Even greater than their Greatest Hits, Exposé's first album finds these club-and-chart divas in their most pure form, before personnel changes and the evolving musical climate sent them scrambling from their roots. Exposé were the queens of the Miami sound, and at many points in the 1980s and '90s, queens of the pop charts. But sales never translated to celebrity, and as the members were shuffled and the music grew increasingly anonymous, those who weren't watching closely didn't notice them. Exposure captures Exposé at their peak before the doldrums set it, and it's sure to get a party started, especially if your guests are older folks who remember this group from their first time around. --John Sanchez
Exposure,Exposé,Arista,Adult Contemporary,Club/Dance,Dance Music,Dance-Pop,House,Pop,Rock/Pop,Soul/Reggae/Rhythm & Blues,Urban
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Northern Exposure: Music From The Television Series (1990-95 Television Series)
Various Artists Manufacturer: Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002OMG Release Date: 1992-09-15 |
Tracks:
- Theme From Northern Exposure - David Schwartz
- Jolie Louise - Daniel Lanois
- Hip Hug-Her - Booker T. & The MG's
- At Last - Etta James
- Everybody Be Yoself - Chic Street Man
- Alaskan Nights - David Schwartz
- Don Quichotte - Magazine 60
- When I Grow Too Old To Dream - Nat "King" Cole & His Trio/Stuff Smith
- Emabhaceni - Miriam Makeba
- Gimme Three Steps - Lynyrd Skynyrd
- Bailero (from "Chants D'Auvergne") - Frederica Von Stade
- David Schwartz Medley: Funeral In My Brain, A / Woody The Indian / Tellakutans, The
Customer Reviews:
STILL MY FAVORITE.......2007-03-23
Better than I remember.......2007-03-08
Totally rocks.......2006-09-11
Music that Grows on You.......2006-08-01
Furthermore, while the CD was playing, my wife asked me what it was. When I told her, she said, "Don't you dare sell that CD!" She has nothing to fear. I have played it several times now, and I like it better each time I listen.
The Chris Stevens Album Collection.......2006-07-30
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More Music From Northern Exposure (1990-95 Television Series)
Various Artists Manufacturer: Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002OT2 Release Date: 1994-11-08 |
Tracks:
- Ojibway Square Dance (Love Song) - Georgia Wettlin-larsen
- Theme From Northern Exposure - David Schwartz
- Stir It Up - Johnny Nash
- Mambo Baby - Ruth Brown
- Someone Loves You - Simon Bonney
- The Ladder - David Schwartz
- If You Take Me Back - Big Joe and His Washboard Band
- Un Mariage Casse (A Broken Marriage) - Basin Brothers
- There I Go Again - Vinx
- Lay My Love - Brian Eno and John Cale
- Wrap You'r Troubles In Dreams(And Dream You'r Troubles Away) - Les Paul and Mary Ford
- Mooseburger Stomp - David Schwartz
- I May Want A Man - Joanne Shanandoah
Customer Reviews:
RADIO STATION KBHR FAN FROM DOWNUNDER.......2007-07-14
Better than the first one.......2006-05-11
Great traveling music!.......2006-03-19
Only for hard core NXers.......2003-05-24
Excellent variety.......2002-07-14
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One Hundred Greatest TV Themes
Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005Y49F Release Date: 2002-08-27 |
Tracks:
- The A-Team - Nic Raine
- The Addams Family - Nic Raine
- The Adventures Of Robinson Crusoe - Nic Raine
- Airwolf - Derek Wadsworth
- The Avengers - Mike Townend
- Barnaby Jones - Jerry Goldsmith
- Batman - Nic Raine
- Battlestar Galactica - Nic Raine
- Baywatch - Derek Wadsworth
- Beverly Hills 90210 - Derek Wadsworth
- Bewitched - Nic Raine
- Between The Lines - Mark Ayres
- The Bill - Nic Raine
- Bonanza - The Philharmonia Orchestra
- Brideshead Revisited - Derek Wadsworth
- Buck Rogers In The 25th Century - Nic Raine
- Burke's Law - Derek Wadsworth
- Cagney And Lacey - Derek Wadsworth
- Captain Scarlet And The Mysterons - Mark Ayres
- Casualty - Mark Ayres
- Cheers - Mark Ayres
- Dallas - Nic Raine
- Dangerman (Secret Agent) - Mike Townend
- Doctor Who - Mark Ayres
- Doctor Kildare - Jerry Goldsmith
Tracks:
- Doogie Howser, M.D. - Derek Wadsworth
- Dynasty - Nic Raine
- The Equalizer - Derek Wadsworth
- Falcon Crest - Derek Wadsworth
- Fireball XL-5 - Derek Wadsworth
- The Fugitive - Nic Raine
- Hawaii 5-0 - Mike Townend
- Hercules: The Legendary Journeys - Nic Raine
- The High Chaparral - Nic Raine
- Highway To Heaven - Derek Wadsworth
- Hill Street Blues - Derek Wadsworth
- The Hitchhikers Guide To The Galaxy - Mark Ayres
- The Incredible Hulk - Derek Wadsworth
- Jason King - Mike Townend
- Jesus Of Nazareth - Paul Bateman
