"Hollands top DJ export. Dark, sexy, uplifting "
Product Description
Brand new 2XCD mix from Holland's acclaimed DJ/Producer Sander Kleinenberg. This man knows how dancefloors work: he's instigated sweaty scenes around the world, observing what makes people move from Boston to Belfast to Buenos Aires. Ultimately, the mechanics of the dancefloor revolve around just one thing: good dance music. Sander knows about this, too. As a DJ, he has released two critically acclaimed mix CDs: the first for G.U.'s NUBREED series and the second for ESSENTIAL MIX. The last two years have also been a watershed for Sander as a producer: from his recent massive remixes of JUSTIN TIMBERLAKES "ROCK YOUR BODY" and J Records ANNIE LENNOX, to his original productions which are regularly championed by the elite progressive house & trance DJs around the world, Sander is following close in the footsteps of PAUL OAKENFOLD and DEEP DISH by establishing himself as a world class DJ, producer, and big-name remixer. On Renaissance Presents: Everybody, Sander dips into a deep bag of funky dancefloor numbers that present the best in current progressive house sounds while also giving us a glimpse into the future of the genre.
Everybody
Everybody,Sander Kleinenberg,Thrive (Red),Dance Music,Electronic,Pop,Progressive House,Tech-House
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Everybody Knows This Is Nowhere
Neil Young & Crazy Horse Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002KD7 Release Date: 1990-10-25 |
Tracks:
- Cinnamon Girl
- Everybody Knows This Is Nowhere
- Round And Round (It Won't Be Long)
- Down By The River
- The Losing (When You're On)
- Running Dry (Requiem For The Rockets)
- Cowgirl In The Sand
Amazon.com
Opening with the methodical, hard-rocking "Cinnamon Girl"--still one of the singer-songwriter's most-hollered requests in concert--Young's second solo album introduces the cockeyed harmonies and sloppy, chiming guitars of Crazy Horse. His wide swings from soft-spoken country-folk ("Round & Round [It Won't Be Long]") to menacing metal (the punch line to "Down by the River" is "I shot my baby") indicate the multiple personalities in Young's future. His second album of 1969 broadcasts a sincere passion for the peace-and-love '60s (dig the long guitar solos) but also predicts the dark introspection of "Tonight's the Night." --Steve KnopperCustomer Reviews:
Old enough to change your name.......2007-07-19
The fact that songs like "Round and Round" are present on this album serve as a bit of a legend for the rest of Young's career. On one hand, you have the dark, hard-rocking band frontman, and on the other you have a sensitive song-craftsmen who molds melodies the way a skilled carpenter does cabinets. This dichotomy will become more and more apparent (and more polarizing) on subsequent Young releases, but here, it simply shows two sides to one of the most deservingly celebrated artists in rock history.
sound quality not good.......2007-06-12
a suggestion.......2007-05-30
If they gave this album one of those "Deluxe Edition" jobs like they've
done with so many others such as the first Weezer album and Blind Faith and on and on. Out-takes,demo's,alternate takes/mix's....it would all be catnip to the millions who love this album.
Actually, now that i think of it....if a "Deluxe Edition" job isn't possible, they could make a nice pairing of this along with the Neil and Crazy Horse at The Fillmore 1970 CD. That would be pretty deluxe!
A Classic----Everybody Knows.......2007-05-14
What can one say about this album? Neil Young expanded beyond Buffalo Springfield with this one and, I think, came into his own as a considerable artist in his own right. With Crazy Horse, he examined and extended his creativity with pastoral landscapes, jagged-edged cliffs, outerworldly musings, and just plain country meets city sensibility. Not that it always makes sense, but that people is the magic of music. Interpretation is up to you, not the artist.
