You Never Know [CD-single]

Track Listings

 
1. You Never Know [Morjac Radio Mix]
2. You Never Know [Pop Mix]
3. You Never Know [Filur vs. Morjac Radio Mix]
4. You Never Know [Original Version]
5. You Never Know [Morjac Extended Mix]
6. You Never Know [Filur vs. Morjac Club Mix]
7. You Never Know [Tribal Dub]
8. You Never Know [Amazing Bob Remix]
9. You Never Know [Flip & Fill Remix]
10. You Never Know [LMC Remix]
11. You Never Know [Progheadz Remix]
12. You Never Know [VFM Dub]
13. You Never Know [Kenny Hayes Vocal Remix]

You Never Know,Marly,Robbins,5"CD Singles,Dance Music,Pop
Odyssey
Average customer rating: 4.5 out of 5 stars
  • Wonderful melodies
  • Hayley Westenra - Odyssey
  • Very soothing
  • very good pop singer voice
  • Voice & level head deserve high marks
Odyssey
Hayley Westenra
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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  1. Celtic Treasure
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ASIN: B000AXWHPI
Release Date: 2005-10-18

Tracks:

  1. Prayer
  2. Both Sides Now
  3. Never Saw Blue
  4. Dell' Amore Non Si Sa
  5. What You Never Know (Won't Hurt You)
  6. May It Be
  7. Quanta Qualia
  8. You Are Water
  9. She Moves Through the Fair
  10. My Heart Belongs To You - Hayley Westenra
  11. Ave Maria
  12. I Say Grace

Album Description

Hayley Westenra's new album Odyssey was always going to be a different proposition to Pure, the record-breaking 2003 collection which marked her international debut. A lot has happened to the young New Zealander over the past two or three years--and those changes are clearly reflected by a record which encapsulates her growth from a budding teenage prodigy into a mature young woman.

Now, at 18, Hayley is ready to show the world how much she has grown up, both as an artist and as an individual. Fans of Pure will be pleasantly surprised by her new album. Her wonderful voice retains its crystal-clear purity, but Westenra's singing is now richer and more rounded than before. Touring the world and singing in some of its greatest concert venues, such as the Sydney Opera House, Royal Albert Hall, and Carnegie Hall, has worked wonders for her confidence. Suitably emboldened, she has embraced an even wider range of musical styles including classical, hymns, folk and pop.

"I was happy with Pure at the time, but I've moved on so much," says Hayley. "It's really exciting to have something new out there for people to listen to. I wanted to make a record that represented me as a person. And I think I've improved as a vocalist."

Variety is certainly one of the keywords with Hayley's new album. When she first entered a recording studio in New Zealand as a 12-year-old, Westenra restricted herself to classical pieces and show tunes. Now, in addition to impressive takes on classical works, Hayley uses her new album to perform an inspired cover of Joni Mitchell's "Both Sides Now" and has arranged and written much of the material. "I like to push myself, and I'm now confident enough to try different things. I have been much more involved behind the scenes with this album--I wanted to put my individual stamp on each song."

With her career stretching out promisingly before her, Hayley is also keen to continue experimenting. She is still primarily a classical crossover artist but she also wants to keep broadening those musical horizons. Three years after her international debut CD, Hayley Westenra is still pure: she exudes pure quality and she remains pure class--but her musical journey continues with her new album Odyssey.

Customer Reviews:

5 out of 5 stars Wonderful melodies.......2007-06-08

This is a wonderful CD with beautiful melodies. Hayley Westenra has a very pure voice and sings right on key. The melodies are very relaxing and the musical settings are well arranged.

4 out of 5 stars Hayley Westenra - Odyssey.......2007-06-08

Pure, crystalline, angelic voice. Gorgeously produced. "Prayer" is stunning. "Both Sides Now" wonderful. The rest is good but not her best song selection. When I first heard this girl on the "Celtic Woman" tour I was totally blown away. None of her CDs will disappoint!

4 out of 5 stars Very soothing.......2007-05-14

Hayley Westenra's Odyssey is a very beautiful CD. If you switch on your walkman and listen to the CD's tracks non-stop, you'll soon feel like you're flying in Heaven. It's very soothing and heavenly. It calms you down, without causing you to feel lonely or sad because you're listening to it in solitary, like other vocal or classical songs do sometimes.

I would definitely recommend it to anyone interested. Quanta Qualia and Ave Maria are my most favourite tracks. Quanta Qualia is pure magic! I really feel as if I'm flying in Heaven when I listen to it.

4 out of 5 stars very good pop singer voice.......2007-05-13

the selections were tasteful and varied. the singer has a very good pop singer voice. i would have liked some voice variation between songs. all were sung in exactly the same style. good singing but without tonal variation the disk tends to be bland. i hope that as she gets more exposure she will vary her voice to make the songs stand out individually instead of letting them blend into one song on the disc. i would rate this 5 stars except for that major fault.

4 out of 5 stars Voice & level head deserve high marks .......2007-04-20

Not only has Hayley Westenra's voice remained "pure", but her good sense and sensibilty has stayed intact when so many similar young performers have gone over the deep end with extreme behavior and disreputable remarks. On this CD Miss Westernra covers a number of songs in her own special style, such as excellent versions of "Prayer", "May It Be" and "Both Sides Now". I hope to hear her renditions of more such tunes, old and new. I would like to hear her sing songs like "Yesterday", "I Still Believe in Love" and All I Know. She has a way with her soaring vocals that never lets the listener down.
Harem
Average customer rating: 4 out of 5 stars
  • harem
  • New to Sarah Brightman
  • Stranger in Paradise - More Like Stranger in a Lost Cause
  • No voice like hers in the world
  • Brilliant Brightman, Her best CD.
Harem
Sarah Brightman , and Frank Peterson
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00008W2QZ
Release Date: 2003-06-10

Tracks:

  1. Harem
  2. What A Wonderful World
  3. It's A Beautiful Day
  4. What You Never Know
  5. The Journey Home
  6. Free
  7. Mysterious Days
  8. The War Is Over
  9. Misere Mei
  10. Beautiful
  11. Arabian Nights
  12. Stranger In Paradise
  13. Until The End Of Time
  14. You Take My Breathe Away

Amazon.com

If one's notion of "world music" promises a touch of the exotic and indigenous, often overlooked is the fact that the influence of western pop music has seeped into every corner of the globe, creating a hybrid that's often more than merely the sum of its influences. Theater vet Brightman steps into that pan-cultural hall of mirrors here, wedding her fascination with the music and rhythms of the "forbidden places" (the title's Arabic meaning) of the Middle East to her own oft ethereal vocal charms and rock-solid sense of drama. And if the diva's equally sound crossover sensibilities (and that of longtime producer Frank Peterson) sometimes mire it in familiar world-beat pastiche, Brightman's charmed muse manages some transcendent moments nonetheless. Her musical borrowings (Borodin for the title track; Puccini's *Madame Butterfly* for "It's a Beautiful Day") are as compelling as her choice of collaborators: classical violin star Nigel Kennedy and Iraqi vocalist Kadim Al Sahir add compelling touches to the weary timeliness of "The War is Over." The musical influences range from Europe across the Mediterranean and as far East as the Indian roots of "Bollywood" composer A.R. Rahman's "The Journey Home" and Brightman's own "You Take My Breath Away" to evocative recastings of the emblematic standards "Stranger in Paradise" and Louis Armstrong's "What a Wonderful World," while ex-Killing Joke keyboardist Jaz Coleman provides the savory East-meets-West orchestrations that ensure Brightman's star turns the seamless foundations they deserve. --Jerry McCulley

Amazon.com

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Customer Reviews:

5 out of 5 stars harem .......2007-05-28

As usual a quick and effecient service ,especially for people who live abroad.Keep up the excellent work John Williams.