- Joe 90 - Derek Wadsworth
- Johnny Staccato - Derek Wadsworth
- Knight Rider - Derek Wadsworth
- Kojak - Mike Townend
- L.A. Law - Derek Wadsworth
- Land Of The Giants - Nic Raine
- Little House On The Prairie - Derek Wadsworth
- Lonesome Dove - Nic Raine
- Lost In Space - Nic Raine
- Lou Grant - Derek Wadsworth
Tracks:
- Magnum, P.I. - Derek Wadsworth
- A Man Called Ironside - Mike Townend
- The Man From U.N.C.L.E. - Derek Wadsworth
- M*A*S*H - Nic Raine
- Miami Vice - Mark Ayres
- Mike Hammer - Derek Wadsworth
- Mission Impossible - Mike Townend
- Monty Python's Flying Circus - Nic Raine
- The Munsters - Derek Wadsworth
- Murder She Wrote - Derek Wadsworth
- Newhart - Derek Wadsworth
- North And South - Derek Wadsworth
- Northern Exposure - Derek Wadsworth
- NYPD Blue - Mark Ayres
- The Outer Limits - Nic Raine
- Perry Mason - Mike Townend
- The Persuaders - Mark Ayres
- Peter Gunn - Mike Townend
- Police Squad - Nic Raine
- The Prisoner - Mike Townend
- Quantum Leap - Derek Wadsworth
- Randall And Hopkirk (Deceased) - Mike Townend
- Red Dwarf - Mark Lambert
- The Rockford Files - Mike Post
- Roseanne - Dan Foliart
Tracks:
- The Saint - Mike Townend
- Seaquest DSV - Nic Raine
- Space 1999 - Derek Wadsworth
- Star Trek - Mike Townend
- Star Trek: Deep Space Nine - Derek Wadsworth
- Star Trek: Voyager - Nic Raine
- St. Elsewhere - Derek Wadsworth
- The Streets Of San Francisco - Nic Raine
- Stingray - Barry Gray
- Taxi - Derek Wadsworth
- Thunderbirds - Derek Wadsworth
- Thirty Something - Derek Wadsworth
- The Time Tunnel - Nic Raine
- Tinker, Tailor, Soldier, Spy - The Philharmonia Orchestra
- The Twighlight Zone - Nic Raine
- Twin Peaks - Derek Wadsworth
- U.F.O. - Derek Wadsworth
- The Virginian - Nic Raine
- Voyage To The Bottom Of The Sea - Nic Raine
- Wagon Train - Paul Bateman
- The Waltons - Jerry Goldsmith
- The Wild Wild West - Derek Wadsworth
- Young Riders - John Debney
- Xena: The Warrior Princess - Paul Bateman
- The X-Files - Mark Ayres
Customer Reviews:
Two tracks I really like.......2007-07-21
The Fireball theme is actually much improved on this version. I prefer the orchestra and the vocals over the original.
Quantity Over Quality.......2007-01-15
Mediocre.......2006-05-17
One Hundred Greatest TV Themes.......2005-08-06
Pretty close to original recordings.......2005-07-24
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Exposure
Robert Fripp Manufacturer: Discipline Us ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000F3A7LE Release Date: 2006-06-06 |
Tracks:
- Preface
- You Burn Me Up I'm a Cigarette
- Breathless
- Disengage
- North Star
- Chicago
- NY3
- Mary
- Exposure
- Hen Two
- Urban Landscape
- I May Not Have Had Enough of Me But I've Had Enough of You
- First Inaugural Address to the I.A.C.E. Sherborne House
- Water Music I
- Here Comes the Flood
- Water Music II
- Postscript
Tracks:
- Preface [Third Edition]
- You Burn Me Up I'm a Cigarette [Third Edition]
- Breathless [Third Edition]
- Disengage II [Third Edition]
- North Star [Third Edition]
- Chicago [Third Edition]
- New York, New York, New York [Third Edition]
- Mary [Third Edition]
- Esposure [Third Edition]
- Hen Two [Third Edition]
- Urban Landscape [Third Edition]
- I May Not Have Enough of Me But I've Had Enough of You [Third Edition]
- First Inaugural Address to the I.A.C.E. Sherborne House [Third Edition]
- Water Music I [Third Edition]
- Here Comes the Flood [Third Edition]
- Water Music II [Third Edition]
- Postscript [Third Edition]
- Exposure [Alternate Take][*]
- Mary [Alternate Take][*]
- Disengage [Alternate Take][*]
- Chicago [Alternate Take][*]
- NY3 [Alternate Take][*]
Album Details
Digitally Remastered Limited Edition Miniaturized Sleeve Replica of Original LP Issued of Fripp's Debut Solo Album. The Set Includes Two CDs Filled with Bonus Tracks and Other Goodies.Customer Reviews:
Reissue details & differences here.......2007-07-13
That said, I'll aim my comments at this reissue. In a nutshell, Fripp does the same thing here that he's done before, producing the same infuriating results: he tampers with the original artifact to reflect his present attitude towards it, instead of just reissuing the recording as first released. I find it as frustrating now as I did when he remixed Exposure in 1985, just the same as with individual discs within the various generations of Crimson reissues, whether earlier, like Islands and Larks' Tongues (where tiny changes produced annoying results) or more recent, like Discipline and Three Of A Perfect Pair (with bonus tracks that marred the spirit of the record in the first case and radically improved it in the second).