Even now, I am awed by the consistency Neil displays so early in his solo career. We are never relaxed, for one moment, that the sequence of songs will resemble sameness in any shape or form. It begins with "Cinnamon Girl" which, in some way, reveals the dilemma that many young people have a problem with. That is the in-between phase of being a child and adult. He wants to spend his life with her, but then again, "Ma, send me money". The need to be free but not quite there yet. This theme reveals itself in many of his tunes. It is a slow rocker but with such a memorable riff. Next up "Everybody Knows", a jumpy, sprightly groove that, again, reveals where he's at - between a dream and reality- essentially nowhere.
"Round and Round" is a slow acoustic sadness that, I feel at least, is about loss. A loss of yourself? Or perhaps someone close. "Down By the River", aside from allowing Neil to stretch his jagged lead guitar, proposes another dilemma for the astute listener. The protagonist is lead to possibilities with this woman - but is her non-compliance a reason to shoot her? Down by the River? An enigmatic song at best and I dare not ask Neil the meaning.
We then get to "The Losing End" which reveals an easy-going country groove with some electric guitars helping it along. The theme? Good ol' country heartache. A mainstay in that genre - now and always. The mood then changes, into some outerworldly, ethereal regret and deception. This song reveals a darkness of the mind, and this is brought forth so effectively with the inclusion of violins. An eerie offering, but so very different.
"Cowgirl in the Sand", I think, is one of Neil's most potent songs. It can be taken on many levels. It is hard drivin' (but, it takes on a whole new perspective if you heard him do the acoustic version). Neil pleads with her to stay in her company. But, her place of command is the desert. Desolation. And, this song tries, desperately, to make her see her worth. Neil knows she is a beauty. She feels she is "purple words on a gray background". I feel that this song is an aching plea. It also allows Neil to experiment with lead guitar breaks, gritty and rough and insistent on it's purpose. In all, a brilliant conclusion to a brilliant album.
This album (plus the next two- After the Gold Rush and Harvest) complete the superb triumvirate of Neil's early career. As we know now, he was to go on to more creative terrain. Some of it successful, some of it not so. In any event, plain and simple, he is an amazing artist and, I think, one of the greats in popular music.
This one is definitely a classic and well worth the investment.
Now - if only Guido would replenish my bottles!
Your personal roadmap to reflection and music of worth--Metamorpho
an absolute rock and roll classic........2007-03-30
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December's Children (And Everybody's)
The Rolling Stones , and Rolling Stones Manufacturer: Abkco ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006AW2R Release Date: 2002-09-03 |
Tracks:
- She Said Yeah
- Talking About You
- You Better Move On
- Look What You've Done
- The Singer Not the Song
- Route 66
- Get off of My Cloud
- I'm Free
- As Tears Go By
- Gotta Get Away
- Blue Turns to Grey
- I'm Movin' On
Amazon.com essential recording
Before this 1965 blues-rock masterpiece, the Stones were the best of the many British bands living out their Muddy Waters dress-up fantasies. They continue giving new life to old songs, such as Arthur Alexander's soul tearjerker "You Better Move On" and the Nat King Cole standard "Route 66," but there are several exciting new developments. Keith Richards and Mick Jagger discover their songwriting talents, coming up with the enduring "Get Off My Cloud" and "As Tears Go By" as well as the underappreciated "I'm Free." And drummer Charlie Watts focuses the swing-jazz fills that have defined the Stones as much as the writing, voices, and guitars. --Steve KnopperAmazon.com
Dig how even a tossed-together cash-in by the Stones' U.S. label--the group's third American album of 1965--ends up smoking like all but their very best. They invent thrash with the opener, "She Said Yeah" (a Specialty Records obscurity penned, under a pseudonym, by Sonny Bono!) before laying down a leering "Talkin' 'Bout You," a frenetic "I'm Movin' On" and their most consistent, varied list of originals yet. Dig, too, how even "As Tears Go By" sounds like a sneer in the midst of "Get Off of My Cloud," "Gotta Get Away," "I'm Free" and the dourly off-key "Blue Turns to Grey." --Rickey WrightAlbum Description
This Super Audio Compact Disc (SACD) recording offers high-resolution sound and is playable on both standard CD players and SACD-compatible devices.Album Description
Full Title - December's Children (& Everybody's). Remastered reissue of 1965 album, suitable for standard & 'Super Audio' CD players. Digipak. Abkco. 2002.Customer Reviews:
December's Children has too much filler.......2007-03-16
December's Children (And Everybody's) ~ The Rolling Stones: 2 1/2 stars
Their best early release in the US.......2007-02-02
Not an SACD.......2007-01-31
What I was sent is a DSD disc. It does not register as an SACD on my player. It sounds miserable.