4 out of 5 stars New to Sarah Brightman.......2007-03-12

I'm very new to Sarah brightman's music and I enjoy this CD. I think she has an amazing voice. Very talented young woman and this cd was very relaxing and joyful to listen to. I like to learn and heard more from Sarah Brightman.

3 out of 5 stars Stranger in Paradise - More Like Stranger in a Lost Cause.......2006-12-30

I'm not throughly pleased with this album! This CD is only good if you know how to dance in a Middle-Easters fashion. About half of each track is dominated by all orchestrations and no Sarah. Plus, Pop-Sarah isn't really for me. I much prefer the Classical-Sarah. Some of the tracks are okay, like "Harem", "The Journey Home", "Beautiful", and "Stranger in Paradise". Really, this is a good CD for your collection, but I wouldn't listen to it on a 24/7 basis.

5 out of 5 stars No voice like hers in the world.......2006-10-01

I own this cd. I saw her in person at the "Harem" concert. Never had I heard or seen any voice like this. What a performer, best concert I'd ever seen. Beautiful voice, I can never get enough of Sarah Brightman's music. It is so comforting at times. I have all her music and this cd makes you wonder, how can she top this? Thank you Sarah Brightman for giving us your beautiful gift of music.

5 out of 5 stars Brilliant Brightman, Her best CD........2006-09-18

Sarah is just the best, she can hit any note and her individuality shines on this CD. She sings "The Journey Home" from the musical Bombay Dreams and her voice just soars. "Harem", "Mysterious Ways" and "You Take My Breah Away" are songs that take me to dreamland. Amazing! A master piece!
Let Yourself Go
Average customer rating: 4.5 out of 5 stars
  • One of the best ever!
  • Kristen Chenowith
  • Has its moments
  • Great CD!
  • This woman has what it takes, and then some...
Let Yourself Go
Kristin Chenoweth , Jule Styne , George Gershwin , Richard Rodgers , Jeanine Tesori , Kurt Weill , Jerome Kern , Vincent Youmans , Ricky Ian Gordon , Richard Dworsky , Lawrence Ellington Duke / Brown , Harry Warren , Bobby Troup , Jason Alexander , Irving Berlin , Rob Fisher , and The Coffee Club Orchestra
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000059T4T
Release Date: 2001-05-29

Tracks:

  1. Let Yourself Go
  2. If
  3. How Long Has This Been Going On?
  4. My Funny Valentine
  5. Hanging Around with You (with Jason Alexander)
  6. The Girl in 14G
  7. I'll Tell the Man in the Street
  8. I'm a Stranger Here Myself
  9. Nobody Else But Me
  10. Nobody's Heart Belongs to Me/Why Can't I?
  11. Should I Be Sweet?
  12. He's Just an Ordinary Guy
  13. Going to the Dance with You
  14. On a Turquoise Cloud
  15. You'll Never Know
  16. Daddy

Amazon.com

Kristin Chenoweth won a Tony for the supporting role of Sally Brown in the 1999 revival of You're a Good Man, Charlie Brown, made a memorably vampy Lily in the 1999 television film of Annie, and had an NBC sitcom created for her, Kristin! Now she grabs the spotlight in Let Yourself Go, her first solo recording. She mixes torchy standards ("My Funny Valentine," "How Long Has This Been Going On?") with Faith Prince-style sauciness ("If"), gets to show off her operatic and scat chops in the miniplay "The Girl in 14G," and shares a light duet with Jason Alexander (reviving his musical theater career post-Seinfeld). Perhaps her "Stranger Here Myself" isn't the weightiest you've ever heard, but this is an enjoyable album with a good deal of old-fashioned class, expertly accompanied by Rob Fisher and the Coffee Club Orchestra. --David Horiuchi

Customer Reviews:

5 out of 5 stars One of the best ever!.......2007-04-24

Do I mean the best album or the best singer? You are correct if you said both! I saw Kristin Chenoweth on a PBS show "Broadway's Best at the Pops," (though it was not the first time I had heard her) and decided to check out the offerings here. This is a collection of the kind of music and performances I love. She has a great range, a precise pitch, and a great style that is at the same time true to the music and to herself. In an era when singers try to outdo each other re-interpreting the composer's original work, not usually with great success, she is a blessing!

5 out of 5 stars Kristen Chenowith.......2007-02-26

I bought this CD for the Girl in 14G. Yes, it's that good...

4 out of 5 stars Has its moments.......2007-02-19

After watching Candide endlessly and going to see Ms. Chenoweth in The Apple Tree, I was hungry for something more portable to listen to. At times this fits the bill, but what surprised me the most is how thin her voice comes across on this recording. Perhaps it was the joy of seeing her live that has ruined this listener; perhaps I need to upgrade my aging music system. Then again, maybe the recording is just not as good as Ms. C singing Bernstein or as good as staring at Ms. C command a Broadway stage.

4 out of 5 stars Great CD!.......2007-01-19

I truly enjoy listening to this CD. Kristin Chenoweth's vocal style and abilities are very well-matched to the songs selected for this album. If you enjoy classic, older-style Broadway/popular tunes, I would highly recommend this CD. Ms. Chenoweth has a bright, expressive voice and does a fantastic job with this material.

As with any full-length CD, there are a couple of songs I am not as crazy about, but that has to do with the songs themselves, not Ms. Chenoweth's vocal performance. Overall, I love this album and have listened to it several times now, since receiving it as a Christmas gift last month.

5 out of 5 stars This woman has what it takes, and then some..........2007-01-12

Kristin Chenoweth brings new life to some timeless Broadways tunes while introducing a few wonderful new ones. This high pitched vocal goddess effortlessly provides for a nearly flawless and easy listening experience. I definitly recommend this CD for anyone who enjoys jazz vocals, showtunes, or just a new spin on some old classics.
Broadway - The American Musical (PBS Series)
Average customer rating: 5 out of 5 stars
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Manufacturer: Sony
ProductGroup: Music
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ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

  1. Give My Regards To Broadway- Joel Grey
  2. Swanee- Al Jolson
  3. When The Moon Shines On The Moonshine- Bert Williams
  4. A Pretty Girl Is Like A Melody- John Steel
  5. My Man- Fanny Brice
  6. Fascinating Rhythm- Fred Astaire, Adele Astaire
  7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
  8. Someone To Watch Over Me- Gertrude Lawrence
  9. Bill- 78 rpm Version Helen Morgan
  10. Ol' Man River- Paul Robeson
  11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
  12. Ten Cents A Dance- Ruth Etting
  13. Body And Soul- Libby Holman
  14. Brother, Can You Spare A Dime- Bing Crosby
  15. Night And Day- Fred Astaire
  16. Heat Wave- Ethel Waters
  17. Smoke Gets in Your Eyes- Tamara
  18. You're The Top- Ethel Merman
  19. Summertime- Anne Brown
  20. September Song- Walter Huston
  21. My Heart Belongs To Daddy- Mary Martin
  22. It Never Entered My Mind- Shirley Ross
  23. Bewitched, Bothered, Bewildered- Vivienne Segal
  24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
  25. Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

