The You and the Now is French Canadian singer and cellist Jorane's English-language début. Boasting production by Michael Brook, writing by Lisa Germano and Simon Wilcox, and the appearance of Daniel Lanois on "Pour ton sourire" (the only Francophone track), it's undoubtedly her best album yet. Though it's more rhythmic and less vaporous and mannered than her previous outings, it remains a Jorane album--one on which every track is worth hearing.
Product Description
Categorizing Jorane and her music is not an easy task because of the unique way this talented artist expresses voice and instrument to create a sound that is distinctively her own. Jorane's haunting voice and virtuoso cello playing captivates her audience by weaving sonic dreamscapes.
On her new album, The You and the Now, Jorane explores new musical terrritory by embracing the power of words. For the first time, she has collaborated with other songwriters in order to deliver a deeply personal and introspective body of work to a new audience in the U.S. Jorane invited into the studio distinquished writers; Lisa Germano (Simple Minds, Indigo Girls), Simon Wilcox (Three Days Grace, Randy Bachman) and Shira Myrow. Produced by the innovative Michael Brook (Brian Eno, The Pogues, Youssou N'Dour), The You and the Now is a collection of songs that will appeal to those looking for something more unique than the average singer-songwriter. This release also includes a duet with the inimitable Daniel Lanios, who wrote and lends his voice and guitar playing to the only French song on this album "Pour ton sourire."
The You and the Now [Enhanced]
The You and the Now,Jorane,Six Degrees,Alternative Pop/Rock,Dance Music,Instrumental Rock,Pop,Rock/Pop
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Now That I've Found You: A Collection
Alison Krauss Manufacturer: Rounder / Umgd ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000002ME Release Date: 1995-02-07 |
Tracks:
- Baby, Now That I've Found You
- Oh, Atlanta
- Broadway
- Every Time You Say Goodbye
- Tonight I'll Be Lonely Too
- Teardrops Will Kiss The Morning Dew
- Sleep On
- When God Dips His Pen Of Love In My Heart
- I Will
- I Don't Believe You've Met My Baby
- In The Palm Of Your Hand
- When You Say Nothing At All
Amazon.com essential recording
A poll-winning fiddler since her teens, Alison Krauss was an established bluegrass star when her label persuaded her to step out from her usual projects with Union Station, her crack band, and sanction this compilation of various band and solo guest performances. The ploy worked, yielding a wonderful, odds-beating crossover hit with Krauss's cover of "Baby, Now That I've Found You," a carousing late-'60s pop chant transformed into a delicate, vulnerable declaration of love. Focusing on Krauss's lovely, yearning soprano, the track elevated the musician above her resolutely democratic role in her quintet, catapulting Krauss to the biggest bluegrass success story in over 30 years. Krauss has stayed true to her bluegrass roots, as well as to Union Station, but this cross-section of contemporary bluegrass songs, joyous gospel, and canny rock covers testifies to the young artist's luminous appeal. --Sam SutherlandCustomer Reviews:
Alison Krauss.......2007-05-12
Definitive collection...one of her best!.......2007-04-12
Beautiful!.......2007-01-18
spud.......2007-01-04
Love what Allison does with her Voice.......2006-11-12
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Odyssey
Hayley Westenra Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AXWHPI Release Date: 2005-10-18 |
Tracks:
- Prayer
- Both Sides Now
- Never Saw Blue
- Dell' Amore Non Si Sa
- What You Never Know (Won't Hurt You)
- May It Be
- Quanta Qualia
- You Are Water
- She Moves Through the Fair
- My Heart Belongs To You - Hayley Westenra
- Ave Maria
- I Say Grace
Album Description
Hayley Westenra's new album Odyssey was always going to be a different proposition to Pure, the record-breaking 2003 collection which marked her international debut. A lot has happened to the young New Zealander over the past two or three years--and those changes are clearly reflected by a record which encapsulates her growth from a budding teenage prodigy into a mature young woman. Now, at 18, Hayley is ready to show the world how much she has grown up, both as an artist and as an individual. Fans of Pure will be pleasantly surprised by her new album. Her wonderful voice retains its crystal-clear purity, but Westenra's singing is now richer and more rounded than before. Touring the world and singing in some of its greatest concert venues, such as the Sydney Opera House, Royal Albert Hall, and Carnegie Hall, has worked wonders for her confidence. Suitably emboldened, she has embraced an even wider range of musical styles including classical, hymns, folk and pop. "I was happy with Pure at the time, but I've moved on so much," says Hayley. "It's really exciting to have something new out there for people to listen to. I wanted to make a record that represented me as a person. And I think I've improved as a vocalist." Variety is certainly one of the keywords with Hayley's new album. When she first entered a recording studio in New Zealand as a 12-year-old, Westenra restricted herself to classical pieces and show tunes. Now, in addition to impressive takes on classical works, Hayley uses her new album to perform an inspired cover of Joni Mitchell's "Both Sides Now" and has arranged and written much of the material. "I like to push myself, and I'm now confident enough to try different things. I have been much more involved behind the scenes with this album--I wanted to put my individual stamp on each song." With her career stretching out promisingly before her, Hayley is also keen to continue experimenting. She is still primarily a classical crossover artist but she also wants to keep broadening those musical horizons. Three years after her international debut CD, Hayley Westenra is still pure: she exudes pure quality and she remains pure class--but her musical journey continues with her new album Odyssey.Customer Reviews:
Wonderful melodies.......2007-06-08
Hayley Westenra - Odyssey.......2007-06-08
Very soothing.......2007-05-14
I would definitely recommend it to anyone interested. Quanta Qualia and Ave Maria are my most favourite tracks. Quanta Qualia is pure magic! I really feel as if I'm flying in Heaven when I listen to it.
