In the late 1980s, as American house and techno imports flooded Britain and the Acid House movement was sweeping the nation, brothers Paul and Phil Hartnoll were busy building Britain's own interpretation of the sound. Named for the illegal "Orbital" raves taking place on London's M1, they dragged their equipment from party to party, playing live PAs of their homegrown dance music to enthusiastic crowds of revelers. Their 1990 single "Chime" was (and still is) the anthem of many a British raver, and their self-titled 1991 debut remains a classic. Opening with the exquisite mid-tempo anthem "Belfast," and containing the "Chime," "Satan," and "Fahrenheit 303" singles, this album captures the innocence and energy of the nascent rave scene. --Matthew Corwine
Amazon.com
Orbital kick ambient house to a new plateau with a hypnotic 65-minute session that bubbles with dance beats and invention. "Halcyon" (featuring U.K. band Opus III) and "Remind" are the standouts. --Jeff Bateman
Orbital,Orbital,Sire / London/Rhino,Ambient,Ambient Techno,Club/Dance,Dance Music,Electronica,Pop,Techno
Average customer rating:
|
Live at Glastonbury
Orbital Manufacturer: A.C.P. Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PTYND6 Release Date: 2007-06-18 |
Tracks:
- Walk Now
- Are We Here?
- Attached
- Kein Trink Wasser
- Impact (The Earth Is Burning)
- Remind
- Halcyon
- Box
Tracks:
- Style/Bagpipe Style
- Girl with the Sun in Her Head
- Funny Break (Weekend Ravers)
- Belfast
- Frenetic
- Satan
- Dr Who?
- Chime
Tracks:
- Walk Now [DVD]
- Are We Here? [DVD]
- Attached [DVD]
- Kein Trink Wasser [DVD]
- Impact (The Earth Is Burning) [DVD]
- Remind [DVD]
- Halcyon [DVD]
- Box [DVD]
- Style/Bagpipe Style [DVD]
- Girl with the Sun in Her Head [DVD]
- Funny Break (Weekend Ravers) [DVD]
- Belfast [DVD]
- Frenetic [DVD]
- Satan [DVD]
- Dr Who? [DVD]
- Chime [DVD]
Album Description
When Orbital first took the stage at Glastonbury-on July 25th 1994-they arrived with a reputation as innovators of live electronic music and armed with a recently completed album no one outside of their studio had heard. By the time they had finished what has since been critically and generally acclaimed as one of the greatest live performances of all time it was clear that there was something going on between Orbital and Glastonbury that went beyond the realms of just being in the right place at the right time. In ten years Orbital would return to Glastonbury five times, delivering stunning, euphoric performances that stretched the possibilities of what a `Dance act was capable of bringing to the live arena-both visually and sonically- and providing the defining moment for several hundred thousand people's midsummer weekends. For those who missed it, and for those who were in the thick of it every time, this is a two CD collection of the best of these performances. 16 tracks.Album Details
When Orbital First Took the Stage at Glastonbury-on July 25th 1994-they Arrived with a Reputation as Innovators of Live Electronic Music and Armed with a Recently Completed Album No One Outside of their Studio Had Heard. By the Time They Had Finished What Has Since Been Critically and Generally Acclaimed as One of the Greatest Live Performances of all Time (Q Magazine Voted it as One of the Top 50 Gigs of all Time) it was Clear that There was Something Going on Between Orbital and Glastonbury that Went Beyond the Realms of Just Being in the Right Place at the Right Time. "it was One of the all Time Great Glastonbury Sets," Says Festival Organiser Emily Eavis, "it's Gone Down in Festival History as a Really Special Moment. Over the Years There have Been a Few Sets which have Somehow Transcended the Normal 'band-audience' Relationship, and Orbital Did Exactly That." Includes Two CDs and One Dvd (Pal).Customer Reviews:
Orbital Live at Glastonbury 1994 - 2004.......2007-07-27
If you like electronic music, and you like Orbital, then this is definitely for you. Good times.