The first disc is the original LP mix of Exposure, so that's great; it's now on CD, with all its unique moments restored: the fast fade of Disengage, Terre Roche's dismissive "Hah!" at the end of the title track (which once more ends on "X"), the much longer narrative at the end of Haaden Two (including the wonderfully paradoxical "Both the things weren't true; that's definitely true"), and probably a few more subtle differences I missed the first time around. Putting the various versions side by side, the original mix is thicker and grubbier, but still my favorite. Punk rock, right?
Disc two is where the problems start. Take note - spoiler alert! According to Fripp's typically discursive (but ultimately informative) liner notes, the original idea was to repackage the 1983/85 remix/reissue with the unreleased Daryl Hall vocals as bonus tracks. Of course, Fripp then decided to redo things to "create" a version of the album as he originally mooted it. This mix, therefore, is basically that 1985 version, but with Hall's lead vocals substituting for all the Peter Hammill vocals except I May Not Have Had Enough of Me -- hence Disengage (with almost entirely new lyrics, possibly improvised and basically rubbish) and Chicago -- and for Terre Roche's vocals on Exposure. Peter Gabriel remains as the voice of Flood and Roche as Mary. The Hammill versions as they appeared on the first remix are now shunted to the end as extra tracks, except for his take on Chicago, which is dropped entirely, though you get a separate Daryl Hall vocal version of Mary and a duet of Hammill (fine) and Roche (awful, sorry) on Chicago. The labelling of the 1985 versions as "alternate" is disingenous, to say the least.
So how about those Hall vocals, resurrected after all these years? Frankly, they're not that good. I recognize the punk ethos teeming in the mix and Hall's determined need to shrug off his pop star status and go with the artistic spirit of that remarkable age, and it's well established that Fripp was caught up in it too, which shaped the sessions into this resulting album. But honestly, the tracks aren't comparable to the official release. Chicago works well enough - the blues are the blues, after all, though I still prefer Hammill's menace on the familiar version. And Hammill is simply much better at channeling the fury and edge of 1979; he'd been capable of being a proto-punk screamer (with Bowie and John Lydon on record as endorsing him) well before Hall was even singing Sarah Smile, thus Disengage loses everything in its "new " version. This is not to slight Hall, who's talented, just a bit out of his depth: his take on Mary is fine, though little different in spirit to Roche's, and he does sterling work on the title track -- though still not a patch on Roche's utter nutcase delivery on the original. NY3 (retitled here) is the one real success, but basically it's a different song so can't be compared; it loses its Hells Kitchen found vocal and has proper lyrics sung by Hall over the instrumental track; they're good, and the results are similar in sprit to NY3NY on Hall's Sacred Songs, which put new words to "I May Not Have Had Enough Of Me." It's certainly the high point of fresh Hall material on this record.
My position is this; fans would have been better served if the second disc had been the 1985 remix with the unreleased Hall versions as bonus tracks, but I suppose that's too much the industry way of doing things for Fripp to go along with, and he had a chance to assemble something close to how he envisioned it originally. It's just not as good. Fripp hints at acknowledging that in the liner notes when he observes that Mottola's stubbornness caused him to take the album in a different direction, with the results as we know them, and that fans can reassemble the familiar album through programming regardless. This assertion isn't true, by the way -- that we can put back together the 1985 album he decided not to reissue here -- because he leaves off the 1985 Hammill version of Chicago, which was a different vocal take to the 1979 mix. Instead we get the unreleased duet, which as I've noted is less than successful; Terre Roche tries for her Yoko Ono thing again but this time sounds like she's being strangled on the fade-out. Of course, the irony here is that Fripp was right as much as he was wrong. You get the original version in all its scruffy glory and you can create a version of the 1985 mix if you want (which I've done), but only with the help of an earlier reissue to get what's missing. So there you go!
OK, just a few words on the package. The liner notes are excerpts from his diaries, which explain choices in mixing, etc. but aren't useful for quick reference. The pictures are great, if not always the best quality: newspaper reprints, unused cover concepts, a work-up of some attempted remake of Alphaville with Debbie Harry. The best element is the musician credits; finally, you get a clear list of players for each song. Fans may want to learn that Levin is the bassist throughout (not John Wetton), Phil Collins and Jerry Marrotta drum on a couple of tracks each, and on everything else (Breathless, Disengage, NY3, and I May Not Have Had Enough) is latter-day Mahavishnu Orchestra drummer Narada Michael Walden, which helps explain why Breathless in particular is like some ferocious outtake from Red. And that's Sid McGinniss playing the massive funk riff of Exposure, because Robert just could never do that sort of stuff, could he?