very good pop singer voice.......2007-05-13
Voice & level head deserve high marks .......2007-04-20
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Fiddler on the Roof
Jerry Bock , Sheldon Harnick , and Topol Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005OB07 Release Date: 2001-10-09 |
Tracks:
- Prologue/Tradition/Main Title
- Matchmaker
- If I Were A Rich Man
- Sabbath Prayer
- To Life
- Miracle Of Miracles
- Tevye's Dream
- Wedding Procession
- Sunrise, Sunset
- Wedding Celebration/The Bottle Dance
- First Act Finale
- Entr'acte
- Do You Love Me?
- Far From The Home I Love
- Chava Ballet Sequence
- The Rejection Scene
- Anatevka
- Finale
- Any Day Now
Amazon.com
This new version of the Fiddler on the Roof soundtrack coincides with the movie's 30th anniversary (which is also celebrated by a special edition DVD). The CD is notable for several instrumental tracks by John Williams, as well as for "Any Day Now," a previously unreleased song performed by Perchik/Paul Michael Glaser (better known for his starring role in TV's Starsky and Hutch). The soundtrack is often compared unfavorably with the original 1964 cast album, in which Zero Mostel played the part of Tevye (here performed by Topol, who had been in the 1967 London production). But this CD has a lot going for it, including glossy remastering and, of course, Isaac Stern as the fiddler. In the end, whatever version you decide to pick up, Fiddler remains one of the most enduring musicals of all time. --Elisabeth VincentelliCustomer Reviews:
Topol is best as the Papa.......2007-07-15
Love it.......2007-05-16
CP as Grandmother Tzeitel.......2007-03-30
Never Ending Joy!.......2006-11-22
-Christian Fobian, Author of Why Christ?
Great a classic.......2005-11-08
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Harem
Sarah Brightman , and Frank Peterson Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008W2QZ Release Date: 2003-06-10 |
Tracks:
- Harem
- What A Wonderful World
- It's A Beautiful Day
- What You Never Know
- The Journey Home
- Free
- Mysterious Days
- The War Is Over
- Misere Mei
- Beautiful
- Arabian Nights
- Stranger In Paradise
- Until The End Of Time
- You Take My Breathe Away
Amazon.com
If one's notion of "world music" promises a touch of the exotic and indigenous, often overlooked is the fact that the influence of western pop music has seeped into every corner of the globe, creating a hybrid that's often more than merely the sum of its influences. Theater vet Brightman steps into that pan-cultural hall of mirrors here, wedding her fascination with the music and rhythms of the "forbidden places" (the title's Arabic meaning) of the Middle East to her own oft ethereal vocal charms and rock-solid sense of drama. And if the diva's equally sound crossover sensibilities (and that of longtime producer Frank Peterson) sometimes mire it in familiar world-beat pastiche, Brightman's charmed muse manages some transcendent moments nonetheless. Her musical borrowings (Borodin for the title track; Puccini's *Madame Butterfly* for "It's a Beautiful Day") are as compelling as her choice of collaborators: classical violin star Nigel Kennedy and Iraqi vocalist Kadim Al Sahir add compelling touches to the weary timeliness of "The War is Over." The musical influences range from Europe across the Mediterranean and as far East as the Indian roots of "Bollywood" composer A.R. Rahman's "The Journey Home" and Brightman's own "You Take My Breath Away" to evocative recastings of the emblematic standards "Stranger in Paradise" and Louis Armstrong's "What a Wonderful World," while ex-Killing Joke keyboardist Jaz Coleman provides the savory East-meets-West orchestrations that ensure Brightman's star turns the seamless foundations they deserve. --Jerry McCulleyAmazon.com
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More from Sarah Brightman
Time to Say Goodbye |
Diva: The Singles Collection |
Eden |
Diva: The Video Collection |
Live from Las Vegas |
La Luna (Live in Concert) |
Customer Reviews:
harem .......2007-05-28
New to Sarah Brightman.......2007-03-12
Stranger in Paradise - More Like Stranger in a Lost Cause.......2006-12-30
No voice like hers in the world.......2006-10-01
Brilliant Brightman, Her best CD........2006-09-18
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King Arthur
Hans Zimmer Manufacturer: Hollywood Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002IQIWE Release Date: 2004-07-27 |
Tracks:
- Tell Me Now (What You See)
- Woad To Ruin
- Do You Think I'm Saxon?