BUY IT NOW!! -- AN ORBITAL FAN MUST HAVE!!.......2007-06-29
Average customer rating:
|
Spawn: The Album (1997 Film)
Filter & The Crystal Method , Marily Manson & Sneaker Pimps , Orbital & Kirk Hammett , Korn & the Dust Brothers , Mansun & 808 State , Prodigy & Tom Morello , and Silverchair & Vitro Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002C1C Release Date: 1997-07-29 |
Tracks:
- (Can't You) Trip Like I Do - Filter & Crystal Method
- Long Hard Road Out Of Hell - Marilyn Manson & Sneaker Pimps
- Satan - Orbital & Kirk Hammet
- Kick The P.A. - Korn & The Dust Brothers
- Tiny Rubberband - Butthole Surfers & Moby
- For Whom The Bell Tolls (The Irony Of It All) - Metallica & DJ Spooky
- Torn Apart - Stabbing Westward & Wink
- Skin Up Pin Up - Mansun & 808 State
- One Man Army - Prodigy/Tom Morello
- Spawn - Silverchair & Vitro
- T-4 Strain - Henry Rollins & Goldie
- Familiar - Incubus & DJ Greyboy
- No Remorse (I Wanna Die) - Slayer & Atari Teenage Riot
- A Plane Scraped It's Belly On A Sooty Yellow Moon - Soul Coughing & Roni Size
Amazon.com
In a bordering-on-brilliant idea, the overseers of The Spawn soundtrack proposed an idea to a host of bands that went something like this: "you metal kids go play nice with the electronic geeks and maybe you'll make beautiful music together." Well, guess what? It happened. From the sexy, screamy sounds of the opening cut "Can't You Trip Like I Do" (courtesy of Filter and The Crystal Method) to the funkified "One Man Army" (Rage Against The Machine's Tom Morello mixing it up with The Prodigy), the disc is as hot as the Spawn's home and twice as heavy as the monster himself. If you like the CD, rent the video; the soundtrack is front and center in the film, kind of like MTV with a plot. --Denise SheppardAlbum Details
Australian Version Including an Unlisted Bonus Track: 'this is Not a Dream' by Apollo 440 and Morphine. Also features Alternate Cover Art.Customer Reviews:
a fusion of synth and metal.......2007-06-12
Great idea...so so execution.......2007-04-15
A great album, a massive soundtrack.......2006-07-11
The Lost Art of Great Soundtracks!! .......2006-03-29
Classic fusion of genra's.......2006-03-03
Average customer rating:
|
Hackers (1995 Film)
Various Artists Manufacturer: Edel America ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005OMF Release Date: 1996-06-18 |
Tracks:
- Original Bedroom Rockers - Kruder & Dorfmeister
- Cowgirl - Underworld
- Voodoo People - Prodigy
- Open Up - Leftfield
- Phoebus Apollo - Carl Cox
- The Joker - JOSH ABRAHAMS
- Halcyon & On & On - Orbital
- Communicate (Headquake Hazy Cloud Mix) - Plastico
- One Love - Prodigy
- Connected - Stereo MC's
- Eyes, Lips, Body (Mekon Vocal Mix) - Ramshackle
- Good Grief - Urban Dance Squad
- Richest Junkie Still Alive (Sank Remix) - Machines Of Loving Grace
- Heaven Knows - Squeeze
Customer Reviews:
One of the best mid-late 90s electronica compilation albums ever..........2006-08-25
Looking for a song.......2006-07-10
Great soundtrack!.......2006-05-24
While I was very happy with this CD, I'd even say that I liked Hackers 2 and Hackers 3 even more! All three are a great addition to my collection.
Re:.......2006-05-11
What is the name of the track???.......2006-04-06
******************************
Update, I have the track .. the whole thing plays during the end credits..but I still do not know the name of it..but dont matter now.. I HAVE IT.
Average customer rating:
|
Orbital 2
Orbital Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004T6UZ Release Date: 1993-08-03 |
Tracks:
- Time Becomes
- Planet of the Shapes
- Lush 3-1
- Lush 3-2
- Impact (The Earth Is Burning)
- Remind
- Walk Now...