What gives, has the SACD been replaced by this other format?
It's one of my favorite Stones albums. I am not pleased.
Not the Best, but pretty important.......2007-01-16
Stupendously Fantastic.......2006-06-13
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Everybody
The Sea and Cake Manufacturer: Thrill Jockey ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000O170Y4 Release Date: 2007-05-08 |
Tracks:
- Up On Crutches
- Too Strong
- Crossing Line
- Middlenight
- Coconut
- Exact To Me
- Lighting
- Introducing
- Left On
- Transparent
Amazon.com
A new record from the Sea and Cake is like a cool breeze, floating in off the water after a hot, sunny day. Unlike the dark, cerebral vibe of label-mates Tortoise (for whom drummer/producer John McEntire also plays and produces), The S&C plays loose. Still, the new record from Sam Prekop and company is especially relaxed, with songs that melt down into colorful smears. While 2003's One Bedroom was pointing in a more pop-oriented direction, Everybody is even more straightforward and stripped down, with only peripheral references to the jazzier sound of past efforts like 1995's The Biz. They're still capable of it though. Check out the free-form, jam-band vibe of "Left On," as McEntire's rollicking percussion dissolves over Prekop's gentle fadeout. But songs like the lead track, "Up on Crutches" are more representative, full of momentum and dynamics. Even the instrumentation is simpler; listen to the hand claps and the fuzz pedal on "Crossing Line." The Sea and Cake have never sounded uptight, but at times their beachy sound has seemed a little forced, like they were straining to suppress their experimental chops. But in challenging themselves to simplify, the band finally achieves a state of laid back clarity. It's the perfect soundtrack to lazy Sunday afternoons, letting Prekop's breathless voice dissolve like vapor against diffuse melodies and gliding guitars. Put on Everybody and tune out of the world. --Matthew CookeAlbum Description
Their first full-length in over four years continues to perfect their singular brand of dreamlike, hot-buttered pop music that sounds delicately handcrafted, yet effortless all the same. Sheets of glowing guitar tones skip along propulsive percussion underscored by gently funky, introspective bass lines, all adorned by breathlessly delivered lines of lyrical poetry.Customer Reviews:
A return to form.......2007-07-04
exactly........2007-06-21
This was a very welcome listen, I'd hazard that The Sea And Cake is at the top of their game.
Soundtrack for a Slow Summer Day.......2007-06-19
Best Sea and Cake album ever.......2007-06-11
As my girlfriend said, "I just don't understand why they're not the most famous band in the whole world!"
A Rocking Return.......2007-06-08
jxr
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Everybody Else Is Doing It, So Why Can't We?
The Cranberries Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001DXL Release Date: 1993-04-20 |
Tracks:
- I Still Do
- Dreams
- Sunday
- Pretty
- Waltzing Back
- Not Sorry
- Linger
- Wanted
- Still Can't...
