A Tempo (Sempre L'istesso) - Raymond Sabinsky
5. Sym No.7 in e: Movt I: Subito Allegro I. Ziemlich Ruhig - Raymond Sabinsky
6. Sym No.7 in e: Movt I: Adagio (Tempo Der Einleitung) - Raymond Sabinsky
7. Sym No.7 in e: Movt I: Maestoso. Allegro Come Prima - Raymond Sabinsky
8. Sym No.7 in e: Movt II: Nachtmusik I. Allegro Moderato - Raymond Sabinsky
9. Sym No.7 in e: Movt II: Sempre L'istesso Tempo. Nicht Eilen, Sehr Gemachlich - Raymond Sabinsky
10. Sym No.7 in e: Movt II: Tempo - Raymond Sabinsky
11. Sym No.7 in e: Movt III: Scherzo. Schattenhaft, Fliessend, Aber Nicht Zu Schnell - Raymond Sabinsky
12. Sym No.7 in e: Movt III: Trio - Raymond Sabinsky
13. Sym No.7 in e: Movt III: Wieder Wie Zu Anfang (Nicht Eilen) - Raymond Sabinsky
14. Sym No.7 in e: Movt IV: Nachtmusik II. Andante Amoroso - Raymond Sabinsky
15. Sym No.7 in e: Movt IV: (Figure 197) - Raymond Sabinsky
16. Sym No.7 in e: Movt V: Rondo-Finale. Tempo I (Allegro Ordinario) - New York Phil/Leonard Bernstein
17. Sym No.7 in e: Movt V: Gemessen! Nicht Schnell! Tempo II (Allegro Moderato Ma Energico) - New York Phil/Leonard Bernstein
18. Sym No.7 in e: Movt V: Tempo I (Halbe Wie Die Viertel Des Tempo I) - New York Phil/Leonard Bernstein
19. Sym No.7 in e: Movt V: Sempre L'istesso Tempo - New York Phil/Leonard Bernstein

Tracks:

1. Kindertotenlieder: Nun Will Die Sonn' So Hell Aufgeh'n! - Janet Baker
2. Kindertotenlieder: Nun Seh' Ich Wohl, Warum So Dunkle Flammen - Janet Baker
3. Kindertotenlieder: Wenn Dein Mutterlein - Janet Baker
4. Kindertotenlieder: Oft Denk' Ich, Sie Sind Nur Ausgegangen - Janet Baker
5. Kindertotenlieder: In Diesem Wetter! - Janet Baker
6. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Veni, Creator Spiritus! - LSO/Leonard Bernstein
7. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Imple Superna Gratia - LSO/Leonard Bernstein
8. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Infirma Nostri Corporis - LSO/Leonard Bernstein
9. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Tempo I. (Allegro, Etwas Hastig) - LSO/Leonard Bernstein
10. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Infirma Nostri Corporis - LSO/Leonard Bernstein
11. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Accende Lumen Sensibus - LSO/Leonard Bernstein
12. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Qui Paraclitus Diceris - LSO/Leonard Bernstein
13. Sym No.8 in E flat 'Sym Of A Thousand': Part I: Gloria Patri Domino - LSO/Leonard Bernstein

Tracks:

1. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Poco Adagio - LSO/Leonard Bernstein
2. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Piu Mosso. (Allegro Moderato) - LSO/Leonard Bernstein
3. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Waldung, Sie Schwankt Heran - Leeds Festival Chor/London Sym Chor
4. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Ewiger Wonnebrand - Vladimir Ruzdjak
5. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Wie Felsenabgrund Mir Zu Fussen - Donald McIntyre
6. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Gerettet Ist Das Edle Glied - Leeds Festival Chor/London Sym Chor/Highgate School Boys Choir
7. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Jene Rosen, Aus Den Handen - Leeds Festival Chor/London Sym Chor
8. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Uns Bleibt Ein Erdenrest - Leeds Festival Chor/London Sym Chor
9. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Ich Spur' Soeben - Leeds Festival Chor/London Sym Chor
10. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Hier Ist Die Aussicht Frei/Freudig Empfangen Wir - John Mitchinson
11. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Hochste Herrscherin Der Welt - John Mitchinson
12. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Jungfrau, Rein Im Schonsten Sinne - John Mitchinson/Leeds Festival Chor/London Sym Chor
13. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Aussert Langsam. Adagissimo - LSO/Leonard Bernstein
14. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Dir, Der Uberuhrbaren/Du Schwebst Zu Hohen - Gwyneth Jones
15. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Bei Der Liebe, Die Den Fussen - Erna Spoorenberg
16. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Bei Dem Bronn, Zu Dem Schon Weiland - Anna Reynolds
17. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Bei Dem Hochgeweihten Orte - Norma Procter
18. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Die Du Grossen Sunderinnnen - Erna Spoorenberg/Anna Reynolds/Norma Procter
19. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Neige, Neige, Du Ohnegleiche - Gwyneth Jones
20. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Er Uberwachst Uns Schon - Highgate School Boys Chor
21. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Vom Edlen Geisterchor Umgeben - Gwyneth Jones
22. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Komm! Hebe Dich Zu Hohern Spharen! - Gwenyth Annear
23. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Blicket Auf Zum Retterblick - John Mitchinson
24. Sym No.8 in E flat 'Sym Of A Thousand': Part II: Alles Vergangliche - Leeds Festival Chor/London Sym Chor

Tracks:

1. Sym No.9 in D: Movt I: Andante Comodo - New York Phil/Leonard Bernstein
2. Sym No.9 in D: Movt I: Etwas Frischer - New York Phil/Leonard Bernstein
3. Sym No.9 in D: Movt I: Tempo I Subito - New York Phil/Leonard Bernstein
4. Sym No.9 in D: Movt I: Mit Wut. Allegro Risoluto - New York Phil/Leonard Bernstein
5. Sym No.9 in D: Movt I: Schattenhaft - New York Phil/Leonard Bernstein
6. Sym No.9 in D: Movt I: Wie Von Anfang - New York Phil/Leonard Bernstein
7. Sym No.9 in D: Movt I: Plotzlich Bedeutend Langsamer (Lento) Und Leise - New York Phil/Leonard Bernstein
8. Sym No.9 in D: Movt I: Schon Ganz Langsam - New York Phil/Leonard Bernstein
9. Sym No.9 in D: Movt II: Im Tempo Eines Gemachlichen Landlers. Etwas Tappisch Und Sehr Derb - New York Phil/Leonard Bernstein
10. Sym No.9 in D: Movt II: Poco Piu Mosso Subito (Tempo II) - New York Phil/Leonard Bernstein
11. Sym No.9 in D: Movt II: Tempo III - New York Phil/Leonard Bernstein
12. Sym No.9 in D: Movt II: A Tempo II - New York Phil/Leonard Bernstein
13. Sym No.9 in D: Movt II: Tempo I - New York Phil/Leonard Bernstein
14. Sym No.9 in D: Movt II: Tempo II - New York Phil/Leonard Bernstein
15. Sym No.9 in D: Movt II: Tempo I Subito - New York Phil/Leonard Bernstein
16. Sym No.9 in D: Movt III: Rondo - Burleske. Allegro Assai. Sehr Trotzig - New York Phil/Leonard Bernstein
17. Sym No.9 in D: Movt III: L'istesso Tempo - New York Phil/Leonard Bernstein
18. Sym No.9 in D: Movt III: Sempre L'istesso Tempo - New York Phil/Leonard Bernstein
19. Sym No.9 in D: Movt III: Nicht Eilen - New York Phil/Leonard Bernstein
20. Sym No.9 in D: Movt III: Piu Stretto - New York Phil/Leonard Bernstein
21. Sym No.9 in D: Movt IV: Adagio. Sehr Langsam Und Noch Zuruckhaltend - New York Phil/Leonard Bernstein
22. Sym No.9 in D: Movt IV: Plotzlich Wieder Langsam (Wie Zu Anfang) Und Etwas Zogernd - New York Phil/Leonard Bernstein
23. Sym No.9 in D: Movt IV: Molto Adagio Subito - New York Phil/Leonard Bernstein
24. Sym No.9 in D: Movt IV: A Tempo (Molto Adagio) - New York Phil/Leonard Bernstein
25. Sym No.9 in D: Movt IV: Stets Sehr Gehalten - New York Phil/Leonard Bernstein
26. Sym No.9 in D: Movt IV: Fliessender, Doch Durchaus Nicht Eilend - New York Phil/Leonard Bernstein
27. Sym No.9 in D: Movt IV: Tempo I. Molto Adagio - New York Phil/Leonard Bernstein
28. Sym No.9 in D: Movt IV: Adagissimo - New York Phil/Leonard Bernstein

Amazon.com

For many of us, Leonard Bernstein's first Mahler cycle for CBS (compiled here, remastered and cheaper than ever) has stood the test of time since it initially came out on LP in the late 1960s. Upon completing this traversal of nine symphonies (and the "Adagio" movement from the unfinished 10th), Lenny and the New York Philharmonic achieved something no one else had and proved that Mahler was, simply put, worth recording in the first place. It's still a marvelous set of recordings that belongs in every record collection.

