Like an angry thunderstorm dissipating into still winds and humid temperatures, Optometry opens like gangbusters with free jazz and DJ squabble, and then slowly spirals into more meditative moods. Manning laptop, kalimba, and turntable, New York DJ-theorist DJ Spooky stretches and shifts the free jazz ramblings of the Matthew Shipp quartet like a sea captain navigating a treacherous ocean. Spooky is as much an improviser as Shipp and crew, adding atmospheric samples, gentle melodies, and laptop mayhem at will. Beat poetry by Carl Hancock Rux adds hip-hop edge, and Spooky still opts for pretentious song titles ("Reactive Switching Strategies for the Control of Uninhabited Air"), but you definitely get the feeling that something fresh is happening here. Optometry sure ain't dance music, and it's too funky for free jazz purists, but it's just right for DJ Spooky's subliminal mind music. --Ken Micallef
Optometry,DJ Spooky,Thirsty Ear,Dance,Dance Music,Electro-Jazz,Electronic,Jazz Music,Modern Creative,Pop
Average customer rating:
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Optometry
DJ Spooky Manufacturer: Thirsty Ear ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000069B12 Release Date: 2002-08-27 |
Tracks:
- Ibid, desmarches, ibid
- Ractive Switching Strategies For The Control Of Uninhibited Air
- Variation Cybernetique: Rhythmic Pataphysic (Part 1)
- Asphalt (Tome II)
- Optometry
- Sequentia Absentia (Dialectical Triangulation I)
- Rosemary
- Dementia Absentia (Dialectical Triangulation II)
- Parachutes
- Absentia Absentia (Dialectical Triangulation III)
- Variation Cybernetique: Rhythmic Pataphysic (Part II)
- Periphique
- It's A Mad, Mad, Mad, World
Amazon.com
Like an angry thunderstorm dissipating into still winds and humid temperatures, Optometry opens like gangbusters with free jazz and DJ squabble, and then slowly spirals into more meditative moods. Manning laptop, kalimba, and turntable, New York DJ-theorist DJ Spooky stretches and shifts the free jazz ramblings of the Matthew Shipp quartet like a sea captain navigating a treacherous ocean. Spooky is as much an improviser as Shipp and crew, adding atmospheric samples, gentle melodies, and laptop mayhem at will. Beat poetry by Carl Hancock Rux adds hip-hop edge, and Spooky still opts for pretentious song titles ("Reactive Switching Strategies for the Control of Uninhabited Air"), but you definitely get the feeling that something fresh is happening here. Optometry sure ain't dance music, and it's too funky for free jazz purists, but it's just right for DJ Spooky's subliminal mind music. --Ken MicallefCustomer Reviews:
Disapointing.......2005-07-19
Deserves a genre of its own (and another star).......2005-06-11
The work here is such a thick soup of sound that it takes numerous repeats to savor all of the flavor. Yet, it all meshes into such a tight seamless whole that its hard to imagine that any element was ever intended to be part of anything but these finished pieces. DJ Spooky moves tracks effortlessly from free jazz piano figure intros into pulsing thick funky grooves, loose and atmospheric like his best trip-hop underneath, smoky, moody and grooving like a hot jazz club on top.
"Asphalt (Tome II)" with its beat poet throw-down, and "Optometry" with its late 70s jazz clavinet are raw, burning, funking masterpieces. Ordinarily, a track like "Asphalt" with its spoken word center piece wouldn't get many repeat listens from me, but the vocal performance is as brilliant and exciting as any of the playing or mixing supporting it. After weeks of repeat listens, I'm still not burned out on this.
As other reviewers have warned, DJ Spooky is really stretching himself on this one. It's hard to believe this is the same artist who produced "Songs of a Dead Dreamer" or "Riddim Warfare" or "The Quick and the Dead." But what a successful stretch! Paul D. Miller is one of the sharpest most creative minds in current music, and this is some of his best work. Too bad this CD will never get the attention it truly deserves.
Best DJ album ever!!!.......2003-11-11
Great, great album!
Warning: Mostly Jazz.......2003-04-18
Nothing wrong with that, it just ends up being a very heavily jazz-flavored album. If you like jazz with a touch of hip-hop, I recommend it. But those looking for normal Spooky stuff should probably check out his other albums.
More great DJ Spooky:.......2002-10-10
File Under Futurism was garbage except for a few songs. Modern Mantra is absolutely spectacular, and I have listened to it over 20 (yes, twenty) times in that last week! This CD fits between the two. Some of the songs are great, some are just OK. The first few tracks are kinda toned down acid jazz, but after those are over, the CD starts to pick up. Some of the songs are a little too slow, but it all works together in the end. Some rap, some techno, some real imagination on the behalf of Paul D. Miller (DJ Spooky.) I would not recommend this as a first DJ Spooky CD (that job goes to Modern Mantra in IMO), but if you like DJ Spooky, this is definitely a must have!
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