- Monday
- Halcyon and on and On
- Input Out
Amazon.com essential recording
After their groundbreaking debut, brothers Paul and Phil Hartnoll quickly put trendy tags like "rave," "techno," and "hardcore" behind them. With Orbital 2, the brothers went to great lengths to show that some of their primary interests lie beyond the dance floor, as influences like Miles Davis and Steve Reich crept into the fragmented, floating arrangements. Atmospheric tracks such as "Lush 3-1" and its near relative "Lush 3-2" transcended established electronic formulas by breaking away from regular beat patterns, and they borrowed Opus III vocalist Kirsty to create the catchy, entrancing mesmerizer "Halcyon + On + On." Orbital had come a long way from their breakthrough single "Chime," and by all indications would never go back again. --Aidin VaziriCustomer Reviews:
The culmination of Orbital's "rave" phase.......2007-06-17
Not a masterpiece, but contains two great singles........2006-08-29
Let's start with the first and last tracks. They don't contain any music. Both of them are short vignettes in which a vocal sample repeats one brief phrase. At the same time, the same sample is repeated at a different speed in the background, so the two voices go out of sync with each other and then line up again.
I'm not sure what this is supposed to mean. Maybe such an idea might suddenly occur to you if you're sitting in a studio with a lot of cool equipment. Or maybe there's a deeper meaning. But I personally find it tedious to listen to. Especially the second time around. I can stand the first track, but the last one just repeats the same idea. Both of these tracks are pretty short. But still, taken together, that's four minutes that could safely be removed from the album without really changing its musical content at all.
So that leaves eight tracks that actually contain music. And some of those are pretty tedious too. Worst of all is a track called "Impact (The Earth Is Burning)" that goes on for over ten minutes. In this time, the band plays one light-funk riff on a keyboard. First the rhythm goes on for a while, then there's a break in the drums and the keyboards come on, and then the drums come back and play together with the keyboards. About halfway through, Orbital try to create some kind of forward movement. So, they sample a brass instrument and play one long note on it. One note, that's it. And then they add a ridiculous sample of a guy yelling, "It's...it's like a cry for survival! For their...survival! And for our...survival! Survival for them and for us!" This is hilarious, because the underlying music has no dramatic power. If anything, it sounds lazy and relaxed.
"Walk Now..." is similar. It starts with a low grinding noise, like a factory in a science-fiction film, and then repeats one phrase on some synthesizers that sound very much off-key. It goes back and forth between these two sounds for seven minutes.
Orbital use the same compositional approach for all of these tracks. They add new layers one at a time, very slowly and deliberately. You can see this in "Monday." First they start the piano loop and wait a while, then they add some drums and wait a while, then they build up the drums a little and wait some more, and so on. The piece builds up to a very pretty, clean melody, then there's a break back to the piano loop, and the song builds back up in almost the same way. This method favours songs that have good melodies and a lot of detail, like "Monday." Sometimes the repetition is effective, like when it's applied to the keyboard line in "Remind." But some tracks on the album don't have that much substance, and they just seem to go on forever.
So that's why I think this album is over-rated and difficult to listen to from beginning to end. But why has it received such acclaim? I think that its reputation rests mostly on the strength of two singles.
In spite of all the bad things I said about this album, there's one obvious fact: "Lush 3-1" is the best single of the nineties. It's not the main keyboard line that carries it, but the opening. The song begins with a triumphant arrangement of short, very fast major-key synthesizer chords. This sound serves as the foundation of the song, and remains in the background until the end. The beat doesn't even appear until a minute or so into the track, and then takes another minute to build up. The opening is protracted in this way to build tension and make the listener anticipate the beat more. It creates a feeling of crazed, intense joy. Actually that was one feeling that Orbital could evoke better than any other techno band.
The other single, and Orbital's most famous work, is "Halcyon + On + On." Here, too, Orbital create a sense of glazed-eyed happiness by manipulating a sample of some airy female vocals. The vocals themselves are not of particularly high quality, but Orbital cut them up, run them backwards, layer them on top of each other, add echo, and so on. The words become indistinguishable, and the song babbles rhythmically in many copies of the same voice. Variations in the echo make the voice sound alternately close and distant. It is a beautiful sound, and the band contributes a strong club beat. Like in "Lush 3-1," the opening is prolonged to magnify the effect of the main melody when it comes in.
The only complaint I have is that this isn't the best version of the song. That would be Orbital's live version, which adds other vocal samples from different songs, plays them against each other, and finally cuts them up in the same way. In that interpretation, the song becomes as maniacally joyful as "Lush 3-1." One recording of this version is available on some pressings of Orbital's later album In Sides.