  1. New York, New York- Cris Alexander,Adolph Green,John Reardon
  2. If I Loved You- John Raitt,Jan Clayton
  3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
  4. There's No Business Like Show Business- Ensemble
  5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
  6. Once In Love With Amy- Ray Bolger
  7. Wunderbar- Alfred Drake,Patricia Morison
  8. Some Enchanted Evening- Ezio Pinza
  9. Lost In The Stars- Todd Duncan
  10. Diamonds Are A Girl's Best Friend- Carol Channing
  11. Luck Be A Lady- Robert Alda,Guys
  12. Getting To Know You- Gertrude Lawrence
  13. Who Cares?- Jack Carson,Betty Oakes
  14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
  15. Ballad Of Mack The Knife- Gerald Price
  16. Hey There- from "The Pajama Game" John Raitt
  17. Whatever Lola Wants- Gwen Verdon
  18. I Could Have Danced All Night- Julie Andrews
  19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
  20. The Party's Over- Judy Holliday
  21. Glitter And Be Gay- Barbara Cook
  22. Tonight- Larry Kert, Carol Lawrence

Tracks:

  1. Seventy-Six Trombones- Robert Preston
  2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
  3. Everything's Coming Up Roses- Ethel Merman
  4. My Favorite Things- from "The Sound Of Music" Mary Martin
  5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
  6. Try To Remember- Jerry Orbach
  7. Camelot- from "Camelot" Richard Burton
  8. Love Makes The World Go 'Round- Anna Maria Alberghetti
  9. I Believe In You- Robert Morse And Co.
  10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
  11. Comedy Tonight- Zero Mostel
  12. What Kind Of Fool Am I?- Anthony Newley
  13. As Long As He Needs Me- Georgia Brown
  14. Hello, Dolly!- Carol Channing,Cast
  15. People- Barbra Streisand
  16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
  17. If I Were A Rich Man- Zero Mostel
  18. Night Song- Sammy Davis, Jr.
  19. The Impossible Dream- Richard Kiley
  20. If My Friends Could See Me Now- Gwen Verdon
  21. Open a New Window- from Mame Voice

Tracks:

  1. Willkommen- from "Cabaret" Joel Grey
  2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
  3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
  4. The Ladies Who Lunch- from "Company" Elaine Stritch
  5. Tea For Two- Roger Rathburn,Susan Watson
  6. I'm Still Here- Yvonne De Carlo
  7. I Don't Know How To Love Him- Yvonne Elliman
  8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
  9. Corner Of The Sky- John Rubinstein
  10. Send In The Clowns- Glynis Johns
  11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
  12. One- from "A Chorus Line" Cast
  13. All That Jazz- Chita Rivera,Ensemble
  14. Tomorrow- Andrea Mcardle
  15. Don't Cry For Me Argentina- Patti Lupone
  16. Come Follow The Band
  17. Lullaby Of Broadway- Jerry Orbach
  18. And I'm Telling You I'm Not Going- Jennifer Holliday
  19. The Bells Of St. Sebastian- Raul Julia

Tracks:

  1. Memory- Betty Buckley
  2. I Am What I Am- George Hearn
  3. Move On- Bernadette Peters,Mandy Patinkin
  4. Do You Hear The People Sing?- Michael Maguire,Cast
  5. The Music Of The Night- Michael Crawford
  6. You're Nothing Without Me- James Naughton,Gregg Edelman
  7. The American Dream- Jonathan Pryce,Cast
  8. Doctor Jazz- Gregory Hines,Company
  9. With One Look- Glenn Close
  10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
  11. Le Jazz Hot- Julie Andrews,Ensemble
  12. Seasons Of Love-
  13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
  14. I Wanna Be A Producer- Matthew Broderick,Ensemble
  15. Dancing Queen- Louise Plowright,Jenny Galloway
  16. Good Morning Baltimore- Marissa Jaret Winokur
  17. Movin' Out- Michael Cavanaugh,Band
  18. I Go To Rio- Hugh Jackman,Company
  19. Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

5 out of 5 stars Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

5 out of 5 stars Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

5 out of 5 stars TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

5 out of 5 stars Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

5 out of 5 stars Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
Gold: The Definitive Hits Collection
Average customer rating: 4.5 out of 5 stars
  • Andrew LLoyd Webber - Gold Hits
  • The Gold By Andrew
  • The best of Webber
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Gold: The Definitive Hits Collection
Andrew Lloyd Webber
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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  1. The Very Best Of Andrew Lloyd Webber: The Broadway Collection
  2. The Andrew Lloyd Webber Collection
  3. Andrew Lloyd Webber: Now & Forever
  4. Andrew Lloyd Webber: The Premiere Collection Encore
  5. Best of Andrew Lloyd Webber: Original Soundtracks

ASIN: B0000657XY
Release Date: 2002-05-07

Tracks:

  1. Superstar - Murray Head w/ the Trinidad Singers (Jesus Christ Superstar)
  2. As If We Never Said Goodbye - Barbra Streisand (Sunset Boulevard)
  3. The Phantom Of The Opera - Sarah Brightman & Michael Crawford (The Phantom Of The Opera)
  4. You Must Love Me - Madonna (Evita)
  5. Any Dream Will Do-Donny Osmond (Joseph & The Amazing Technicolor Dreamcoat)
  6. Memory - Betty Buckley (Cats)
  7. Pie Jesus - Charlotte Church (Requiem)
  8. The Music Of The Night - Michael Crawford (The Phantom Of The Opera)
  9. I Don't Know How To Love Him - Yvonne Elliman (Jesus Christ Superstar)
  10. Don't Cry For Me Argentina -Patti Lupone (Evita)
  11. Love Changes Everything - Michael Ball (Aspects Of Love)
  12. All I Ask Of You - Sarah Brightman (The Phantom Of The Opera)
  13. The Perfect Year - Glenn Close & Alan Campbell (Sunset Boulevard)
  14. The Vaults Of Heaven - Tom Jones & Sounds Of Blackness (Whistle Down The Wind)
  15. No Matter What - Boyzone (Whistle Down The Wind)
  16. Oh What A Circus - Mandy Patinkin (Evita)
  17. Whistle Down The Wind - Sarah Brightman (Whistle Down The Wind)
  18. Amigos Para Siempre (Friends For Life) - Sarah Brightman & Jose Carrerras (1992 Olympics Theme)

Amazon.com

The critical debate over Andrew Lloyd Webber's musical legacy will no doubt rage for decades. Is he the shrewd populist composer who almost single-handedly revived the moribund stage musical--or a crass, Barnum-esque showman (who almost single-handedly revived the moribund stage musical)? This 18-track anthology chronicles the high points of Sir Andrew's enduring songcraft and the irrefutable impact it's made across a remarkably disparate swath of tastes and genres, from Broadway to Top 40 radio and even the classical repertoire.

If some have accused Lloyd Webber's songs--like "The Music of the Night" (from Phantom of the Opera) and the title tune from Whistle Down the Wind, included here--of having all the melodic and lyrical sophistication of a children's lullaby, that's likely the very element that's made them so appealing to a mass audience. If nothing else, it's a compelling argument for that old notion about it being "the singer, not the song." Indeed, there are few contemporary composers whose music could entice divas from Streisand ("As If We'd Never Said Goodbye" from Sunset Blvd.) to Madonna (Evita's "You Must Love Me") and Charlotte Church ("Pie Jesu" from Requiem) to cover it, let alone forge the very careers of artists like Sarah Brightman and Michael Crawford. And if there's any substance to that other criticism of Lloyd Webber lifting the melodic ideas of composers from Verdi to John Williams (we swear that's the theme to Jurassic Park bubbling up in Tom Jones's camped-up take on Whistle's "The Vaults of Heaven"), at least, like virtually every major composer, he's stolen--er, borrowed--from the best. --Jerry McCulley

Customer Reviews:

5 out of 5 stars Andrew LLoyd Webber - Gold Hits.......2007-07-13

I sent this CD to my parents and they love it! It is nice to preview the songs on-line instead of with greasy headphones in a music store! The shipping is always speedy and makes sending gifts across the country so much easier.