- Hold The Ice
- Another Brick In Hadrian's Wall
- Budget Meeting
- All Of Them!
Amazon.com
What are legends if not for reinventing -- and/or hyper-inflating into Hollywood summer fare? In retooling the Arthurian legend for the goth-beguiled video game age, mega-producer Jerry Bruckheimer did away with details small (the lady in the lake, sword in the stone, etc.) and large (this Arthur is actually Eastern European, by way of Rome). Composer Hans Zimmer picks up that gauntlet, producing an orchestral score bristling with massed brass, chorus and percussion -- if little of the indigenous mysticism that made his work on Gladiator/ so rewarding. What there is of that precious commodity is frontloaded via the song "Tell Me Know (What You See)," his evocative opening collaboration with Clannad's Moya Brennan. From there, Zimmer emphasized this version's Eastern conceits with a half-dozen suites of cues that thunder in the Russian classical tradition -- and all the melodic range of "Jingle Bells." Zimmer--not to mention Poledouris--has done it better, but fans of outsized orchestral Gothic moodfests may yet take this one to heart. --Jerry McCulleyCustomer Reviews:
We Will Go Home.......2007-07-13
Good music.......2007-05-16
Want to hear Gladiator II?.......2007-04-12
And you better believe it, Hans Zimmer actually managed to blow up his sound from Gladiator even more, and I really didn't think this was possible, mainly because I thought it would sound utterly pathetic and over the top. And make no mistake, Zimmer's King Arthur is just that.
I am reviewing this score in retrospect, and it is truly fascinating to do that. When you look at other composers and make a little journey to their past, you usually find more creativity. The further back you go, the more original and fresh music you find. With Hans Zimmer, it's the opposite. With each year you go back, his scores just get more dreary, and that's saying alot because his latest works also don't really qualify as schoolbook examples for colourful scoring.
From Gladiator to Pirates Of The Caribbean 2, Hans Zimmer has yet to come forth with a truly fresh and unique score. Zimmer never, ever, not in a million years, escapes his usual box. And King Arthur is no exception whatsoever. From the get go, 20 horns are amassed and play a overly simplistic motif somewhere between a and A, the strings mush together in midrange, melodramatic chords, and dwell in the shallow realm of overbearing dullness.
I don't understand how an artist - and the art of film composing is severely underrated - can be content with repeating the same thing over and over. If I were Hans Zimmer, I would be embarassed by now to even write one more note for that droning bass.
To top it all off, Zimmer incorporates an Enyaesque voice that is easy on the ears, but in the end signifies nothing, does nothing and does all that with an amazing lack of substance.
That is, amongst others, the major difference between a serious film composer and Hans Zimmer: a good and skillful film composer takes an average film like King Arthur and makes it sound like something worthwhile. Hans Zimmer on the other hand embraces mediocrity and underlines it to create an even more average film.
King Arthur.......2007-04-09
Hans' Best.......2007-03-12
That said, King Arthur is Hans' most intriguing score to date. Backdraft and Gladiator (overrated) were very good, but this score is a departure from Hans' usual motifs. The only bad part for me(not related to the music itself) is that there are only seven tracks and each are very long. I like shorter tracks so I can pinpoint the themes or variations I want to lsiten to, but this is extremely minor. The music is great, and I reccommend you go enjoy Hans' best music yet.
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Old World Underground, Where Are You Now?