Aside from these two high points, there's also one very good album track ("Monday") and a couple of others that are at least very listenable ("Planet Of The Shapes," "Remind"). So it's not a bad album, but in my opinion, not a timeless classic either. If you want an album with many good songs, Orbital's own Blue Album is more consistent, although it doesn't have any such perfect singles.
Modern Masterpiece.......2006-05-04
The Brothers from Londons' second offering (thus the name orbital 2) is an epic musical journey consisting of Large electro beats intertwined with melodic textures and some down right disturbing samples.
This album is definatly 10 years ahead of its time. Being released in 1991 is something that is even more remarkable. Considering the technology available at the time, the production and origionality of composition help to make this album one for the ages.
Worth every penny.
Absolutely essential electronica album.......2005-12-29
Highlights include:
everything but the first and last tracks
Orbital, as in round and round on the same old trak.......2005-09-08
Take an aspirin and get some other CD, maybe even a compilation which seems the best route for the genre. At least there are more hits and good traks in a comp and if you find you like certain people, then go after them specifically.
Orbital 2 is one of those disks you should play while in the car with the windows rolled up. People think you are listening to something def from the beat, but you'll know different
Average customer rating:
|
Hackers 2: Music From And Inspired By The Original Motion Picture "Hackers"
Various Artists Manufacturer: Edel America ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005OMV Release Date: 1997-10-21 |
Tracks:
- Firestarter (Empirion Mix) - Prodigy
- Toxygene - Orb
- Little Wonder (Danny Saber Dance Mix) - David Bowie
- Fire - Scooter
- Narcotic Influence 2 - Empirion
- Remember - BT
- Go - Moby
- Inspection (Check One) - Leftfield
- Cherry Pie - Underworld
- To Be Loved (Disco Citizens R+D Edit) - Luce Drayton
- Speed Freak (Moby Remix) - Orbital
- Get Ready To Bounce (Radio Attack) - Brooklyn Bounce
- Offshore (Disco Citizens Edit) - Chicane
- Original - Leftfield
Customer Reviews:
hey look, another 5 stars!.......2006-06-16
No ordinary 'inspired by' CD.......2006-05-24
A great addition to the collection. If you liked this one or the original hackers, you should also look to purchase hackers 3 as it was my favorite of all series.
Awesome CD.......2005-01-25
Honestly... buy it NOW. You won't regret it.
Great Soundtrack - if you like Techno.......2004-04-27
One of my favorite soundtracks.......2003-09-05
Average customer rating:
|
Blue Album
Orbital Manufacturer: Ato Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002JELRC Release Date: 2004-08-10 |
Tracks:
- Transient
- Pants
- Tunnel Vision
- Lost
- You Lot
- Bath Time
- Acid Pants
- Easy Serv
- One Perfect Sunrise
Amazon.com
The Blue Album is the seventh and supposedly final album by one of dance music's most enduring pioneers. Orbital's blend of techno, breaks, and acid has been mimicked but never quite copied in their 10-plus years at the top. Fans looking for sweeping cinematic dance numbers may be confused by first track "Transient," six minutes of techno bubbles, awash with echo, but not so much as a bass drum in sight. However, as it is common for their songs to be progressive, here it is the album itself that progs. Beginning in a chilled style best described as techno-Enya, the beats pick up and the synths get spikier until "You Lot," a classic Orbital piece complete with theological dialogue and a swirling melody."Bath Time" is more downbeat, a warm baroque number that slows the pace only to enhance the impact of next track "Acid Pants," a twisted acid monster featuring Sparks on vocals, which could well be the highlight of the album. The closing song featuring Lisa Gerrard is upbeat, jolly tech-house with her ethereal vocal soaring over the top--a fitting end to an album and indeed career that brought techno to the mainstream and kept analog synthesizers cool. --David Trueman
Customer Reviews:
Eh........2006-08-02
My Tribute to Orbital.......2006-04-21
I have all of their albums and was disappointed with the last two selections, "Middle of Nowhere" and "The Altogether." Now, to the "Blue Album." FINALLY!!! The return of Orbital to their roots. I was a bit skeptical when I first purchased this album, but when I knew the title of the album was a "color" I knew it had promise. Looking back at the original "Yellow" album and then what I consider is their best album, the "Brown" album I knew this was a departure from their last two albums.