Using the same budgeted design as on their (surprisingly pricey) Original Jacket series of box sets, Sony has unleashed a true bargain here: 12 CDs that average a little over five bucks a pop. Lenny's second cycle for Deutsche Grammophon may boast greater sonics, plenty of wonderful moments, and the complete song cycles, but it costs more than twice as much. Here, we get a younger Lenny, sounding fresh and expressive and delivering still-unparalleled interpretations of the First, Third, Seventh, Eighth, and Ninth, and pretty great performances of the rest. The intensity on these discs is infectious and the price can't be beat. A must-have. --Jason Verlinde

Customer Reviews:

Groundbreaking but partly outdated.......2007-03-26

Recorded 1960-67, this is the first complete cycle of Mahler's numbered symphonies (1-9 + no. 10 Adagio), and, as such, an essential purchase. Add Bernstein's 1966 classic recording of Das Lied von der Erde (Decca), and you get a piece of recording history: the development of the Mahler boom in the sixties.

How do these recordings stand today? The interpretations of the third, fourth, and seventh are very fine, even exceptional, and, despite their age, the recordings are sonically impressive as well. NYPO plays marvellously. The seventh, in particular, is a reference disc.

The remaining recordings are not really for the desert island, however. The fifth, for instance, is very unsuccessful and badly recorded too. Bernstein's later account on DG is clearly an improvement. The same holds for the second symphony, which you also find on DG in a later, much improved and moving interpretation. But here we have also a crowded field of classic performances, such as Klemperer's second (EMI) and Walter's fifth (SONY). Both are preferable to Bernstein's recordings, old or new.

The first, sixth, eight and ninth are quite good but not exceptional. No one beats Kubelik's first (DG). Mitropoulos (BMG Great Conductors) and Barbirolli (EMI) own the sixth. The eight - well, here we have Horenstein (BBC) and Mitropoulos (Orfeo) as classic, first choices. And for the ninth, Ancerl (Supraphon), Barbirolli (EMI), Klemperer (EMI) and Walter (SONY) sound far more attractive and fresh than Bernstein's mannered account.

If you're a collector this box is of course essential - regardless all critical considerations. But if you just look for an excellent and consistent Mahler box, go for Gary Bertini's cycle on EMI, which you get for a super-bargain price. It's a contemporary and future classic.

Thus I recommend a pick of individual Bernstein SONY CDs: the third, the fourth and the seventh. Add his fifth and second from his DG recordings, and his 1966 Das Lied von der Erde (Decca). These recordings are what I take to be the "essentials" of the Bernstein Mahler legacy.

Outstanding Mahler Compilation.......2007-01-29

I think is very important for a Mahler Fan to hear carefully all his work. This compilation allows you to enjoy that experience. A better sound quality for some symphonies could be a great plus, but you have to consider that this is a remasterized old record.

Leonard Bernstein just express the true passion that Mahler put on his work. It's incredible that (using the 8ve Symphony as an example) with fewer instruments than in the Abbado version, the feeling is even better. Simply outstanding.

Great price, great compilation. Lot of Mahler.

Bernstein or Tennstedt: read on...........2006-07-12

If the only way you could obtain the Mahler Symphonies was by buying a box containing them all by one conductor, then this would be my second choice, or my first!; my first (or second)would be the Tennstedt set. It's a close call thoughout - a 'swings and roundabouts' situation, but if Bernstein's was the one and only then I would be happy enough. Actually if you want a truly satisfying Mahler Symphonies collection then the two sets together sitting side by side on your CD shelf would be pretty well ideal, as I believe that the legacy of recordings by these two great men are nowhere surpassed (save Horenstein in the Fourth, Barbirolli in the Sixth and Rudolf Schwarz in the Fifth). As to comparisons between individual symphonies, the following would be my first choice:

No. 1 Bernstein. More poetic and earthy than T and my very first choice out of the dozens of others I've heard.
2 Bernstein. Simply the greatest Mahler 2; T is earthbound by comparison.
3 Tennstedt. Actually this is a tougher one to decide as B is marginally better in the first movement and he produces the best sixth movement of any version I've heard. Overall T has it, partly due to the excellent sound quality.
4 Overall B is better but there are so many points of comparison to take into consideration that it's a tough one to decide. T has the better soloist in the finale. My far-and-away first choice in the Fourth is Horenstein on EMI/CfP.
5 Tennstedt. Bernstein's CBS Fifth was the weakest link. However, Rudolf Schwarz (Everest) produces the very finest Fifth:
I always maintain that you can tell pretty much straight away when a Mahler conductor gets it right and Schwarz gets it 100%
6 Tennstedt. From the angry crunching heavy tread of the opening through to the nightmare ending, this is a very dark view of the Sixth, but it works. Barbirolli on EMI is my definite first choice in the Sixth. Bernstein's quick-march approach sounds like parody.
7 Bernstein. Nobody has produced a better Seventh and probably never will. T's version is very good though and I think he out-performs all other competition.
8 This one is the hardest of all to separate, but in the end I opt for Bernstein as his version as the feel of a live performance and the recording is almost as good as T's digital one.
9 Bernstein. Again my favourite version. T's weakest link of his whole set.
So Bernstein scores more points, but take into account the generally better sound of the Tennstedt set (especially in nos. 3,5,6) and things are evened up slightly. My advice overall? Go for both sets; at the asking prices you will have a superb Mahler Symphonies collection which will last you a lifetime. But don't forget those other versions of 4, 5 and 6. A point about sound quality: most of the above are analogue recordings, made many years ago, but across the board they are in almost every way superior to most modern digital ones (though to be fair one or two are not so great). I have a very good stereo system which reproduces very neutral sound; what goes in at the CD player end comes out unchanged at the loudspeaker end and so what I hear is the 'real thing'. For example Bernstein's 2 is stunning. One of the very best is the oldest of them all - Schwarz's Fifth, made in 1958. Maybe the art of recording has been replaced by science (and not for the better)? In the final analysis, to my mind the above versions render most of the rest of the Mahler symphonies discography redundant and surplus to requirements.

Comparing the two Bernstein Mahler cycles.......2006-06-27

Most buyers aren't in the market for a complete Mahler cycle by a single conductor, but if they were, the two from Bernstein contain many great performances. I've reviewed the contents of this Sixties cycle on Sony and the later one from the Eighties (contianing many live performances) on DG, taking them one symphony at a time. But it's worthwhile to give a sense of the strongest and weakest parts of each set.

Cycle #1:

By general consensus the performance of Sym. #3 is one of the glories of this cycle and perhaps the most inspired Mahler condcuting Bernstein did on disc. It has all the freshness of discovery--LB was new to Mahler in 1961. Sony's 20-bit remastering makes the original analog sound quite good. In fact, there's no need to fear the sound quality of these NY Phil. recordings, none of which are bad. Expect the deep sound stage and wide stereo separation that Columbia Records favored at the time.

Bernstein also put his stamp on Sym. #7 in such a way that no one would ever hear it the same again. Previously, 'The Song of the Night,' as this work was dubbed, had almost no life either on disc or the concert stage (a Mahler champion as prominent as Bruno Walter never performed it). Not only did LB prove that this was coherent music, he made an unforgettable drama out of the Seventh. This is his signature recording of the work.

Two other great performances stand out: Sym. #2 and #4, each rendered with amazing imagination and a huge range of emotions. The accusation that LB went over the top in the Second is unjustified--he is often tender and delicate--but there's no doubt that he takes an apocalyptic view of the finale. Whatever you think about his approach, he single-handedly revolutionized the way that the Resurrection Sym. was played. In Sym. #4 the classic recording was by Bruno Walter, but LB added more depth, imaginaiton, and excitement. Lyric soprano Reri Grist has come in for a good deal of criticism in the vocal finale, but I think she fits beautifully into LB's overall conception.