- I Will Always
- How
- Put Me Down
Product Description
Practically BRAND NEW condition, never played, includes original CD, case, and paperwork, First class shipped, ask me for my CD List! :)Amazon.com
Their first full-length shows a band fully formed, with faint debts to the Sundays and the Smiths, but turning out more-than-tuneful pop behind the gorgeous lilt of Dolores O'Riordan. "Dreams" and "Linger" both seem to weave magic spells that remain even after the tracks pass, and there is a glorious freshness to the performances that's impossible to resist. It remains their most satisfying outing. --Chris NicksonCustomer Reviews:
I want to make one thing perfectly clear.......2006-08-14
Good Album.......2006-08-04
Wow.......2006-08-01
So The Cranberries were a 90s band, sorry to all of you who think it's cool to rebel against gen x and hate the 90s. This cd doesn't sound dated really, just take a look at any given current 'indie' band, and you'll get pretty much a similar, softer sound to it. And even if one were able to identify this as a 90s band, this isn't horribly dependant on the age in which it was written like oh so many 80s pop/synth/rock acts.
I don't think anyone is going to accuse The Cranberries of being the most innovative, intelligent band ever, but they weren't trying to be. They made pop tunes and actually put a little heart into them, and thats a rare thing, I think. This is a very gorgeous, yet subtle cd; nothing is really going to jump out at you, and it may take more than one listen to really appreciate it.
So songs to listen to:
Dreams
Waltzing Back
Linger
Still Can't...
How
If you like the sound of these songs, then you won't be disappointed in the least. If they're not your cup of tea, then don't bother.
Overexposed.......2006-02-22
The 5 star ratings here are a bit much.......2006-02-04
The problem is that the songs rest TOO heavily on her voice without the songwriting to carry it. Too few of these tunes have solid bankable hooks that draw you back to them again and again and that counts against the longevity of this in the end.
In addition, the lilting quality of O'Riordan's voice takes on a near yodel affectation at times that means her singing style may take some getting used to. That's not to say this album is "bad"..just that much of it possesses a tendency to bleed into the background.
HIGHLIGHTS:
Driving drums and shimering guitar made "Dreams" a big hit as was the string-kissed "Linger". Outside of those, "Still Can't.." and "How" with its "Never before and never again" chorus settle in with repeated listening. It closes on a nice note with the otherworldly soaring backing vocals on "Put Me Down".
LOWS:
"I Still Do" is a prime example of a tune that I just can't recall once it stops playing and it was allowed to set the stage for the disc. While that's truth in advertising at its most extreme, it certainly doesn't start the CD to best advantage.
BOTTOM LINE:
A great voice can't carry songs on its own and this album is hit and miss but the best bits are majestic. Definitely one I'd borrow from a friend first before buying, though.
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Everybody Got Their Something
Nikka Costa Manufacturer: Virgin Records Us ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005B0S6 Release Date: 2001-05-22 |
Tracks:
- Like A Feather
- So Have I For You
- Tug Of War
- Everybody Got Their Something
- Nothing
- Nikka What?
- Hope It Felt Good
- Some Kind Of Beautiful
- Nikka Who?
- Just Because
- Push & Pull
- Corners Of My Mind
Amazon.com
Nikka Costa's fiercely bootylicious first single, "Like a Feather"--that song with the thick, clapped 16th notes--has already garnered the 28-year-old singer one hell of a buzz, and for the most part, she's got the goods to back it up. Already a platinum-selling artist in Europe and South America, the Tokyo-born, L.A.-bred singer's stateside debut bulges with ambition. It's a mixed bag of musical tricks that's equal parts '70s-style funk, hazy Led Zeppelin-inspired psychedelia, and angst-ridden alternachick yowling, with healthy dollops of soul, hip-hop, and thrash thrown in for good measure. Produced by Costa, Australian rocker Justin Stanley (who's also the singer's husband), and high-profile New York City DJ Mark Ronson, the album works best when it piles on the noise--like on the standout "Tug of War," which features the unmistakable rim-shot work of Roots drummer ?uestlove. On that track, a flurry of scratched samples, layers of soundboard-smeared noise, and a few luscious string sweeps break into gospel-choir harmonies that swirl gorgeously beneath Costa's reedy mezzo-soprano wails. It's a shame that she can't match this intensity on sparser down-tempo ballads like "Nothing" and "Just Because," where she sounds like Fiona Apple's slightly less annoying older sis. As the album's title says, everybody got their something, and Costa sounds best when she sticks to hers. --Sylvia W. ChanCustomer Reviews:
Costa Has Got That Something.......2007-02-10
She reaches deep into her soul for real interpretations of R&B, blues and gospel, with a variety of mixes in the production. Though I am not a fan of layered vocals, Costa is able to do an admirable job because of her range of expressions in delivering the parts.