What makes Orbital so unique is that they define electronica. They are one of the pioneers along with The Orb, Moby, Underworld, and even Aphex Twin.
Now, to the album. I like the build up of the first selection - Transient. My favorite tracks on the album are - You Lot and One Perfect Sunrise. Lost and Bath Time are also great selections. Overall, this album is worth buying if you enjoyed "Snivilization" and the "Brown Album."
Now to rank all of the Orbital albums and highlights of their best songs.
1) Brown Album - By far the best. Lush 3.1 and 3.2, Impact, Remind, and Halycon + On + On (9 minutes of pure heaven).
2) In Sides - The Box, Dwr Budr, Adnan's, Out There Somewhere? 7 & 8 (24 minutes long)
3) Snivilization - Forever, Sad But True, Are We Here? (15 minute song)
4) Blue Album - Transient, Lost, You Lot (best song), One Perfect Sunrise
5) Yellow Album - Chime (the one that started it all), Satan (remake is better - found on In Sides second CD)
6) Middle of Nowhere - Way Out, Nothing Left 1 & 2 (16 minutes), Style
7) The Altogether - Funny Break (mix is real good on second CD)
Immersed In Texture With Orbital's Collected Works In My Collection.......2006-02-22
And oh yeah, some of the songs on this volume are a bit 'wack', but that's what gives them the crown--Orbital doesn't take themselves or the world too seriously.
A Solid Album with Some Highs and Some Lows.......2006-01-25
I think most Orbital fans would agree that no two of their albums are alike. Each one has a different mood and has different musical themes and ideas. "Blue Album" continues this tradition. It is just as unique as all of the others. Orbital fans may never revere this album they way they do the primitive and powerful self-titled "Orbital" or the complex and symphonic "In Sides", but I think Orbital's last album has a place in every fan's collection.
Having been a fan for years and having seen Orbital live on two different tours, I know that Orbital fan's are a diverse crowd. Some favor the simple light dancy tracks (e.g. Sad But New, Funny Break, and Chime), others enjoy complexity and orchestration (e.g. The Box, Shadows, and Way Out), while still others crave head pounding energy or darkness (e.g. Satan, Beelzebeat, and I Don't Know You People). With that said, if you lean towards the latter two categories you'll probably get something from my review. If your tastes are more towards dance music, then stop reading right now.
The Good
In a musical genre devoid of lyrics, Orbital's "Transient" emerges as one of the saddest songs I've ever heard. "Tunnel Vision" is equally powerful, it may be one of Orbital's most energizing and ferocious tracks. It's energy doesn't measure up to the the 28 minute version of "The Box" which you may have been lucky enough to get with an early copy of the "In Sides" double cd, but "Tunnel Vision" is still really inspiring. "Pants", "Lost", and "One Perfect Sunrise" are also solid and interesting.
The Bad
"Bath Time" sounds like it was the first effort by a couple of computer geeks in their garage rather than the culminating track of two electronica veterans. It is primitive, repetitive and truly unoriginal. "Easy Serv" joins Bath Time in this category. It sounds like the backing track of 70s love song or the repetitive demo played by a cheap keyboard in a department store. I've always admired Orbital's tendency to take chances, but "Bath Time" and "Easy Serv" are distinctly unambitious.
The Ugly
On the other hand, "Acid Pants" and "You Lot" take bold chances by using some obnoxious and repetitive vocal samples. You may like it, but to me it's like nails on a chalk board... recorded and looped. This annoying sampling is one risk I wish Orbital had not taken, but it may suit your taste.
"Blue Album" not only contains two of the best tracks that Orbital has ever made (Transient and Tunnel Vision) but it also contains two of their worst tracks ever (Bath Time and Easy Serv). But for any devoted fan, this album is a must, if only to have "Transient", "Tunnel Vision", and "Lost" in your collection.