Metric Manufacturer: Everloving ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000C236V Release Date: 2003-09-30 |
Tracks:
- IOU
- Hustle Rose
- Succexy
- Combat Baby
- Calculation Theme
- Wet Blanket
- On A Slow Night
- The List
- Dead Disco
- Love Is A Place
Customer Reviews:
I'm an addict.......2007-03-29
Absolutely a must own!.......2006-12-28
She has a very unique flow to her beats, some are slow and mellow, with lyrics that are complicated yet you completely relate, and others are a little faster that you just gotta move too, it's a broad range of style and lyrics and I highly reccomend it to anyone who likes Poe, Garbage, Bjork or even the first Goldfrapp album, just luscious vocals and beats that keep you wanting more..
I give this album a high 5 in rating (scale 1-5)..
It's worth every penny..
So much more than just "poppy"!.......2006-09-15
Well worth the money........2006-08-30
I think Emily Haines is a talented singer and I love to hear her voice. I also find what she has done on some songs to be lyrically innovative and interesting. Anyone can sing the words, but what Emily Haines brings to the table is original, interesting, and just plain fun to listen to.
There are three other people in the band as well. I think they all do a great job. The music may seem a bit simple to some, but that doesn't take away from the final product in any way. It's the emotion and energy that really counts, and Metric delivers.
An easy sell.......2006-03-25
Said that, they do produce some fun music and have an amazing beat. You probably will enjoy if you do not have very high expectations
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How Do You Like Me Now?!
Toby Keith Manufacturer: Dreamworks Nashville ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00002MYVE Release Date: 1999-11-02 |
Tracks:
- How Do You Like Me Now?!
- When Love Fades
- Blue Bedroom
- New Orleans
- Country Comes To Town
- Heart To Heart (Stelen's Song)
- She Only Gets That Way With Me
- Die With Your Boots On
- You Shouldn't Kiss Me Like This
- Hold You, Kiss You, Love You
- Do I Know You (Bottom Of My Heart)
- I Know A Wall When I See One
Amazon.com
Oklahoma singer Toby Keith is neither a remarkable singer nor songwriter. Yet in his more inspired and focused moments on his sixth studio album--his first for DreamWorks--Keith does occasionally manage to transcend his journeyman's limitations and achieve a sort of workaday eloquence. On patchily conceived and executed songs like the self-written "Die with Your Boots On" and a pointless ditty called "Country Comes to Town," even Keith's hard-edged baritone swaggering over flashy, high-voltage arrangements can disguise the basic lack of musical substance and creative vision. Yet on "Heart to Heart," a tender song Keith wrote for his young son, and an exquisite story song called "New Orleans," Keith surprises by turning in heartfelt, impassioned performances that transcend the general ordinariness that is otherwise the order of the day. --Bob AllenCustomer Reviews:
What music background does your reviewer have???.......2006-02-16
Slower, but still a GREAT cd.......2005-11-29
I have several favorites on this cd, and I guarantee you will too.
One of the Best country cd's. WRITTEN BY A NON COUNTRY FAN!.......2005-01-10
Here is why:
How Do You Like Me Now: Great song with some funny lyrics. A good song that all of us wish we could apply to that beautiful girl from school when she turns out to be a stay at home fat ugly joke, and we turn out to be successful, rich and desirable.
When Love Fades: THE BEST SONG HE HAS EVER DONE! HANDS DOWN. NO CONTEST! Some of the best "Relationship is ending" lyrics that have EVER been written.
"Going through the motions,
pretending to be,
The man you used to see in me.
Dont wanna hurt me,
so you play along,
and it dont feel right and it dont feel wrong.
It just like a memory,
barely alive,
when will we let it die.
Who'll be the one
To say goodbye
Who'll be the one to stay
When Love Fades
Simply brilliant! The dual vocals with himself towards the end are especially great. WHY IN THE WORLD it wasnt released as a single is beyond me. This would have been an EASY #1 HIT!
Blue Bedroom: Not a slow song but a heavier type lost love song. One of those: "I lost you and i miss you and come back home" songs. Totally throws you off being sequenced right after When love fades which was a "I know its over, lets break up" kind of song. good nonetheless!
New Orleans: A story song in the same type as a Jim Croce or Harry Chapin type of story song. About a woman and man who get together. She fled a bad relationship in New Orleans and how she is getting on with her life. GREAT TUNE!
Country Comes to Town: One of the huge hits this album produced! Strange to hear a horn section in a country song but it works and VERY WELL!