In the middle of the pack, as it were, we get LB's readings of Sym. #1 and #9. He went on to conduct greater readings of both works, especially the Ninth. In person LB's First was a real showpiece, but somehow Sony's sonics are not up to the conductor's vision. In the cse of the Ninth, the NY version would qualify as an outstanding performance if there weren't so many truly great ones from Karajan, Bruno Walter, James Levine, and Barbirolli, among others. Bernstein himself would add two of the greatest, both on DG.

I find a few problems wiht Sym. #5, #6, and #8 in the first cycle. For many critics all three are great recordings. For some reason, I have never warmed up to either of LB's versions of Sym. #5, where for once he does manipulate and exaggerate to the point that the spirit of the work seems lost in histrionics. Sym. #6 is too brisk in the first movement to let the music expand to its visionary potential, and in the other movements Bernstein seems less expressive than he could be. The Eighth is unmathced in the excitement and joyousness of Part 1, and for some listeners the whole symphony remains on that exalted level. I find that LB is too studied in Part 2, and my attention wasn't held. He does elicit very beautiful singing and playing, however. It should be noted that this performance is with the London Sym. and a host of fine English singers.

To the end of his life Bernstein resisted Deryck Cooke's completion of the Tenth Sym., agreeing to conduct only the shattering Adagio. which Mahler had essentially finished in full score. Bernstein's reading with the NY Phil. is one of the most searing accounts this magnificent fragment has ever received, equaled by his later live reading with the incomparable Vienna Phil.

Cycle #2:

It should be said right off that DG's digital sonics are in a different league from what LB got in New York. Even though several venues were involved (Vienna, Amsterdam, New York), and many recordings were under live concert conditions, the DG engineers triumphed. They favor closer mike posiitons, solo highlighting, and a vivid sound stage compared to their predecessors in New York. As to the interprettions, with a few exceptions--the most prominent being Sym. #6--Bernstein did not drastically change his views from the first cycle, and in some cases the readings feel almost identical (Sym. #2 and #7, for example).

The most interest centers on the works where LB clearly outdoes his younger self. At the top of the list I would put Sym. #6 and #9. In the former he achieved one of the classic Mahler reacordings of the modern era. His Sixth has slowed down by 2 min. in the first movement, giving the music room to expand properly. The Andante is heartbreaking and heartwarming at the same time. The finale is an explosion of genius on Mahler's part that LB resonates with perfectly. Almost the same can be said of the Ninth, where the conducting reaches deeply moving areas of expression. The finale is drastically slow (as is Levine's, to similar devastating effect), which some critics find excessive. But it's a truism that no tempo is right or wrong; everything depends upon being drawn into the world of the music. LB achieved a great Ninth but would surpass himself with a live performance from Berlin in 1979, also on DG.

Almost as great is Sym. #1, which on DG receives a flawless performance packed with excitement. I'm not sure that LB's reading actually changed, but the superlative sonics and the spine-tingling playing of the Concertgebiuw weren't matched in New York.

The next thing to ask is where Bernstein fell short of his earlier versions. The Sym. #2, #3, and #4 from New York were one of a kind, representing LB's early and most exciting explorations of Mahler's world. Their counterparts on DG are also strong, but I don't think they rise to the heights he achieved earlier. The only sharp criticism I have is with the use of a boy soprano in the finale of the Fourth; musical as he is, a boy is too undeveloped to capture what Mahler intended. It should be said, however, that if the earlier NY versions didn't exist, these would be outstanding performances.

I feel much the same about Sym. #7, where LB's first recording set a standard that only two or three rivals have come close to, but his DG remake, which was a return to the NY Phil. in oncert from Lincoln Center(as are Sym. #2 and #3), feels fractionally less overwhelming. It's in better sound, however. The one symphony I can't compare is the Fifth, which doesn't satisfy me in either cycle. The DG version with the Vienna Phil. convinces many listeners, and some critics call in unsurpassable, but I am not on its wavelength.

That leaves Sym. #8, which Bernstein didn't live to record for commercial release. DG reached into its vaults for a live 1975 radio tape from Vienna, and although it has flaws in execution, including some rough singing in Part 2, LB's conducting is superlative, more ocmpelling than his version from London. Paired with this symphony is a 1974 reading of the Adagio from Sym. #10, also with the Vienna Phil. As you'd expect, it's an inspired, searing reading, just like the NY version.

How ot sum up? If money were no object, I'd own both cycles for the pleasure of Bernstein's unqiue inspiration. If I had to pick and choose, I'd take Sym. #2, #3, and #4 from New York, Sym. #8 from London, and the rest form the DG cycle.

Mahler complete symphonies........2006-02-24

"Mahler was an altogether great man" -One who also knows a thing or two.

Average customer rating: So f*cking Metal! Chimaira = Pantera lite YES! Superb Thrash Metal - Best of 2007 (so far) Why aren't they getting the recognition they deserve?!!!

Resurrection Chimaira Manufacturer: Ferret Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Punk Revival | Hardcore & Punk | Alternative Rock | Styles | Music General | Rock | Styles | Music Alternative Metal | Hard Rock & Metal | Styles | Music General | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: The Blackening Threads of Life Chimaira Cannibal HELLYEAH ASIN: B000MNOXJ4 Release Date: 2007-03-06

Tracks:

1. Resurrection
2. Pleasure In Pain
3. Worthless
4. Six5, No Reason To Live6, Killing The Beast
5. The Flame
6. End It All
7. Black Heart
8. Needle
9. Empire

Customer Reviews:

So f*cking Metal!.......2007-07-11

I saw them at Sounds of the Underground yesterday at Orlando... the energy and power they brought to the stage was phenomenal. Before seeing them, the only song I had heard from them was "Resurrection" from this album, and I really liked it. Once I heard them play their set I was blown away and immediately went to the booths to pick up this CD (and a shirt).
After my first listen through of the album, I am eager to play it again and again. Aside from the self-titled track I am already addicted to, my next favorite would possibly be "Pleasure In Pain" for the dynamic range of vocals and brilliant guitar work.
Buy the CD and wear it OUT!

Chimaira = Pantera lite.......2007-06-22

These guys try so hard, but they are oh so average.
3 stars for effort and i still liked them live

YES!.......2007-05-24

This band is a breath of fresh air. It is great to see people can still play hard like this. The singer sounds like the guy from The Haunted in One Kill Wonder and Made Me Do It. I swear they are identical, wouldn't be surprised if they are related or the same exact singer. The raw heaviness and the blend of cool sounds like bells and synth melodies occasionally popping in make this a very interesting listen.
CHIMAIRA RULES!

Superb Thrash Metal - Best of 2007 (so far).......2007-05-18

The Resurrection (literally) of metal continues...

Chimaira has given us the most brutal metal release of 2007...

This thing is not only heavy, but fast...

Reminds me of the early Slayer and Kreator...

WOW is the best word to describe Resurrection...Excellent release...No, AMAZING!!!

Why aren't they getting the recognition they deserve?!!!.......2007-04-07

Chimaira has done it again, they've released an album that rips you to shreds and then stomps you flat! Like with their self titled album Chimaira, they've set a new standard for themselves and for the metal scene. Also, they've stayed true to their roots and at the same time experimented and tried new things.

The album starts off full blast with the title track "Resurrection," the pounding "Pleasure in Pain," followed by the crushing assault, "Worthless." Early Metallica comes to mind when they get more experimental with the 9 minute epic "Six." The solos are very memorable and its definitely much slower than their old work, well worth listening to . Then things get more intense with the thrash-like "No Reason To Live."

The second half of the album tends to slow down more, but picks up toward the end. The slowest song "Killing The Beast," is personally my least favorite song, I typically skip it, but listen to it once in a while. Mark Hunter experiments more vocally on this song, it works but not to the extent you'd expect from Chimaira (no "Salvation"-like screams here). Then the slightly faster "The Frame" ensues. Its a great metal song, but not up to Chimaira's standards. The last part of the song sounds similar to how "Inside The Horror" ends. Then things really pick up with "End It All." Andols Herrick's hammering drums are at full throttle throughout the song, especially during the chorus. It's then followed by the heavy "Black Heart," and the mind blowing "Needle." Herrick's drums on "Needle" alone should put Chimaira up for a Best Metal Performance Award. Then lastly, we get to "Empire." The orchestra work really gives it a dark, atmospheric sound. The lyrics give great depth:

Do you believe in me
Enough to sacrifice
Do you believe in me
Enough to end your life
.....
When you walk the path
You will discover a world undreamed of
Your suffering will be legendary
Do you believe in suffering

It took a couple listens to really have it sink in, but overall, this album is as powerful as their self titled effort. Except for two mediocre songs, "Resurrection" will definitely stand strong among 2007's best metal albums.

