Amazon.com
Abstract junglist, leader of the illbient movement, or just plain organized noise progenitor: there's no denying New Yorker DJ Spooky's immense influence on the American experimental electronic scene.
Songs of a Dead Dreamer is the first full-length testament to his position. The underground classic "Galactic Funk" (Tau Ceti Mix) clashes warm, breakbeat bass pulses with chaotic digital confusion. Other beefy numbers, like "High Density," are prime exercises in jungle and white noise interference, while "Juba" opts for slower breaks and offers a more intelligent and meditative ambiance. --
Daniel Shumate
Songs of a Dead Dreamer,DJ Spooky,Asphodel Records,Ambient Techno,Dance Music,Dub,Electronic,Electronica,Experimental,Illbient,Pop,Popular Music,Post-Rock/Experimental,Trip-Hop
Average customer rating:
- SImply Untrue
- an extra star for all the guest artists
- An Homage to a Great Artist
- superb vocals
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The Very Best of Thomas Hampson
Marc Barrard , Thomas Hampson , Csaba Airizer , Georges Bizet , Charles Wakefield Cadman , Stephen Foster , Charles Gounod , Edvard Grieg , Charles Tomlinson Griffes , Imre (Emmerich) Kalman , Erich Wolfgang Korngold , Franz Lehar , Gustav Mahler , Jules Massenet , Giacomo Meyerbeer , Gioachino Rossini , Franz Schubert , Robert Schumann , Johann II Strauss , Ambroise Thomas , Giuseppe Verdi , Richard Wagner , Carl Maria von Weber , Antonio de Almeida , Antonio Pappano , Eugene Kohn , and Fabio Luisi
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Song of America
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- Arias - Haydn, Mozart, Beethoven, Schubert
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ASIN: B0006VYEI2
Release Date: 2005-04-26 |
Tracks:
- La Ran La Lera...Largo Al Factotum
- O Sainte Medaille...Avant De Quitter Ces Lieux
- Ce Breuvage...Vision Fugitive
- C'est Toi...Au Fond Du Temple Saint - Placido Domingo
- La Fatigue Alourdit Mes Pas...Comme Une Pale Fleur
- Ecoute!...Dieu, Tu Semas Dans Nos Ames
- C'est Mon Jour Supreme
- Tout Est Desert...Son Regard
- Ove Son Io?...Vada In Fiamme
- Perfidi! All'Anglo Contro Me...Pieta, Rispetto Amore
- Di Provenza Il Mar, Il Suol
- E Sogno? O Realta?
- Komm!
- Der Garten Des Herzens
- Lied Des Venezianischen Gondoliers
- Le Lazzarone
- L'Ultimo Ricordo
Tracks:
- Mein Sehnen, Mein Wahnen
- Wo Berg' Ich Mich?...So Weih' Ich Mich Den Rachgewalten
- Wie Todesahnung...O Du Mein Holder Abendstern
- Gruss Op.48 No.1
- Im Wunderschonen Monat Mai
- Aus Meinen Tranen Spriessen
- Die Rose, Die Lilie
- Ich Will Meine Seele Tauchen
- Ich Grolle Nicht
- Gute Nacht
- Die Post
- Blicke Mir Nicht In Die Lieder
- Ich Atmet' Einen Linden Duft
- Ich Bin Der Welt Abhanden Gekommen
- Von Der Schonheit
- O Vaterland, Du Machst Bei Tag
- Als Flotter Geist
- Komm, Zigany
- An Old Song Re-Sung
- At Dawning (I Love You) Op.29 No.1 - Armen Guzelimian
- Jeanie With The Light Brown Hair
- Beautiful Dreamer
Album Description
Details TBA. EMI. 2005.
Customer Reviews:
SImply Untrue.......2006-08-16
The previous review is simply a gross falsification. I have been an obsessed opera fan for a long time, and Thomas Hampson is a truly special singer. He is not the possesor of the largest or most interesting voice, which he will tell you and indeed says so all the time. His commitment to text, his willingness to search out parts to fit his voice, and his dedication to art song make im invaluable to Americans as a ture Troubador. His light Baritone was ideally suited to Figaro and to Valentin and the art song he loves. He must stretch to sing Verdi, where his voice sounds dry and small but many singers have chanced Verdi at their peril, and his innate ablity to inhabit a song, here evidenced in Di Provenza overcomes fact that it is out of his fach. You misinformed opinion of Hampson is mean and strangly bitter. I love Opera, but I do not love every singer, which doesn't mean I debase their very artistic existance. I have seen Hampson live, and have loved him (in Thias) and somewhat disliked him (in Simon Boccanegra) As for him being pretentious, somwetimes I find him mannered, but always charming. SOmetimes Intellectualism can appear pretentious, but surely you wont hold an opera singer to the charge that he must be unintellectual. what a vitriolic review, please buy this Cd, it merits repeated listening to a true American SINGER,
an extra star for all the guest artists.......2006-05-08
The title of this album is an oxymoron. Or a sick joke. I can't decide. Sure he has made millions by luring the uninitiated listener into his web of deceit and conceit, but don't be fooled any longer. How fortunate Hampson has been to sing for and with great artists to shoulder his heavy load.