She sings it like she's lived it in Push & Pull and Corners Of My Mind, with Tug Of War and the title track compelling enough to make you stop what you're doing and listen intently.
A dynamite CD likes this one means that the artist has refined the material over a period of years and may struggle to reach the same peak or is starting one of those magical runs of quality releases. Costa has set a solid foundation and Everybody Got Their Something will stand on its own no matter what the future brings.
A unique favorite.......2007-02-03
Great Sound!.......2007-01-17
Truly Infectious.......2006-11-26
Funk and Soul are alive and well............2006-01-31
Take it easy,
JLE
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Something For Everybody: Baz Luhrmann
Various Artists Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000634X Release Date: 2004-07-12 |
Tracks:
- Bazmark Fanfare - Baz Luhrman
- Young Hearts Run Free (The Overture Mix) - Kim Mazelle
- Loverfool (Snooper Version) - Snooper
- Perhaps Perhaps Perhaps - Doris Day
- Everybody's Free (To Wear Sunscreen) Mix - Quindon Tarver
- Che Gelida Manina (Your Tiny Hand Is Frozen) - David Hobson
- When Doves Cry (Extended Mix) - Quindon Tarver
- Love Is In The Air (Fran Mix) - John Paul Young
- Nutbod (Houseboats Of Kashmir Mix) - Christine Anu/Royce Doherty
- Happy Feet (High Heels Mix) - Jack Hylton
- Angel (7in MIx) - Gavin Friday
- Os Quindos De Ya Ya - Stanley Black
- Aquarius/Let The Sunshine In - Helana
- Time After Time (The S.F.E. Version) - Tara Morice
- I'm Losing You - Lani
- Now Until The End Of The Day (Single Version) - Christine Anu/David Hobson/Royce Doherty
- Jupiter (From The Planets) - The London Symphony Orchestra
Amazon.com
One of the most surreal singles in memory, "Everybody's Free (To Wear Sunscreen)" has an even stranger story than you'd imagine: in 1998, a student lifted the text of an article columnist Mary Schmich had written for the Chicago Tribune and started sending it around the world, crediting it as a commencement speech given at MIT by Kurt Vonnegut. Film director Baz Luhrmann (who had taken a big part in designing the soundscapes of his films Strictly Ballroom and William Shakespeare's Romeo and Juliet) got his hands on it just as he was working on a remix of Rozalla's 1992 dance hit "Everybody's Free (To Feel Good)." Within a day, Luhrmann had hired a local actor to read the text, and a single was born. It's a wonderfully surreal pop-cultural moment on an album that strives for such things. Luhrmann's modus operandi involves the remixing and customizing of tracks until they have a fabulous sheen, and it owes a lot to the equally media-attuned Malcolm McLaren (and especially to McLaren's 1989 album Waltz Darling). Though he throws in a handful of time-tested songs (Doris Day's "Perhaps Perhaps Perhaps," La Bohème's "Che Gelide Manina"), Something for Everybody is very much of a specific moment--and though the moment may pass, fans will enjoy revisiting it time and again. --Randy SilverCustomer Reviews:
If only for one song alone, you'll love it........2007-07-06
Happy Music!!!.......2007-04-02
At last I found it!!.......2006-07-11
I'm really happy with the service. I recieved it very fast! Thanks very much!!