5 out of 5 stars The Gold By Andrew.......2007-04-23

This cd is a must have for any Webber fan. It has many great songs from his most sucsessful musicals. But something I don't like about this cd is that some of the singer how sings some of the songs arn't the onse that sings the originals. Like "The Phantom Of The Opera" and "Love Changes Everything". Witch is so sad. Couse the original songs are so much better.
But besides that this cd is very good. With manye nice and difficult songs (I've sung some of the myself in siningclass).
So if you like Andrew's music this most sertanly is a most have.

4 out of 5 stars The best of Webber.......2005-09-12

Although I like Andrew Llloyd Webber and his music very much, this collection earns only 4 stars and it's not because of the quality of the music but the level of performers. If a best of collection is made it should contain the best version ever done and this time it's not true. I could write the same review for the European edition (labeled import here) because the blend of the two would be a perfect best of.

Some examples: this version contains Memory sung by Betty Buckley while the Elaine Page version is light years better. Then it contains Patti Lupone's version of Don't Cry For Me Argentina. Even though Madonna wasn't the best Evita, she definitely sung Argentina in a way no-one could before or will ever. Whistle Down The Wind is represented with 3 songs - the place of the Tom Jones song is not here (the same could be said of Tina Arena's song o the European edition). Instead of the TJ song they could have included Take That Look Off Your Face by Marti Webb - one of the best songs by Webber. Pie Jesu from the Requiem is much better sung by Sarah Brightman. These are the faults.

What about the rest? Pure joy and material worth of 6 stars. Superstar, Phantom Of The Opera, Music Of The Night, I Don't Know How To Love Him, All I Ask Of You, No Matter What, Oh What A Circus - wonderful songs and wonderful performers. My all-time favorite from Webber will always be Music Of The Night and the version included here is the mesmerizing adaptation of Michael Crawford.

I don't advise anyone not to buy this album - it's good material, however it's far from being perfect.

4 out of 5 stars THE BEST OF LLOYD WEBBER MADE FOR THE AMERICAN AUDIENCES.......2005-01-31

There are numerous compilations out on the market full of Andrew Lloyd Webber's music. As most people know, Lloyd Webber is the most successful musical composer of all time and many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. This compilation captures some of the best songs he has ever written, he personally supervised it and it is the best thing to have if you can't afford his five-CD compilation called "Now and forever", which was selected and supervised by him as well. You should bear in mind, however, that there are two compilations called Gold out there: The one made for the European and the British market, and this one, made for the American buyers. Some of the songs on both of them are the same, the others are performed by different artists and some can be found only in one of the two. This one here was issued later and it is digitally remastered. Therefore you should check your favourites and buy accordingly, or, if you can, buy them both, since both of them contain interesting songs and performers.

So here are my thoughts about the tracks in this one:

1. "Superstar" and "I don't know how to love him" are both from the concept album of "Jesus Christ Superstar". They sound wonderful as ever, although the orchestrations may seem a bit dated by now.

2. "Sunset Boulevard" is marked here with two songs. Barbra Streisand's powerful voice shines all the way through in "As if we never said goodbye"; it's a shame she never played Norma Desmond on Broadway, since Patti LuPone wasn't allowed to take her Norma to New York, and Glenn Close butchered the role. Her limited vocal abilities were hardly suited for the material, as it is shown by the second Sunset song, "The perfect year", performed by Close and Alan Campbell. They both lack a decent singing voice, so this is the one song I skip regularly. The song itself sounds much better in its single version with pops orchestration, as can be heard on the European version of this compilation, where it is performed by Dina Carroll. This version here can hardly be considered a gold one.

3. "The Phantom of the Opera" is represented by three songs. Michael Crawford and Sarah Brightman performance in the song of the same title is amazing. They were both born to play their roles in this show and their voices fit together perfectly. Sarah can hit the high notes in the end like no other Christine. Cliff Richard and Sarah sing the lovely ballad "All I ask of you" with passion, and Cliff has a wonderful warmth in his voice. Finally, Michael Crawford gives his unique and mesmerising interpretation in "The music of the night".

4. The 1996 movie version of "Evita" is Madonna's best role to date and it brought an Academy Award for Lloyd Webber and Tim Rice, who wrote "You must love me" especially for the big screen. This is another wonderful ballad with the haunting cello and piano solo. It just proves that Lloyd Webber and Tim Rice were the best collaborators. They really should do another musical together.

5. "The Joseph and his amazing Technicolor dreamcoat" was Webber's first musical and the signature song "Any dream will do" is performed here by Donny Osmond, who also appeared in the video version. I find his rendition even better than London's Jason Donovan, since Donny isn't strictly bound by the notes and so sings it more casually. A wonderful pop piece.

6."Memory" from "Cats" is probably the most famous of all Webber's songs, recorded by numerous artists. This version is sung by Betty Buckley, who was Broadway's Grizabella. Although Betty's performance can't be considered bad, I prefer Elaine Paige, who sung the song first, in the London production. Elaine has a note of sorrow in her at times husky voice, which I found very intriguing. Her performance can be considered definite, as heard on "Cats" DVD or in her latest two-disc compilation, "Centre stage: The very best of Elaine Paige", issued in May 2004. Still, those who prefer Ms. Buckley or who saw her on stage in this role won't be disappointed.

7. "Pie Jesu" is the best known song from Webber's "Requiem", written in 1985 to commemorate the death of his father. I'm not too keen on the version included here, performed by Charlotte Church, because her voice isn't as pretty as Sarah Brightman's on the original recording and the tempo is somewhat faster here.

8. "Don't cry for me Argentina" is among my all-time Lloyd Webber's favourites. I like all the ladies who performed "Evita" on the stage and on the screen (Julie Covington, Elaine Paige, Patti LuPone and Madonna), but on this disc is the version I am most satisfied with, since it is sung by Patti LuPone. Ms. LuPone has a very powerful voice with an amazing range and she deserved her Tony Award for this role. She was able to sound both vulnerable and decisive while singing this, whereas the other leading ladies emphasized one or the other in their interpretation. Mandy Patinkin's "Oh what a circus" is not the best, the orchestration is a little bit weak and his voice sounds thin to me. David Essex on the London cast recording is more suitable.

9. "Aspects of love" boast here with its top song, "Love changes everything", performed wonderfully by Michael Ball. It was his #1 hit and is probably one of the most beautiful love anthems ever written.

10. Three songs come from "Whistle down the wind". The studio release of the same title is one of the reasons I bought this compilation, although I already have the European one. It is performed by Sarah Brightman with Lloyd Webber playing the piano and a symphonic orchestra who nicely takes the lead of the main melody. Sarah voice is angelic; she sings it like a little bird. Very charming. Boyzone's "No matter what" was a huge pop hit in the charts. Again, we have a song with the suitable orchestrations and vocals. And lastly, Tom Jones' deep voice in combination with the back vocals of "The Sounds of Blackness" gives a rocking rendition of the church hymn "The vaults of heaven". It can't be found on the European version and Tom's voice shows it hasn't aged. Way to go.

11. For the 1992 Barcelona Olympics, Webber wrote, together with his long-time lyricist Don Black, this last song, "Amigos para siempre or Friends for life". It's a nice duet between Sarah Brightman and Jose Carreras, their voices sore when bound together. The melody itself is neat, especially when the orchestra takes the lead.

Besides the fact that some of the performers here were not the best for my taste, there is also the fact that some of Lloyd Webber's shows are omitted in this version, most notably, "Tell me on a Sunday". Also, unlike its European counterpart, this compilation isn't aligned chronologically, so we have 1970 Superstar being the first song, 1993 Sunset Blvd comes the second, followed by The Phantom from 1986 and so on. None the less, this CD is excellent as an introduction to Lloyd Webber's music and one can continue with his cast recordings from there. It's also very handy as a single disc compilation for the American fans.