An Homage to a Great Artist.......2005-10-30
EMI is wisely creating a series of recordings to gather the moments of artists that showcase the very reasons they become so highly regarded. Usually these collections are produced late in careers or even posthumously, but in the case of THE VERY BEST OF THOMAS HAMPSON the artist is still one of the more active and premiere singers of our day. Yet while he doesn't still perform all of these inclusions, it is wonderful to have excerpts from various successful recordings to remind us of the artistry that Hampson represents.
The two disc set includes arias from operas: Rossini's 'Il barbière di Siviglia', von Weber's 'Euryanthe', Gounod's 'Faust', Massenet's 'Hérodiade', Bizet's 'Les Pêcheurs de perles' (in duet with Placido Domingo), Thomas' 'Hamlet', Verdi's 'Don Carlo', 'Il Travatore', 'Macbeth', 'La Traviata', and 'Falstaff', Korngold's 'Die Tote Stadt', and Wagner's 'Tannhäuser'.
But the rewards of a Hampson recording must include his impeccable career as a lieder stylist and on this recording are excerpts from Schumann's 'Dichterliebe', Schubert's 'Winterreise', Mahler's 'Rückert Lieder' and 'Das Lied von der Erde', as well as songs by Meyerbeer, Rossini, Grieg, Kalman, and Lehar. And very importantly there are examples of American songs that Hampson has always emphasized in his recitals. Works by Stephen Foster, and two extraordinary works with the brilliant accompanist Armen Guzelimian - 'An Old Song Re-sung' by Griffes and 'At Dawning' by Charles Wakefield Cadman - round out this fine survey.
Not usually a collector of such 'recombinations', for this listener this album is so very fine that it deserves the attention of all those who appreciate the artistry of Thomas Hampson - then and now. Highly recommended. Grady Harp, October 05
superb vocals.......2005-08-07
Mr.Hampson really gets the chance to showcase his wonderful baritone voice in this "Best of" collection which includes excellent selections from his various other CDs. I like the diversity of the selections featuring operatic arias,works from classical composers, and folk songs. For Thomas hampson fans, as well as fans of the baritone voice, this CD is for them.
Average customer rating:
- A mind blower CD
- Blown away...
- Nocturnal, Cerebral, Hypnotic.......(5 Stars!!!)
- One of the greater ambient pieces out there.
- dark, foreboding, and a damn good listen
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Songs of a Dead Dreamer
DJ Spooky
Manufacturer: Asphodel Records
ProductGroup: Music
Binding: Audio CD
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- Modern Mantra
- File Under Futurism
- Celestial Mechanix: The Blue Series Mastermix
- Riddim Warfare
- Optometry
ASIN: B000001PAK
Release Date: 1996-04-30 |
Tracks:
- Intro
- The Vengeance Of Galaxy 5
- Phase Interlude
- Galactic Funk (Tau Ceti Mix)
- Hologrammic Dub
- Danc Of The Morlocks
- Juba
- Thoughts Like Rain
- Anansi Abstrakt
- Grapheme
- Phase Interlude Part 2
- Nihilismus Dub
- In The Valley Of The Shadows
- The Terran Invasion Of Alpha Centauri
- Time Out Of Joint
- Machine Phylum
- High Density
- Outro
Amazon.com
Abstract junglist, leader of the illbient movement, or just plain organized noise progenitor: there's no denying New Yorker DJ Spooky's immense influence on the American experimental electronic scene. Songs of a Dead Dreamer is the first full-length testament to his position. The underground classic "Galactic Funk" (Tau Ceti Mix) clashes warm, breakbeat bass pulses with chaotic digital confusion. Other beefy numbers, like "High Density," are prime exercises in jungle and white noise interference, while "Juba" opts for slower breaks and offers a more intelligent and meditative ambiance. --Daniel Shumate
Customer Reviews:
A mind blower CD .......2004-12-11
Paul D. Miller or DJ Spooky has proven himself over the years to be a creative genius on many different levels. Songs Of A Dead Dreamer is considered by many to be Mr. Miller's masterpiece of sound and mixing technique. A mind blower CD that is guaranteed to take the listener on a fantastic journey that is a much dark as it is light. No need for drugs here as the music itself has the power to alter and warp reality.