THE MAN IS A GENIUS!!!!!!!!!!!.......2004-12-11
Fantastic Album From A Modern Master.......2003-03-01
Fans of STRICTLY BALLROOM will again recognize the original versions of Doris Day's classic "Perhaps, Perhaps, Perhaps" and Stanley Black's "Os Quindos De Ya Ya" as well as remixed versions of "Happy Feet," "Love Is In The Air" and Tara Morice's "Time After Time." ROMEO + JULIET lovers can hear fantastic remixed versions of "Young Hearts Run Free," "Everybody's Free," "When Doves Cry," and "Angel."
The real treat for Baz Luhrmann fans, however, are the tracks from and inspired by his works for The Sydney Theatre Company and the Australian Opera. They range from the purely operatic "Che Gelida Manina" from LA BOHEME (which has since been brought to Broadway) to the fantastically funky electronic "Aquarius/Let The Sunshine In" from HAIRCUT.
If you've ever seen and loved a Luhrmann film, you shouldn't be disappointed by this fantastic album. It celebrates the works you know and love and introduces you to this modern master's other, equally wonderful works.
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Everybody Loves a Happy Ending
Tears for Fears Manufacturer: New Door Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002M5T34 Release Date: 2004-09-14 |
Tracks:
- Everybody Loves A Happy Ending
- Closest Thing To Heaven
- Call Me Mellow
- Size Of Sorrow
- Who Killed Tangerine?
- Quiet Ones
- Who You Are
- The Devil
- Secret World
- Killing With Kindness
- Ladybird
- Last Days On Earth
Amazon.com
Among the benefits of picking up the new Tears for Fears album--the band's first since 1989--maybe the least obvious is looking cool in front of friends. Flick it on over cocktails, say, and brows will furrow: Few would think to match the heaving, synth-heavy boys who lit up the '80s with "Head Over Heels" to this new material. Which is mostly a good thing. The vocals of lead singer Roland Orzabal, powered by some all-cylinders thing, still squash all traces of irony in their path, and there's a moodiness to the music, minus a lot of the old broodiness, that borders on the masterly. Yet the sound has changed completely. Old-school overproduction has fallen away in favor of real guitars, pounding pianos, and a melody-driven, Beatle-y sensibility. It's there on the title track and first single "Call Me Mellow," and only slightly eclipsed by something pleasantly Bacharach-ish on "Secret World." Everybody who loves a happy ending will find one here: Tears for Fears skirts the has-been trap impressively, translating years of experience into play-it-again, sophisticated modern pop worth paying attention to. --Tammy La GorceAlbum Description
UK version of 2004 album contains 2 bonus tracks 'Pullin' A Cloud' & 'Out Of Control'. Chrysalis. 2005.Album Details
Includes Two UK Bonus Tracks Not on the USA Version.Customer Reviews:
great comeback!.......2007-07-24
Quality Quality Quality.......2007-06-04
I LOVE A Happy Ending.......2007-05-18
Great CD.......2007-05-07
Only complaint is the basic rhythm tracks lack that live groove that
gave their songs so much punch.
It sounds like it was recorded a bit here and bit there on computer and then thrown together in the mix, it lacks a real "Band" feel.
Still a great album though.
Great album.......2007-01-26
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Everybody's Talkin' 'Bout Miss Thing
Lavay Smith & Her Red Hot Skillet Lickers Manufacturer: Fat Note ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00002SWYI Release Date: 2000-03-21 |
Tracks:
- Busy Woman's Blues, The
- Everybody's Talkin' 'Bout Miss Thing
- Big Fine Daddy
- Gee Baby, Ain't I Good to You?
- Now or Never
- I've Got A Feelin'
- Roll the Boogie
- Honey Pie
- I Want a Little Boy
- Blow Me a Fat Note
- Voo-It
- He Beeped When He Should Have Bopped
- Hootie Blues
- Do You Know What It Means to Miss New Orleans?