An overall dissapointing end to Orbital.......2006-01-15
01. Transiet - An interesting opening. Kinda reminds me of the track "Out There Somewhere" from the "Insides" album they released (their best in my opinion). Yet, here we have some orchestral bits placed on top of a techno bubbling sound. This could have been a little better (2/5)
02. Pants - The second track. Again it could have been a little better. It just sounds bare. Something is missing. Its kinda cool though and I like the darker feel to it. (3/5)
03. Tunnel Vision - Alright now things are getting better. This reminds me alot of the track P.E.T.R.O.L from Insides. Very fast and very moody. Definetely dark.(4/5)
04. Lost - Oh wow. Now THIS is Orbital. Very slow and of course dark. I love hearing more of this side of Orbital. The beat in the background is really cool and is almost like a heartbeat. Synths are dead on and mimic the feeling that Insides had. Once it hits (3:57) it gets tight! (5/5)
05. You Lot - Sounds really cool right after Lost, because this one is more fast paced. Love the beat/rhythm they got going here. About half way (1:48) we get a new synth that again brings back their insides sound. Always give me chills. Then a sample, of I think one of the guys who played Dr. Who, comes on on top of the synth. Really cool, but it is short lived as the beat slams back in on top of the insides synth that has now become louder and more developed. Pure orbital. (5/5)
06. Bath Time - Oh my god! What happened?!? They were doing so good! This track here sucks. Its like a little kiddie tune type thing. I dunno. (2)
07. Acid Pants - Yep this is when Blue Album starts to go downhill. This song is so annoying. The sample of teh guy saying "The fun starts" is really annoying. Plus the beat/synths in the background are not very good at all. Cmon Orbital! Where are ya! (1)
08. Easy Serv - No No No No No! What is this??! Its like...nothing. Really this is sad. What were they thinking when the slapped this on here? (1)
09. One Perfect Sunrise - Yep, this is Orbital's farewell. It gets the job done, but unfourtounally I think it could have been a tiny bit better. Vocals are nice tho. This is definitelly alot like the Halcyon track. (4)
This album is on about 50 minutes long and half of it is pure crap really. Orbital is much better than this and it dissapoints me that they decide to give us lame almost half-hearted tracks. Seriously this is their last chance to show us the great music they can make. Unfourtunally, this is a missed opportunity. If the second half had been better and if it was 20 minutes longer, then this could have been a masterpiece.
Average customer rating:
|
In Sides
Orbital Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004T6UX Release Date: 1997-03-25 |
Tracks:
- The Girl with the Sun in Her Head
- P.E.T.R.O.L.
- The Box
- The Box
- Dwr Budr
- Adnan's
- Out There Somewhere?
- Out There Somewhere?
Tracks:
- Satan (Industry Standard)
- Satan (Live in New York City)
- The Saint
- The Sinner
- Halcyon (Live)
Amazon.com essential recording
By the time Orbital released its fourth album, the Hartnoll brothers were strongly tipped as techno heavyweights alongside more commercially palatable prospects like Underworld and Prodigy. Yet, instead of catering to the curious, they presented their most self-indulgent album to date with In Sides. Packaging the 24-minute symphonic track "Out There Somewhere?" with the loopy psychedelic flight of "P.E.T.R.O.L.," they created a most unusual and intriguing collection. Despite their best efforts, though, "The Box" still packed the same insistent rhythm that made "Belfast" such an indelible club staple, while a bonus disc featured live versions of "Satan," "Halcyon," and the duo's streamlined themes from The Saint. --Aidin VaziriAmazon.com
The Hartnoll brothers remain the great hope of ambient techno--sleeker, smarter, and way more dynamic than the rest. The duo's third full-length disc is a sonically splendid variant Snivilisation (1994). --Jeff BatemanCustomer Reviews:
Out There Somewhere Part 2.......2007-04-07
However, with that said, I will say this... Out There Somewhere Part 2 is quite possibly the best track Orbital has produced to date. An amazing ending to the album with interlaced loops that work perfectly. The last 5 and a half minutes to the track are Orbital at their best. Oddly enough it sits in one of my least favorite Orbital albums. The track along with Adnan's and the Box part 2 simply saves the album from sub-par status. The bonus CD is not memorable.
Should you buy the album, yes but simply for the above mentioned tracks (In my opinion they are worth it). If you want to hear Orbital on all cylindars, listen to Track 8, you won't be disappointed.