Blown away..........2004-09-16
I don't remember how I got into DJ Spooky, but at first, I was not impressed (the first CD I got was `File Under Futurism' - still not my favorite) - however, I started to buy more, and I realized my first CD was a black sheep, and that this guy REALLY knows what he is doing. This is my fifth DJ Spooky/Paul D. Miller CD, and I will keep buying them.
It is hard to describe this CD. It is absolutely futuristic, but not in a science fiction way, just science and technology (this will probably make no sense to you, but I am trying!) - it sounds intelligent and futuristic.
Regardless, from the samples Amazon has provided, you can get a good idea what is in store, except you really need to just listen strait on through.
The kicker is, this is a serious, mature ambient/IDM/whatever CD, while his other work, like Modern Mantra, is more of `rap' and organic. Same quality and flair, but way different results. Still, amazing work.
Nocturnal, Cerebral, Hypnotic.......(5 Stars!!!).......2003-12-10
The term 'illbient' is a sound largely based around eclectic atmospheric ambient sounds steeped in 'Dub, Hip-Hop, Drum 'N' Bass with a mostly conceptual nature. So what should you expect???....think the occasionally dense moods & atmospherics of "Dj Krush", coupled with the Avant garde downtempo of "Aphex Twin's - Selected ambient works", with a large helping of the textured Sonics and genre fusion and melodic beats of "Dj Shadow"...yet managing to completely separate himself into something completely unique to him. Usually starting with a simple wall of ambient sound, to start proceedings, a Multitude of layered samples are gradually applied over the course of some of the sprawling 7 minute epics....(one track doesn't even introduce a actual beat until 3 minutes into the track). Its truly is a great album, of that there is no doubt, but with an overall sound that is predominately Cerebral, abstract, creative & yet largely reliant on mood, its certainly not a widely accessible album, but those entering into this with 'Their eyes wide open' will treasure a artist willing to sacrifice commercial appeal or creative exploration.
One of the greater ambient pieces out there........2001-11-19
The New York City illbient scene has definitely paved the way for more ill/ambient artists still to come. Many people say that the ill/ambient scene is dead (the artsy types out there enjoy pronouncing an artform dead on arrival, it may make them appear to be on top of things) - a passing fad, so to speak. (WE and Subdub are still releasing fresh vinyl albums/singles/tools off of Theagriculture, Liquid Sky, and Asphodel, for you who claim that they have vanished).
DJ Spooky claims that the world is a mix, which is definitely the philosophy's adage - in that the listening to music is more than passive, its active dissection into your self, any sound can indeed be you.
The year is 2001, and I can fervently claim that this (along with Viral Sonata)is one of best ill/ambient albums out there, in that Spooky has effectively merged the spatial, sparse sounds of ambient music with the driving beat of hip-hop and dancehall reggae/dub to make a new product, a.k.a illbient music. I say that ambient music is still fairly vibrant, in that DJs/noise-progenitors can site this album (as well as Necropolis, and various releases by other artists from Liquid Sky and Asphodel, TheAgriculture and Wordsound are also in the house) for a common and mutual reference point - much like how progressive rockers refer to Pink Floyd or how avid hip-hoppers refer to Grandmaster Flash or Grand Wizard Theodore.
As a DJ, I find this to be an excellent tool in that one can fragment (deconstruct) it into different parts and create a fresh, brand new product. Miller understood this concept (one in which many electronic Djs still refuse to understand) way before the illbient scene developed in the mid 90's. One only has to understand Miller's philosophy to feel his music (I must admit, his written essays are a bit hard to follow for the common man, one has to understand philosophical jargon to read it - he has a very... interesting vocabulary, lets say).
This album has a right to anyone's collection. I still listen to/deconstruct this five years after its release, and it can only be stale to those who aint ready. Like many forward-thinking artists, Miller's works will probably be re-discovered sometime in the future, and hopefully it will accepted along the lines of Iannis Xenakis, John Cage, Brian Eno, and perhaps even Akrikaa Bambaata and Kool Herc.
dark, foreboding, and a damn good listen.......2001-11-16
Your driving downtown, the bars have closed for the night, and somehow you've managed to get yourself lost in the bleak concrete jungle. You pop in your favorite DJ Spooky cd and become convinced that you are being followed. Looking for a dark, after-hours, paranoid mood? This is your album. As a whole, the album is a coherent piece that should be heard in its entirety from beginning to end. That said, there are several stand-out tracks that have become personal faves: the smokey film-noir jazzish "Nihilismus Dub"; "Galactic Funk" which has a nasty 1970s inspired funk groove; and "Juba", an African-inspired piece sandwiched in between some organ playing that sounds fit for a baseball game; and "the terran invasion...", which has a distinctly Eno-esque quality supported by a reggae bassline. Well-worth the price of admission. Check it out.
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