5 out of 5 stars Super good CD.......2004-12-31

The songs on this CD are great. If you also play piano, the book of the same title goes perfectly with the CD. You can following along with the music and learn the songs on the piano.
The Ultimate Gilbert & Sullivan Collection
Average customer rating: 3.5 out of 5 stars
  • Well worth the price
  • Not Exactly "The Ultimate" Collection...
  • Where's the chicks?!?!
  • Not quite the ultimate....
  • Great Music - Questionable Selection
The Ultimate Gilbert & Sullivan Collection
Arthur Sullivan , Isidore Godfrey , Royston Nash , New Symphony Orchestra of London , Royal Philharmonic Orchestra , Colin Wright , Donald Adams , George Cook , Gillian Knight , Jean Hindmarsh , Jeffrey Skitch , John Ayldon , John Reed , Joyce Wright , Kenneth Sandford , Lyndsie Holland , Owen Brannigan , Pauline Wales , Peggy Ann Jones , Thomas Round , Valerie Masterson , and D'Oyly Carte Opera Company
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

All Works by SullivanAll Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
Brannigan, OwenBrannigan, Owen | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
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Similar Items:
  1. The Best of Gilbert & Sullivan
  2. Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury
  3. Topsy-Turvy - The Music of Gilbert & Sullivan: From the Original Motion Picture Soundtrack
  4. Topsy-Turvy
  5. The Complete Annotated Gilbert & Sullivan

ASIN: B000007OU0
Release Date: 1998-06-09

Tracks:

  1. H.M.S. Pinafore: We Shall Sail The Ocean Blue
  2. H.M.S. Pinafore: I'm Called Little Buttercup
  3. H.M.S. Pinafore: My Galant Crew, Good Morning
  4. H.M.S. Pinafore: I'm The Monarch Of The Sea
  5. H.M.S. Pinafore: When I Was A Lad
  6. H.M.S. Pinafore: Nevermind The Why And Wherefore
  7. H.M.S. Pinafore: Kind Captain, I've Important Information
  8. H.M.S. Pinafore: Carefully On Tip - Toe Stealing
  9. H.M.S. Pinafore: For He Is An Englishman
  10. The Pirates Of Penzance: I Am The Very Model Of A Modern Major - General
  11. The Pirates Of Penzance: When A Felon's Not Engaged In His Employment
  12. The Pirates Of Penzance: With Cat Like Tread
  13. The Sorcerer: My Name Is John Wellinton Wells
  14. The Gondoliers: Take A Pair Of Sparkling Eyes
  15. Patience: If You're Anxious To Shine
  16. The Mikado: If You Want To Know Who We Are
  17. The Mikado: A Wand'ring Minstrel I
  18. The Mikado: Behold The Lord High Executioner
  19. The Mikado: As Someday It May Happen
  20. The Mikado: Three Little Maids From School Are We
  21. The Mikado: The Sun Whose Rays Are All Ablaze
  22. The Mikado: Here's A How - De - Do!
  23. The Mikado: From Ev'ry Kind Of Man Obedience I Expect
  24. The Mikado: A More Humane Mikado Never Did In Japan Exist
  25. The Mikado: The Criminal Cried As He Dropp'd Him Down
  26. The Mikado: The Flowers That Bloom In The Spring, Tra La
  27. The Mikado: On A Tree By A River A Little Tom Tit
  28. The Mikado: There Is Beauty In The Bellow Of The Blast
  29. The Mikado: For He's Gone And Married Yum-Yum

Customer Reviews:

4 out of 5 stars Well worth the price.......2006-04-13

I love this CD. No, despite its name it is not the "ultimate" collection, as scarcely could be expected from a single CD. It is heavy on Mikado, as others have stated. It leaves out things I would have included and includes things I would have left out. But the performances are wonderful, traditional and all you expect from G&S. Considering the low price, it is well worth including in your G&S collection ... as PART of your collection. After the disappointment of the godawful Opera World video series (Don't buy it!) this CD is a joy and a relief.

3 out of 5 stars Not Exactly "The Ultimate" Collection..........2004-12-23

It seems that a collection of Gilbert & Sullivan music that has the name "The Ultimate Collection" in its title would boast a wide range of music, but I found the selection disappointing. Half of the tracks are songs from The Mikado, and the other half is divided between five... yes, FIVE other operettas. This means that the representation from each operetta is awfully scant. I would have liked to see less Mikado and more of everything else, and perhaps some highlights from the more obscure operettas (Princess Ida and The Sorcerer, namely).

In addition, while most of the music is very well performed, some of the vocalists either go a bit overboard or, at the very opposite end, seem to lack expression. For example, this Nanki-Poo (in The Mikado) seems to be overly occupied with vibrato. Katisha's voice is annoying, and The Mikado's low voice often seems to lack feeling and humor. The other idiosyncracies, like the very frightening evil laughing during "A More Humane Mikado" and hissing during "Three Little Maids" really bug me.

Then again, I'm new to Gilbert and Sullivan, and was introduced to the music through the Topsy Turvy soundtrack, which has a noticeably less operatic style, and hardly includes "stage noise"... so perhaps all this is the norm. Do listen to the tracks for yourself, though, before you purchase the CD. Personally, I find that the Topsy Turvy soundtrack, while considerably less ecompassing, is much lighthearted and easier listening.

2 out of 5 stars Where's the chicks?!?!.......2003-05-15

It wouldn't be G&S if not for the ladies - so where are they? How could they leave out Mabel's aria - or Josephine's!? The only female aria included on this disc comes from Mikado, which is the least exciting (if G&S could be un-exciting) of the three! Everything else on the recording is great, but I am still quite disappointed.

5 out of 5 stars Not quite the ultimate...........2002-03-25

This is a great collection, but unfortunately it doesn't have songs from all the works of G&S. Most notably, there is nothing from the "Yeoman of the Guard". I still reccommed it however as John Reed is wonderful!!

4 out of 5 stars Great Music - Questionable Selection.......2002-02-05

It's an ongoing challenge to find a recording of Gilbert and Sullivan that combines premium musicality and great theatrical performance. This recording is a true gem on both fronts. My only complaint is that for a "Best of" collection, this compilation is Mikado-heavy and scarcely touches on highlights from other masterpieces, particularly The Pirates of Penzance. This would be my favorite G&S CD of all time, of only it included tracks like "When the Foeman Bares his Steel," "Poor Wand'ring One," and "Dry the Glist'ning Tear," but then again, I guess there's no real consensus as to which are Gilbert and Sullivan's best works, and there are too many to fit on one CD.
Dear World (1969 Original Broadway Cast)
Average customer rating: 4.5 out of 5 stars
  • Uneven but Still and All Great
  • Dear, Dear...
  • Herman's best!
  • Thank you Amazon reviewers
  • MY SECOND ALEXANDER H COHEN PRODUCTION
Dear World (1969 Original Broadway Cast)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
GeneralGeneral | Broadway & Vocalists | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
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MusicalsMusicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:
  1. Mack & Mabel (1974 Original Broadway Cast)
  2. Curtains (2007 Original Broadway Cast)
  3. Grey Gardens - A New Musical (2006 Original Broadway Cast)
  4. Anyone Can Whistle (1964 Original Broadway Cast)
  5. On The Twentieth Century (1978 Original Broadway Cast)

ASIN: B0000027WN
Release Date: 1992-05-19

Tracks:

  1. Overture
  2. The Spring Of Next Year
  3. Each Tomorrow Morning
  4. I Don't Want to Know
  5. I Never Said I Love You
  6. Garbage
  7. Dear World
  8. Ballet
  9. Kiss Her Now
  10. The Tea Party
  11. And I Was Beutiful
  12. Each Tommorow Morning (Reprise)
  13. One person
  14. Finale

Customer Reviews:

5 out of 5 stars Uneven but Still and All Great.......2007-07-04

I like Mame and Hello Dolly some, but frankly they always annoyed me by straining too much for lively and enthusiastic. This one is much more in keeping with my taste. It is mostly a gentler and more subdued show, with a lot of very good music. The title song and One Person are too much in Herman's rousing and stirring mode, and very much out of place with the rest of the score. That rest of the score is a wow, though.