- Sent For You Yesterday
- Winter Wonderland [Special Bonus Christmas Track]
Amazon.com
And just like that, the "swing thing" disappeared. Of course, San Francisco's Lavay Smith and Her Red Hot Skillet Lickers were at it years before the revival took hold and were always a cut above the rest of the pack anyway. That's because Smith and her pianist and musical director Chris Siebert have such a deep wealth of musical knowledge to draw on, the courage and good taste to recruit world-class veteran players from across the jazz world, and a passion and respect for the style of music they play. Boasting a buoyant mix of boogie-woogie, jump blues, sophisticated swing, and even bebop, 2000's Everybody's Talkin' follows up their enormously successful indie debut, One Hour Mama, which sold nearly 40,000 copies in the 3 years after its release on their own Fat Note label. The crafty arrangements, courtesy of Siebert and big-time Ellington expert David Berger, never get in the way of momentum or mood. It all revolves around Smith's versatile voice, which can convey strength and vulnerability, innocence and smut, sweetness and wickedness--often all at once. --Marc GreilsamerAlbum Description
This is quirky pop record from 2 guys from Canada. This is great CD for those who like a little variety, satire and spirituality in their musicCustomer Reviews:
There's nobody like Lavay Smith.......2007-07-29
jazz to drive to.......2007-05-13
Second album is even better than the first!.......2007-04-02
Outstanding.......2005-12-03
A worthy addition to any music collection.......2005-11-24
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Everybody Else is Doing It So Why Can't We? (The Complete Sessions 1991-1993)
Cranberries Manufacturer: Island ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000068VHP Release Date: 2002-07-30 |
Tracks:
- I Still Do
- Dreams
- Sunday
- Pretty
- Waltzing Back
- Not Sorry
- Linger
- Wanted
- Still Can't...
- I Will Always
- How
- Put Me Down
- Reason
- Them
- What You Were
- Liar - (Pret A Porter Movie remix)
- How - (Radical mix)
Customer Reviews:
Angst, Anger and Love.......2006-06-24
"I Still Do" is an angst-ridden track, heavy on mellow bass, about someone who is in love, and wants to break it off, even though that person is still in love. The reason for breaking it off is not clear, and it need not be. This song is the generic break up song when you have mixed feelings about the relationship but realize that it is in at least one person's best interests to end the relationship.
We go from the angst of a possibly impossible relationship to the dream relationship in "Dreams," which was featured in "You've Got Mail." A pretty, fast-paced, song, Dolores tells her significant other that she has given herself to him, and he now has her heart, so please don't hurt her. She also says that she is amazed by his mind and how caring and understanding he is. The ethereal music with a rock beat I personally find to be very satisfying.
We go back to angst again with "Sunday." This time the singer cares for or loves someone, but can't seem to make the connection. This situation has happened to me, and I'll bet it's happened to many of you. Dolores starts singing this one is a grunge style, slowly. Then the pace picks up and the song attains a solid pop beat. Seems like anything Dolores sings is pretty.
"Pretty" has throwaway lyrics to vaguely blues-sounding music with heavy bass. Dolores gets to trill her voice in that endearing way. My guess is that the intent of the lyrics is to be there for the sound more than for the meaning. It works!
"Waltzing Back" is an angry song. How did these people come back into your life? They are going to take you away from me. It's not fair. In the end, there's nothing she can do about it; it's your life. It doesn't mean she has to be happy about it.
I like the next song. The style of "Sorry" makes solid use of Dolores's ability to hit high notes. This song is combination anger and angst; she's upset and angry, but at the same time you sense that she wanted it to work out. She still misses him, but is still angry too. The rock beat in the background punctuates her anger with heavy bass and percussion, and a fast beat. There is a good contrast musically between her bluesy angst laments and her anger.
The Cranberries love angst about love. "Linger" tells how she saw her significant other with someone else, and communicates the hurt she feels. She wonders why he can't just go with her instead of letting her believe that they have any hope of a relationship. This song is all string laments; solid angst.