By the way, if you buy the Japanese version, you also get two separate sleeves, just like the LPs (a single one for the 1979 version, a gatefold for 1985), plus a postcard, an OBI, and a Japanese booklet. Very nicely done, in fact.
Another curio fans may want to find, I also have an Italian/Indian (?) re-release of Exposure from 2006 that just preceded the double reissue (VH Records, RFCD 01010202). Its mix is the 1983/85 version and the package is a single-sleeve mini LP, with a redundant booklet that provides in larger type everything on the inner sleeve (also included). Nice for the aging audience who might now wear bifocals. The real gem, though, is a much longer (by nearly 2 minutes!) take on Water Music 2. This is not a merging of 1 and 2, I should stress, but a longer track that show how the familiar version actually fades in about half way though. Nothing radically different, just more loops, but a surprise and a real treat once I figured it out.
Robert Fripp.......2007-06-09
Still remember them and they are good to listen to , but different , maybe a little weird to.
You Burn Me Up I'm a Cigarette is a fast paced good song. Disengage was mesmerizing to me as a teen and Mary was kind of soft and sweet as a love song.
The well rounded World of Robert Fripp.......2006-12-09
'79 original tapes brightened up a bit, but interestingly, not as sonically open as the '83 remix
'83 remix version, which has some negatively noticable differences from the '79 edition:
- "Exposure" remix mutes the rythm section and excises Terry Roche's exclaimation "Hah!" from the end of the song. I guess Robert didn't like the implied triumph over Suffering : )
- "Chicago" has a slightly different vocal take and (again) muted rythm
- "Breathless" alters the Frippertronics and (noticing a trend?) mutes the rythm section. I know RF has long running battles with Rythm musicians, but in these cases I found that less was not more.
All in all, only a few of the songs were "improved" enough for me to prefer the clearer sound of the '83 remix. Beautiful songs that begged for little improvement: "Mary" and "Northstar" are stellar and the umpteenth version of Gabriel's "Here Comes the Flood" has some of the Frippertronics replaced by a flute and is the best version of the song I've heard yet.
The 3rd component of this Exposure release is the inclusion of Daryl Hall's original vocals on several songs and a couple of other unmemorable alternate vocal takes by other artists. Hall's take on the song "Exposure" pales in comparison to the manipulated vocals of the original Roche vocal, and while very good, His version of "Mary" is not quite up to Roche's version.
Finally, there is a fun little booklet with another of Fripp's trademark rants against the horrible state of the music world versus the nirvana that Music 'done the right way' can provide. It's pretty touching, actually, and reminds me a bit of Zappa's heartfelt take that "Music is the Best".
Anyway, if you're at all curious about various forms of music, you'll find quite a few styles represented here: power, beauty, hypnotic, chaotic, paranoid, angry music done right!
Small difference before vs. after .......2006-11-04
Fantastic, splendid.......2006-09-20
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Northern Exposure II: East Coast
Sasha & John Digweed Manufacturer: Ultra Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003SFS Release Date: 1998-01-13 |
Tracks:
- Believe- Gus Gus
- Soothe (Chicane Mix)- Furry Freaks
- Burn the Elastic- Violet vs Mantronik
- Geomantik- Prana
- Cycles of Time- The Acoustic Hoods
- Dammerung- Frontisde
- Blue (Original and LP Mix)- Doi-Oing
- Little Bullet (Part One)- Spooky
- Botz- Uberzone
- Reeferendum- Fluke
- Distant Voices (Angel Edit)- Lost Tribe
- Purple- Gus Gus
- Symphony- Hybrid
Amazon.com
A truly expansive collection of cuts, this companion to Northern Exposure 2: West Coast Edition is one for all ears that sees Sasha and Digweed juxtapose dance-pop tunes with club-land mixes. Converts to the Northern Exposure series will further enjoy the skillful Sasha and Digweed mixes washed (as ever) with layers of smooth late-night warmth; newcomers will find a variety of styles and sounds stretching beyond conventional trance-techno to whet their appetite. Gus Gus enjoy two wonderful moments, opening the disc with their dreamy, trip-hop-flavored "Believe" and also offering the penultimate cut with their celestial, bottom-end-boosted "Purple." Other standout moments include Prana's "Geomantik" and Doi-Oing's warm and hazy "Blue." Occasionally the shadow of hip-hop can be heard snaking into the mix, but never enough to take away from the predominant trance atmosphere, which makes Northern Exposure sets so unique. --Steffan ChiraziCustomer Reviews:
The Ultimate Late Night Aphrodisiac.......2007-07-07
It showcases what DJs can do to tunes.. It proves that they can indeed be artists.