Average customer rating: The greatest songs ever? A musical treasure-box a beautiful journey into melancholy

Dowland - The Collected Works / The Consort of Musicke, Rooley John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne Manufacturer: Decca ProductGroup: Music Binding: Audio CD Pavanes | Ballets & Dances | Classical | Styles | Music Byrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Holborne, Anthony | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by White | White, Robert | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Sacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems Ballets & Dances | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music Recorder | Reeds & Winds | Instruments | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Solo Instrumental | New Age | Styles | Music Classical | Box Sets | Stores | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Byrd, William | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Dowland, John | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music Holborne, Anthony | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music White, Robert | ( W ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Bargain Box Sets | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music All Bargain Titles | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music The Decca Records Store | Specialty Stores | Music Similar Items: Dowland: Complete Lute Works, Vol.1-5 William Byrd: Consort Songs Bach: The Landowska Recordings Britten Conducts Britten Janácek: Operas ASIN: B000004CYV Release Date: 2007-03-13

Tracks:

1. First Booke Of Songes: I. Unquiet Thoughts
2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
4. First Booke Of Songes: IV. If My Complaints Could Passions Move
5. First Booke Of Songes: V. Can She Excuse My Wrongs
6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
7. First Booke Of Songes: VII. Dear, If You Change
8. First Booke Of Songes: VIII. Burst Fourth My Tears
9. First Booke Of Songes: IX. Go Crystal Tears
10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
11. First Booke Of Songes: XI. Come Away, Come Sweet Love
12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
16. First Booke Of Songes: XVI. Would My Conceit
17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
18. First Booke Of Songes: XVIII. His Golden Locks
19. First Booke Of Songes: XIX. Awake, Sweet Love
20. First Booke Of Songes: XX. Come, Heavy Sleep
21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

1. Second Booke Of Songs: I. I Saw My Lady Weep
2. Second Booke Of Songs: II. Flow My Tears
3. Second Booke Of Songs: III. Sorrow, Stay
4. Second Booke Of Songs: IV. Die Not Before Thy Day
5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
6. Second Booke Of Songs: VI. Time's Eldest Son
7. Second Booke Of Songs: VII. Then Sit Thee Down
8. Second Booke Of Songs: VIII. When Others Sing Venite
9. Second Booke Of Songs: IX. Praise Blindness Eyes
10. Second Booke Of Songs: X. O Sweet Woods
11. Second Booke Of Songs: XI. If Floods Of Tears
12. Second Booke Of Songs: XII. Fine Knacks For Ladies
13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
15. Second Booke Of Songs: XV. White As Lilies Was Her Face
16. Second Booke Of Songs: XVI. Woeful Heart
17. Second Booke Of Songs: XVII. A Shepherd In A Shade
18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
19. Second Booke Of Songs: XIX. Shall I Sue
20. Second Booke Of Songs: XX. Toss Not My Soul
21. Second Booke Of Songs: XXI. Clear Or Cloudy
22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

1. Third Booke Of Songs 1603: I. Farewell, Too Fair
2. Third Booke Of Songs 1603: II. Time Stands Still
3. Third Booke Of Songs 1603: III. Behold A Wonder Here
4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
9. Third Booke Of Songs 1603: IX. What If I Never Speed?
10. Third Booke Of Songs 1603: X. Love Stood Amazed
11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
17. Third Booke Of Songs 1603: XVII. I Must Complain
18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

1. A Pilgrimes Solace: I. Disdain Me Still
2. A Pilgrimes Solace: II. Sweet Stay Awhile
3. A Pilgrimes Solace: III. To Ask For All Thy Love
4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
6. A Pilgrimes Solace: VI. Were Every Thought An Eye
7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
8. A Pilgrimes Solace: VIII. Tell Me, True Love
9. A Pilgrimes Solace: IX. Go Nightly Cares
10. A Pilgrimes Solace: X. From Silent Night
11. A Pilgrimes Solace: XI. Lasso vita mia
12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
14. A Pilgrimes Solace: XIV. Thou Mighty God
15. A Pilgrimes Solace: XV. When David's Life
16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
3. A Pilgrimes Solace: XIX. Up Merry Mates
4. A Pilgrimes Solace: XX. Welcome Black Night
5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
2. Mr. Henry Noell Lamentations: II. Domine ne in furore
3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
6. Mr. Henry Noell Lamentations: VI. De profundis
7. Mr. Henry Noell Lamentations: VII. Domine exaudi
8. Lachrimae: Lachrimae Antiquae
9. Lachrimae: Lachrimae Antiquae Novae
10. Lachrimae: Lachrimae Gementes
11. Lachrimae: Lachrimae Tristes
12. Lachrimae: Lachrimae Coactae
13. Lachrimae: Lachrimae Amantis
14. Lachrimae: Lachrimae Verae
15. Lachrimae: Mr. John Langton's Pavan
16. Lachrimae: Mr. Nicholas Gryffith His Galiard
17. Lachrimae: Sir John Souch His Galiard
18. Lachrimae: Semper Dowland Semper Dolens
19. Lachrimae: Mr. Giles Hobies Galiard
20. Lachrimae: The King Of Denmark's Galiard
21. Lachrimae: Sir Henry Umpton's Funerall
22. Lachrimae: Mr. Henry Noell His Galiard
23. Lachrimae: The Earl Of Essex Galiard
24. Lachrimae: Mr. Bucton His Galiard
25. Lachrimae: Mr. George Whitehead His Almand
26. Lachrimae: Captain Digorie Piper His Galiard
27. Lachrimae: Mr. Thomas Collier His Galiard
28. Lachrimae: Mrs. Nichols Almand

Tracks:

1. Sacred Songs: Sorrow, Come!
2. Sacred Songs: I Shame At Mine Unworthiness
3. Sacred Songs: An Heart That's Broken And Contrite
4. Psalms: Psalm 100: All People That On Earth Do Dwell
5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
6. Psalms: Psalm 130: Lord To Thee I Make My Moan
7. Psalms: Psalm 104: My Soul Praise The Lord
8. Psalms: Psalm 100: All People That On Earth Do Dwell
9. Psalms: Psalm 134: Behold And Have Regard
10. A Prayer For The Queen's Most Excellent Majesty
11. Instrumental Music: Solus cum sola pavan
12. Instrumental Music: Lachrimae
13. Instrumental Music: Galliard
14. Instrumental Music: Pipers Pavan
15. Instrumental Music: Lachrimae
16. Instrumental Music: Lady Rich Galliard
17. Instrumental Music: Earl Of Essex Galliard
18. Instrumental Music: If My Complaints
19. Instrumental Music: Lachrimae Doolande
20. Instrumental Music: Lord Willoughbie's Welcome Home
21. Instrumental Music: My Lord Chamberlaine His Galliard
22. Instrumental Music: Comagain
23. Instrumental Music: Pavan Lachrymae
24. Instrumental Music: Sorrow Stay

Tracks:

1. Lute Music: Preludium
2. Lute Music: Lachrimae
3. Lute Music: Can She Excuse
4. Lute Music: Dr. Case's Pavan
5. Lute Music: Melancholy Galliard
6. Lute Music: Sir John Smith, His Almain
7. Lute Music: Fantasia
8. Lute Music: A Dream
9. Lute Music: Almain
10. Lute Music: The Queen's Galliard
11. Lute Music: Coranto
12. Lute Music: Resolution
13. Lute Music: Mrs. Vaux Galliard
14. Lute Music: Almain
15. Lute Music: Mr. Dowland's MIdnight
16. Lute Music: Fantasia
17. Lute Music: Loth To Depart
18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
19. Lute Music: The Earl Of Essex, His Galliard
20. Lute Music: Pavan
21. Lute Music: John Dowland's Galliard
22. Lute Music: Aloe
23. Lute Music: The Lady Clifton's Spirit
24. Lute Music: What If A Day
25. Lute Music: Mr. Giles Hobie's Galliard
26. Lute Music: Come Away (Song arrangement)
27. Lute Music: Galliard
28. Lute Music: Fancy (Fantasia)