In addition, it is worth mentioning that the earlier versions of the album came with a 28 minute version of the Box on the bonus CD. Great track, good luck locating that rare bonus CD.
Simply the best.......2007-03-01
It's OK.......2007-01-03
Everyone talks about The Box, but for my money... .......2006-12-01
Let me put it this way.........2006-08-12
Average customer rating:
|
Snivilisation
Orbital Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004T6V0 Release Date: 1994-08-23 |
Tracks:
- Forever
- I Wish I Had Duck Feet
- Sad But True
- Crash and Carry
- Science Friction
- Philosophy by Numbers
- Kein Trink Wasser
- Quality Seconds
- Are We Here?
- Attached
Amazon.com
Snivilisation is one of Orbital's most accomplished works. Partially consisting of experimental loop-oriented progressions and clamorous noise fills, other dominant tracks also purvey elements of drifting "technotic" bliss. The appearance of guest vocalist Allison Goldfrapp, who sang on Tricky's Maxinquaye album, adds to the appeal of two tracks. As audiences succumbed to the electronic symbiosis generated by Orbital's mystique, the group's political outlook became realized on bold tracks like "Are We Here." The track rallied rave culture as it scorned austere governmental policies which descended upon England's electronic masses. Combined with traces of Eastern-oriented influence, the album further heralds Orbital's outward affiliations applied within their technology-driven platforms. --Lucas HilbertCustomer Reviews:
I Must Be Missing Something.......2005-08-06
MIND BLOWING.......2004-05-08
Great. Gets better the more I listen........2004-01-22
first Orbital album.......2003-11-20
A mixed Orbital bag.......2003-09-03
It's one for the collection but definitely not the best.
Average customer rating:
|
Orbital
Orbital Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004T6UY Release Date: 1992-10-12 |
Tracks:
- Belfast
- Moebius
- Speed Freak
- Fahrenheit 3D3
- Desert Storm
- Oolaa
- Chime
- Satan
- Choice
- Midnight
Amazon.com essential recording
In the late 1980s, as American house and techno imports flooded Britain and the Acid House movement was sweeping the nation, brothers Paul and Phil Hartnoll were busy building Britain's own interpretation of the sound. Named for the illegal "Orbital" raves taking place on London's M1, they dragged their equipment from party to party, playing live PAs of their homegrown dance music to enthusiastic crowds of revelers. Their 1990 single "Chime" was (and still is) the anthem of many a British raver, and their self-titled 1991 debut remains a classic. Opening with the exquisite mid-tempo anthem "Belfast," and containing the "Chime," "Satan," and "Fahrenheit 303" singles, this album captures the innocence and energy of the nascent rave scene. --Matthew CorwineAmazon.com
Orbital kick ambient house to a new plateau with a hypnotic 65-minute session that bubbles with dance beats and invention. "Halcyon" (featuring U.K. band Opus III) and "Remind" are the standouts. --Jeff BatemanCustomer Reviews:
AI is a fan of Orbital.......2003-12-02
I guess it's a preference from one of its authors, but fun to mention anyway...
In the beginning.......2003-01-13
This album is the start of a very special band indeed.
Orbital's debut album and very patchy.......2002-08-16
For fans of the group it is a must have. I wouldn't recommend it for an introduction to the music of Orbital for new listeners. Try 'Insides' and 'Snivilisation' first.
Time for Re-evaluation.......2002-06-26
There's a musical sheen and homogeniety to this album that is comparable to Beatles' Sgt. Pepper. And like that record can be enjoyed in a single listen from start to finish, which, in my opinion, just isn't possible with the sprawling Snivilisation or In-Sides. In short Orbital 1's strength lies in its homogeneity, purity and excitement. Not just a cult rave album, then, but a must in any CD collection.
Very good.......2002-04-28
If you're an Orbital fan and don't have the 'Green Album', than don't hesitate for a minute - this is a must have, so you'll be able to listen to the early sound (late 80's/early 90's) of Orbital's work. But not a good place for a start; rather than this get the two albums I mentioned earlier ('I-S' and 'O2') to get the full listening pleasure of the ethereal music of the Hartnoll brothers.