Starting off with the gorgeous sounds of Gus Gus and Chicane , (atmospheric, earthy and organic.), to the main room progressive sound of Frontside, Spooky and Uberzone.. (dark, dirty and sexy.) before landing with the most soothing sounds of Hybrid's `Unfinished Symphony"... this mix transcends Genres and Sub-genres and simply delivers a musical journey indescribable by words.
To know that it was recorded from vinyl rather that any computer software adds to the natural feel that has come to define the `Northern Exposure' series..
Is this the best of the series!? Hard to say.. but for pure musicality, originality and midnight magic.. yes.. yes it is.
A beautiful, dark, sensual journey through the underground as only Sasha with the aid of Digweed can deliver.
GET INTO IT!
East Beats West But Still Not Equal To Volume One.......2007-06-06
I'd have to say that this set scores an easy second place for the Northern Exposure series. However it still falls short compared to the quality and creativity of the first.
3.5/5 stars for this half of Northern Exposure, volume 2.
One of my most revered CDs.......2006-12-27
If you bought NEII:West Coast first, do yourself a favor and check out the good ol' East. It w.i.l.l. blow you away by comparison, and I love the West Coast edition. While West has fantastic tracks which are more relaxed, consistent, bubbly and soothing... East takes that formula, bends it, twists it, makes suitable additions and comes out with something so much more intensly pleasing to the ear. The vocal selections on tracks 1-3 make the album hauntingly appealing at first, and remind me of the cover of the album due to their blue/white liquid texture and composition... but just when you sit back to enjoy the smooth relaxation Sasha and Digweed serve up first, it is only an appetizer.
The next set of perhaps 6 tracks up the ante on the tempo and profundity of the listening experience, especially on Geomantik, Blue-->Little Bullet and Botz. These tracks are, to me, so reminiscent of those found on Disc 1 of John Digweeds GU006:Sydney release. Tribal, with the "evil frog" croak and beats which create a spiraling intensity about them as the listener is propelled through the vortex of sound.
The album ends with lovely track slections and mixes by Lost Tribe, Gus Gus's "Purple" (An early trance classic and staple Tranceport remix by Sasha), and Hybrid's "Symphony". I have to say I was a bit surprised by their slection of Hybrid's track, but pleasntly so; a unique artist with a unique track to end a rewardingly unique listening experience.
I would recommend this album to anyone with an ear for audible appreciation: if you really dig albums like Sasha's Involver, Lexicon Avenue's mix on Dave Seaman's "Therapy Sessions Vol. 3", or any of the other Northern Exposure series (particularly NEI and NEIII:Disc 1), you will love this album to death.
If you are looking for Global Underground comparisons, GU006:Sydney and GU013: Ibiza come to mind; not surprising, as they are the cream of the Sasha and Digweed GU crop.
If you have not even heard of any of the aforementioned albums, you will still love this album to death.
My absolute favorite among the greatest collaboration series of two of the greatest DJ's on Planet Home.
~Lex
Amazing.......2006-06-21
Easily on the most impressive of all NE sets.......2006-01-07
Check the fluke track Referendum #10 for the signature Sasha sound, haunting poignant beauty partially embossed by sadness that speaks to the human soul.
You won't find another Northern EXposure compilation like this one.
Gus Gus's purple original is here to for those who have heard the legendary remix and want to get a feel for the original version. Additional breakbeat production on the track of course but it was pretty much left untouched.
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Exposure
Exposé Manufacturer: Arista ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002VEL Release Date: 1990-10-25 |
Tracks:
- Come Go With Me
- Let Me Be The One
- Exposed To Love
- Seasons Change
- Extra Extra
- Point Of No Return
- Love Is Our Destiny
- I Know You Know
- You're The One I Need
- December
Amazon.com
Even greater than their Greatest Hits, Exposé's first album finds these club-and-chart divas in their most pure form, before personnel changes and the evolving musical climate sent them scrambling from their roots. Exposé were the queens of the Miami sound, and at many points in the 1980s and '90s, queens of the pop charts. But sales never translated to celebrity, and as the members were shuffled and the music grew increasingly anonymous, those who weren't watching closely didn't notice them. Exposure captures Exposé at their peak before the doldrums set it, and it's sure to get a party started, especially if your guests are older folks who remember this group from their first time around. --John SanchezCustomer Reviews:
Expose Rocks on..........2007-07-10
They are back together now and touring. I saw them in Columbus a few weeks ago and they are as FABULOUS as ever! I drove 8 hours to see them and it was WELL worth it!!!
Go EXPOSE!