And the angst just keeps on rolling with "Wanted." A fast-paced song, here Dolores sings about the communication gap between two people, and their ability to understand each other's needs. Just what is it you want, what are you trying to say?
"Still Can't..." starts acoustically, and then takes off with bass and backing drums. Dolores' sultry voice expresses her anger that her significant other is telling lies about the situation between her and him. He won't apologize, he's laughing about the situation behind her back. I don't think I'd want to be the other person in this song.
"I Will Always" expresses the simple thought that she gives everything of herself to him. He needs to do whatever he will do, and she'll be there. The music here is slow and mellow, Dolores sings very slowly, mournfully. She still manages to hit the high notes with a grunge flavor, even though it's not really a grunge song. Grunge blues maybe.
I get the feeling that "How" is the Cranberries version of "You're so Vain," which was sung by Carly Simon. The words express how he is self-centered, and he left her alone, at least emotionally, if not physically. Dolores was looking for a closeness that he isn't providing. There is a heavy drum beat in this relatively fast-paced song.
"Put Me Down" again makes such wonderful use of Dolores's voice, sultry to start and then going for the high notes. The topic of the song is pretty much like the title says: she keeps getting put down; she keeps trying, but keeps getting treated like a second-class person; this was a lovely song to finish off the original CD.
There are several versions of this CD. This version has five tracks added to the original release. I am a little mixed on the value of these tracks. I like the Cranberries a lot, and so the bonus tracks are nice to have. However, are they worth the extra money this CD costs over the previous version? That depends on how much you like the Cranberries. If you are a huge fan, the extra tracks are nice to have. Otherwise, if you have the original version, this CD did not have any improvement over the previous version that I could tell.
This CD is full of heavily orchestrated music, very well played. Dolores has an incredible vocal range, and her Irish accent adds something to these songs. There are so many influences that it is hard to categorize the music. I call it lovely and mellow, and my favorite Cranberries CD. I give this CD five stars plus.
Close to my heart.......2006-04-05
A Classic Album!.......2005-12-11
Timely & in GOOD condition!.......2005-10-23
real cranberries.......2005-01-05
I do recomended.
(...)
Average customer rating:
|
Symphonic Rock
Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002T7ZM0 Release Date: 2004-09-07 |
Tracks:
- Come Away With Me (originally by Norah Jones)
- Yellow (originally by Coldplay)
- Here With Me (originally by Dido)
- Millennium (originally by Robbie Williams)
- Hero (originally by Enrique Iglesius)
- What Can I Do (originally by The Corrs)
- Flying Without Wings (originally by Westlife)
- Everybody Hurts (originally by REM)
- Every Breath You Take (originally by The Police)
- Let It Be (originally by The Beatles)
- A Whiter Shade Of Pale (originally by Procol Harum)
- Nights In White Satin (originally by The Moody Blues)
- Candle In The Wind (originally by Elton John)
- Imagine (originally by John Lennon)
Tracks:
- Beautiful Day (originally by U2)
- Champagne Supernova (originally by Oasis)
- Handbags & Gladrags (originally by Stereophonics)
- Why Does It Always Rain On Me (originally by Travis)
- Livin' On A Prayer (originally by Bon Jovi)
- Layla (originally by Derek & The Dominos)
- Stairway To Heaven (originally by Led Zeppelin)
- Bat Out Of Hell (originally by Meat Loaf)
- Run To You (originally by Bryan Adams)
- China In Your Hand (originally by T'Pau)
- Torn (originally by Natalie Imbruglia)
- Bittersweet Symphony (originally by The Verve)
- Good Vibrations (originally by The Beach Boys)
- Bohemian Rhapsody (originally by Queen)
Customer Reviews:
Absolutely Pure & Beautiful.......2005-10-31
Symphonic Rock.......2005-07-25
pleasant easy listening.......2005-07-19
Excellent CD.......2005-03-20
luke.......2004-12-12
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