Heart To Heart (Stelen's Song): Stelen is Toby's son. A nice poignant tale about how children are or can be with their parents.
She Only Gets That Way With Me: Kinda like my ex-wife, she only gets THAT way with me. Well, except with her other exes. Who get THAT way RIGHT BACK AT HER! This is a good song but my stupid joke may not be representative with what this song is about.
Die With Your Boots On: One of the weaker tracks, for a non-country fan (or someone who likes a small amount of country songs. This sounds modern with an old time country topic.
You Shouldnt Kiss Me Like This: Another of the hits. To me a ballad is not a country song, just like it isnt a rock song or anything like that. The only evidence of country in this love song is the twang to his voice, if even that.
Hold You Kiss you Love You: I love the beat to this one. For when you get that lustful feeling with the one you love.
Bottom Of My Heart (do i know you): A sad lost love type of song, and a very good one at that!
I Know A Wall When I See One: Ever date someone who got away and you wish you hadn't let that happen? Then this is your song!
This album is under 40 minutes which is a shame but it is a FANTASTIC, PHENOMINAL ALBUM!
How do you like Toby now?.......2004-07-30
Who's That Man?.......2004-05-18
I choose this CD because of How Do You Like Me Now?!, a song we can all relate to about rejection turning around, but I soon fell in love with You Shouldn't Kiss Me Like This, When Love Fades and Blue Bedroom, where he shows his emotional, sentimental side. I Know A Wall When I See One is the kind of song you can't get out of your head, as is the good-natured Country Comes to Town.
Toby is a talented songwriter, has an excellent voice, and is full of emotion, humour and fun, and I can honestly say there is not one song on this CD I don't like. The perfect start or edition to any Toby collection.
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Porgy & Bess
Ella Fitzgerald , and Louis Armstrong Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000046Z5 Release Date: 1990-10-25 |
Tracks:
- Overture
- Summertime
- I Wants To Stay Here
- My Man's Gone Now
- I Got Plenty O'Nuttin'
- Buzzard Song
- Bess, You Is My Woman Now
- It Ain't Necessarily So
- What You Want Wild Bess?
- A Woman Is A Sometime Thing
- Oh, Doctor Jesus
- Medley: Here Come De Honey Man/Crab Man/Oh, Deh's So Fresh And Fine (Strawberry Woman)
- There's A Boat Dat's Leavin' Soon For New York
- Bess, Oh Where's My Bess
- Oh Lawd, I'm On My Way
Amazon.com
Getting the two most personable voices in jazz to sing an hour's worth of George Gershwin's opera Porgy & Bess (Ella doing all the female parts, Satchmo all the male) was a good idea, but not quite as great as it sounded. Armstrong savors the down-and-dirty Charlestonisms that inspired the cadences of the music and lyrics, and they fit his happy rasp like an old shoe; Fitzgerald, conversely, sounds almost prissy every time she has to sing the word "ain't," though her melodic genius gets Gershwin's bold, supple tunes over. The arrangements are full-throttle Broadway, with a few leaps into Dixieland (including some fine Armstrong trumpet solos), but the disc works best when the vocalists break character and let their jazz side out. --Douglas WolkCustomer Reviews:
Absolutely peerless.......2006-11-17
Gershwin and Gershwin must be among the top composers of the last century and this opera showcases their talents more than anything I've heard. Ella and Louis are peerless as a vocal duo and though I doubt the West End performance will capture the magic in the same way they did, I still remain very keen to go see it. Is it opera or is it a jazz performance? I don't really know. I just know that I love it. And strongly recommend it.
once-in-a-lifetime greatness.......2006-10-06
But after its premiere in 1935, no less than Duke Ellington said, "It has grand music and a swell play, but the two didn't go together. It does not use the Negro musical idiom --- the times are here to debunk Gershwin's lampblack Negroisms."
A quarter of a century later, the producers of the film version had trouble assembling a cast. Harry Belafonte rejected their offer to play Porgy. Sidney Poitier took the part --- and wished he hadn't. Poitier later wrote that the movie insulted black people; when he chose clips of his best performances for his tribute at the American Film Institute, he picked nothing from "Porgy and Bess."
And in 1985, when Grace Bumbry was a sensation as Bess in a Metropolitan Opera production, she slammed the opera: "I thought it beneath me, I felt I had worked far too hard, that we had come far too far to have to retrogress to 1935."