Mostly fun and lighthearted Latin Dance-Pop that really captures the feel of its era .......2007-07-05
stil sounds good 20 years later.......2007-05-29
My favorite album of all time........2007-04-08
Old School Essential.......2007-02-15
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Northern Exposure : Expeditions
Sasha & John Digweed Manufacturer: Ultra Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000ID2O Release Date: 1999-04-13 |
Tracks:
- Tyrantanic - Breeder
- Space Manoeuvres - Stage One
- Morning Glory - Union Jack
- Lost Without You - Jayn Hanna
- Expand The Room - the Light
- Belfunk - Sasha
- Know You Love Me Too - Chris Raven
- Micromega - Blue Planet Corporation
- Free - Mono Culture
Tracks:
- Waters Of Jericho - Head Honcho
- Sexual Movement - Movement Perpetual
- Seaside Atmosphere - Stef, Pako & Frederick
- Der Dritte Raum - Polarstern
- Frictions Groove - Friction & Spice
- Gamelan - Red Devil
- Mess With Da Bull - RR Workshop
- Love Stimulation - Humate
- Rock Stone - Breeder
- Anything You Want - Delta Lady
- Silence, The - Mike Koglin
Amazon.com essential recording
The latest in the Northern Exposure series of trance-techno journeys undertaken by two of the most respected DJs in the world, Expeditions finds Sasha and John Digweed fashioning a set from some fine underground cuts. The disc carries the atmosphere of Jean Michel Jarre while maintaining the pace and energy of Orbital. Using Breeder's "Tyrantanic" as their warm-up, the dynamic duo seamlessly utilize simple techno beats with the likes of Jayn Hanna's "The Light," pumping after-hours house such as Mono Culture's "Free," and deliciously simple trance as in Red Devil's "Gamelan." Maintaining the traditions of previous Northern Exposure sets, there are two different discs for slightly different moods--the first more of a late-night soundtrack, the latter a blue-sky marathon--but both work equally well sequentially or separately. Expeditions is a dynamically balanced dance journey that takes you through many of the vistas electronica and DJ culture has to offer. No phrasebook is necessary. --Steffan ChiraziCustomer Reviews:
Very Average.......2007-06-05
"Space Manoeuvres" by Stage One sets the overall theme of this two disc set. Overabundant spacey trance tracks fill up most of both discs. For this reviewer's taste, it can get a little tiresome for an entire disc, let alone two of them. I am not that impressed with this album, especially when compared to the quality of the original.
Both discs get 3/5 stars.
good stuff .......2007-01-20
Disappointing.......2006-09-20
I'm glad I gave this another shot. There are some standout tracks on the first disc mainly Space Manoeuvers, Lost Without you, Belfunk & Know You love me too.
still bangin'.......2006-02-21
The stand outs are #4,#5,#6 with seven being one of the heaviest electronic songs ever created, with its dark, chuggy, yet light to the touch, smiling from ear to ear beat and #9 "free".
i like to consider myself a conniseur of sorts of this (trance,house) type of music beacuse i have been enjoying this type of music since '95. But for the 'beginner' and the experienced alike these cd's are a must have for the emotional moody feeling that we all relish as a member of the human race.
The crowdpleaser that even the snobbiest fans hold dear.......2005-12-14
Even an intermediate trance enthusiast knows that trying to cram too many good songs into a single mix has a detracting quality (see Oakenfold's Tranceport). For one thing, the mix tends to be a little forced. What you get with this album is the most individual-song quality possible in the shortest time length. Of course, they cheated a little. Tracks 1 and 2 were not only programmed by the same set of musicians, but musicians aimed at tailoring their songs to fit into Sasha and Digweed mixes. Still, tracks 1 and 2 are incredibly fit together! The rest of the CD almost doesn't matter.
CD 1 seems to be a little more Sasha-esque while CD has the Digweed structure. If you take out tracks 1 and 2 on the first CD, the second CD is the superior mix.
Average customer rating:
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Northern Exposure II: West Coast
Sasha Manufacturer: Ultra Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003SFT Release Date: 1998-01-13 |
Tracks:
- Cygnus
- Speedy J
- Humate
- Sven Vath
- The Light
- Third Man
- LSG
- Taucher
- Art of Silence
- Transa
- Armin
Amazon.com
A smoother, steamier slice of house techno, this installment of the Northern Exposure series is a soft and sexy continuous mix that cruises comfortably in the fast lane without offering any standout moments of delirious excitement. Centering themselves firmly in the desert-trance arena, Sasha and Digweed opt for dreamy over direct every time. LSG's "Netherworld," Taucher's "Waters," and the William Orbit and Spooky mix of Sven Vath's "An Accident in Paradise" are all choice moments to get lost in, while Humate's "3.2" is a warm and cozy chunk of ambient techno. Overall, this edition of Northern Exposure is not the most essential member of the collection, but it does provide more than enough fluid trance-techno moments to satisfy dedicated fans. --Steffan ChiraziCustomer Reviews:
Sequels Are Usually Disappointing.......2007-06-06
The first release is a classic that will stand against the test of time despite being two years the junior to this album. Northern Exposure II: West Coast is outdated with tacky-sounding trance. Glowsticks and pacifiers anyone?
2.5/5 stars.