The sardonic opening Spring of Next Year has a gorgeous melody but the lyrics are a sly parody and indictment of the big business ethic, a very French attitude. The contrast between melody and lyrics is exquisite. The Tea Party builds and builds until it ends in a hilarious babble of triple counterpoint harmony. The ballads Kiss Her Now, I've Never Said I Love You, and I Was Beautiful are gorgeous and express genuine emotion. Each Tomorrow Morning finds Herman in a gentler inspirational mode that works much better in this context than the two more standard Herman blasts. Even the song called Garbage is anything but. The performances are uniformly superb.

By the accounts I've read, Dear World flopped because an oversized production warred with the basically intimate nature of the show. Not too long ago, I had the pleasure of seeing a rare staging by a regional theter in Washington. It was a deliberately small production and to paraphrase the show, it was beautiful. In any case, of all Herman's scores, I think I like this one best, though Mack and Mabel is close. And Milk and Honey and La Cage have a lot to recommend them as well. Buy this one - you won't regret it.

4 out of 5 stars Dear, Dear..........2007-06-21

There is much that is lovely, even gorgeous, in Herman's score, but for every "I Don't Want to Know" or "I've Never Said I Love You" or even "Garbage" (a deliciously garish tango), there's a "One Person" or the title number that sound like they belong in another show (probably Hello Dolly or Mame).

As the liner notes to the CD and others here have said, Dear World was an uneasy amalgam of a gentle fantasy requiring a light touch and a raucous Broadway "big lady" show. I'd say 80% of the score works: in addition to the above-mentioned songs, there's the soaring opening "The Spring of Next Year", Lansbury's dramatic "Kiss Her Now", her blithe "And I Was Beautiful" and the gorgeous cacophony of "The Tea Party."

Interestingly, if you get the perusal score for the show, there's a new song (a solo for Countess Aurelia) entitled "At the Bottom of the Glass" which sounds more in keeping with the tone than "Each Tomorrow Morning."

However, all quibbles aside, Dear World does bear repeated listening. For those who think Herman is merely frivolous anonymous showtunes, this show disputes that.

5 out of 5 stars Herman's best!.......2006-09-20

I don't typically belong to the Jerry Herman fan base, but this score of his is awesome. I am familiar with Hello, Dolly, Mame, Mack And Mabel and La Cage Aux Folles, but this is the only Herman score I find enjoyable throughout. Having the glorious Angela Lansbury singing the bittersweet songs is also wonderful. As this show is one of the celebrated, legendary flops of Broadway history, I assume the book of the show has to take the blame. The score is first rate. Take this from a dedicated Sondheimite;)

5 out of 5 stars Thank you Amazon reviewers.......2006-07-25

I bought this because of the positive user reviews and couldn't be more thankful that I did. I'm not an expert on the musical form so I can't really speak to the strengths and weaknesses of the book nor the coherence of musical styles of the songs, but I can say with conviction that Angela Lansbury is unbelievably good on this recording. It's difficult for me to convey just how good she is, but I urge anyone whose curiosity is peaked by these reviews to break down and buy the CD. Lansbury's performance alone is worth the price of admission. Her voice is warm, comic, heartbreaking and uplifting. Just beautiful.

5 out of 5 stars MY SECOND ALEXANDER H COHEN PRODUCTION.......2006-06-15


This still is my favorite play, i was young but i do remember how delightfully charming and funny this tale was. The scenic design still lingers, but this score will forever be etched in my mind. Dear World, And I was Beautiful, Kiss Her Now, Each Tomorrow Morning to name just a few classics by Jerry Herman a pro and way ahead of the time...when theatre was still theatre.
Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)
Average customer rating: 5 out of 5 stars
  • Irresistible
  • "Some Enchanted Evening" with Kunzel and the Cincinnati Pops
  • Excellent!
  • Great Arrangments
Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
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  1. Lerner & Loewe Songbook for Orchestra
  2. Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri
  3. Puttin' on the Ritz: The Great Hollywood Musicals
  4. The Sound Of Music (1987 Studio Cast)
  5. Classics of the Silver Screen

ASIN: B000003CXQ
Release Date: 1992-01-28

Tracks:

  1. Oklahoma!
  2. Carousel
  3. State Fair
  4. South Pacific
  5. The King And I
  6. Cinderella Waltz
  7. Flower Drum Song
  8. The Sound Of Music

Customer Reviews:

5 out of 5 stars Irresistible.......2005-07-29

From beginning to end this CD is pure delight. A great recording has great music, a great performance, and great sound; this one scores on all three counts.

Rodgers and Hammerstein's musicals dominated Broadway in the 1940s and 1950s, and American musical theater has produced no more consistently eloquent and durable voice than Richard Rodgers. From his fertile genius flowed a surprising number of memorable songs, many of which have passed into and become an accepted and beloved part of modern American culture.

This well-filled CD (77:36) features symphonic arrangements (all but two by Robert Russell Bennett) of the music from Oklahoma (1943), Carousel (1945), State Fair (1945), South Pacific (1949), The King and I (1951), Flower Drum Song (1958), and The Sound of Music (1959). All the great tunes are here in suites from each musical that average 10-12 minutes in length. The arrangements are expert: rich, varied, and colorful. The performances are polished, idiomatic, and irresistible; Kunzel and this orchestra are thorough masters of this kind of material. And Telarc's sound (recorded 1991) is state-of-the-art (engineer Michael Bishop deserves to take a bow).

In short, there's nothing here to cloud your listening pleasure (the only quibble I can imagine is that some of your favorites may not last long enough), so it's hard for me to envision anyone with ears and a taste for music who wouldn't enjoy this CD. Warmly recommended. Finally, if you like this one as much as I do, you might want to know that the same team has produced a companion volume, the Lerner & Lowe Songbook for Orchestra.

5 out of 5 stars "Some Enchanted Evening" with Kunzel and the Cincinnati Pops.......2003-12-26

Erich Kunzel's Rodgers and Hammerstein anthology with the Cincinatti Pops Orchestra is one of the best and most ravishing instrumental Rodgers and Hammerstein albums of all time. With sumptuous arrangements and warm, natural Telarc recording, this glorious 77-minute CD presents sweeping, melodic arrangements of over 60 Rodgers and Hammerstein selections, spanning eight scores, and Kunzel allows the Pops to play with a characterful and polished understanding of the Rodgers and Hammerstein idiom. The disc is enough to cheer you up on a dull day and make you smile, and it might even want to make you feel like a convert to Rodgers and Hammerstein musicals.

This CD has all the scores arranged chronologically. The OKLAHOMA! suite that opens this disc promises a feast for the senses, Kunzel ably evokes the territory's "bright, golden haze" in the way he conducts the various excerpts, until you feel the atmosphere of the country charm of the show, and the love-affair between Curly and Laurey. Then, in CAROUSEL, he ably evokes the pathos of this tragic R&H masterwork, especially in the truncated Waltz, but he leads a wonderfully melodic "June is Bustin' Out All Over" and a devotional "You'll Never Walk Alone." Although this suite does not include Billy's pivotal Soliloquy, it includes "If I Loved You" as an expression of his love for Julie, and within minutes you could be soaked in the ups and downs of the show's mood.