All that may be. All I know is that I have, in a long life, rarely been confronted with more genius than in the Fitzgerald/Armstrong recording of "Porgy & Bess." Set aside the achievement of George and Ira Gershwin in transforming DuBose Heyward's novel into a folk opera. Let's just focus on Armstrong and Fitzgerald, who were at the peak of their popularity when this record was made in 1957.
"Summertime" --- the first song --- sets the tone. A baleful horn figure, then violins. And then Armstrong's trumpet: slow, steady, dignified. But wait --- here comes a slurred note. And a cool little improvisation. Just enough of each. Very tasty.
Fitzgerald sings a verse. She is cool and formal. A lady. Not to be taken lightly. Now it's Armstrong's turn. Tender, but let's not kid ourselves --- this is not singing as others define it. This is melodic speech: rough, gutteral. And thus he is ideally cast: His Porgy may have his charms, but he'll have to stretch to keep Bess.
And so it goes throughout the CD. Trumpet mastery --- Armstrong has dazzling control. His tone is bright, but never shrill; there's a warmth in his playing no one else could produce. And Fitzgerald is just a study in inevitability; to hear her is to wonder how anyone could sing these songs any other way.
"I Got Plenty O' Nuttin'." "Bess, You Is My Woman Now." "A Woman Is a Sometime Thing." "There's a Boat Dat's Leavin' Soon for New York." "Bess, Oh Where's My Bess?" "Oh Lawd, I'm on My Way."
All brilliantly conceived, orchestrated and recorded.
The greatest trumpet player in this history of jazz.
The father of scat singing.
The queen of the jazz vocal.
There are no-brainers, and then there is this Ella Fitzgerald-Louis Armstrong collaboration --- music that imprints on your soul.
We love this album.......2006-08-22
Simply great.......2006-03-04
A must have for everyone!
Porgy and Bess.......2005-10-14
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Broadway - The American Musical (PBS Series)
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00064ADMK Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
- Willkommen- from "Cabaret" Joel Grey
- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
- Good Morning Baltimore- Marissa Jaret Winokur
- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
- Defying Gravity- Kristin Chenoweth,Idina Menzel
Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Top Shelf.......2007-01-04
TERRIFIC CD'S.......2006-03-23
Great Collection of Broadways greatest Songs .......2005-06-14
Great Compilation!.......2005-01-17
Average customer rating:
|
The Greatest Ragtime of the Century
Manufacturer: Shout Factory ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00009PJST Release Date: 2003-06-10 |
Tracks:
- Shreveport Stomp - Jelly Roll Morton
- Sweet Man - Jelly Roll Morton
- Tom Cat Blues - Jelly Roll Morton
- A New Kind Of Man With A New Kind Of Love For Me - Thomas 'Fats' Waller
- Nobody But My Baby - Thomas 'Fats' Waller
- Got To Cool My Doggies Now - Thomas 'Fats' Waller
- Maple Leaf Rag - Scott Joplin
- Weeping Willow Rag - Scott Joplin
- Something Doing - Scott Joplin
- Steeplechase Rag - James P Johnson
- Twilight Rag - James P Johnson
- Charleston Rag - Eubie Blake
- It's Right Here For You - Eubie Blake
- Fare Thee Honey Blues - Eubie Blake
- Mr. Freddie Blues - Jimmy Blythe
- Regal Stomp - Jimmy Blythe
Customer Reviews:
Awesome to hear the old masters almost live........2007-03-27
The Greatest Ragtime of the Century.......2005-10-30
As a former dancer, Flapper, wth the Charleston in my routine, I do appreciate Great Music. I'm not quite as good as I used to be, but neither are you, Gal. Will be 66 next birthday. Still have the rhythm and love life.
Put some spice in your life and don't let this CD get away. Please, just get it today.
A great introduction and sampling........2005-08-23
Album Review:
- Things to Make and Do [Import]
- This Moment Is Mine
- Toy Soldiers: The Best of Martika
- Trouser Jazz
- Two Worlds
- Ultra Dance 03 [Enhanced]
- Ultra Dance 04: Louie DeVito
- Un Un Amore: One Love
- Vie en Rose [Import]
- Wipeout Xl
Album Review
Lecture Concerts: Helmuth Rilling Conducts Bach
Music of the Late 20th Century: Puerto Rico
Million Dollar Country [Import]
Lo Mejor de Roberto Torres, Vol. 2
Nothing as It Seems [CD-single] [Import]
Mauvaises Nouvelles des Etoiles [Original recording remastered] [Import]
Make It Easy [CD-single] [Import]
Bassett: Concerto for Alto Saxophone; Bolcom: Lyric Concerto; Daugherty: Spaghetti Western