Classic - really is worth all 5 stars.......2007-01-12
Be sure to check out the East Coast edition - it's very different, but a good purchase still (I'd give it 4 stars).
ZRODN.......2006-10-26
Awesome!.......2005-09-13
A progressive house classic ..........2004-08-02
The West Coast edition is the more danceable of the two NE2s, with some of the best progressive house tracks of the era/ever. Opening with Cygnus X's "Protison" (incorrectly listed as "Superstrings" on the back cover), a lush, bouncy, euphoric mood is instantly created only to be torn down by the stabbing melodies and abrasive percussion Speedy J's "Fusion". Humate's classic "3.2" is mixed in creating a dark, atmospheric sound, that melds perfectly with William Orbit's remix of Sven Vath's techno classic "An Accident In Paradise". The Light's "Panfried" and Third Man's "Solar Cycle" keep the beat steady, before the duo really turn up the energy with L.S.G.'s "Netherworld". The Jules Vern mix heard on this album is the best version of the song I've ever heard emphasizing the best elements of the song, and creating a hard hitting progressive house floor-filler. Taucher's melodic "Waters" is perfectly mixed holding the peak created by "Netherworld" to over ten minutes of sheer electronic bliss. "Teach Me" by Art Of Silence is a serene break from the energy, but we're soon brought back to 4/4 floor-stomping energy with Transa's anthemic "Enervate", before slowly closing with the trance inducing groove of Armin's "Blue Fear".
While not as timeless as it's predecessor or the East Coast Edition, this is still a classic piece of progressive house. Although more immediately accessible, it is ultimately less rewarding than it's counterpart. Still, an essential purchase for progressive house/trance fans.
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Northern Exposure, Vol. 1
Sasha & John Digweed Manufacturer: Ultra Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003SFN Release Date: 1997-07-22 |
Tracks:
- Satellite Serenade - Keiichi Suzuki
- Cascade - Future Sound Of London
- These Waves - Young American Primitive
- Raincry - God Within
- Out Of Body Experience - Rabbit In The Moon
- I'm Free - MORGAN KING
- Ultraviolet - Kites
- Obsession - Fuzzy Logic
- Water From A Vine Leaf - William Orbit
- Liquid Cool - Apollo 440
- Last Train To Lhasa - Banco De Gaia
Amazon.com essential recording
The Rolls Royce of trance-house mixes, and every bit as cool as the polar bear on the sleeve, this first edition of Sasha and John Digweed's Northern Exposure sets is the tightest and most effortless of the series. With 11 superbly arranged cuts from the likes of William Orbit, Rabbit in the Moon, and the Future Sound of London, not one moment is wasted. The disc's flavor is decidedly organic and wholly evocative of all-night mountain raves or desert parties. Starting with the early-morning stretch of Keiichi Suzuki's delightfully sunny "Satellite Serenade," the duo swiftly build the tempo up to the breezy ambient plateau of Morgan King's "Free" before heading into harder house territories. The metronomic pulse and atmospheric chanteuse vocals of Fuzzy Logic's "Obsession" form an incremental crescendo with Orbit's "Water from a Vine Leaf." Being a condensed version of the European release, the closing salvo from Banco de Gaia's "Last Train to Lhasa" confirms the since-validated fact that these Exposure journeys have infinite potential; Sasha and Digweed are among the first DJs to create mix sets that tap into earthy, human emotions. It is precisely this unique flavor that will make you yearn for a dance floor, beach, or campsite, packed with deliriously dancing bodies. Yes, really. --Steffan ChiraziAlbum Details
Mixed by Sasha and Digweed, 2CD'S featuring 22 Tracks by Fsol, Drum Club, William Orbit, Underworld, Banco De Gaia, Apollo 440 and More.Customer Reviews:
A Ballad of Trance.......2007-06-05
For the most part, the individual tracks and the set overall does not sound that outdated when related to the album's release date of 1997.
I like this album for its sheer creativity. It the album cover and title have any true purpose in conveying what type of setting Sasha and Digweed were going for with their track selection...chilly, untamed, and isolated...then they sure succeeded. I just don't understand why they decided to open with a track using a vocal clip of the BBC's premier documentary narrator, David Attenborough talking about the Amazon instead of the Arctic or Antarctic?
This review is for the single disc album with the tracks featured above. 4/5 stars.
LOVE.......2007-05-15
Ten years on and still amazing..........2007-04-04
Sunsets And Snow.......2007-02-13
Unfortunately, the record gets off to an almost aggravatingly slow start. The Suzuki number that kicks the disc off is about five minutes too long and features an irritatingly incessant chandelier-and-wind-chime jangling. A later track, "Raincry," succumbs to the deadly repetition of a monkish whine that, after seven minutes, starts to sound like a dying whale. The third track of the album is a Native American-themed chorale by The Future Sound of London; it's suitably sensual (think pan-flutes and fairy-whispers), but the mood is almost ruined by an escalating mish-mosh of weird electro-swoops and kinetic synth.