After a brief STATE FAIR suite, with sweeping renditions of "It Might As Well Be Spring" and "It's a Grand Night for Singing", we are brought into the disc's showstopping highlights. These highlights are the excerpts from SOUTH PACIFIC, THE KING AND I, and THE SOUND OF MUSIC. But yet Kunzel conducts the rest of the disc until the various suites amount to a series of showstoppers. These three suites present wonderfully-arranged versions of their many familiar classic songs, with well-played solos. The SOUTH PACIFIC suite presents the songs in chronological order, yet preserves the atmosphere of the show at the same time. Kunzel ably brings out the romance in "Some Enchanted Evening" and "Younger than Springtime," and contrasts it with the exotic and dreamlike "Bali Hai'i" and the comic "There is Nothing like a Dame" and "I'm Gonna Wash That Man Right Outa My Hair". Although the suite ends quietly with a reprise of "Dites-Moi" rather than the reprise of "Some Enchanted Evening," within minutes we are swept into the KING AND I suite. Kunzel ably brings out the Oriental pathos in this score, and he captures the warmth of Anna's rapport with the King's Siamese children in "Getting to Know You", and with the King himself in "Shall We Dance." There is also romance in the love ballads "I Have Dreamed" and "We Kiss in a Shadow." Similarly, in the selection from THE SOUND OF MUSIC, Kunzel conducts this until the orchestra soaks itself in the atmosphere of this Austrian R&H score. This SOUND OF MUSIC suite has more of a feel of the score compared to the bonus track on Sony's reissued version of the Broadway recording. You can almost feel as if you are following the progress of the Trapp family and how it lifts its spirits with the joy of music. Kunzel gives us a soaring version of the title song, and spirited versions of "Do-Re-Mi" and "My Favourite Things." He balances it with the open-air quality of "Edelweiss" and "The Lonely Goatherd." Although this suite could have included "Something Good," the love ballad written for the film, the three recollections of the songs that were cut from the movie only last for a while. And, the towering version of "Climb Every Mountain" crowns this portion of the disc, and this sumptuously-produced recording. But, I should also mention the infectuous FLOWER DRUM SONG medley, where Kunzel turns this underrated score into a work of art, until it convinces you to buy the cast recording. And, don't forget about the brief CINDERELLA WALTZ, too, when Kunzel conducts it magically, until you feel like you are in the company of Cinderella and the Prince. He is able to show how this R&H score marked a comeback for R&H after the failiures of Me and Juliet, and Pipe Dream.

Overall, this glorious Rodgers and Hammerstein recording is guarunteed to make you want to pucker your lips out for a whistle or sing along (to paraphrase another revew for Kunzel's Disney Spectacular disc) - even if this recording is music only, and as long as you know the words to the songs (and you might know a large handful of them already.) There is always a certain magic in this fine CD that makes you feel like you're sitting in the theatre watching these musicals, until it makes you feel like it is truly, to borrow two R&H song titles, "Some Enchanted Evening" and "Something Wonderful" to be in Kunzel's company for this R&H offering. It would certainly be one recording that could make you feel willing to buy the complete cast recordings of the shows. And I guaruntee that it will make you feel willing to pull out your existing copies of the cast recordings to listen to them again. I also guaruntee that it will be a cornerstone in any Rodgers and Hammerstein collection, just as it is in mine. Recommended heartily to any Rodgers and Hammerstein enthusiast and to fans of Erich Kunzel's work. And, you can play it while reading the Richard Rodgers biography, Musical Stages, until Rodgers himself would count this as his favourite disc in the afterlife.

By the way, most of the arrangements for the suites on this CD were done by the veteran R&H orchestrator Robert Russell Bennett, and it surely adds to the appeal of this recording. This itself is enough to amount to the icing on the cake, since Kunzel conducts them well on here, and since this recording still allows the suites to have the original theatrical atmosphere. And, although this recording is like the Mauceri collection of the Rodgers & Hammerstein overtures in compiling orchestral suites of Rodgers & Hammerstein, I think that I like the Kunzel recording even more because Kunzel has more magic in his conducting of these suites.

5 out of 5 stars Excellent!.......2003-04-08

This is one of the best Erich Kunzel/Cincinnati Pops collections we own! A must for Rodgers and Hammerstein fans, too.

5 out of 5 stars Great Arrangments.......2001-09-02

This is a first rate album with great arrangments and orchestrations. If you're a Rodgers and Hammerstein fan, you can't afford to miss this specatacular album
Pure
Average customer rating: 5 out of 5 stars
  • Pure beauty
  • WHAT A GIFT!
  • Incredible voice - Incredible CD
  • The Best
  • Charlotte is NO match...
Pure

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000TCP9A
Release Date: 2003-11-10

Tracks:

  1. Across the Universe of Time
  2. Never Say Goodbye
  3. Beat of Your Heart
  4. Pokarekare Ana
  5. Who Painted the Moon Black?
  6. River of Dreams
  7. Benedictus
  8. Hine E Hine
  9. Dark Waltz
  10. Amazing Grace
  11. My Heart and I
  12. In Trutina
  13. Heaven
  14. Wuthering Heights
  15. Pokarekare Ana [*] - Russell Watson, Hayley Westenra

Tracks:

  1. Silent Night [*]
  2. Away in a Manger [*]
  3. Mary Did You Know? [*]
  4. Mummers' Dance [*]

Album Description

A major artist in her native New Zealand, with a performance portfolio that includes the Royal Philharmonic Orchestra & Russell Watson. Hayley's voice so inspired New Zealand opera diva Dame Malvina Major she offered to tutor her. The first edition of this album was one of the fastest selling records in the classical genre of all time, surpassing even Charlotte Church! This limited edition includes one bonus track on disc one, 'Pokareare Ana' (duet with Russell Watson), & a bonus four track Christmas CD featuring, 'Away In A Manger', 'The Mummers' Dance', 'Mary Did You Know?', & 'Silent Night'. 19 tracks in all. Decca. 2003.

Album Details

Limited Edition Version of the Debut Album from New Zealand Singer Hayley Westenra Comes with a Bonus Disc featuring Four Christmas Songs, Including a Version of the Loreena Mckennitt Song "The Mummer's Dance". Also Includes "my Heart and I" which Does Not Appear on the USA Version.

Customer Reviews:

4 out of 5 stars Pure beauty.......2005-09-06

Ever since Charlotte Church turned into a tabloids' darling and a wannabe pop star, there's been a gap opened for a young, sweet-faced soprano. The best bet on filling it seems to be Hayley Westenra, a young singer/dancer from New Zealand.

The result: "Pure," an album that is reminiscent of early Sarah Brightman, back when she did folk songs and showtunes. Westenra sticks close to her classical sound with songs like the delicate "In Trutina" and the traditional New Zealand song "Pokarekare Ana," which is rendered with the backing of a a rather muddled male chorus and some swelling strings.

However, Westenra doesn't neglect more modern songs, and she does well in classical pop as well as straightforward classical. The big difference seems to be a bit of synth and a delicate guitar melody, in songs like the charming "Beat of Your Heart" and dreamy "Why Painted the Moon Black?" It's a smooth, thoroughly sweet crossover effect.

Westenra also eschews the usual round of classical-pop songs, like "Nella Fantasia." I love that song, but it's been done so many times. Instead, she opts for Maori lullabies, Vivaldi ballads, the neglected "Mummer's Dance" and the orchestral cathedral grandeur of "Benedictus." She even covers Kate Bush's "Wuthering Heights," adding a modern feel to the finale.