Tracks:

1. Lute Music: Lachrimae (Basic Version)
2. Lute Music: Galliard To Lachrimae
3. Lute Music: [Jig]
4. Lute Music: Galliard On 'Wasingham'
5. Lute Music: Complaint (Ballad Setting)
6. Lute Music: Mignarda (Galliard)
7. Lute Music: Semper Dowland Semper Dolens (Pavan)
8. Lute Music: The Frog Galliard
9. Lute Music: A Fancy (Fantasia)
10. Lute Music: Fancy (Fantasia)
11. Lute Music: Piper's Pavan
12. Lute Music: Captain Digorie Piper's Galliard
13. Lute Music: Lady Laiton's Almain
14. Lute Music: Dowland's Galliard
15. Lute Music: Dowland's First Galliard
16. Lute Music: Tarleton's Jig
17. Lute Music: Walsingham (ballad Setting)
18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
19. Lute Music: Sir Henry Guilforde, His Almain
20. Lute Music: Pavan (Related To 'Lachrimae')
21. Lute Music: Mr. Langton's Galliard
22. Lute Music: Mrs. Clifton's Almain
23. Lute Music: Galliard
24. Lute Music: Lady Hunsdon's Puffe (Almain)
25. Lute Music: Galliard
26. Lute Music: Go From My Window (Ballad Setting)
27. Lute Music: Fancy (Fantasia)

Tracks:

1. Lute Music: Pavana Johan Douland
2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
3. Lute Music: La mia Barbara
4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
5. Lute Music: Lachrimae
6. Lute Music: Farewell Fancy (Chromatic Fantasia)
7. Lute Music: Farewell (On The 'In Nomine' Theme)
8. Lute Music: The King of Denmark's Galliard
9. Lute Music: Mrs. Vaux's Jig
10. Lute Music: Mrs. Nichol's Almain
11. Lute Music: Galliard
12. Lute Music: Lord Strang's March
13. Lute Music: Mrs. Winter's Jump
14. Lute Music: Can She Excuse (Galliard)
15. Lute Music: The Shoemaker's Wife, A Toy
16. Lute Music: Mrs. Norrish's Delight
17. Lute Music: Galliard
18. Lute Music: Mrs. White's Thing (Almain)
19. Lute Music: Mrs. White's Nothing
20. Lute Music: The Frog Galliard
21. Lute Music: Solus cum sola
22. Lute Music: The Lord Viscount Lisle, His Galliard
23. Lute Music: Orlando Sleepeth (Ballad Setting)
24. Lute Music: Robin (Ballad Setting)
25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

1. Lute Music: The Lady Russell's Pavan
2. Lute Music: Fancy (Fantasia)
3. Lute Music: Sir John Langton's Pavan
4. Lute Music: Earl Of Derby, His Galliard
5. Lute Music: A Coy Toy
6. Lute Music: Fortune My Foe
7. Lute Music: [Almain]
8. Lute Music: Mr. Knight's Galliard
9. Lute Music: Sir John Souch His Galliard
10. Lute Music: Tarletone's Riserrectione
11. Lute Music: The Lady Rich, Her Galliard
12. Consort Music: Lachrimae Pavan
13. Consort Music: Can She Excuse Galliard
14. Consort Music: Captain Piper's Pavan And Galliard
15. Consort Music: The Frog Galliard
16. Consort Music: Round Battell Galliard
17. Consort Music: Fortune My Foe
18. Consort Music: Dowland's First Galliard
19. Consort Music: Katherine Darcie's Galliard
20. Consort Music: Tarleton's Jigge
21. Consort Music: Almain a 2
22. Consort Music: Mistress Nichols Almain a 2
23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
25. Opusculum: Mr. John Langton Pavan And Galliard
26. Opusculum: La mia Barbara Pavan and Galliard
27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

1. Consort Music: Mistress NIchols Almain
2. Consort Music: Volta a 4 ('Ioh. Douland')
3. Consort Music: Were Every Thought an Eye
4. Consort Music: Lady If You So Spite Me
5. Consort Music: Pavan a 4
6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
13. A Musicall Banquet: VIII. Far From Triumphing Court
14. A Musicall Banquet: IX. Lady, If You So Spite Me
15. A Musicall Banquet: X. In Darkness Let Me Dwell
16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

The greatest songs ever?.......2007-07-26

I heard 'clear or cloudy', from this recording, on the radio recently and had to purchase it. It is strange but it is the sort of song that makes life prior to listening to it different from life after. I find it sad that so many people haven't heard it. There are also many other wonderful works in this collection. Given you get twelve well recorded CDs with top quality performances, this has to be one of the bargains of the age.

Please buy it.

A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).

Average customer rating: An attempt at an informed opinon bad recording Musically Flawless No finer Mahler recording How did Zubin Mehta become Mr. Slick?

Mahler: Symphony No. 2 / Mehta, Vienna Philharmonic Orchestra Gustav Mahler , Zubin Mehta , Ileana Cotrubas , Christa Ludwig , and Wiener Philharmoniker Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Mahler: Symphonies Nos. 1 & 5; Lieder Mahler: Das Lied von der Erde Mahler - Symphony No. 8 / Popp · Auger · Minton · Harper · Kollo · Shirley-Quirk · Talvela · Chicago SO · Solti Gustav Mahler: Symphony No. 1 / Songs of a Wayfarer - Dietrich Fischer-Dieskau / Bavarian Radio Symphony Orchestra / Rafael Kubelik Mahler: Symphony No. 4 ASIN: B00004TEUZ Release Date: 2000-06-13

Tracks:

1. Symphony No. 2 In C Minor - 'Resurrection': I. Allegro maestoso - Mit durchaus ernstem und feierlichen Ausdruck
2. Symphony No. 2 In C Minor - 'Resurrection': II. Andante moderato - Sehr gemachlich
3. Symphony No. 2 In C Minor - 'Resurrection': III. In ruhig fliesender Bewegung
4. Symphony No. 2 In C Minor - 'Resurrection': IV. Urlicht - Sehr feierlich, aber schlicht
5. Symphony No. 2 In C Minor - 'Resurrection': V. Im Tempo des Scherrzo - Wild herausfahrend
6. Symphony No. 2 In C Minor - 'Resurrection': Maestoso. Sehr zuruckhaltend -
7. Symphony No. 2 In C Minor - 'Resurrection': Sehr langsam und gedehnt
8. Symphony No. 2 In C Minor - 'Resurrection': Aufersteh'n ja auffersteh'n wirst du : Langsam, Misterioso -
9. Symphony No. 2 In C Minor - 'Resurrection': O glaube, mein Herz, o glaube : Etwas bewegter

Amazon.com

"Beg to report safe delivery of a strong, healthy last movement to my Second. Father and child doing as well as can be expected." So ran Mahler's jubilant message on completion of his "Resurrection" Symphony, which after several years' painful gestation had come together in his mind with a sudden flash of inspiration. It had begun as a single-movement funeral rite, and gradually taken shape under the influence of Schubert's music, but the choral conclusion of Beethoven's Ninth was its Grail. Zubin Mehta's 25-year-old recording is a superb addition to the ranks of contending interpretations. It is lighter on its feet than Bernstein's classic version, with all the elements in Mahler's tonal landscape brought out in high relief: by turns lush, austere, grandiose, and intimate. Here is the Vienna Phil at its best, with two incomparable voices on the bridge--Christa Ludwig's steely mezzo and Ileana Cotrubas's soaring soprano. The "Legendary" on the cover is not hype: This is still as good as it gets. --Michael Church

Customer Reviews:

An attempt at an informed opinon.......2007-03-20

Question: What do my favorite symphony and my favorite soprano have in common?
Answer: They are both on this CD!!

Ok, that said even Ileana Cotrubas can't carry this over the Klemperer/Schwazkopf recording. In my opinion (and this is probably because I was introduced to the other recording first), the tempos on this disc are too fast, and take away from the dramatic buildup that I think Klemperer does better. In the third movement the quicker tempo is nice but in the second section of the fifth movement (track six) the "swinging" of the violins for example doesn't have the same effect. Anyway you really can't go wrong with either recording, and if you think I'm a complete ignoramus, thats ok. I can see that this opinion may not be taken too well by some.

bad recording.......2006-11-11

I received the first recording and in the final movement there was a bad skipping. I notified Amazon and they sent me another recording which had the same problem. I received a credit and Amazon said the recording was evidently a bad one and they would check it out. Thanks Billy Ledet

Musically Flawless.......2006-06-03

So how about that? A Mahler second that actually moves! The result is one of the most exciting readings of all time. It's truly legend.