Average customer rating:
|
Middle of Nowhere
Orbital Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000J8LA Release Date: 1999-06-08 |
Tracks:
- Way Out
- Spare Parts Express
- Know Where To Run
- I Don't Know You People
- Otono
- Nothing Left 1
- Nothing Left 2
- Style
Amazon.com
Having outgrown the happy house of the green and brown albums and exploited narrative too complex for merely ambient techno, the Hartnoll brothers--Phil the elder and Paul the younger--really do find themselves in some vaguely Far Eastern adventure in The Middle of Nowhere. Thus they prove again that they are the most reliable innovators in danceable electronic composition. The inchoate political rage of 1994's Snivilisation is here, but it has found purely instrumental claws that are unafraid to dig for new melodies. "Know Where to Run" gathers itself from some beastly buzzing weather to become a dance-floor creature lurching through the village at night like some urban nightmare and "I Don't Know You People" turns the dance floor into an escapist fantasyland once more with its grousing refrain, "nothing changes--goddamn you!" The highly evolved vocal softness of "Autumn" and the weirdly Tangerine Dream-gone-hip-hop "Style" keep a trip-hop story line seamlessly borne out on jungle and electro beats. Nowhere comprises a portrait of boom-boom techno that carjacks beats once lost in space to whole new worlds where breakthrough songwriting is an aesthetic ideal. The U.K. act who forced the sales charts fully into the postrock '90s is now realizing the participatory promise of rock & roll liberation in the dance clubs, where music lives now. --Dean KuipersCustomer Reviews:
Classical Music for the New Mellinium.......2007-05-25
The album that let me "get it".......2006-11-09
And then I hit the middle of "Know Where to Run". All of a sudden, everything that made Orbital great clicked, and that pretty much led me to get all the rest of the pre-Middle of Nowhere catalog and enjoy it too.
The trick with Orbital is essentially that they created their own song structure and form and let the rest of the world catch up to it. Some (even most) of it is so inaccessible at first that a new listener can't figure it out. But get "Know Where to Run" and you'll understand. Two rhythms, one fairly skittering, the other straight electro-funk, merging together before one of them drops out and propels almost an entirely different song. You've spent 4:30 wondering where this is going and then the MASSIVE distorted crosspanned synth drops, followed by the reintroduction of rhythm 1 and some other odd bits from the first half. Then the rhythm and the synth combine to go on their own trip out into who knows where for awhile (the synth on this is one of my favorite bits to play loud of ANY song). Eventually, some squelchy bass underlies the whole thing and provides some even stranger chordal interplay with the synth that's already been awesome for awhile. In essence, you've gotten about two whole songs that have all its decisions about where things go in and out seemingly arbitrary to the non-Orbital mind, but perfectly in place once it's done.
That may seem long and winding, but the point is this: Orbital writes its own rules like NOBODY in the electronica world does. (Aphex Twin rivals them in this, but it's hard to tell if those are actually rules ol' Richard is using.) I dare say that Orbital's core is impossible to understand until you listen to the full "Know Where to Run." This album, as a whole, is at the peak of their being them and being accessible while going about it. It's not the quintessential Orbital album, but it best summarizes what they do on the other albums for the unintroduced listener.
Fantastic CD.......2005-09-04
I Must Be Missing Something.......2005-08-06
Whole story.......2005-04-29
Lated I decided to purchase another record (Middle of Nowhere) and it didn't catch me at all from the beginning so I put that record aside and forgot about it. After couple of months I decided to try it again and now I am really grateful for that decision... This record is absolutely amazing (except song No. 4 - it gets me very nervous). I would give 5 stars but I dont give it very ofen. No. 3 song Dont know you people is one of most favourite Orbital's songs ever!!! Try it, it really works :-)) Enjoy
Album Review:
- Original Series OS.0_1
- Push the Button [CD-single] [Import]
- Put It in Your Mouth [Explicit Lyrics] [EP]
- Recorded Live: Solid Steel Presents [Live]
- Remasterpiece [Import]
- Resurrection [CD-single]
- Rubberneckin' [CD-single]
- Sandra - 18 Greatest Hits [Import]
- Sold [Import]
- Sounds of Om, Vol. 3
Album Review
Improvisation Upon Grgorian Themes
Music: Rock Shocks: Loud R Us [Import]
Music: 8: Sabotage Live at Centro 360 - Mixed by Cass [Import]