That is not to say that every choice is an excellent one. "Wuthering Heights" has Westenra trying to sound more Bush-ian, while "Amazing Grace" is too simple vocally. Aside from those, her choices of song are excellent -- rich, uplifting and beautiful, and backed by a wide range of orchestral musicians, especially the strings.

There is also an accompanying EP, in which Westenra covers four Christmas ballads, and does them all justice. Her vocals are well suited to the dignified lyrics of songs like "The Mummer's Dance" and "Silent Night," although a bit less for the still-lovely "Mary Did You Know" and "Away in a Manger."

Her vocals themselves are not operatic, but they are strong, clear and sweet, without pretensions or dramatic flourishes. The effect is stunning, more given to magic and sweetness than to keeping to classical standards. Since this was recorded when Westenra was only sixteen, one wonders how good she'll be in ten years.

Despite comparisons to Charlotte Church, Hayley Westenra is more like Sarah Brightman -- a sweet-voiced singer, straddling the fence between classical and pop. An enchanting experience.

5 out of 5 stars WHAT A GIFT!.......2004-12-20

I RECEIVED THESE 2 CDS AS A GIFT AND I LISTEN TO THEM FREQUENTLY. HER PERFORMANCE WITH RUSSELL WATSON (ON DVD)ON HIS TOUR IS WONDERFUL. I CAN'T WAIT FOR A NEW ALBUM. WOULD LIKE TO GET HER NEW SONG, BRIDAL BALLAD, FROM THE SOUNDTRACK OF THE MERCHANT OF VENICE

5 out of 5 stars Incredible voice - Incredible CD.......2004-04-29

I recently saw Hayley on TV and had to immediately buy this CD. Her voice is so clear and pure, and her songs are filled with lyrical emotion.

It is an absolutely incredible CD that any music lover should have in their collection. My favorite song is Wuthering Heights.

5 out of 5 stars The Best.......2004-04-27

Her album is the best, voice of an angel.......you can totally relakes to her music.

5 out of 5 stars Charlotte is NO match..........2003-12-15

Hayley is just phenomenal. There is no doubt that she surpasses every other female artist in her genre. This CD is astonishing. My two favorite songs are "Heaven" and "Wuthering Heights". The first Hayley Westenra song I ever heard was "Heaven". It would not be the last. Her voice is like that of an angel. She has a smooth, serene sound, and she has an incredible range. If you want a more classical sound, you want her. It's not that gaudy stuff that people generally think of. This stuff has a beat... and it's not pumping with bass. If you're a fan of Sarah Brightman, Josh Groban, Charlotte Church, or Mario Frangoulis... try Hayley Westenra, you won't regret it. I just can't wait 'til she comes to the states... that'll be a good day. She has a few Italian songs, but she's not heavy on the foreign stuff like some of the other artists of Opera / Classical. She's got a wonderful voice for a little girl... I'm a huge fan, Hayley! You roped me in, in about 2 minutes time!
Erich Kunzel - Andrew Lloyd Webber (Phantom of the Opera, Cats, Evita, Sunset Boulevard, Jesus Christ Superstar, Starlight Express, Joseph and the Amazing Technicolor Dreamcoat) / Cincinnati Pops Orchestra
Average customer rating: 4 out of 5 stars
  • Kunzel's different perspective on ALW's musicals
Erich Kunzel - Andrew Lloyd Webber (Phantom of the Opera, Cats, Evita, Sunset Boulevard, Jesus Christ Superstar, Starlight Express, Joseph and the Amazing Technicolor Dreamcoat) / Cincinnati Pops Orchestra
Andrew Lloyd Webber , Erich Kunzel , Ernest [organ] Hoffman , Randolph Bowman , Timothy Berens , and Cincinnati Pops Orchestra
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003D18
Release Date: 1996-01-23

Tracks:

  1. The Phantom Of The Opera
  2. The Music Of The Night
  3. Think Of Me
  4. Wishing You Were Somehow Here Again
  5. All I Ask Of You
  6. Angel Of Music
  7. As If We Never Said Goodbye
  8. The Greatest Star of All
  9. With One Look
  10. Memory
  11. I Don't Know How To Love Him
  12. Gethsemane (I Only Want To Say)
  13. King Herod's Song
  14. Don't Cry For Me, Argentina
  15. Starlight Express
  16. Any Dream Will Do

Customer Reviews:

4 out of 5 stars Kunzel's different perspective on ALW's musicals.......2005-11-06

Kunzel's offering of Andrew Lloyd Webber suites is a worthwhile tribute to this modern-day titan of globalised musicals. Although this album has a different feel from the original cast albums, Kunzel and the Cincinnati Pops still perform these affectionate arrangements of Lord Lloyd Webber's musicals expertly, superbly and voluptiously. The creative arrangements by Crafton Beck and Steven Reineke are tastefully and, for the most part, faithfully done, and allow Kunzel to offer a fresh perspective to these musicals in their orchestral settings. And as always Telarc provides its trademark audiophile-quality recording - surround sound quality with a sumptuous spatialiser such that you might be overwhelmed by the Phantom's laughter in the Phantom suite.

Kunzel contrasts the dramatic and lyrical sides of the PHANTOM and SUNSET BOULEVARD suites as if they were written for the Pops. The Phantom suite gains from a breathtaking organ introduction of the Phantom's theme, and from the contrasts in Music of the Night that match the lyrics perfectly, even without the cast album. The tender arrangement of Think of Me cleverly weaves the Angel of Music melody as a counterpoint, while All I Ask of You, complete with some of the details of the original orchestrations, makes a calming answer to Christine's Wishing You Were Somehow Here Again. The JESUS CHRIST SUPERSTAR suite depicts the contrasting and conflicting moods of this groundbreaking rock opera, from the contrasts in I Don't Know How to Love Him to the sheer anguish in Gethsemene (I Only Want to Say).

There are some interesting arrangements on this ALW offering, especially the arrangement of Don't Cry for Me Argentina from EVITA. Although some listeners might be offended when it transmorphs itself into the Ravel Bolero after doing an about-turn from its lush, Spanish feel, it still depicts Evita's rise to power and her manipulative trait in her character, well-suiting an orchestral concert arrangement of the tune and fitting in with the spirit of the musical. Another interesting arrangement is the rousing theme-and-variation finale of Any Dream Will Do from JOSEPH, which incorporates many different musical styles throughout the variations, from ballroom waltzing to jazz, movie music (Magnificent Seven) and circus-style music. I know some listeners might be offended, but in their own inimitable and creative way, Kunzel and the Pops still pay tribute to this early ALW musical by evoking the myriad of colours on the coat and the diversity of musical styles in the original JOSEPH musical. This arrangement certainly fits the trademark style of the Pops perfectly.

The only fault with this collection is in the arrangement of Memory from CATS. Here, this song is treated as a flat-out romantic ballad, rather than as the haunting anthem for respect that Grizabella sings. Nevertheless, the arrangement by Tommy Newsom (who wrote this arrangement for a Doc Severinson album) is innofensive to this well-loved ALW melody (this is the only arrangement that Crafton Beck or Steven Reineke didn't write for this album). Also, I wish that Kunzel had included Love Changes Everything and Whistle Down the Wind, but given the fact that this was a 1996 recording, ALW hadn't written Whistle down the Wind as yet. But these are minor caveats, since Kunzel offers much to savour in these infectuous and spirited performances.

Yet I still feel that Kunzel's ALW offering is a winner in its lush orchestral suite arrangements of his well-loved and great musicals, far superior to any shopping-mall synthesised arrangement. This would surely count towards another feather in Kunzel's cap and stand pride of place with his rousing offering of Rodgers & Hammerstein. I'm sure Lord Lloyd Webber would have been proud.

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