This is one of the two greatest Mahler seconds. Here Mehta, who can often be an oddly questionable interpreter, lightens the music at just the right level, making it brilliantly unique. Instead of allowing the music to sink into itself, like most imitations of Bernstein's classic reccording.

Music has to move, it has to speak, it has to breathe..

Never has Mahler been so logically accessible and tended for. The experience gained from this recording is greatly edifying, if not spiritual.

Technically however, its not perfect: one thing that makes it somewhat lacking. Sometimes the orchestra is not really synchronized. Precision is sometimes sacrificed for Mehta's ingenious creativity. However, to me these sort of flaws just make the piece more homely and natural.

The Vienna is of course fantastic in sound. Brilliant, but deep and always resonant.

This is some masterpiece material. A truly excellent CD.

No finer Mahler recording.......2006-01-09

I have heard the Mahler Symphony #2 many time in performance and on recordings. In my opinion, none equals this fantastic effort by Mehta. It is a revelation from beginning to end. My first experience with the piece was hearing Bruno Walter conduct the New York Philharmonic in a captivating performance long ago. That introduction to this apotheosis of Romantic music pales by comparison. There is a very good reason why this recording has never been out of print. It is simply the best.

How did Zubin Mehta become Mr. Slick?.......2005-10-01

(I don't believe in doublng up on the same review, but I am posting this one twice--for Metha's Mahler Fifth and Mahler Second--for the purpose of comparison.)

How did Zubin Mehta move from the highly promising conductor of the Mahler Second heard on Decca with the Vienna Phil. to the veteran hack we hear on the Mahler Fifth from New York? As a student Mehta studied in Vienna, and he fully desrved to lead the Philharmonic when he recorded this "Resurrection," at the height of his populairty in L.A. But from the moment he took over the New York Phil., succeeding the controversial Pierre Boulez, he started on a decline into slick, routine, uninvolved conducting that has few highlights to redeem it.

His numerous NY Phil. recordings for CBS are essentially forgotten, and with good reason. Listen to his return engagement condcuting the Mahler Fifth, and what do you hear? Impatient, rushed tempi, blatant phrasing that dumbs down Mahler's musical intent, indifference to emotion and inner meaning, apparent ignorance of Mahler style. None of those defects exist in the excellent and idiomatic reading of the Ressurection. The gaudy brass playing in the Fifth sticks out like a sore thumb, a far remove from the brilliant and musically satisfying brass on the Vienna recording.

The other sad waste of conducting talent must be Lorin Maazel, whose superficiality and apparent boredom are equal to Mehta's. It's too bad the NY Phil. is burdened with Maazel now--no doubt they are headed into a totally forgettable era to mirror the one Mehta reigned over thirty years ago.

Average customer rating: AMAZING!!! A New Life? Maybe? But not a good one... Um - Why?? Not the best recording Hits and Misses- but where it Hits- Watch Out!! I Miss the Show

Jekyll & Hyde Resurrection Frank Wildhorn , Leslie Bricusse , and Rob Evan Manufacturer: Koch Records ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Similar Items: Frankenstein, The Musical Grey Gardens - A New Musical (2006 Original Broadway Cast) Tarzan - The Broadway Musical (Original Broadway Cast) The Drowsy Chaperone (2006 Original Broadway Cast) [title of show] (2006 Original Off-Broadway Cast) ASIN: B000EGDNE0 Release Date: 2006-08-22

Tracks:

1. Prologue-I Need To Know
2. Take Me As I Am
3. Bring On The Men
4. This Is The Moment
5. Transformation
6. Alive
7. The Girls On The Night
8. If You Only Knew
9. Sympathy, Tenderness
10. Someone Like You
11. Once Upon A Dream
12. Reflections
13. The World Has Gone Insane
14. No One Knows Who I Am
15. It's A Dangerous Game
16. In His Eyes
17. The Way Back
18. A New Life
19. Confrontation
20. Epilogue: Once Upon A Dream

Customer Reviews:

AMAZING!!!.......2007-04-03

A new point of view for a Classic! The Broadway cast album is very good. The Anthony Warlow's is a masterpiece but this new record is a new and modern vision with an spectacular sound. Heavy metal & Rock and Roll on each song!!! Good performers and great sound. Thank you Mr Wildhorn...

A New Life? Maybe? But not a good one..........2007-03-18

I saw the U.S. concert tour version of Jekyll & Hyde with this cast in Las Vegas in 2005. I have to say that though I enjoyed the performance. It didn't stand out as the best concert ever. However, when the album came out, I bought it anyway hoping to have a souvenir of that particular concert.

The album consists of 3 main singers: Rob Evan as Jekyll/Hyde, Former Miss America Kate Shindel as Lucy and Brandi Burkhardt as Emma. All the cast are very talented and performed their hearts out but what is wrong here is probably the arrangement of the songs.

I have read somewhere that Frank Wildhorn, the show's composer, wanted J&H to be more of a rock musical. And that's why this concert version happened, to newly arrange all the song in a more rock 'n roll way. The feeling that I got from this CD is that this doesn't sound like a cast recording and it doesn't give you any feel of the musical or the characters they portrayed.

On the contrary, this is more like a compilation album of pop singers trying to sing J&H songs in their own styles. Still, most of the time the music overshadows the singer's voice especially the annoying sound of electric guitar. And the balance in music seems to never find its place.

For Broadway lovers, some of the changes here might be weird for you. "In His Eyes" changed from the Broadway showstopping duet to a pop-ish ballad with a soft ending, not the belting one. Emma became "Girls of the Night"?!?!?! That's kinda weird. "The Way Back" is weirdly out of tune with all the drums and electric guitars in the background. The rest range from mediocre to bad in terms of musical arrangement, at least to my opinion.

For the concert tour, a new song is added which is "If You Only Knew" sung by Emma. This comes out as a pop-ish kind of soliloquy which is fine but not outstanding. The newly arranged epilogue which is a reprise of "Once upon a Dream" sung by all 3 characters is fine and seem to be the nice ending for the production since there are only 3 characters in this version.

The booklet includes notes from the show composer and lyricist, thank you notes from the cast and producers, the lyrics to the new "If You Only Knew" along with some headshot photos of the lead singers.

This is definitely NOT a definitive recording of J&H. Get it if you want to try something new but don't put your hopes up too high. If you can't handle rock music, don't buy it at all. It will get on your nerves. Some of them did get on mine. If you have no idea about the show but interesting in getting a recording, I'd recommend either the Original Broadway Cast with Rob Cuccioli or the Complete Recording with Anthony Warlow. Observe that the Broadway cast is better polished as a whole with better Female leads but Anthony Warlow is the best Jekyll and Hyde and the complete version is, of course, more complete.

Um - Why?? Not the best recording.......2007-03-02

I was trying to figure out what to write in my review, but after reading other reviews, I pretty much echo the review by Steven Valenti here. I was, I thought, excited for a recording with Robert Evan having seen him on stage in the role of Jekyll/Hyde. While he has a great voice, this CD Recording just doesn't do it for me. I'll keep the double CD set of the Complete Works of Jekyll & Hyde playing on my CD player, thank you. I plan on seeing the show again in October 2007 - the touring companies have been great, putting together a complete show and not the "edited, changed" version done on Broadway. I still love Jekyll and Hyde. Did you hear the rumor, they are planning a musical movie, basically like they did with Phantom of the Opera. No casting yet. I'm gonna keep my ear open on the progess of the movie.

Hits and Misses- but where it Hits- Watch Out!!.......2007-02-23

Rob Evan's rendition of "I Need to Know" and "This is the Moment", Kate's "A New Life", as well as Bandi+Kate's rendition of "In His Eyes" are enough to pick this album up.

Kate's "Someone Like You" made me feel positively ignored by the lack of intensity.

Everything else is solid- but the tracks above will make you soar and itch for the upcoming movie adaptation (PLEASE PLEASE hire Rob Marshall to direct it!!)