These minor mishaps, however, are all overshadowed and overpowered by the rest of the record, which is not nearly so twilight-toned. The sound coasts up higher through the angelic sparkles of "These Waves" and then dives down into the cool, murky waters of "Out Of Body Experience."
"I'm Free," "Ultraviolet," "Obsession," and "Water From a Vine Leaf" form the nerve-throbbing core of this record, and they are crafted and coalesced with S & D's usual fine eye for detail. The music picks up speed without losing its airy effervesence. Textured alto serenades, strobe-heavy splashes of sound, urging and sexual half-moans: it recalls bare feet kicking up surf around a beachside bonfire, sweaty and shadow-soaked club couches, or candle-lit house parties.
This delightfully dirty block of trance brilliance is followed by some last-minute theatrics (the up-and-down robotics and the silk-weave organ chords of Apollo 440's "Liquid Cool/Deep Forest Ice Cold") and a steady, patient, Indian-influenced come-down that recalls the life and lushness of the record without any of the awkward false starts. This trip may have a rocky beginning, but it ends, in true S & D fashion, with a dreamily perfect fade.
Earthen Organic Frost.......2007-01-11
This album as a single unit was perhaps as influential on modern mixing as the duo's Renaissance: The Mix Collection was to the introduction of mixing itself. The mixing is flawless, but unlike the acclaimed Global Underground series' mixing, this was done by Sasha and Digweed themselves, not a professional studio mixer using 21st century computers - making the album all that much more special.
The track progression is seamless; I love the ethereal sounding beats mixing, melding, churning subtly together to form this astounding musical mosaic. The music is now eleven years old. 1996-2007. But it is as fresh, as seamless, as illusory and divine as it was in the mid '90s.
One thing to be said - for years, I owned the U.S. release (long after the UK release had been discontinued) and was ignorant of a second disc to this release. And I cannot convey to those out there with enough urgency that the second disc completes this epic journey, even though the first disc (North) could very well stand alone as a 5-star album and has for quite some time.
The second disc (South), never released in the United States and only limitedly available around the rest of the globe, matches the mysticism of the North disc. Yet it is so very different. While the North disc is a bubbly landscape of dreamy, beautiful and luscious ear candy melded into one long 11 part track, the South disc adds the balance necessary to call this a real trance album. There are solidified beats on the South disc, straight from the get-go. This disc has an icier feel to it, a bit more cryptic whereas the North disc feels somewhat organic and earthen to my ears. I love it. Phased vocals, beat crescendos and chopped inserts lay the foundation for the rushing peaks that the North disc lacks. The North disc still remains my favorite because it is a humble work of beauty, but the South disc feels a bit more like the perfect segue into the future Northern Exposure releases.
The biggest complaint with these masterpieces is that the songs sound too dated. NOT SO WITH THIS RELEASE. I promise that anyone, from an older ex-raver to the trance newcomer will find these songs accessible. This album surpasses that boundary which can snag some listeners' appreciation for the music.
If you want something truly historical, aurally divine, musically enigmatic and a work of technical genius, then purchase this album. Sell a kidney if that should be the prerequisite to getting the South disc. I have finally found the whole package, and I refused to review this album without having experienced it first in its 1996 completeness.
~Lex
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Full Exposure Live (Bonus DVD)
Cory Morrow Manufacturer: Smith Music Group ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000A4G4Q Release Date: 2003-07-22 |
Tracks:
- Nothing Better
- Gtmo Blues
- 21 Days
- Intro
- Texas Time Travelin'
- Live Forever
- Drinkin' Alone
- Highway
- Light on the Stage (Sing With Me)
- Medley
- Love Me (Like You Used to Do)
- Songwriter's Lament
- Straight to Hell
- Are You Sure Hank Done It This Way? - Pat Green, Cory Morrow
- Big City Stripper
- Beer
Tracks:
- [DVD]
Customer Reviews:
Buy it NOW!!!.......2004-11-01
The enthusiasm and energy Cory brings to the stage is nothing but amazing. We have seen him 3 times live now and can't wait until the next show!!! And when we can't wait until the next live performance we just pop in the bonus DVD!! I just wish more artists would be as innovative as Cory and provide the fans with video performance such as Cory does. Two Thumbs WAY up!!!
Texas Country At It's Best.......2004-06-01
Amazing.......2003-08-25
Album Review:
- First Time
- Flying Carpet: Mixed by Claude Challe [Import]
- Forgive [CD-single]
- Frequent Flyer: Kingston Jamaica
- Global (Bonus DVD)
- Glovebox
- Habitat Collection: Fireside
- Hotel Byblos Saint-Tropez, Vol. 3 [Import] [Limited Edition]
- Idylls
- In the House [Box set]
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Beck - Stabat Mater / Piau, Kordes, Ragin, Einhorn, Martens, La Stagione Frankfurt, M. Schneider
Music: Rockin' My Blues to Sleep
American Folk, Game and Activity Songs for Children
Action, Pt. 2 [CD-single] [Import]