I Miss the Show.......2007-01-29

I am a jekkie who loved this show on broadway and am very pleased that this cd is on the market. Rob Evan is in fine voice and the songs from all the versions of the show are wonderful. When it finished, I was ready to buy tickets all over again.

Enjoy

Average customer rating: bullsh*t another 2 pac good job One of the best posthumous TuPac CDs Eminems favorite song

Resurrection 2Pac Manufacturer: Amaru / Interscope ProductGroup: Music Binding: Audio CD Gangsta & Hardcore | Rap & Hip-Hop | Styles | Music General | Rap & Hip-Hop | Styles | Music West Coast | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Similar Items: Loyal to the Game Better Dayz Until The End Of Time Me Against the World R U Still Down? (Remember Me) ASIN: B0000DZ3GK Release Date: 2003-11-11

Tracks:

1. Intro
2. Ghost
3. One Day At A Time (with Eminem featuring the Outlawz)
4. Death Around The Corner
5. Secretz Of War
6. Runnin' (Dying To Live) - featuring the Notorious B.I.G.
7. Holler If Ya Hear Me
8. Starin' Through My Rear View
9. Bury Me A G
10. Same Song
11. Panther Power
12. Str8 Ballin'
13. Rebel Of The Underground
14. The Realist Killaz - featuring 50 Cent

Amazon.com

How do you separate this release from the rest in the posthumous Tupac cottage industry? Quite easily, actually. Resurrection is the soundtrack to the movie of the same name, so it does not feature slapped together re-mixes with producers that flaunt below-average beat portfolios. The album does have its share of sketchy moments, starting with the five-second "Intro," which has Tupac mumbling "…now this is the next level with this new album." The idea of stitching together castaway Tupac vocal snippets is nothing new to his estate, and this collection contains four previously unreleased tracks, two amply re-tooled by Eminem ("Ghost," "One Day at a Time") and the other two being duets with Notorious B.I.G. ("Runnin'") and thug du jour 50 Cent ("The Realest Killaz"). Where this compilation differs from the rest, however, is that it culls together music from different stages of Tupac's development, from his pubescent days accessorizing Digital Underground's funk-fuelled sound ("Same Song") to the days where his persecution complex set in ("Starin' Through My Rear View"). Resurrection is executive produced by his mother Afeni, so the motivation behind it is legitimate--for those still skeptical about the modern day Tupac cash grab. --Dalton Higgins

Customer Reviews:

bullsh*t.......2007-06-10

This is horrible and 50 and eminem wit pac ?He woulnd have dat at all.Dey snitches.Fakes.For a good pac album get "all eyes on me" and "me against the world", "strictly 4 my n.g.i.g.a.z." Everything else after dat ? Ain worth copyin it. Dey jus tryin to make money out of the dudez death. Sad. I kno dey say dey wanna keep him alive by releasin his stuff after he died but if dey cared about him dey woulnd put fake nuggaz like 50 on his album. Diz is trash.

another 2 pac.......2007-03-13

no complaints at all. veryt speedy service and first class quality of goods.

good job.......2006-11-10

i ordered this for my grandson and needed a rush delivery to be on time.
it was and both he and i are happy.

thanks
miller

One of the best posthumous TuPac CDs.......2006-04-30

Of all the CDs that have been released since TuPac died, this is probably the best one. Many tracks are solid, and Eminem and 50 have a pretty strong presence on the few songs they're on. Unlike a lot of the CDs put out after TuPac's death, this one seems a bit more true to his stuff in life. This isn't the best TuPac CD, definitely not. But it's solid, and a good addition to your CD case if you're a fan.

Eminems favorite song.......2006-04-19

Did you know that Eminems favorite song is #9 on the "MAKAVELI" album!

Average customer rating: Another World Yet another forgotten musical genius. Beautiful music A Monument of Early Violin Music An Inordinately Beautiful Recording of the Biber Mystery Sonatas Hauntingly beautiful Baroque fare

Biber: The Mystery Sonatas Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD All Works by Biber | Biber, Heinrich Ignaz | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Similar Items: Biber: Violin Sonatas Biber: Unam Ceylum /Holloway * Assenbaum * Mortensen Biber: Harmonia Artificioso - Ariosa; Tam Aris Quam Aulis Servientes Schmelzer: Unarum Fidium /Holloway * Assenbaum * Mortensen Biber; Muffat: Der Turken Anmarsch /Holloway * Assenbaum * Mortensen ASIN: B00005UNXG Release Date: 2002-12-23

Tracks:

1. Praeludium
2. Aria And Variations
3. Adagio
4. Finale
5. Sonata
6. Presto
7. Allamanda
8. Presto
9. Sonata
10. Courente
11. Double
12. Adagio
13. Ciacona
14. Praeludium
15. Allamanda
16. Guigue
17. Sarabanda
18. Double
19. Lamento
20. Aria
21. Adagio
22. Allamanda
23. Variatio
24. Sarabanda
25. Variatio
26. Sonata
27. Presto
28. Guigue
29. Double I
30. Double II
31. Sonata
32. Courente
33. Doubles I & II
34. Finale
35. Praeludium
36. Aria
37. Variatio 1 - 2
38. Variatio 3 (Adagio)
39. Variatio 4 - 5

Tracks:

1. Sonata
2. Surrexit Christus Hodie
3. Adagio
4. Intrada
5. Aria Tubicinum
6. Allamanda
7. Courente
8. Double
9. Sonata
10. Gavotte
11. Guigue
12. Sarabanda
13. Praeludium
14. Ciacona (Aria)
15. Guigue
16. Sonata
17. Aria
18. Canzona
19. Sarabanda & Double
20. Passagalia

Customer Reviews:

Another World.......2007-03-29

Biber heartily embraced gypsy tavern violin virtuosity long before Dvorak or Brahms. This is magnificent music full of elegant and earthy contrasts. The sonatas that employ unconventional tuning open up new worlds of harmonic splendour, yet the crowning piece, the Passagalia, which does employ conventional tuning but isn't part of the Mystery Sonatas, is thankfully included as the final work of a two disc journey that soars the heights of heaven and plunges the depths of human experience. I have the original release of this music with its sumptuous and informative booklet: booklet or not, these are exceptional performances combined with an exceptional recording.

Yet another forgotten musical genius. Beautiful music.......2007-03-04

Heinrich Ignaz von Biber was a wonderful composer. The so-called "Mystery Sonatas" also known as the "Rosary Sonatas" have an aire of perfection rarely seen in classical baroque music. Biber has been all too conveniently forgotten and I am not sure why. As with Erik Satie (another of my favorite, yet unknown composers) Biber has managed to shrink in to the darkness of history while his legacy of work should be celebrated.
His work is haunting, exhilarating, enriching and somber. His music conveys a sadness and a joy that few musical works are able to convey. Biber's understanding of orchestration, the workings of instruments in compliment of each other, is astonishing to me. He had an ability, a gift, that only God himself could have given him. If you don't believe in God, then just accept that he was a prodigy of the finest degree and his work was sent from a deep place inside that immediately crawls inside of you. I, personally, call it a religious musical experience.
Absolutely stunning music.

A Monument of Early Violin Music.......2006-12-17

This version of Biber's stupendous ROSARY SONATAS (this is the more correct translation of the original German title) is marked first of all by the stunning virtuosity and graceful lyricism of violinist John Holloway. Simply to master the notes of these sonatas is an immense task in itself: playing scordatura is sort of like ventriloquism, since you are miming a certain set of notes while other notes are sounding. To have worked up these difficult pieces into an intensely expressive, dramatic experience, as Holloway has, is breathtaking. Then there is the variety of continuo instruments arrayed for each sonata. In various tracks we hear organ, harp, lute, violone, lirone (a gamba viol sounding to these ears somewhat like a harmonica) and regal (a small, portable organ with a rasping, nasal sound, used to great effect in the "Crowning with Thorns" sonata). Finally, the fact that this recording is priced far lower than any of the other major versions (Goebbel, Manze) makes it doubly attractive. I was disappointed by the scarcity of program notes, understandable given the budget price: we are not informed, for example, of the scordatura tuning of the individual sonatas, and I would have liked a more detailed discussion of the pictorial and symbolic elements used by Biber in the sonatas. However, the notes include a link to Virgin's website promising "a more detailed introduction".

Perhaps it's best not to take in this colossal work all at once. For a sampler, try tracks 14-15 of CD 2 (the "Assumption" sonata) and hear some of the most buoyant, joyous violin playing in existence. You'll be instantly mesmerized.

An Inordinately Beautiful Recording of the Biber Mystery Sonatas.......2006-09-22

Much can be written about the difficulty of this music form the 17th Century by Heinrich Ignaz Franz Biber - and other reviewers here have given superb descriptions of those complexities - but the end result of works such as this is in the response it produces in the listener.

Biber wrote these Mystery Sonatas to represent the three sets of mysteries from the Bible: the Birth, the Crucifixion, and the Resurrection of Christ. The recording is by Tragicomedia with Davitt Moroney and John Holloway in this impeccably performed recording of impossible music: the music is impossibly difficult to play and impossible not to draw and emotional response from the listener. Some may find this version a bit dry sounding, but for this listener that only enhances the other-worldly sense of the music.

The sixteen sonatas are named as follows: Part I: The Annunciation, The Visitation, The Nativity, The Presentation, The Finding in the Temple Part II: The Agony in the Garden, The Scourging of Jesus, The Crowing of Jesus with Thorns, Jesus carries His Cross, The Crucifixion Part III: The Resurrection, The Ascension, The Descent of the Holy Ghost, The Assumption of our Lady, The Crowning of the Blessed Virgin Mary, and Passacaglia. With the simplest combination of instruments Biber was able to elicit the feelings of each of these mysteries.

For those who love Period Music this recording is a complete success and a treasure to own. For those who have yet to step into this ethereal world, this is a very fine beginning. Highly Recommended. Grady Harp, September 06

Hauntingly beautiful Baroque fare.......2004-02-23

I own three versions of Biber's Mystery (Rosary) Sonatas, and a fourth recording (by Manze) of other Biber sonatas along with the famous passacaglia that concludes the set. All of the versions (the other two being by Rheinhard Goebel on Archiv and Suzanne Lautenbacher on VOX) are beautiful, because the music is. Perhaps the passacaglia is the most beautiful 8 to 12 minutes (depending on performer) in the entire musical library. I rate the Holloway version as the best in terms of the passacaglia. The pacing seems perfect (Goebel is fast and almost dancelike, Manze quite slow but with more flare) and is about the same as that of Lautenbacher, the latter being performed on a modern instrument with her usual good taste and limited vibrato. Certainly the Holloway version has the most delicious ending to the passacaglia, when the minor key resolves to a major that brings tears to my eyes every time I hear it. The Goebel and Manze versions both have a decorative flourish on the final note that, while beautiful, detracts in my opinion from the simple beauty of the key resolution. How two reviewers could give this recording only a single star is beyond comprehension! Even if one grants that Moroney is not as "lively" a harpsichordist as the performers on the other versions, my response is, "So what?" Maybe if you're a harspichord fanatic you drop the ranking from five stars to four, but the work is overwhelmingly a violin piece with harpsichord ACCOMPANIMENT. To downgrade the ranking of the entire recording to one star completely ignores the fantastic beauty, technical perfection, and haunting introspection of Holloway's performance on the violin. Besides, it's not as if Moroney actually is "incompetent." The descrition I would use is "tastefully understated, recognizing that this is primarily a violin recording." In contrast to the fun Goebel version and the good but more yeoman (yeoperson?) Lautenbacher version, Mr. Holloway plays with greater sensitivity but still with plenty of guts (not referring to the strings here) when drama or a discordant double-stop are called for. Again, ALL of the versions I've heard are great, and I'm tempted to buy yet another, but I always recommend the Holloway to my friends.

Average customer rating: The resurrection of pigboy crabshaw The Paul Butterfield If you get this one, you're getting the Wrong Version THE BLUES ALBUM! 'Pigboy' is the killer Butterfield Album YOU'RE BUYING THE WRONG CD!

The Resurrection of Pigboy Crabshaw The Paul Butterfield Blues Band Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD Chicago Blues | Blues | Styles | Music General | Blues | Styles | Music Electric Blues Guitar | Blues | Styles | Music Modern Blues | Blues | Styles | Music Harmonica Blues | Blues | Styles | Music Blues Rock | Rock | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music CDs $7 - $10 | Blues General | Blues | Today's Deals in Music | Formats | Music All Bargain Titles | Blues General | Blues | Today's Deals in Music | Formats | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 Rock | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music 4-for-3 Blues | 4-for-3 Music | Stores | Music Similar Items: East-West Paul Butterfield Blues Band Better Days It All Comes Back The Original Lost Elektra Sessions ASIN: B000002I29 Release Date: 1989-10-03

Tracks:

1. One More Heartache
2. Driftin' And Driftin'
3. Pity The Fool
4. Born Under A Bad Sign
5. Run Out Of Time
6. Double Trouble
7. Drivin' Wheel
8. Droppin' Out
9. Tollin' Bells

Customer Reviews:

The resurrection of pigboy crabshaw The Paul Butterfield.......2007-05-12

YOU DON'T HAVE TO BE A BLUES FAN TO OWN THIS CD

This is pure Genius, such a substantial sound, one of his best CD's.
The best blues Harp in the business, of course Paul Butterfield is one of my Musical Heroes, need, I say more. Just tune in and listen.

HMR Music Lover

If you get this one, you're getting the Wrong Version.......2007-04-02

The UK version is digitally remastered, and packed with (the unavailable in the US) In My Own Dreams. It's a little more, but really worth it.

THE BLUES ALBUM!.......2006-01-03

I have loved this record since the first time I listened to it oh so many years ago. This is, in my opinion, the best blues record ever recorded and that's saying alot. All of the songs hit the bullseye. "Driftin' and Driftin'", "Born Under A Bad Sign", "Tollin' Bells", and all of the rest were truly inspired renditions of these songs. I appreciate all of the previous and latter Paul Butterfield Blues Band recordings but "The Resurrection of Pigboy Crabshaw" is their zenith. Do yourself a favor and get this fantastic recording.

'Pigboy' is the killer Butterfield Album.......2005-02-03

From Kim Whitesides colourful images to the blistering music inside this cd. This is the best of the Butterfield band during that tumultous period between its 'start' in 1965 to the late 1967 period. This album cooks with driving tunes such as 'Drivin Wheel', 'Driftin' and Driftin' and Born under a Bad Sign. After the departure of Mike Bloomfield Elvin Bishop kicks this band up several notches. His stinging solos and dynamic rhythmic interplay with other band members including drummer Phillip Wilson make this a hands down success. Phil Wilson here pumps one beat after another into this creative ensemble. He is worth the ticket alone. Sadly this wonderful musician was murdered in the 1990's. Butterfield's singing catapaults this band into 4th gear. This is the blues as it was meant to be played. Tollin' Bells is the sad and lonely blues harp wailing at life's misfortunes. The band sounds fresh and excited about this music and it still burns after several decades. Go get it!

YOU'RE BUYING THE WRONG CD!.......2004-11-03

Yes, this is the great PBBB's 3rd album, but it's not the CD you should be buying.

This domestic CD was released in 1989 and has never been remastered.

The import 2CD version of this title (backed with the PBBB's 4th "In My Own Dream") is the one to get. It was remastered in 2004.

Ditto for "The Paul Butterfield Blues Band" & "East West"; the 2004 import 2CD is also remastered (and sounds incredible) and the domestic CD's are not.

Why WEA and Elektra have not made these four remasters available domestically is a mystery.

Don't waste your money on these inferior versions: Get the imports!

Link to the remastered import of Resurrection of Pigboy Crabshaw/In My Own Dream

Album Review:

1. Rubberneckin' [CD-single]
2. Sandra - 18 Greatest Hits [Import]
3. Sold [Import]
4. Sounds of Om, Vol. 3
5. Strict Machine [CD-single]
6. Take Me to God
7. The Best Of Crystal Waters
8. The Circuit Party, Vol. 4-6
9. The Kings of Disco
10. The Power

Album Review

album review

Album Review

Hystereo [Import]

Kupferman: Moor's Concerto/Wings of the Highest Tower

Pull My Chain [Enhanced]

Music: Rockfield Mixes

Over & Over Pt.2 [CD-single] [Enhanced] [Import]

Over the Hills & Far Away

Praise Him...Live! [Live]

Israeli Wind Virtuosi 1

Live With The Possum [Live]

Loaded [CD-single] [Import]

Out of the Mists [Enhanced]

Latin Grooves: Samba

Low Birth Weight [Import]

Piano Duets

Two Angels and a Dream